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Origins: Braw New Shoon |
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Subject: Origins: Braw New Shoon From: GUEST,julia Date: 29 Oct 09 - 11:29 AM In searching for creepy Halloween songs, I came cross this song in a book called "Harmonized Melodies" by Ferdinand Trifet pub Charles D Blake 1893 The melody is completely inappropriate for the words (very major and romantic). Wonder if there are other versions out there, or anything about the song? ^^ The Braw New Shoon W.T.Bell Where gat ye the braw new shoon , laddie? Where gat ye the braw new shoon? I gat them frae a peddlar lad Just as the sun gaed doon He was waitin' by the bogle stane Tae hear the cushat croon He was waitin' by the bogle stane Tae hear the cushat croon An' what ga'e ye for the shoon laddie? An' what ga'e ye for the shoon? I caimed his hair wi'an iron caim Till the reed swat ran doon An' I left him sleepin' by the burn Amang the bracken broon I left him sleepin' by the burn Amang the bracken broon Oh! An wae's me for the shoon laddie Wae's me, but I rue the shoon! The judge will say the fearsome words Donned in black cap an' goon An' ravens croak an' flap their wings The gallows tree aboon An' ravens croak an' flap their wings The gallows tree aboon What hae ye dean wi' my shoon lassie? What hae ye dean wi' my shoon? I left them baith by Rab McGill's When I was in the toon An' I've gitten a cog o' barley bree An' we'll gar our sorrow droon I've gitten a cog o' barley bree An' we'll gar our sorrow droon |
Subject: RE: Origins: Braw New Shoon From: GUEST,leeneia Date: 29 Oct 09 - 01:54 PM Thanks for posting a scary song suitable for Halloween parties. To get a new tune, simply pick up a guitar, start strumming in Am, G and Em, and a tune will come. I believe it needs some folk processing. We need to strike a balance between using Scots dialect and having it be totally unintelligible. For example, what the heck's a cushat? If I were doing it, I would change 'reed swat' to 'red bluid' to make it clearer that the laddie murdered the poor gypsy for his shoes. And I'd forget the last verse. Good job. Thanks for posting. |
Subject: RE: Origins: Braw New Shoon From: Jim McLean Date: 29 Oct 09 - 02:07 PM A cushat is a wood pigeon, short for cushie doo (dove). I would leave the phrase 'reed swat' as 'red blood' destroys the mystery and eerieness of the song. You could, of course, just put the whole song into English. |
Subject: RE: Origins: Braw New Shoon From: maeve Date: 29 Oct 09 - 02:29 PM I like it exactly as it is, and have no trouble understanding it. Jim McLean- I agree that "reed swat" is necessary. The understated description gives me the shivers. "I caimed his hair wi'an iron caim Till the reed swat ran doon An' I left him sleepin' by the burn Amang the bracken broon..." |
Subject: RE: Origins: Braw New Shoon From: Q (Frank Staplin) Date: 29 Oct 09 - 03:39 PM Julia, more thanks. Much appreciated. I googled for the song and for W. T. Bell, and found nothing. Also nothing at Abebooks. The Blake book (Trifet is publisher of a number of song books) also seems to be rare. |
Subject: RE: Origins: Braw New Shoon From: GUEST,julia Date: 29 Oct 09 - 05:58 PM Thanks all- I agree that "reed swat" is gorier than the standard red bluid . And I like the fact that the lassie has passed the buck in the last verse- even more dastardly and desperate Now for a suitable tune.. it's actually rather creepy with the cheery tune, but would be more singable with something modal perhaps. best- J |
Subject: RE: Origins: Braw New Shoon From: Jim McLean Date: 29 Oct 09 - 06:13 PM Julia, Every tune is modal: major, minor, mixolydian .. you name it. |
Subject: RE: Origins: Braw New Shoon From: GUEST,julia Date: 29 Oct 09 - 06:38 PM Yes, I know. I was referring to the more exotic modes (of course that is certainly open to one's preference)Something non- major would be more evocative I think j |
Subject: RE: Origins: Braw New Shoon From: GUEST,Julia L Date: 21 Oct 20 - 10:02 AM A little update, although not directly about the song itself. It seems it was fairly popular being included in a number of large collections in the late 19th centuryincluding "Harmonized Melodies" by Ferdinand Trifet pub Charles D Blake 1893. Apparently, according to The Encyclopedia of Numismatic Biographies,by John Lupia (http://www.numismaticmall.com/numismaticmall-com/trifet-ferdinand-marie) Trifet originally dealt in the printing of stamps in the Boston area. He says "In 1879 publishing music was added to the stamp business, with the object of furnishing music to the masses of the people in large quantities at small profits. That success attended this undertaking is shown by the fact that Trifet Editions of music and music books were not figured by hundreds or thousands, but by hundreds of thousands and millions; one book alone, Harmonized Melodies, had, in 1899, consumed two hundred and seventy-five tons of paper." The song also appears in "Grand Musical Library" 1891, Music for the Millions" 1889, as advertised in Ladies Home Journal, The Rural New Yorker, Youth's Companion, Demorest's Family Magazine also in Australia (Traralgon Record, Victoria Tues April 30 1901 page 1 "Put into Rhyme") But virtually nothing about the song and it's maker, who we must assume was Scottish, given the lyrics. Anyone over there know anything? |
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