SAPPER'S LULLABY
(Fred Smith)

Up past from the Role 2, and down past the gate, out to the flight line
We stood in the sun, slouch hat and gun as two caskets passed us by

And followed the padre, on to the Herc. And out in to the pale summer sky
We walked back to Poppy’s, and went back to work, with the dust still in our eyes

So soldiers, sing me, your sapper’s lullaby
You give it your all, knowing if you should fall
That all good things must die

These young engineers whose job is to clear the roads that we may pass
Always out front and, when they bear the brunt, man it happens fast

Sapper D Smith had a wife and a son, the apple of his eye
Snowy Morland was just 21, way to young to die

Soldiers, sing me, a sapper’s lullaby
You give it your all, Knowing if you should fall
That all good things must die

So go call your mother, call your old man, on that welfare line
Tell 'em you love 'em, while you still can, cause all good things must die

Soldiers, sing me, a sapper’s lullaby
You give it your all, knowing if you should fall
That all good things must die

Fred explains and sings his song:

Youtube clip

One of Australia's finest war poems by folklorist and poet, John Manifold.

THE TOMB OF JOHN LEARMONTH AIF
(John Manifold)

This is not sorrow, this is work:
I build acairn of words over a silent man,
My friend John Learmonth whom the Germans killed.

There was no word of hero in his plan;
Verse should have been his love and peace his trade
But history turned him to a partisan.

Far from the battle as his bones are laid
Crete will remember him. Remember well,
Mountains of Crete, the Second Field Brigade!

Say Crete, and there is little more to tell
Of muddle tall as treachery, despair
And black defeat resounding like a bell

But bring the magnifying focus near
And in contempt of muddle and defeat
The old heroic virtues still appear.

Australian blood where hot and icy meet
(James Hogg and Lermontov were of his kin)
Lie still and fertilise the fields of Crete.

Schoolboy, I watched his ballading begin:
Billy and bullocky and billabong,
Our properties of childhood, all were in.

I heard the air though not the undersong,
The fierceness and resolve; but all the same
They’re the tradition, and tradition's strong.

Swagman and bushranger die hard, die game,
Die fighting, like that wild colonial boy –
Jack Dowling, says the ballad, was his name.

He also spun his pistol like a toy,
Turned to the hills like wolf or kangaroo,
And faced destruction with a bitter joy.

His freedom gave him nothing else to do
But set his back against his family tree
And fight the better for the fact he knew

He was as good as dead because the sea
Was closed and the air dark and the land lost,
'They'll never capture me alive,' said he.

That's courage chemically pure, uncrossed
With sacrifice or duty or career,
Which counts and pays in ready coin the cost

Of holding course. Armies are not its sphere
Where all's contrived to achieve its counterfeit
It swears with discipline, it's volunteer.

I could as hardly make a moral fit
Around it as around a lightning flash.
There is no moral, that's the point of it,

No moral. But I’m glad of this panache
That sparkles, as from flint, from us and steel,
True to no crown nor presidential sash

Nor flag nor fame. Let others mourn and feel
He died for nothing: nothings have their place.
While thus the kind and civilised conceal

This spring of unsuspected inward grace
And look on death as equals, I am filled
With queer affection for the human race.

-- Stewie.