In dreamscapes the motion is better than even the moviesâ€" sensory, surrounding, scented, haptic and felt to the quick. It’s breathy, with all the chemicals.
Continuity, though, is poor. Now becomes then, twice. In the part of the dream you hadn’t Dreamed yet you Are in a field of teacups Asking where the pumpkins came from.
Someone who could answer does not And you remember this with frustration That is somehow familiar.
We must talk to the script writer. But the motion, in dreams Is wonderful.