Yeah, OK. It remains somewhat uncertain or ambiguous as to when, at what point, he began to use EMacC as his stage-name/pseudonym. I don't suppose anyone has any Red Megaphone or whatever programmes to settle the point. Did 'street theatre' companies even have programmes, or for that matter names known to their audiences? It is the sort of thing which I mentioned in my Times review of his autobiography Journeyman, about which he tends to remain silent, or fudge.

Still, I do take the point, Tone.

~M~