I went through a phase years ago of being much into DADGAD, even traveled with a 6-string tuned to standard and a 12 tuned to DADGAD. One of the things that got me out of it, in addition to being too lazy to keep hauling two cases, was my children suggesting that I try BADDAD. I got the point.

I still use the "DADGAD capo" for a few songs in E (or F or G, using both the trick capo and a regular one)(or in D on the 12, which is normally tuned one whole tone flat), but I no longer bother with actual DADGAD tuning.

P