Subject: UK guitar luthier From: Fred Date: 12 Aug 25 - 11:50 AM So, my Martin D-18 developed a buzz on the A string. I looked at many Luthier options and went with Stuart Palmer in Doncaster. Boy that's one cluttered workshop and there was nearly an accident as I almost went headfirst down the steep stairs when leaving! He said it will be ready for collection next week, so I'll update then with how I rate his work. Cheers -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 12 Aug 25 - 12:44 PM Tidy he ain’t! But he’s a decent guy and I’m sure he’ll do a good job. |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 12 Aug 25 - 12:56 PM Get him to tell you about baking powder/soda and superglue! |
Subject: RE: UK guitar luthier From: Fred Date: 12 Aug 25 - 02:12 PM Fingers crossed, BWM. Ray, I hope there'll be none of that going on lol. If the nut slots are too low, I want a new bone nut cut. -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 12 Aug 25 - 03:48 PM A real “nut job” then! |
Subject: RE: UK guitar luthier From: Fred Date: 12 Aug 25 - 05:04 PM Aye lad :) -F |
Subject: RE: UK guitar luthier From: Fred Date: 13 Aug 25 - 05:06 AM Stuart Palmer can be a bit tricky to find. Finding Copley Road is easy but, if you look for Electro Music, you won't find it 'cos it no longer exists. Find Copley Road then call him on 07775 230837 and he'll guide you in. He starts work at 10:30am. Boy, you better watch those stairs when leaving! -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 13 Aug 25 - 10:53 AM A bit tight and steep, aren’t they? I understand he’s due to move to new, much better premises, but there’s some kind of hold-up. |
Subject: RE: UK guitar luthier From: Fred Date: 13 Aug 25 - 11:21 AM BWM, His intention is to move to the town's Arts Centre. I think the move is on, although he doesn't seem to have a date yet. Likeable chap and very talkative - had a job to get away! -F |
Subject: RE: UK guitar luthier From: Fred Date: 14 Aug 25 - 11:07 AM I've asked that a new bone nut should be fitted if any of the slots on the existing nut are too low - and, if any saddle work is planned, fit a new bone one, leaving the existing saddle as is. I'm hoping for a wazzo setup, the voice of a nightingale! -F |
Subject: RE: UK guitar luthier From: Fred Date: 14 Aug 25 - 12:35 PM Just pop this in here for any guitarists in the Cambridge area or who can get there. In late November 2023, Chris Andrews was working at PRS Guitars in the city. This is a fantastic tech, trained by Taylor Guitars to Gold level. If he's still there, you couldn't take your guitar to a better tech. -F |
Subject: RE: UK guitar luthier From: Fred Date: 14 Aug 25 - 02:44 PM There's an email linked to him: Info@caguutarworks.co.uk -F |
Subject: RE: UK guitar luthier From: Fred Date: 16 Aug 25 - 01:31 PM Let me throw this at you and, hopefully, you'll tell me not to worry lol. So you know where my D-18 is but, when I mentioned that I'd put a set of strings in the case, he asked why. Seemed a bit strange to me. Wouldn't a setup be done with a new set of strings? I'd have thought so. So what's YOUR ten penn'orth? Thanks in advance Fred |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 16 Aug 25 - 01:40 PM Not necessarily. When I do my own set-ups or other adjustments/alterations to my guitars, I do them with the existing strings on so that I can easily detect any resulting tonal changes and, if there are any, I know it’s due to the work I’ve done and not the new strings. And he is inclined to have the occasional ‘leg-pull’ when you’re talking to him - personally I wouldn’t be disturbed by it. ;-) |
Subject: RE: UK guitar luthier From: Fred Date: 16 Aug 25 - 02:03 PM BWM, I didn't get concerned. If I had, I wouldn't have left my D-18 there. But I can see now why he may not want to use new strings... In any event, I'll submit a full report here when I get the D-18 back, so stay tuned ;) -F -F |
Subject: RE: UK guitar luthier From: Fred Date: 18 Aug 25 - 07:29 AM Nothing yet. But just in case Stuart Palmer doesn't get my D-18 singing like it did, I've got a Plan B: A guy I lost track of but managed to find again. This guy is as good as it gets and only charges £50 for a setup. -F |
Subject: RE: UK guitar luthier From: Fred Date: 19 Aug 25 - 06:56 AM Collecting my D-18 on 22 Aug, so I'll let you know over the weekend what I think of Stuart’s work. To be honest, I'm expecting my D-18 to play like butter and sound like a choir of angels ;) -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 19 Aug 25 - 07:44 AM I’ll be very surprised if you’re not a happy bunny! |
Subject: RE: UK guitar luthier From: Fred Date: 19 Aug 25 - 09:10 AM BWM, Stuart is someone whose work I don't know 'cos it's the first job he's done for me, so there's bound to be some "Did I do the right thing?" going on. There still is, and there WILL be until I have the D-18 in my hands and try it. If my arthritis will let me, I'll do Dylan's It's All Over Now Baby Blue for him ;) -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 19 Aug 25 - 12:25 PM Hope it doesn’t sound like a “choir of angels”. If it were mine, I’d want it to sound like a D18. Are you confusing it with a Taylor? |
Subject: RE: UK guitar luthier From: Fred Date: 19 Aug 25 - 02:11 PM Ray, "Choir of angels" was a bit tongue-in-cheek, as was "Play like butter". I often read such things on forums "Neck straight as an arrow, no buzzing, plays like butter!" :) -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 19 Aug 25 - 05:16 PM ‘Grand Piano-like’ is the nonsense that boils my p**s. Along with the ‘Choir of angels’ BS. |
Subject: RE: UK guitar luthier From: Fred Date: 21 Aug 25 - 05:26 AM Another is 'Rings for days'. I bet!. Called Stuart today. My D-18 is ready to collect, so I'll be heading to Doncaster tomorrow. -F |
Subject: RE: UK guitar luthier From: Fred Date: 22 Aug 25 - 09:09 AM So, I have my Martin D-18 home. A quick tune to pitch and the test. Chords and single notes sound good. There's less relief and slightly less saddle, sounds livelier. All that gets a ? from me. Intonation is spot-on, though it was before to be fair, but it's still as good and that's the point. Stuart Palmer has definitely improved what was a very good D-18 when I handed it to him, and I'll certainly use him again. Stuart Palmer (Luthier), Doncaster 07775 230837 I have no hesitation in recommending him. -F |
Subject: RE: UK guitar luthier From: Fred Date: 22 Aug 25 - 09:12 AM That ? started life as a tick lol. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 22 Aug 25 - 11:11 AM Good to hear, Fred, although I never doubted you’d be happy! |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 22 Aug 25 - 12:05 PM Good to hear Fred. The only way to alter the relief on my D18 is to plane the fingerboard and re-fret the neck. Not a job for the inexperienced as pressing the new frets in is, in itself, likely to reduce the neck relief. (A once-in-a-lifetime change from medium strings to light several years ago, made no noticeable difference.) |
Subject: RE: UK guitar luthier From: Fred Date: 22 Aug 25 - 12:46 PM What Stuart DOES do though, if he does a restring, is lock them off at the headstock. That'll have you cursing when you want 'em off! -F |
Subject: RE: UK guitar luthier From: Fred Date: 22 Aug 25 - 02:06 PM Ray, A tricky job for sure, though some in the UK could tackle it. Any ideas where to go? I've got a suggestion but it's a heck of a road trip for you. -F |
Subject: RE: UK guitar luthier From: Fred Date: 22 Aug 25 - 04:35 PM Try this place, Ray: CCGX 020 89731441 If you can't get there, they can arrange collection and delivery. I've used 'em for years. Don't know if they would do the relief work on your Martin but wouldn't hurt to call 'em. -F |
Subject: RE: UK guitar luthier From: Chris_S Date: 22 Aug 25 - 05:10 PM Steve Kendall did a fabulous job on my new Alvarez guitar. Beautiful to play after his attention which was badly needed for a great sounding guitar but poorly set up and with some sharp fret ends. Totally sorted for a really modest price. He has a website, can really recommend if you are near Abingdon/Wantage area of UK. |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 22 Aug 25 - 05:27 PM Not saying I need it done Fred, had it sorted by a, now retired, luthier friend of mine some years ago - the neck was twisted not just warped. Yes, why do people use the “string locking” technique? Don’t tell me that it stops them slipping. I’ve been changing strings for 50+ years and never had a problem. |
Subject: RE: UK guitar luthier From: Fred Date: 22 Aug 25 - 06:24 PM Ray, When stringing up, all I do at the headstock is thread through, put two fingers under the string between nut and first fret to get a little slack, wind to pitch and snip off the excess. Never had a string slip. -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 23 Aug 25 - 03:22 AM Fred, try winding round the post a couple of times, under tension, before poking the end through the hole and turning the knob to bring the string up to pitch. It’s a lot quicker and I find I shed a lot less blood when re-stringing a mandolin this way. |
Subject: RE: UK guitar luthier From: Fred Date: 23 Aug 25 - 05:14 AM Never done it like that, Ray, but no harm in giving it a go, cheers. -F |
Subject: RE: UK guitar luthier From: GUEST,gillymor Date: 23 Aug 25 - 08:51 AM I install strings with a Z bend. Fast and easy and it works for me. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 23 Aug 25 - 09:27 AM Here’s how I’ve done it for the past umpteen years. No knots, no ‘locks’, no blood-letting, neat and tidy, quick, and rock-solid tuning. |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 23 Aug 25 - 12:23 PM Each to their own way. The Taylor “cut-em first”method is probably fine for hex-core strings but try that with round cores and you’re likely to hit trouble. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 23 Aug 25 - 02:20 PM Correct Ray. On the occasions I use round-cores (usually Newtones) I don’t cut until they’re tuned up. But for hex-cores, I find the ‘Taylor’ method quick, easy, and reliable. I’m a comparatively recent convert to the ‘Taylor’ method, for most of the 64 years I’ve been playing I’ve used either the ‘one over, the rest under’ method, or the method that employs a ‘lock’ by wrapping the free end under and around the captive part of the string. As you say, each to their own way, but I’ve never found an easier method than the Taylor method. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 23 Aug 25 - 02:23 PM Ray, if your D-18 doesn’t have an adjustable truss rod, it must be dated Pre-1985? I’d love to see and hear it! |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 23 Aug 25 - 02:31 PM 1973 - £190 new - bought it from a chap called Ivor Mairantz, who you might have heard of! Lives in £80 worth of Calton case but doesn’t get played that often nowadays. I use Newtones on one of my OMs as it needs ball end strings and I need to order custom sets. |
Subject: RE: UK guitar luthier From: Fred Date: 23 Aug 25 - 03:20 PM One issue I DO have with Stuart is that he removed material from the bottom of the original saddle, rather than leave it as is and make a new one like I asked. Slightly p*ssed off about that. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 23 Aug 25 - 04:18 PM @Ray - I do remember Ivor Mairants, and I bought a guitar a year ago from his old shop, now Mak’s Guitars. @Fred - does it really matter? If your action needed lowering, and you used a new saddle, the (unadjusted) old one would be too tall, so pretty much useless. Saddles are pretty much regarded as consumables and are easily replaceable. I took the original saddle out of my D-18 and replaced it with a new, much better one from Bob Colosi about 12 years ago. The new one is still in the guitar, the original one is somewhere in my ‘stuff’ drawer, I haven’t seen it for years. If there’s ever a need to replace the ‘new’ saddle, I’ll just get another ‘new’ one. But I don’t get emotional about guitars, and I don’t worry about keeping things ‘original’, it needs to do what I want it to do, and if I want to change something, I just do it - so my D-18 has Waverly Tuners which replaced the Gotohs it came with, and which I gave away, the bridge-pin holes are reamed and slotted, and the plastic slotted pins replaced with solid (unslotted) ebony pins, I put a strap-button in the neck-heel, and installed a K&K pickup. But that’s just me, and I realise my way isn’t everyone else’s way - to each their own, just as it should be. |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 24 Aug 25 - 03:51 AM Backwoodsman - not just the shop but the man himself. I think he died back in the 80s. It still has the original plastic bridge pins. The 70s are thought by some to be their worst decade. Fred - I wouldn’t worry about it - it’s only a bit of bone (or plastic) and nobody but you will know. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 24 Aug 25 - 07:40 AM In a modern D-18 it’s bone Ray. |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 09:05 AM BWM & Ray, I get all that BUT, me being me, I like to keep the original saddle (nut too) as is, so that I can always go back. The original action and relief was perfect for me. The relief was 0.010" at the 7th but at the 12th fret I didn't measure the action. "Does it matter?" To me, yes. The setup Stuart did is good in itself, I'm not faulting that, but what I AM saying is that if you go to him for a setup, he doesn't work with numbers, he does it by feel. That "feel" may or may not suit YOU. -F |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 09:18 AM The D-18 is now booked in at CCGX for a new nut, new saddle and a Plek setup. Again, I'll review the work done and if I find a fault I WILL tell you as I want to be honest. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 24 Aug 25 - 11:23 AM ”Subject: RE: UK guitar luthier From: Fred - PM So, I have my Martin D-18 home. A quick tune to pitch and the test. Chords and single notes sound good. There's less relief and slightly less saddle, sounds livelier. All that gets a ? from me. Intonation is spot-on, though it was before to be fair, but it's still as good and that's the point. Stuart Palmer has definitely improved what was a very good D-18 when I handed it to him, and I'll certainly use him again.” ”Subject: RE: UK guitar luthier From: Fred - PM Date: 24 Aug 25 - 09:18 AM The D-18 is now booked in at CCGX for a new nut, new saddle and a Plek setup. Again, I'll review the work done and if I find a fault I WILL tell you as I want to be honest.” You’re losing me, Fred! If you were happy with the guitar after SP had set it up (apart from him adjusting the original saddle and not installing a replacement - a complete non-issue AFAIC, but it’s your guitar, not mine!), I’m wondering why, two days later, you’ve decided to take it elsewhere for another setup, a new nut and saddle, and a Plek - that sounds an expensive exercise. As I said, your guitar (and your money!) not mine, and you’re absolutely free to do as you wish, but I’m wondering what your reasoning is? You don’t have to explain if you don’t wish to, but I’m just a little perplexed… |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 11:50 AM BWM, OK, here goes: I didn't want the saddle touched. However, it has been, so keeping it now isn't as important to me as it once was. Can you see that? Second, although Stuart's setup is good, the more I play it the more I realise that it doesn't suit ME. But if you go there, tell him what you want and ask him to consult you before makes any changes, you should be ok. I didn't do that and maybe I should have. -F |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 12:07 PM Yes, it is expensive. A Plek setup alone is £170, then there's a new bone nut, saddle and shopping. But I love this D-18. Anything that it needs it's going to get. Why Charlie Chandler's Guitar Experience (CCGX)? Well, I've used em for years and only one minor issue - and that was as my fault! :) -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 24 Aug 25 - 12:11 PM As I said, your guitar, your money, your choice. No criticism intended, just enjoying a discussion on my favourite topic (guitars), and trying to understand ‘the other guy’s POV’. Personally, I always play a newly set-up guitar in front of the luthier/tech before I pay and take it home, then any problems can be sorted there and then (had to do that once when I picked a guitar up and the 12th fret action was too low for my liking - fixed there and then and I left a happy bunny). I guess I’m pretty fortunate in knowing what setup works for me, all four of my acoustics (two Martins, a Lowden, and a McNally) are set up the same… Nut slots: a hair (0.002” - 0.003”) over first fret height Neck Relief: 0.006” 12th fret action: 3/32” Low ‘E’, 5/64” High ‘e’ …so they all ‘feel’ the same (apart from neck-profile variances, and I’m able to check and replicate those myself if anything starts to feel ‘off’, and I can give the measurements to a luthier/tech when I have a first setup done on a new guitar - usually eight weeks or so after I get it. You didn’t mention problems with the nut - what’s going on with it? |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 12:12 PM Shipping not shopping! Lol -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 24 Aug 25 - 12:27 PM Yeah, I worked that one out! BTW, another tech who is highly recommended for setups, refrets, new nuts and saddles, etc. is Kate Phillips (GuitarKes) up near Whitby. Kate is the wife of Steve Phillips who was with Mark Knopfler and Brendan Croker in the Notting Hillbillies. She has a nice little workshop in the garden of their house, and she did a quick job sorting out buzzing on my old Brook. And it’s a very pleasant run over the Humber Bridge up to Whitby (although further for you than it is for me!). Check out her FB Page - https://www.facebook.com/guitarkes? I don’t like shipping guitars so I always take them personally - even had a day-trip to Southampton to see Vince Hockey with my old J-40 a few years ago, and two trips to Dave King down near Newbury (he did a B&S re-finish on my D-18 - don’t ask, long story!). |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 12:30 PM BWM, If you have a guitar Plekked, a new nut is the way to go. The machine cuts the nut slots. It's incredibly accurate at 1400th's of a millimetre. Is it worth the expense? That depends on you but to me it is. I've had setups with Plek and without, and I've always found Plek better. Bear in mind, though, that a Plek machine is only as good as the operator. -F |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 12:54 PM Accuracy is 144 thousandth's of a millimetre. I always get that wrong! -F |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 01:09 PM One place I WOULD go for a setup (distance no object) is KGB of Birkenhead. I've heard some amazing things about them. Similarly Brook Guitars who do repairs and setups as well as great guitar builds. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 24 Aug 25 - 01:39 PM Yes, I used to own a Brook Lamorna, and I went down to their workshop in Hittesleigh, Devon, for the first set-up and a look around. Lovely guitars, very nice workshop, and a great pair of guys (three, if you include Simon’s son Jack, who does the inlay work). |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 01:58 PM BWM, Did you get that McNally sorted? Last I heard you were wondering if it needed a neck reset. -F |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 03:08 PM BWM, As far as criticism goes, never took your comments to be that. If you want me to elaborate on anything I've said in this thread, you go right ahead and ask ;) -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 24 Aug 25 - 04:22 PM Yes, I got the McNally sorted out myself - too much relief and saddle too low causing buzzing in the middle of the neck, so I flattened the neck a touch and raised the saddle slightly. Perfect 3/32” x 5/64” action now, with no buzz. |
Subject: RE: UK guitar luthier From: Fred Date: 24 Aug 25 - 06:12 PM Màrtin-wise, 3/32" for the E is about as low as you want to go. You CAN go lower but you'll lose a lot of the "fire". Many acoustic guitarists I run into have nut slot height and relief as low as possible and raise saddle height. -F |
Subject: RE: UK guitar luthier From: Fred Date: 25 Aug 25 - 10:18 AM All booked in at CCGX with accompanying email detailing work needed, contact details etc. I'll let you know how it's going AND give my honest opinion when I get it back. Yes, yes, I know but here's the bet: I bet you that it will come back better than it left and THAT will be money well spent, right? Lol. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 25 Aug 25 - 12:03 PM "I bet you that it will come back better than it left and THAT will be money well spent, right? Lol." That's a question only you can answer, and I get a distinct impression that you're someone who is very difficult to please! ;-) |
Subject: RE: UK guitar luthier From: Fred Date: 25 Aug 25 - 02:09 PM BWM, You're actually not far out! When I have work done (to our house, my guitar, whatever), first thing I do is look for bad workmanship, getting quite annoyed if I find any. But I wouldn't call that picky, it's merely wanting what I paid for :) -F |
Subject: RE: UK guitar luthier From: Fred Date: 27 Aug 25 - 07:06 AM Slotting the bridge - yay or nay? Was thinking about having it done but the guys who are going to do Plek and other stuff, they said no. So, what's the benefits of having it done? Increased break angle, so more down pressure on the saddle. What else? Does it improve sound IYO? Cheers -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 27 Aug 25 - 11:16 AM Slotted bridges are mainly for guitars with, say, a trapeze style tailpiece - where the string fixings don’t necessarily have the same string spacing as the strings passing over the saddle. Consequently, slotting is necessary to keep the string courses in place. I’m not aware of any fixed bridge guitar that comes with a slotted saddle. |
Subject: RE: UK guitar luthier From: Fred Date: 27 Aug 25 - 12:30 PM No, Ray,slotting the bridge...you know, so you can use unslotted bridge pins. Does it improve tone, do you think? -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 27 Aug 25 - 12:47 PM Ray - we’re talking slotted bridges here, not slotted saddles. Major builders such as Martin and Gibson used to slot the pin-holes in the bridge, and use solid (un-slotted) pins. Some high-end modern builders still use that practice - Collings, for instance, and the Martin ‘Authentic’ Series still have slotted bridges and un-slotted pins. Some time in the mid-‘40s, Martin stopped slotting the pin-holes and started using slotted pins. It’s difficult to find the reason set out anywhere, but it’s generally accepted that, as the company moved to ever-greater production numbers, slotted pins were cheaper than slotting the bridge, and therefore they chose to go with them in the name of economy (and thus more profit). The benefits of slotted bridges with un-slotted pins include… 1) A more solid contact between the ball-end of the string and the bridgeplate 2) because of 1), Improved tuning stability 3) the tendency of the ball ends to ‘creep’ into the pin-holes is greatly reduced, or even completely removed 4) reduced wear on the bridge-plate/pin holes (because of 1 and 3) 5) improved break-angle when the saddle is low (although this can also be achieved by ramping the top of the hole rather than full slotting) There may be other advantages, but those are the main ones. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 27 Aug 25 - 12:51 PM Since 2009, I’ve reamed and slotted all of my pin-bridge guitars’ pin-holes and installed solid pins. I do it for the reasons enumerated above. I have never heard any change in tone resulting from slotting the bridge, although I’ve read anecdotal evidence from others that they heard improvements when they slotted their bridges. I have to say that I’ve never heard a tonal change either from changing pin material, so maybe I have tin ears? ;-) |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 27 Aug 25 - 01:07 PM And, regarding peoples’ opinions on ‘slotting - yes or no’, as my son says, “Opinions are like arses - everybody has one”! ;-) :-) |
Subject: RE: UK guitar luthier From: Fred Date: 27 Aug 25 - 05:18 PM I SHOULD have said slotted bridge pin holes to be fair. I can see where Ray was going. Take a banjo bridge, most have an ebony strip along the top. Arguably you could call that a saddle and it's slotted for each string, the slots being little more than string guides. -F |
Subject: RE: UK guitar luthier From: Fred Date: 27 Aug 25 - 05:39 PM Anyhoo, I now have a date when the courier (APC) will collect my D-18: 2 Sept. Collection and delivery is all arranged by CCGX, not me. And I know, I know. But I've had a LOT of guitars shipped by APC. There's never been an issue :) -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 28 Aug 25 - 03:54 AM Sorry, misunderstood what you were asking - I have more instruments with tailpieces than fixed bridges! I suspect that you’ll find people with firm opinions on both sides of the slot or not to slot argument but none who can actually provide evidence of which is better or even whether it makes the slightest difference. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 28 Aug 25 - 04:50 AM I follow the advice of some of the top American luthiers - John Arnold, Frank Ford (Frets.com), Howard Klemperer, and others, all of whom strongly recommend slotted bridges over slotted pins. They have plenty of evidence, all being experts on repair and maintenance of vintage instruments, as well as being builders of modern guitars, that slotted bridges with solid unslotted pins are better for bridge-plate preservation, due to their making a more mechanically sound connection between the string, bridge, and bridge-plate. I think the fact that high-end builders such as Collings, Dana Bourgeois, SCGC, etc. slot the pin-holes and install solid pins speaks for itself. But, as I said earlier, opinions are like arses… ;-) |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 28 Aug 25 - 05:16 AM Howard Klepper - bloody autocorrect! |
Subject: RE: UK guitar luthier From: Fred Date: 28 Aug 25 - 05:38 AM Well I've been talked out of slotting the bridge, at least for now. I can see where CCGX are coming from, not wanting to do a job that I may decide I don't like. I'll go with new nut, new saddle, Plek, and think some more about having the bridge slotted. Thanks lads -F |
Subject: RE: UK guitar luthier From: Fred Date: 28 Aug 25 - 08:00 AM An idea (not mine): Save 6 ball ends. When restringing, slide a ball down each string so that there's a flat surface to push against the bridge plate. Never tried this, but what do YOU think? Good idea or BS? -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 28 Aug 25 - 08:54 AM It’s helpful when the bridgeplate has been damaged - e.g. by slotted pins allowing ball-ends to ‘creep’ into the pin holes - but not something I’d recommend if the bridge-plate is in decent condition. I used that technique for a short while about twenty years ago when a Martin I owned at the time had exactly that problem - the cheap ‘n’ nasty soft plastic slotted pins that CFM used had distorted and allowed the ball ends to push them rearwards in the straight-drilled holes, and the ball-ends ‘crept’ into the holes. But, when I learned about bridge reaming and slotting and got advice from a couple of Martin experts on the UMGF, I reamed the pin holes with a 5° reamer to make the pins seat properly down to the collar, and slotted the holes. Once that was done, and I replaced the original pins with Antique Acoustics Galalith (a very hard plastic made from milk) unslotted pins, there were no further problems. I don’t like anything that can interfere with the transmission of string-vibrations to the guitar’s soundboard (which is why I won’t have under-saddle pickups in my guitars, and use K&K under-soundboard pickups instead) and, to my way of thinking, an important part of the transmission chain is the contact between the ball-end and bridgeplate. Putting a second ball on the string is adding a barrier, however slight, to that transmission chain. That’s my take on it anyway - I can’t offer any ‘proof’, it’s just ‘logical’ to my mind. Others may differ and that’s fine by me - ‘opinions are like arses’, etc. etc. ;-) |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 28 Aug 25 - 09:08 AM Santa Cruz? From what I can remember (my three Santa Cruz guitars are several hundred miles away) they use slotted pins but I’ll check when I get home in a couple of weeks. |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 28 Aug 25 - 03:15 PM Yes, I’ve a feeling you might be right there, Ray. I seem to recall seeing that on an AGF thread not long ago - I was very surprised, as were a number of others, I expected that, like Collings, SCGC would have a more traditional approach. Apologies if I got it wrong. |
Subject: RE: UK guitar luthier From: Fred Date: 30 Aug 25 - 11:48 AM BWM, Looking at your setup measurements above, how would you describe your playing style? -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 30 Aug 25 - 05:00 PM I fingerpick using plastic thumb-picks and Propik ‘Fingertone’ nickel fingerpicks, and strum using BC or JD Nylon flatpicks. I’d say for both styles I’m a medium-hitter. |
Subject: RE: UK guitar luthier From: Fred Date: 31 Aug 25 - 08:46 AM ^^^ interesting. I'd call myself a heavy strummer, happy with neck relief at 0.010" and 12th fret action E 7/64, e 6/64. 12th fret action affects tone (at least to MY ear), making it brighter the lower you go. Anyone else noticed this or is my imagination? -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 31 Aug 25 - 10:42 AM Raising the height of a saddle usually increases volume and vice versa. As far as saddle heights go, I’m used to so many actions, neck widths and different instruments that I’ve no idea what any of them are - I just get on and play the things! |
Subject: RE: UK guitar luthier From: Fred Date: 31 Aug 25 - 11:25 AM Actually, I put 12rg fret action but meant neck relief. I should take more water with it! The more I straighten a guitar neck, the brighter the tone seems to get. -F |
Subject: RE: UK guitar luthier From: Fred Date: 31 Aug 25 - 11:31 AM Not to self: erm...12TH dummie! |
Subject: RE: UK guitar luthier From: Fred Date: 31 Aug 25 - 11:34 AM NotE Oh I give up lol |
Subject: RE: UK guitar luthier From: Fred Date: 31 Aug 25 - 02:19 PM Tuesday my D-18 will be heading down the A1 to that London. I'm anticipating a state-of-the-art setup "Neck straight as an arrow, plays like butter, rings for days"! Chose to have it set up with D'Addario EJ17 'cos, as I've said before, I get no extra life from coated strings and so the extra cost of 'em is (for me) money wasted. Gone for a heavy strummer setup: 0.003" above 1st fret, 0.010" neck relief and 7/64 and 6/64 at the 12th. When it returns, I'll write an honest review including total cost. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 31 Aug 25 - 03:49 PM You must have very strong hands indeed, Fred, that action would be unplayable for me. Definitely a hard-hitter’s action! I await your report back here with high anticipation! |
Subject: RE: UK guitar luthier From: Fred Date: 31 Aug 25 - 05:26 PM BWM, Honestly, I'm confident CCGX will do a great job. There, I've stuck my neck out! ;) -F |
Subject: RE: UK guitar luthier From: Fred Date: 02 Sep 25 - 07:50 AM My Martin D-18 was collected this morning. I expect it to be gone 3-4 weeks as CCGX always has a heavy workload. I have no other guitar but I do have a 5-string open-back banjo which is currently totally disassembled on my workbench. I should be playing it but the tinkerer in me must mess :) -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 02 Sep 25 - 10:57 AM Only one guitar! Apart from all the others, I even had two D18s for a time until I decided to trade one of them in. Perhaps it’s time to start looking for a backup? |
Subject: RE: UK guitar luthier From: Fred Date: 02 Sep 25 - 11:56 AM Well I WOULD think about another guitar, Ray, but I've got a wife and 2 daughters, that's 3 dependants... 4 if you count the dog! -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 02 Sep 25 - 03:01 PM All a matter of priorities, Fred. My wife is self sufficient, I never wanted kids and I can’t stand dogs. Just the house, a motorhome and a couple of dozen instruments to support. |
Subject: RE: UK guitar luthier From: Fred Date: 03 Sep 25 - 05:43 AM Well, my D-18 must be nearing its destination. In expecting a call from CCGX today to discuss Plek date.... Like I said, they're always battling with a heavy workload and things don't always go as planned. But if you can put up with that, what you'll get is great workmanship, at least it's always been that way for me. -F |
Subject: RE: UK guitar luthier From: Fred Date: 03 Sep 25 - 10:06 AM My D-18 has safely arrived, so the peanuts did their job! I've borrowed a Strat for tonight's gig - Little Red Rooster gear! -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 03 Sep 25 - 12:00 PM Once did a gig with the late Peter Sarstedt - he didn’t even own a guitar; he went out and hired a Martin 12 String. |
Subject: RE: UK guitar luthier From: Fred Date: 03 Sep 25 - 12:29 PM Nottingham City Guitars would let you take home one of their guitars if yours was to stay there needing work. Don't know if that's still the case. -F |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 03 Sep 25 - 04:12 PM ”Once did a gig with the late Peter Sarstedt” I did a gig supporting his brother, Richard (a.k.a. Eden Kane), at the time he had ‘Boys Cry’ in the charts. He was a very nice guy, a great performer, and sickeningly good-looking. He was also very kind - my band’s gear was pretty clapped-out and, when we did our sound-check, he suggested we used his PA and his band’s amps and drum-kit. That must have been the best we ever sounded! His band was ‘The Downbeats’ - I seem to recall they were Nottingham-based. Eden Kane is in his 80s now, still doing live gigs, often with Marty Wilde and The Wilde-cats. And he’s still sickeningly good-looking! :-) |
Subject: RE: UK guitar luthier From: Backwoodsman Date: 03 Sep 25 - 04:13 PM As-a-aand…100! ;-) |
Subject: RE: UK guitar luthier From: Fred Date: 04 Sep 25 - 06:51 AM The reason my banjo is totally dismantled on my workbench is to give me something to do, so that I don't keep pestering CCGX over how it's going with my D-18, which I otherwise would. And, breaking down a banjo, you get an otherwise unavailable opportunity to clean components like the tone ring which is almost always tucked away out of reach. BUT DON'T REMOVE THE NECK FROM THE POT IF YOU ARE NEW TO BANJO MAINTENANCE. If that's you, you should take the banjo to a banjo tech. -F |
Subject: RE: UK guitar luthier From: GUEST,Jerry Date: 04 Sep 25 - 07:44 AM You mention banjo tech as if they are legion, when they are few and far between in the UK these days. I agree that removing the neck is best avoided, but it’s one of the tasks you have to learn yourself eventually, given that you can’t replace the head properly on some older models otherwise. |
Subject: RE: UK guitar luthier From: Fred Date: 04 Sep 25 - 08:04 AM Jerry, Yes, you should ideally learn how to remove your banjo neck. However, if you're new to banjo and it's your ONLY instrument, trying to do it and maybe not succeeding and sitting there with possibly no access to a tech and wishing you'd left it alone... Banjo techs are not numerous in the UK, and I never said they are, but a quick online search should bring up 2 or 3. -F |
Subject: RE: UK guitar luthier From: Fred Date: 04 Sep 25 - 08:21 AM As far as replacing the head, I'd say enjoy your banjo, play it, have fun and if, down the road, you want to experiment with different heads, fine but get a little experience first. Don't try too much too soon. -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 04 Sep 25 - 09:53 AM Is this an invitation for the banjo jokes? |
Subject: RE: UK guitar luthier From: Fred Date: 04 Sep 25 - 10:25 AM LOL. I get that banjos don't appeal to all, so I'll leave it there and get back to thread topic :) -F |
Subject: RE: UK guitar luthier From: Fred Date: 04 Sep 25 - 10:36 AM 'cos I have time on my hands, it was a toss- up between banjos and posting a list of guitar techs whose work I found poor. I decided I couldn't do the latter 'cos their bad work may have been a one-off and not typical, so banjos got it lol. -F |
Subject: RE: UK guitar luthier From: GUEST,Jerry Date: 04 Sep 25 - 11:23 AM The beauty of banjos is that, unlike guitars, you can dismantle them and then put them them back together to improve the set-up, but I have long since learnt that once you have one well set up, it’s best to leave it alone. Otherwise, it’s a bit like FatherTed’s slightly dented car, trying to get it back to the original state. |
Subject: RE: UK guitar luthier From: Fred Date: 04 Sep 25 - 11:54 AM Jerry, Absolutely, that IS one of the beauties of a banjo. The tinkering, though, can become a frustrating search for the Holy Grail :) -F |
Subject: RE: UK guitar luthier From: Fred Date: 05 Sep 25 - 06:32 AM Expecting a call this afternoon from the Plek operator, Kim Rodgers, to go over a few last details before my D-18 goes in the machine. The wheels are turning! -F |
Subject: RE: UK guitar luthier From: Fred Date: 05 Sep 25 - 09:49 AM So, took the call from Kim. Gone for a setup with EJ16, so 12's. Should be ready for shipping back in 2-3 weeks. -F |
Subject: RE: UK guitar luthier From: Fred Date: 05 Sep 25 - 10:28 AM One thing Kim DID say, after seeing the D-18 is that the neck was "Too straight" at 0.006", knowing my playing style. 0.010" is more me. And I rarely go beyond the 5th fret without a capo, my favourite being a G7 Newport. -F |
Subject: RE: UK guitar luthier From: Fred Date: 07 Sep 25 - 06:40 AM I'm having a hard time resisting the temptation to text CCGX Plek operator Kim Rodgers over how it's going with my D-18. Will I get pictures? Will some big noise like Clapton jump in and commandeer my D-18's Plek slot? -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 07 Sep 25 - 11:53 AM It’s weekend, he’s probably in the pub! Enquiries along the lines of “How’s it going?” Invariably make the job take longer. |
Subject: RE: UK guitar luthier From: Fred Date: 07 Sep 25 - 02:05 PM Ray, And that's why I've avoided the temptation. The job will take as long as it needs to. At some point I'll get a call and the D-18 will be shipped home. In the meantime, I've got a banjo to assemble and a Strat I can borrow if I need to :) -F |
Subject: RE: UK guitar luthier From: Fred Date: 07 Sep 25 - 02:38 PM By the way, Ray, heard of The Setup Shop? They're not too far from you in Warsop, Mansfield. They carry out repairs, re-frets, setups, and they have a website if you'd like to take a look. Never been to 'em, so it's not a recommendation. -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 07 Sep 25 - 04:02 PM Not that near, Fred. 57 miles as the crow flies. |
Subject: RE: UK guitar luthier From: Fred Date: 07 Sep 25 - 05:04 PM ^ blimey, didn't think it was THAT far. I don't drive and rely on a mate. A tame tech within pushbike range would be ideal for me! -F |
Subject: RE: UK guitar luthier From: GUEST,Ray Date: 07 Sep 25 - 05:34 PM Drove down from the Scottish borders this morning - not even looked at a guitar for over two weeks. |
Subject: RE: UK guitar luthier From: Fred Date: 08 Sep 25 - 04:44 AM Ordered 10 sets of EJ16, microfibre cloths, JD 01 Fretboard cleaner, nut sauce, so that they're here before my D-18 is shipped home - and, for me, bicarbonate of soda to tame my toxic sweat! -F |
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