I am not sure what recording you are listening to--I've got Merle's 1946 recording, which is in G, but transposed, it is exactly what you've got: |C#7C#7/F#mF#m/C#7C#7/F#mF#m/B7B7/B7B7/B7B7/E7E7|

At least on that recording, the chords are exactly what you've got--If you are so inclined, you can change the third measure of B7 to Bm7-- /B7B7/B7B7/Bm7Bm7/E7E7|

which isn't there, but sounds good,

or you could play:

/B7B6/B7B6/F#9B7/E7E7| which would sound good, too--