The Mudcat Café TM
Thread #84595 Message #4233471
Posted By: Jack Horntip
25-Dec-25 - 07:17 AM
Thread Name: Origins: Drilling for Oil / Boring for Oil
Subject: RE: Origins: Drilling for Oil / Boring for Oil
Of the nine songs Mr. [Gordon] Howard sang for me in May, 1960, six were more or less bawdy. They included the old and widely known "Foggy Dew" and "The Old Man Came Home One Night" (Child 274), along with four more recent pieces. Of most interest is "Boring for Oil," a modern counterpart of the many older songs using trade symbolism, which he sang to the tune of "Villikens and His Dinah":
I arrived in Calgary October the tenth And a week in that city on pleasure I spent— A week in that city prospecting the soil In search of a spot to go boring for oil.
One bright sunny day as I strolled down the street A pretty fair damsel I happened to meet. Said I to this damsel: "Your family I'll foil If you'll show me a spot to go boring for oil."
Oh, the damsel looked up and she says: "I declare Oh, I know of a spot and I've watched it with care, And no one has seen it since I was a child, And if you go there I am sure you'll strike oil."
So I fondly embraced her on the very top floor. I hugged and I kissed her a thousand times o'er, And I lifted her garments for fear they might soil; Then she showed me that spot to go boring for oil.
Well, I scarcely had bored in six inches or more When the oil from her well so freely did pour, And she looked up at me and she said with a smile: "Come down on your auger—I'm sure you've struck oil."
Although comparatively modern, that follows a traditional folk-song pattern, and was probably composed by an Irishman: the "child" and "smile" rhymes indicate that oil was pronounced "ile." Mr. Howard said he had heard it in Drumheller, Alberta, in 1919. Ellen Stekert collected it in 1958 from a man in his eighties living in Steuben County, New York, who thought he had learned it in the lumberwoods of northern Pennsylvania. His seven stanzas included a first and a last one that Mr. Howard did not sing, but the others were quite similar. Frank Hoffman collected it from Hiram Cranmer, an ex-lumberjack from north central Pennsylvania, who had learned it from other lumberjacks before World War I. Both the other versions mention "Oil City" in place of Calgary as the locale.
1966. "A Sampling of Bawdy Ballads from Ontario" by Edith Fowke in Bruce Jackson (ed.), Folklore and Society: Essays in Honor of Benjamin A. Botkin, (Hatboro, Pennsylvania: Folklore Associates).