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Hedy West - new CD from Fledg'ling


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Thomas Stern 19 Apr 18 - 01:28 PM
Joe Offer 19 Apr 18 - 02:19 PM
Thomas Stern 24 Apr 18 - 01:59 PM
nickp 24 Apr 18 - 02:21 PM
GUEST,matt milton 25 Apr 18 - 04:45 AM
Richard Mellish 25 Apr 18 - 08:38 AM
Reinhard 16 Jun 18 - 03:21 PM
GMGough 03 Mar 19 - 06:22 PM
Thomas Stern 13 May 19 - 01:30 PM
Thomas Stern 26 May 19 - 08:29 PM
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Subject: Hedy West - new CD from Fledg'ling
From: Thomas Stern
Date: 19 Apr 18 - 01:28 PM

Hedy West Fledgling CD

Track list:
1. Lil’ Old Mountain Shack
2. Once I Had An Old Grey Mare
3. Blockader Mama
4. Ollie and Rillie Seay (story)
5. Two Sisters
6. Jack and Joe (Give My Love To Nell)
7. Sally Carter
8. I’ll Never Get Drunk Anymore
9. Frog went Courting
10. Granmaw’s Frog Story
11. The Uncloudy Day

Release date : 13th April 2018

Hope there are still some folks on the list who
will enjoy Hedy West's work and buy the CD.


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Subject: RE: Hedy West - new CD from Fledg'ling
From: Joe Offer
Date: 19 Apr 18 - 02:19 PM

I chanced upon a New York Times article about Hedy, dated 1981:



ALTHOUGH buffeted by fashion and largely ignored by the rest of the musical world, this country's Anglo-American folk purists forge ahead. They go to concerts on a circuit of folk performers, they gather for singing and picking sessions, and they flock to special weekend and summer festivals. Moreover, they seem to have an absolutely wonderful time doing all of it.

A principal keeper of the folk-music flame in the New York area is the New York Pinewoods Folk Music Club, which will present Hedy West in its last concert of the season tonight at 8 in the Public School 41 auditorium, 116 West 11th Street. Tickets are $3 and the telephone number is 594-8833 - which is also the number for information about the club and its other activities.

Folkies enjoyed a brief burst of national attention in the 1960's, when an entire generation of young, folk-influenced performers evolved from their ranks and went on to wider pop and rock success; Bob Dylan was only the best-known of them. And although the Pinewoods Club, which celebrates its 15th anniversary in September, was founded at the height of that enthusiasm, it has easily survived the trends. The club's name was taken from the Pinewoods adult summer camp in Massachusetts, run by the club's parent body, the Country Dance and Song Society of America. Monthly Newsletter of Events

The New York club's 650 members receive an exhaustively detailed monthly newsletter about folk events, attend some 20 club concerts a year and busy themselves with a wide range of other activities - all of them, in the words of the club's founder and president, Suzanne Szasz, 'maintaining the marriage of the amateur and the professional.'

Miss West, tonight's featured performer, is maintaining another kind of marriage just now - one with a research professor at the State University of New York at Stony Brook - that has recently produced her first child, eight-month-old Talitha.

Miss West was born in 1938 in Cartersville, Ga., the daughter of Don West, a poet. 'My mother was always the full-time breadwinner in our family,' Miss West said the other day. 'My father was a radical in the South, and you don't always keep jobs that way. So I never grew up wondering if motherhood and jobs were a conflict.'

The arrival of Talitha has put a temporary halt to her touring, however, just as a period of study between 1969 and 1974 had done. But she says she will resume her regular schedule in a couple of years, when she feels comfortable leaving her daughter with a sitter during performances. Lived in England in the 60's

With her delicately timbred yet strong soprano, her widely knowledgeable yet freshly rendered repertory of traditional songs and her diverse banjo and guitar playing, Miss West has won a notable reputation on the folk circuit in this country and abroad. Between 1963 and 1969 she lived in England, toured there extensively. She then returned to pursue a master's degree in composition at Berkeley and at Stony Brook. Since the mid-70's she has again toured folk clubs and festivals in this country and in Europe.

In her formal composition, Miss West works in a variety of mostly dissonant idioms, but hasn't yet found her own style. She also writes folk songs, but considers them not composition but part of an oral, un-self-conscious tradition - 'formulas that everybody has in their heads and can set down.'

Still, she doesn't reject either side of her musical personality. 'Music is music,' she insists. 'As a child, I sang my family's songs, which I didn't know were 'traditional,' and I studied music formally, and in college I majored in piano. Now, I don't want to give up either kind of music.' Long Line of Folk Singing

Miss West's next principal task is documenting the legacy of her grandmother, whose songs Miss West tape-recorded before the older woman's death last summer at 93. 'She is the primary source for the songs I sing,' Miss West said. 'And her primary source was her mother, Talitha, which is why Talitha is called Talitha. Our family came to Georgia in 1837, when the Cherokee lands were auctioned off.The songs they sang came from the British-American mongrel tradition.'

Folk performers and fans are divided between those who adhere strictly to the old songs and recordings and those who feel free to interpret and extend the tradition. Miss West tries to strike a balance between these.

' 'Purity' is such a dead way of thinking about music,' she said. 'Maybe that's why I've studied formal music - because I didn't want to tart up the folk music. However, there's never been a folk music that was 'pure'; all of it accepted influences from the outside.

'In my family, grandmother was almost an exact repeater, but her brother Gus changed words and melodies around and was a much better performer. Deep in my soul I care for my tradition, but maybe I model myself more on Gus.'

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Subject: RE: Hedy West - new CD from Fledg'ling
From: Thomas Stern
Date: 24 Apr 18 - 01:59 PM

How appalling there has been no comment on this significant
source of Traditional song and story.

Thanks to Joe for posting article above!
Are we the only traditional music enthusiasts left on Mudcat?

following extracted from Fledgling newsletter:

From Granmaw and Me is a collection of songs Hedy learned from her Grandmother – Lillie Mulkey West - songs that had traveled with emigrants from Great Britain to the USA between the 17th and 19th centuries. Hedy, one of the finest folk singers of her generation, was born in the hill country of northern Georgia. From an early age, traditional folk music played an integral role in her life. In the mid-‘50s she won first prize at the Asheville Annual Folk Festival for her singing. She recorded 3 albums for the Vanguard label before moving to England. In the late ‘60s Hedy recorded three widely acclaimed albums for Topic records and one for the Fontana label before moving to Germany.

Most of her recordings drew heavily upon the repertoire of songs handed down in her family. Unreleased until now, From Granmaw and Me was the last project Hedy prepared before her death in July 2005. As she relates in the sleeve-notes: “This recording offers a small portion of the music that was gathered in my grandmother’s family over several generations. My grandmother, Lillie Etta Mulkey West, narrates this recording, and she chose its songs. The setting is Gilmer County, Georgia, where my grandmother was born in 1888 near a crossroads called Cartecay.”

In 1967 A L Lloyd wrote: “Hedy is among the best women singers of the American folksong revival. That “among” is a pretence of objectivity; my private view is that she’s by far the best of the lot.” A sentiment that Martin Simpson and many contemporary folk musicians would happily concur with.

"Grandma specialized in sober or tragic songs, perhaps conditioned by her hard life."
FLED 3106 HEDY WEST ~ From Granmaw And Me


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Subject: RE: Hedy West - new CD from Fledg'ling
From: nickp
Date: 24 Apr 18 - 02:21 PM

Passed details to a Hedy fan not on the 'Cat

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Subject: RE: Hedy West - new CD from Fledg'ling
From: GUEST,matt milton
Date: 25 Apr 18 - 04:45 AM

i reviewed the CD for the latest issue of Songlines magazine, so received an advance copy. It's hugely enjoyable.

Hedy's voice clearly stayed really strong right up until the end. The album's a really good mix of sentimental songs, ain't-life-tough songs, hokum songs and some Carter Family-style gospel as well. Really warm sounding and intimate. It's domestic music-making at its best.

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Subject: RE: Hedy West - new CD from Fledg'ling
From: Richard Mellish
Date: 25 Apr 18 - 08:38 AM

I ordered a copy as soon as I saw an announcement. I agree about the quality of the singing but I am sorry to say that to my personal taste these are not great songs.

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Subject: RE: Hedy West - new CD from Fledg'ling
From: Reinhard
Date: 16 Jun 18 - 03:21 PM

A Fledg'ling advertisement in the new fRoots issue 421 announces (besides Hedy West's FLED 3106, From Granmaw and Me):

Coming Soon
FLED 3110 - Untitled
a final posthumous album from Hedy West

It isn't yet listed on Fledg'ling's own website.

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Subject: RE: Hedy West - new CD from Fledg'ling
From: GMGough
Date: 03 Mar 19 - 06:22 PM

On her BBC Radio Shropshire show this evening Genevieve Tudor
played two tracks from "Fled 3100 - untitled".

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Subject: RE: Hedy West - new CD from Fledg'ling
From: Thomas Stern
Date: 13 May 19 - 01:30 PM

A 2nd new album from Fledg'ling "untitled"
Hedy West - untitled

Track list:
1. Bush Whacker
2. The Plains of Waterloo
3. Born In North Carolina
4. Der Graben
5. I’ll Sing A Song
6. The Three Friends
7. Young Edmund
8. Queen Jane
9. On The Rim Of The World
10. Hobo’s Lullaby
11. There’ll Be No Distinction
Release date : 22nd April 2019

Untitled was recorded in Germany in the late 1970s with contributions from Eloise and Tracy Schwarz (The New Lost City Ramblers)


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Subject: RE: Hedy West - new CD from Fledg'ling
From: Thomas Stern
Date: 26 May 19 - 08:29 PM


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