The Mudcat Café TM
Thread #6169   Message #35618
Posted By: Joe Offer
22-Aug-98 - 02:32 AM
Thread Name: Angelina Baker variations
Subject: Lyr/Tune Add: ANGELINA BAKER (Stephen Foster)
ANGELINA BAKER
Stephen Foster, 1850

Away down on de old plantation,
Dah's where I was born,
I used to beat de whole creation
Hoein' in de corn:
Oh! den I work and den I sing
So happy all de day.
'Til Angelina Baker came
And stole my heart away.
chorus
Angelina Baker!
Angelina Baker's gone,
She left me here to weep a tear
And beat on de old jaw bone.
I've seen my Angelina in de springtime and de fall,
I've seen her in de cornfield and I've seen her at de ball;
And ebry time I met her she was smiling like de sun,
But now I'm left to weep a tear cayse Angelina's gone.

Angelina am so tall, she nebber sees de ground,
She habe to take a wellumscope to look down on de town.
Angelina likes de boys as far as she can see dem,
She used to run old Massa roud to ax him for to free dem.

Early in de morning ob a lubly summer day
I ax for Angelina, and dey say, "She's gone away."
I don't know wha to find her, Cayse I don't know wha she's gone,
She left me here to weep a tear and beat on de old jaw bone.
From "A Treasury of Stephen Foster" (Random House, 1946, notes by John Tasker Howard):

The original title-page of "Angelina Baker" stated that it was No. 4 of "Foster's Plantation Melodies, as sung by Christy's Minstrels." It was published by F.D. Benteen of Baltimore, March 18, 1850, less than a month after the publication of "Camptown Races."

"Angelina Baker" is a typical minstrel song, in pseudo-Negro dialect. In the last line of its chorus it refers to the "jaw-bone" which was an instrument the end-men of a minstrel show shook like a tambourine. It was made from the actual jawbone of a horse or ass. When the bone was thoroughly dried the teeth became so loose that they rattled and produced a sound as loud as that of a pair of castanets.

In every sense a minor Foster song, "Angelina Baker" is nonetheless representative of the nonsense song in which Foster was so successful. One of his greatest contributions to minstrelsy was his refinement of the humor of its songs. His words were as nonsensical as other ditties, but he made an art product of a type of lyric which had belonged exclusively to the bar room. It was not so much a matter of Foster's refinements of words and music, but an individuality of style.

Foster's earnings on this song were pathetically low. In the course of seven years, it netted him a total of $16.87.

MIDI file: ANGELI~1.MID

Timebase: 192

Name: Angelina Baker
Text: By Stephen C. Foster
Tempo: 080 (750000 microsec/crotchet)
Key: G
TimeSig: 2/4 24 8
Start
0000 1 64 110 0094 0 64 000 0002 1 73 110 0094 0 73 000 0002 1 73 110 0094 0 73 000 0002 1 71 110 0142 0 71 000 0002 1 69 110 0046 0 69 000 0002 1 73 110 0094 0 73 000 0002 1 69 110 0094 0 69 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0094 0 69 000 0002 1 71 110 0094 0 71 000 0002 1 64 110 0094 0 64 000 0002 1 74 110 0142 0 74 000 0002 1 73 110 0046 0 73 000 0002 1 71 110 0160 0 71 000 0128 1 71 110 0094 0 71 000 0002 1 73 110 0142 0 73 000 0002 1 73 110 0046 0 73 000 0002 1 71 110 0094 0 71 000 0002 1 69 110 0094 0 69 000 0002 1 73 110 0094 0 73 000 0002 1 69 110 0094 0 69 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0094 0 69 000 0002 1 71 110 0094 0 71 000 0002 1 71 110 0094 0 71 000 0002 1 73 110 0142 0 73 000 0002 1 71 110 0046 0 71 000 0002 1 69 110 0160 0 69 000 0128 1 64 110 0094 0 64 000 0002 1 73 110 0046 0 73 000 0002 1 73 110 0142 0 73 000 0002 1 71 110 0094 0 71 000 0002 1 69 110 0094 0 69 000 0002 1 73 110 0046 0 73 000 0002 1 69 110 0142 0 69 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0094 0 69 000 0002 1 71 110 0094 0 71 000 0002 1 64 110 0094 0 64 000 0002 1 74 110 0142 0 74 000 0002 1 73 110 0046 0 73 000 0002 1 71 110 0160 0 71 000 0128 1 71 110 0094 0 71 000 0002 1 73 110 0142 0 73 000 0002 1 73 110 0046 0 73 000 0002 1 71 110 0094 0 71 000 0002 1 69 110 0094 0 69 000 0002 1 73 110 0094 0 73 000 0002 1 69 110 0094 0 69 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0094 0 69 000 0002 1 71 110 0142 0 71 000 0002 1 71 110 0046 0 71 000 0002 1 73 110 0142 0 73 000 0002 1 71 110 0046 0 71 000 0002 1 69 110 0256 0 69 000 0128 1 64 110 0142 0 64 000 0002 1 64 110 0046 0 64 000 0002 1 64 110 0094 0 64 000 0002 1 64 110 0094 0 64 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0160 0 69 000 0128 1 64 110 0142 0 64 000 0002 1 64 110 0046 0 64 000 0002 1 64 110 0094 0 64 000 0002 1 64 110 0094 0 64 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0094 0 69 000 0002 1 71 110 0142 0 71 000 0098 1 71 110 0046 0 71 000 0002 1 73 110 0094 0 73 000 0002 1 73 110 0094 0 73 000 0002 1 71 110 0094 0 71 000 0002 1 69 110 0094 0 69 000 0002 1 73 110 0142 0 73 000 0002 1 69 110 0046 0 69 000 0002 1 66 110 0094 0 66 000 0002 1 69 110 0094 0 69 000 0002 1 71 110 0046 0 71 000 0002 1 71 110 0046 0 71 000 0002 1 71 110 0094 0 71 000 0002 1 73 110 0094 0 73 000 0002 1 71 110 0094 0 71 000 0002 1 69 110 0336 0 69 000
End

This program is worth the effort of learning it.

To download the March 10 MIDItext 98 software and get instructions on how to use it click here

ABC format:

X:1
T:Angelina Baker
M:2/4
Q:1/4=80
K:G
E2^c2^c2B2|-BA^c2A2F2|A2B2E2d2|-d^cB6|B2^c3^cB2|
A2^c2A2F2|A2B2B2^c2|-^cBA6|E2^c^c3B2|A2^cA3F2|
A2B2E2d2|-d^cB6|B2^c3^cB2|A2^c2A2F2|A2B3B^c2|
-^cBA6|-A2E3EE2|E2F2A4|-A2E3EE2|E2F2A2B2|
-B3B^c2^c2|B2A2^c3A|F2A2BBB2|^c2B2A4|-A3||