Interesting that several of the posts here seem to focus on the idea of minimising or eliminating the sound or reverberance of the space in which the sound is happening - whereas I personally like that, depending on the space. If you have a good-sounding room with a natural reverb that's pleasing and good to you, I'd say it's worth throwing up one or two room mics in addition to whatever main mic which is capturing the voice - that is, a couple of mics placed more distantly from the source of the sound. Then in the mix, the recordings from these more distant mics can be added to the main close vocal recording to taste.