The Mudcat Café TM
Thread #9770 Message #4214150
Posted By: and e
26-Dec-24 - 08:29 AM
Thread Name: Origins: Little Ball of Yarn
Subject: RE: Origins: Little Ball of Yarn
For a similar example [of folk expurgation] from America, we again turn to the repertory of Robert Beers. In 1943, Mr. Beers learned two distinct versifications of the same piece from his grandfather North Freedom, Wisconsin. The following version of "The Little Ball of Yarn" was sung by George Sullivan exclusively to all-male audiences:
THE LITTLE BALL OF YARN
1. It was in the month of May, when the lambs do sport and play And the birds in the bushes sang a charm, That I met a fair young maid, and to her I did say, "May I wind for you your little ball of yarn?"
2. "Oh, no, kind sir," said she, "You're a stranger unto me And I fear that you may bring to me great harm. You better go for those who have money and fine clothes, And wind for them their little ball of yarn."
3. But I took this handsome maid and I led her to the shade While the birds in the bushes sang a charm, And the blackbird and the thrush hid their head behind the brush Whilst I would for her her little ball of yarn.
On occasion, George Sullivan would sing the related ballad of "The Golden Skein" to mixed audiences:
Beers reports his grandfather was aware that these two pieces where different versions of the same ballad tale, and that the erotic metaphors of the later piece [The Golden Skein] were likely to me missed in the course of their being sung to an exquisite Victorian melody, whereas the former item, sung to a pedestrian, hackneyed tune, had little to distract a listener from its patently bawdy text. It should be noticed in this context that though both songs contain related euphemisms for the same sexual referents, the humorous metaphor of "the little ball of yarn" was so obvious and so widely known it could not serve to conceal its bawdry from either male or female audience. It had lost it euphemistic value and had thus become "a man's song." The "golden skein" metaphor, far more poetic and largely unfamiliar as a sexual euphemism to members of either sex, could be performed by both men and women before mixed audiences without offending anyone.
Goldstein, Kenneth S. "Bowdlerization and Expurgation: Academic and Folk". pg 380. Journal of American Folklore. Vol. 80, No. 318 (Oct.-Dec. 1967). pp. 374-386.