The conundrum continues. I have now played a Lowden O23c and a Collings D3. Unfortunately both were separated by 60 miles, so there was no one on one comparison.The O23 had a cutaway, so not only were the back and sides walnut, but the bindings as well. It blew my D18 away, so I too may have to change my mahogany favor to walnut. So the next question was, how would the O series compare to a dreadnaught body style?
In looking back on the Lowden web site, it appears the O series width and depth is actually larger than their Dreadnaughts. So that could explain how the fantastic bass melded nicely with the crisp higher notes. Is it possible the dreadnought would not ring as loud as the O?
In playing the Lowden, I was also surprised how I did not mind a wider neck.
The Collings was beautiful as well; spruce top and rosewood b&s. It blew away every Martin in the shop.
Both guitars were "listing" for $3200.
I'm still looking. The response to this thread has been great and I really appreciate the insight. From the discussion and recent experience, I believe I've learned that no preconceived notions about body style and wood are best. Just get in there and play 'em.
Any additional thoughts on dreadnaught versus orchestra body styles? Also, Lowden apparently binds its cutaway models differently for structure. Can a cutaway compromise an instrument's quality?