I'm happy to be corrected on that, Derek. I don't think it alters my underlying point, which was that having staff members and trustees who are familiar with the workings of the mainstream arts world has probably helped the Society to tap into sources of funding such as this, where you have to speak the language and tick the right boxes to be successful. I'm happy to give them credit for that. At the same time, I find it regrettable that in trying to bring folk into that (largely professional) arts world they seem to be neglecting the amateur grass-roots which have always been at the core of folk.