Wasn't it 'O Sullivan's Nothing Rhymed that Carthy did? Maybe he did them both. Anyway - it was ghastly in any context but on the otherwise flawless Because it's There it was perverse in the extreme. That was 1979, same year as Unknown Pleasures and Live at the Witch Trials; were it not for Nothing Rhymed BIT would fit right in there, if only for The Death of Young Andrew. That's the revival for you - forever cementing its allegiances to MOR pop-schlock by way of 'reaching out'. I have my doubts...