Subject: Bodhran Tips From: Pei T Date: 13 Apr 00 - 09:02 PM Hello All.. It's another friendly lurker popping in for a quicky visit.. :) And yes, this isn't really lyrics, but I figured if there was one place where I could find this information, it was here. Last year, at the end of my junior year in Ireland, my folks (for my 21st) presented me with a beautiful goat skin bodhran. It's beautiful, it's handmade, I love it. BUT.. The book that it gave on how to play just doesn't work for me.. I can't learn to play a bodhran from a book.. does anyone know any good tapes/videos - ANYTHING?! Not that it's a likelihood that my small Colorado town will have a session in the too near future, but I may someday return to a place that actually has some Irish American spirit! Thanks in advance, even if you can't help! :) RR :) |
Subject: RE: Bodhran Tips From: Callie Date: 13 Apr 00 - 09:15 PM I learnt completely and utterly from watching other people playing, joining in sessions and asking questions. The book that cam e with the bodhran wasn't any use at all. Are there any festivals close by that you can get to? Any concerts you can go to and do a post-gig interrogation of the bodhran player? Sorry if that doesn't answer your question directly. I don't know of any good resources. Any luck on the net? Good luck with your playing --Callie |
Subject: RE: Bodhran Tips From: Pei T Date: 13 Apr 00 - 09:27 PM Unforunately, searching takes time.. I'm graduating from college in about 15 days (14 hours and 36 minutes Sadly, the sessions in my town are a little hard to find, it's a mountain town in Colorado with very little "irish" except on St. Pats.
Thanks though.. |
Subject: RE: Bodhran Tips From: Áine Date: 13 Apr 00 - 09:33 PM Dear RebelleRose, Click here for an excellent source for information on the bodhrán. Als, listening to recordings with the bodhrán being played on them will help you immensely. And great good luck to you! -- Áine |
Subject: RE: Bodhran Tips From: alison Date: 13 Apr 00 - 11:30 PM There is an absolutely wonderful book and tape (audio and video)...called "The Bodhran Book" by Stefan Hannigan... I have an address where it can be ordered from in Australia, I got mine in Ireland and I'm sure it's available worldwide.... It is easy to follow and very clearly described... once through the book and you're well on your way.... slainte alison |
Subject: RE: Bodhran Tips From: alison Date: 13 Apr 00 - 11:32 PM I do a workshop for beginners on the bodhran, based on the techniques in that book.. if you want me to send me a copy of the handout I give out... send me your email slainte alison epulse@tpg.com.au |
Subject: RE: Bodhran Tips From: Mbo Date: 13 Apr 00 - 11:34 PM Pssssttt....alison kicks butt on bodhran.... --Mbo |
Subject: RE: Bodhran Tips From: Gypsy Date: 14 Apr 00 - 12:44 AM Shouldn't this thread be called bodhran tippers? Anyway, Lark in the Morning has video tapes, and that is the only way to go. It helps to have a padding of sock over the end of your tipper when you start, not quite as scary sounding, and gives a pretty neat sound. My mentor, Ric, also uses what appears to be a plastic whisk broom for some really interesting effects. Remember to hold the tipper like a pencil, and use a long one, or your wrist will scream in a short period of time. |
Subject: RE: Bodhran Tips From: alison Date: 14 Apr 00 - 02:51 AM you can get nice leather ended tippers... they play softer...(I have said this in earlier threads... but I'll say it again..... a friend of mine got the same effect by cutting the fingertips of some leather ladies gloves stuffing them a little with kapok and glueing them to the ends of a piece of dowelling about the same length as a tipper). Ideally the tipper should be the same length as the distance between the tip of your little finger and thumb when the hand is extended. Gypsy I use a jazz drum brush (plastic brush) combined with a shakey egg in one hand.. gives a great jazz/swing sound... The same friend made a great double ended brush by going to her local art supply store buying the largest paint brushes she could... sawed them in half and glued them together.... different sound again... softer than plastic... you could do the smae with two wooden pastry brushes stuck toether end to end with elastic bands...... (suddenly I'm beginning to feel like a Blue Peter presenter... get down Shep!!) slainte alison
slainte alison |
Subject: RE: Bodhran Tips From: Lady McMoo Date: 14 Apr 00 - 03:44 AM A plastic washing-up brush can also be used with interesting effects. Tip: your wrist should be quite limp and at right angles more or less to your forearm which ideally should be parallel to the face of the bodhran. Your main movement should come from your elbow joint with your wrist swinging backwards and forwards quite freely. Yes, and as remarked above, hold your tipper like a pen fairly loosely so that it itself can pivot readily. Then, practise, practise, practise until you get "the knack" and you will be on your way. I've seen people playing the bodhran in many other ways but the above gives good results and is "mechanically economical" which is important if you don't wnat to get repetitive strain injury from prolonged playing. Oh yes, and as with all instruments, it helps a lot if you relax while playing... All the best and good luck, mcmoo |
Subject: RE: Bodhran Tips From: alison Date: 14 Apr 00 - 04:01 AM Or for any of you with a medical bent who remember glass thermometers, hold it like a pen and the movement is like shaking a thermometer..... and if the bodhran was a clock face you should be aiming (initially) to strike it between the 9 and the 6... slainte alison |
Subject: RE: Bodhran Tips From: Big Mick Date: 14 Apr 00 - 08:43 AM CLICK HERE for a link to The Bodhran Book which can be ordered from Elderly Instruments. It is a wonderful tutorial, even if they do hold the tipper wrong.........That is a joke aimed at my cyberlove, the fair Alison. If you use the search engine on Elderly's site, I am sure they have the video as well. The key to the bodhran is practice and paying attention to the details of technique. It is not hard to learn how to beat it in a rhythmic way. It is very difficult and requires dedication to learn all of its subtleties. You will learn all you need to know from Hanigan's book and tape. All the best, Mick |
Subject: RE: Bodhran Tips From: Susan-Marie Date: 14 Apr 00 - 09:03 AM Mick - Subtleties...YES, that what I'm looking for now. I learned the basics in a group class so now I can beat a standard jig, reel, and even slide with one or two variations. But what I hear on CDs is amazing variations of the beat and subtle changes in tone. Does Harigan's book and tape cover that? RR - I'd be happy to send you a copy of the practice tape my teacher used with us. Send me a private message with your address. |
Subject: RE: Bodhran Tips From: GUEST,Rich(stupidbodhranplayer..) Date: 14 Apr 00 - 05:32 PM I don't know how far you are from Denver but Swallow Hill Music School might be able to help you. I'm pressed for time but I'll post more tomorrow. or email me at rrayburg@hotmail.com Good luck, Rich |
Subject: RE: Bodhran Tips From: skarpi Date: 14 Apr 00 - 06:21 PM Hallo , there is a store in Dublin it is called Waltons. i know they have a video tape how to learn to play Bodhrán I think it is Stefan Hannigans tape. It wont hurt to try . all the best skarpi Iceland. |
Subject: RE: Bodhran Tips From: Bert Date: 14 Apr 00 - 06:33 PM Never played the bodhran. BUT I do have a tip for yuz. When I was in Bahrain I saw the locals playing an instrument which was 'identical' to the bodhran, they called it a tabur (which might have been a generic name for drum). To tune their instruments, they crumpled up some newspaper, set fire to it and skillfully dried out the skin in the flames. So next time you're playing in a bar and your bodhran goes soggy, just go on over to the fireplace..... |
Subject: RE: Bodhran Tips From: paddyc Date: 14 Apr 00 - 07:16 PM A good tape which I used to have was called Learn to Play Bodhran, Spoons, and Bones by Tommy Hayes. It was awesome. Willy Brennan |
Subject: RE: Bodhran Tips From: catspaw49 Date: 14 Apr 00 - 10:40 PM Ahhhh.....Nothing like Bodhran Tips!!! Marinate them first in a heavy red wine and garlic. Braise them over a very hot open fire, almost blackening the outside and leaving the center cold. Serve with a mixture of escarole, shallots, portabellas, zucchini, snow peas, and pecans, sauteed in butter, garlic, parsley, red wine and a dash of cayenne. Roast new potatos with parsley in a lite sour cream sauce makes an excellent side. A nice Cabernet compliments the meal, followed by Pecan pie and perhaps an Expresso. Mmmmmmm........Bodhran Tips!!! Now that's some fine eatin'!!!! Spaw |
Subject: RE: Bodhran Tips From: MMario Date: 14 Apr 00 - 10:49 PM 'Spaw - the fever must be hiting an all-time high...you are getting delerious. PECANS with bodhran tips! Surely you meant pignolies? |
Subject: RE: Bodhran Tips From: catspaw49 Date: 14 Apr 00 - 10:54 PM Okay Mario........works for me. How about a Merlot instead of the Cabernet too? A bit lighter, but still full bodied........... Spaw |
Subject: RE: Bodhran Tips From: GUEST,Guest, leeneia Date: 14 Apr 00 - 10:54 PM |
Subject: RE: Bodhran Tips From: GUEST,robkill Date: 14 Apr 00 - 10:58 PM The best video tutorial I have seen so far has been "Bodhran and Bones" by Mel Mercier (son of Pedar Mercier from the Chieftains) and Seamus Egan guesting on flute. It is available from Elderly Instruments. While Tommy Hayes is an amazing player, I'd only recommend his video if you're interested in learning his unique style of playing. |
Subject: RE: Bodhran Tips From: GUEST,Guest, leeneia Date: 14 Apr 00 - 11:03 PM Yes, you hold the tipper the way a right-handed person holds a pencil. To get the interesting "backbeat," start curling your wrist towards yourself. Pretty soon, the lower end of the tipper will whip up and strike the skin, giving you the backbeat. Experiment with the tipper, holding it in different spots along its length, until you get the backbeat. It seems to me that by the time you get the backbeat going, you are holding the tipper the way most left-handers hold a pencil - with their fingers curved toward themselves. ---------- The recipe for Bodhran Tips sounds like something from one of those California restaurants where they send the busboy out to scrape something off a tree and call it an expensive Italian mushroom. |
Subject: RE: Bodhran Tips From: alison Date: 15 Apr 00 - 01:20 AM Hanigan's tape and video does go into things like working the skin to get different types of sound (open, flat, and pushed), and accenting beats... which gives you some variations in sound..... but to learn how to do it.. it is best to find someone whose style you like and watch how they do it, and listen to Irish music to see where the accented beats should fall in particular tunes.. and ignore Mick's comments on holding the tipper.... he has to beat his like a cudgel because it is a 22 inch bodhran.... hahaha slainte alison |
Subject: RE: Bodhran Tips From: catspaw49 Date: 15 Apr 00 - 01:26 AM Well, that one's wide open al................But let me just ask you, Cabernet or Merlot? Mario and I can't decide............ Spaw |
Subject: RE: Bodhran Tips From: Richard Bridge Date: 15 Apr 00 - 05:41 PM No-one seems to bother to say that the Haunigan video (sorry, I can't do the proper transliteration of the Gaelic) is available from Hobgoblin and they have a website I am sure (which means I'm not) you can order from. Actually I did not find his tape helpful, partly because the copy I got was such a really awful copy it was very hard to hear and the picture was bad too. To help find the "swing" to start with, try a much longer beater than Alison recommends - sort of keeps the wrist rolling easier. WOrks for me and I can't play the damn thing. ALso push the skin from behind with your left hand to make a bump. It helps get the bounce of the beater off the front face. ANd it's the start of the way the clever players get all those different sounds by left hand movements. |
Subject: RE: Bodhran Tips From: vindelis Date: 15 Apr 00 - 07:44 PM I was talking to my other half,(who does play bodhrain - I don't), about this thread. His advice is that you should practice, practice, practice, and find your own style. He reckons that some people produce a wonderful sound without necessarily using the orthodox method of holding the beater. Either way it just takes a lot of time and lots of the 'P' word. - Unless of course you are one of these people who are naturally gifted and can play anything. Either way keep practicing, and the Stefan Hannigan video is also to be found in the Roundstone music centre. They can be found on Connemara.net Good luck. |
Subject: RE: Bodhran Tips From: GUEST,Trish Date: 15 Apr 00 - 10:03 PM My husband gave me a bodhran for my 50th birthday because he knew I had a "thing" about folk music and drums, having played timpani and percussion in amateur orchestras in my youth, but I really think he thought I would hang the bodhran on the wall for decoration. I got the Stefan Hannigan book with that drum, but what really got me going was two things: 1)Going to a really good workshop: in my case, Mog's at Sidmouth Festival (England, August, 2 years in a row - by the end of the second year something was beginning to click!) 2)Practice. practice, practice: I live in Scotland where we get 4 hours of folk music on radio every Saturday night and I play along with any suitable tunes, Irish or Scottish especially, or there are lots of CDs you can play along with: this helps both your timing and your speed, and if you can develop an audiographic memory for tunes this helps your interpretation (i.e. not still playing when everyone else has finished!!) I also have a Moroccan drum that I bought in Marrakesh when I was all of 21: they also used to heat these things over a fire before playing as they would be flat as a pancake otherwise. It is very much like a bodhran, except that the skin goes right over the rim, and is played with the hand rather than a beater, including a very resosnant sound (as long as the drum is tight enough first) achieved by sriking the rim with the hand. My first bodhran was like this last year at Sidmouth on the last night when it was 100% humidity and the only source of dry heat was the hand-drier in the loos! I have since invested in a tensionable instrument! Good drumming Trish |
Subject: RE: Bodhran Tips From: catspaw49 Date: 15 Apr 00 - 11:29 PM So let me summarize this thing so far. To eliminate confusion, I'll simply refer to either the bodhran or the tipper as "it" which will make the typing easier. I'll use the lines you all have actually written: "I love it, but a book just doesn't work for me. Does anyone know any good tapes or videos?" "I learnt completely and utterly from watching other people." "I do a workshop for beginners on it....." "It helps to have a padding of sock over the end when you first start...not quite as scary. Remember to hold it like a pencil, a long one, or your wrist will scream in a short period of time." "Ideally it should be the distance between the tip of your little finger and thumb when your hand is extended." "A plastic Washing-Up brush can also be used with interesting effects." "Your wrist should be quite limp and at right angles to your forearm. Your main movement should come from your elbow joint with your wrist swinging backwards and forwards quite freely. Hold it like a pen, fairly loosely and then practice, practice, practice. The above gives good results and is mechanically economical which is important if you don't want to get repetitive strain injury. It helps if you relax a lot." "The KEY to it is practice and paying attention to the details of technique. It is not hard to learn how to beat it in a rhythmic way, but it is very difficult and requires dedication to learn all of its subtleties." "I learned the basics in a group class and now I can beat it...with one or two variations." "I'd only recommend his video if you are interested in learning his unique style." "It seems to me that by the time you get the backbeat going, you are holding it the way most left-handers hold a pencil with their fingers curling back toward themselves." "Hannigan's tape and video does go into things like working the skin to get different types of...beats. To learn how to do it it is best to find someone whose style you like and watch how they do it." "Push the skin from behind with your...hand. It helps get the bounce." "Practice, Practice Practice.....unless you are one of those people who are naturally gifted." Hope that sums it up....Personally I'm off to the bathroom to try a few of these as soon as I find a plastic brush. Spaw |
Subject: RE: Bodhran Tips From: Big Mick Date: 16 Apr 00 - 12:50 AM One should be careful about pushing a bump into the skin of the drum. If you are in a moist climate, you will stretch the skin perfectly. You would be better off keeping a flat hand or using the tips and varying distance from the strike point to get the various tones. Also you should note the different areas that get different tones due to irregularities in the thickness of the skin and its relationship to the edge of the frame. |
Subject: RE: Bodhran Tips From: alison Date: 16 Apr 00 - 01:54 AM Pushing the skin out is a techique used.. but not all the time, (for the reason Mick said).... by pushing the skin out with a finger tip in the middle of the skin you should be able to hear an octave from what the sound was when the skin was flat... therefore by using different amounts of pressure and different positions on the skin you can get all the notes in between.... I have heard "when the saints go marching in" played on the bodhran and you could make out every note.... (even though there were a lot of fancy rhythms going on at the same time.) Using a longer tipper is OK... but when you come to want to add triplets (which is frequently in Celtic music)you have to work harder with a longer tipper to get the upper end round far enough to make contact with the skin..... (again this depends on your grip and style of playing.. I'm talking about the holding it like a pencil way....shut up 'spaw)
slainte alison |
Subject: RE: Bodhran Tips From: GUEST,Ickle dorritt Date: 16 Apr 00 - 07:38 AM I play the bodhran in sessions and I although I am not brilliant practise does improve technique more than anything else. Don't use alcohol to moisten the skin if your boodhran is nt tuneable. This seems a favourite trick in our pub which has coal fires and a dry atmosphere but it does the skin no favours. I use a small water spray sparingly. To summarise, keep practising and go for it. Do not get upset if the person next to you empties a pint over your head because he can't stand the noise-it's probably not meant personally! |
Subject: RE: Bodhran Tips From: Callie Date: 16 Apr 00 - 07:59 AM Wicked, Spaw, wicked. |
Subject: RE: Bodhran Tips From: GUEST,Trish Date: 16 Apr 00 - 06:48 PM And William Tell overture can be played on bodhran - Hiyo Silver! |
Subject: RE: Bodhran Tips From: alison Date: 17 Apr 00 - 02:20 AM you shouldn't put alcohol on the skin at all, tuneable or not... it dries it out and will eventually split.. and it's a waste of alcohol *grin*.... just use water slainte alison |
Subject: RE: Bodhran Tips From: GUEST,Renee Date: 17 Apr 00 - 02:05 PM Sorry for sounding ignorant (I'm new here) but can you tell me how you pronounce 'bodhran'? Thanks in advance. |
Subject: RE: Bodhran Tips From: MMario Date: 17 Apr 00 - 02:33 PM Renee - you'll be close if you just drop the "dh" |
Subject: RE: Bodhran Tips From: Celtic.Relics.com Date: 17 Apr 00 - 02:51 PM In the tradition of Frederick Jorgensen of Fine Crowd (a Newfoundland celtic band), if your ending a performance and the bodhran didn't cooperate for you..... "put yer fist through the goat and cursed it to death!" Thankfully Freddy is able to reskin the bodhran, but take my advice, never lend him your bodhran for a show.
|
Subject: RE: Bodhran Tips From: alison Date: 18 Apr 00 - 02:41 AM Renee, you have 3 real choices for pronounciation... but the rule is NEVER sound the "d". In Northern Ireland it is pronounced bo-rawn (like bow and arrow) In the Republic of Ireland it is bow-rawn (like the bough of a tree) and in Scotland it is bor-ann (bor like in boring) slainte alison |
Subject: RE: Bodhran Tips From: Kim C Date: 18 Apr 00 - 01:54 PM What is the deal with bodhran players sticking their tongues out? Is it a secret sign or something? |
Subject: RE: Bodhran Tips From: catspaw49 Date: 18 Apr 00 - 02:09 PM They're salivating in anticipation of their next order of Bodhran Tips!!! Spaw |
Subject: RE: Bodhran Tips From: Eric the Viking Date: 18 Apr 00 - 02:25 PM For music to learn by; try "Four men and a dog" 2 Albums come to mind; 1)Shifting gravel 2)Barking mad they have arguably the best Bodhran player in the world Gino Lupari on them (But for other techniques Christy Moore tracks are good and there's so much other good stuff) But Gino Lupari is awesome. Cheers Eric |
Subject: RE: Bodhran Tips From: GUEST,Rich(stupidbodhranplayerwhodoesn'tknowbetter Date: 18 Apr 00 - 06:34 PM I generally keep my wrist fairly straight, with the tipper almost perpendicular to my arm. (Hold it like a pen and then turn the writing end towards you.) This will help in developing triplets and cuts down on the wear and tear on your wrist. Follow the "whipping the thermometer' analogy, but don't shake your whole arm, just turn your wrist. When you first start, you'll notice your down stroke may be more prominent than your upstroke. One exercise that will help this is to play the basic reel pattern backwards (UP down up down UP down up down.....) By accenting the upstroke you'll force the muscles in your wrist that are responsible for the upstroke to develop. Try playing without accent so that someone listening with there eyes closed wouldn't be able to discern the up and down strokes. Practice SLOWLY, at first. This will make any flaws in your rhythm painfully obvious. If you start out trying to play as fast as Frank Torpey or Tommy Hayes, you won't catch those early problems until after you've been practicing them for a long time. I tell my students if they are gong to miss a days practice, the day after a lesson is a bad day to miss. If you forget what you're supposed to be practicing and practice a mistake for a week it is even harder to go back and correct it, because by that time, the mistake feels right. A great disc to practice with is Martin Hayes "Under the Moon". Martin plays slowly enough for a fairly new player to keep up with, he really punches the accents on the fiddle, and his timing is flawless. Gradually, play with faster CDs. Listen to a lot of drummers. LIsten to Johnny McDonagh, Donnchadh Gough (Danu), Colm Murphy, Frank Torpey etc. They'l show you what your drum's supposed to sound like. Finally, PLEASE don't play sessions until you have at least the basics down, and can play in time. You'll find people more helpful if you haven't driven them to cursing you under their breath. If you have a local session to go to, go and listen. If the you see a player who knows what he's doing ask for help outside the session. Good luck, and if you have problems feel free to contact me rrayburg@hotmail.com Rich |
Subject: RE: Bodhran Tips From: Pei T Date: 18 Apr 00 - 09:43 PM Oh my!! I was hoping for a few tips, little did I know.. I don't even know where to start, but you all gave me a lot to think about and I will DEFINITELY check out some of the videos/tapes everyone has recommended.. THANKS!!! RR |
Subject: RE: Bodhran Tips From: Seamus Kennedy Date: 19 Apr 00 - 01:38 AM Personally, I visualize myself shaking a ball of snot off my fingertip to get the correct wrist motion. No, Catspaw, not FLICKING, not WIPING, - SHAKING. BTW, 'spaw, I always thought that bodhrán tips were the result of a mohel performing a bris on a baby bodhrán. All the best. Seamus |
Subject: RE: Bodhran Tips From: Gypsy Date: 20 Apr 00 - 01:23 AM Spaw..are bodhran in season right now? Or are you referring to the ranch raised, tender tips? Without hormones, of course! |
Subject: RE: Bodhran Tips From: Sorcha Date: 20 Apr 00 - 01:26 AM Oh good heavens..........my bodhran/aspargus tips froze yesterday. |
Subject: first From: GUEST,kisan 8) Date: 20 Apr 00 - 09:33 AM No reply... Just a simple "hello" from kisan8) , one of the few Hungarian bodhrán players ! Üdvözlet minden bodhránosnak ! |
Subject: RE: Bodhran Tips From: GUEST,Guest, leeneia Date: 20 Apr 00 - 11:28 PM O gosh, you all are so earnest about this! What's all this "practice, practice, practice" stuff? Just put on some tapes and "play, play, play!" And if you came to a session at my house and "didn't know the basics" nobody would be mean to you. We are all capable of counting to 3 (jigs) or 4 (reels) and ignoring a stray sound. Same way we would ignore a radiator or car going by. Find some friends and have fun, for heavens sake. |
Subject: RE: Bodhran Tips From: alison Date: 21 Apr 00 - 08:59 AM I'm all for sticking on music or joining in sessions... but shouldn't jigs be either 6 or 2? (as in either 6 quvers or 2 sets of 3 quavers) slainte alison |
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