Nick mentioned Wendy Arrowsmith aove.I'm her husband ...... as he knows we're on Skye this weekend.

I think thethe most important thing is to immerse yourself in the folk world...... understand what is going on and where he opportunities for gigs really are. Andthen do what is equired o et them. For some clubs that means doing a floor spot, for others sending a CD or getting the organiser to watch you on You Tube is enogh.

Though Wendy is establishing herself she will generally add a cople of nights onto any tour/ gigs in other parts of the country to do floorspots/ join in singarounds etc. I think you have to enjoy the hunt as much as playing the gig. There are some places where she has been trying for 5 years to get a gig, if they've left the door open at all.

There are other places that just don't like what she does....... you just have to accept that but if it to many clus/ venues/ estivals you probably have to accept that it won't happen for you without a major re-hin of material, presentation or personnel.

The other thing we found that helped was beingprepared to put gigs on for other people. It really helps with networking.

...... and George P. is absolutely correct. Being asked to do a gig is a priviledge not a right.