The Mudcat Café TM
Thread #166876   Message #4026280
Posted By: Brian Peters
04-Jan-20 - 05:45 AM
Thread Name: Review: Walter Pardon - Research
Subject: RE: Review: Walter Pardon; Research
Our moderator believes that the OP "has posted some very valuable information about Walter Pardon". I'd have said that the most valuable offerings on this thread have been those contributed by persons who have deep personal knowledge of traditional singers, their styles and backstories and, in two cases, personal knowledge of the subject of the thread: Jim Carroll, Mike Yates and Vic Smith.

The OP has, it's true, copied and pasted an article from Musical Traditions which was useful here, but unfortunately right from the outset he or she has presented an agenda questioning WP's status as a traditional singer, raising irrelevant issues regarding his sources, style, etc. S/he has attempted to convince us of the existence of a 'Pardon industry' devoted to 'lionising' a singer who (apparently) deserves no such respect, and which was allegedly animated by Marxist beliefs.

Let's not forget that the OP posted on the 'State of British Folk' thread that "some of [Walter Pardon's] offerings on Spotify are so embarrassingly bad I would be cringing if hearing them live", and on the present thread that "my granddad was a better singer".

The fact is that, by any objective criteria, Walter Pardon was an accomplished and highly significant traditional singer. He had a large repertoire learned principally from members of his family, including many songs with full, coherent texts and interesting melodies. His voice had a pleasingly warm timbre, his pitching was accurate (if sometimes prone to drifting sharp over the course of several verses), his attention to the lyric was exemplary, and as a performer he was modest yet authoritative. He came to the attention to the folk revival at a time when it was widely believed that singers of his quality were no longer to be found, so it's hardly surprising that people were excited.

In the light of the OP's obvious and stated disdain for Walter Pardon as a singer, and the plethora of spurious and unsupported claims that have been made, it's hardly surprising that several contributors have felt the need to respond robustly.