It seems to me it might be a good idea to get a thread entitled Walter Pardon, uncritical praise and fan contributions only. Because then somebody might say something to the point regarding his singing style and technique. Apart from Carthy's over the top praise of his 'timing' (AKA strook), there has been surprisingly little. I know this is difficult, (and again, Hillery sets out some of the more technical difficulties in describing music) but it was striking to me that so few people have found anything to say on this, even those who want to prevent anything other than adulation.