|
|||||||
Origins: The Bird in the Bush |
Share Thread
|
Subject: Origins: The Bird in the Bush From: Joe Offer Date: 13 Sep 21 - 03:36 PM needs research |
Subject: RE: Origins: The Bird in the Bush From: RTim Date: 13 Sep 21 - 03:53 PM Well Joe...Other than the fact I recorded it on my CD - Home From Home.....and it is Roud 290.....what else can be added than that already on Reinhard's site - https://mainlynorfolk.info/lloyd/songs/thebirdinthebush.html Tim Radford |
Subject: RE: Origins: The Bird in the Bush From: Brian Peters Date: 19 Sep 21 - 03:03 PM Well, Tim, I can actually add something... I've been puzzled for some time about the origin of the mysterious and sensual modal tune usually sung in the revival, which came - inevitably - from Bert Lloyd. He passed his version on to Frankie Armstrong and Anne Briggs, and their renditions inspired many other singers. The odd thing to me was that every version I could find in English tradition had a robust and jolly major tune (I'm guessing yours does, Tim, though I can't put my hand on your excellent CD just now). Eventually I found it in the Folk Song Journal vol. 4, p 94 (1910), where Anne Gilchrist had included a modal tune from Christie's 'Traditional Ballad Airs' for comparison with a major version from Devon collected by Priscilla Wyatt-Edgell. Gilchrist believed that the modal version was 'of considerable antiquity'. So, Lloyd did on this occasion use a traditional tune - rather than make up a modal one as he did on many other occasions - but it had a very different feel to the usual English tune. The songs on the eponymous LP are full of such editorial interventions, designed by Lloyd to present erotic song as something sexy yet delicate, and obliterating all traces of the vulgar, bawdy songs of which he disapproved. It's all in my chapter for 'The Routledge Companion to English Folk Performance'. |
Subject: RE: Origins: The Bird in the Bush From: Steve Gardham Date: 21 Sep 21 - 05:13 PM Hi Brian The problem then arises ...to what extent can Christie's tunes be trusted? |
Subject: RE: Origins: The Bird in the Bush From: Lighter Date: 21 Sep 21 - 07:07 PM Steve, didn't Bronson believe, from comparing versions and creating tune families, that the first strains of Christie's tunes were evidently reliable, but the seconds were all or most all his own elaborations? |
Subject: RE: Origins: The Bird in the Bush From: Steve Gardham Date: 22 Sep 21 - 06:09 PM Yes, Jon, that was the widely perceived notion, but added to that are the fact that Christie's texts are also suspect in that he just utilised several texts straight from Buchan. When you put all of this together it makes it difficult to rely on anything in Christie. |
Subject: RE: Origins: The Bird in the Bush From: Brian Peters Date: 23 Sep 21 - 01:31 PM You know more about Christie than I do, Steve, but I doubt whether Bert was bothered, once he'd found the modal tune he needed! |
Share Thread: |
Subject: | Help |
From: | |
Preview Automatic Linebreaks Make a link ("blue clicky") |