Dylan's latest, Love and Theft is brimming over with lyrical and musical "appropraitions" Apart from the inclusion of the words 'for Charley Paton' in the title of High Water there is no reference to any of this. I guess when you've been subject to the amount of adulation and ridicule (Justified and unjustified)you become disassociated to criticism, at least on topics like this. He'aint changin' his theivin'ways fo'no man gotta problem, take it to the boss