Just skimming through my collection. I have a single violin playing Toccata and fugue in Amin on a BBC disk from 1999.

Jack. I hear the arguments and whilst no musicologist, I would put forward the view that cadences that have no beginning nor end are a trademark of JSB, being his "infinite glory of god" approach. This work is full of them. Compare that with say Handel or Vivaldi, where the end is always in sight and..,.

Oh.

Sorry.

Les Paul every time.