Help: Start of Folk Career: Guidance?

Subject: RE: Help: Start of Folk Career: Guidance?
From: Leadfingers
Date: 06 Apr 16 - 08:28 PM

Don't know how I have missed the various appearances of this til now !
My main advice to ANYONE who decides on doing Paid Gigs , wether as a Pro or a Semi Pro is get in The Union . I have been doing it for pennies for more years than I like to think about , and have had to use the FREE legal service on only three occasions , but having The Union Card in my wallet has stopped an unscrupulous promoter trying to rip me off enough times to make the annual fee worth every penny !

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This thread has been regularly targeted by a spammer. If you wish to add content, contact a mod who will reopen it. --mudelf

Subject: RE: Help: Start of Folk Career: Guidance?
From: Desert Dancer
Date: 24 Mar 09 - 05:40 PM

Any cats, corrrently?

~ Becky in Tucson

Subject: RE: Help: Start of Folk Career: Guidance?
From: Valmai Goodyear
Date: 24 Mar 09 - 07:55 AM

I'm utterly delighted by The Lollipop Man and look forward to introducing him to a Cliffe coach next Bonfire season.

Great British filth at its finest.

Valmai (Lewes)

Subject: RE: Help: Start of Folk Career: Guidance?
From: Guy Wolff
Date: 23 Mar 09 - 12:12 PM

Jon thanks for the wonderful update . I for one am really glad to find you again !!! Very exciting things here. I cant wait to hear what your up to next !! If I ever get across the waters again I will find you and see what sounds we can make together . Your friend (with no sense of time or space) and the maker of all the confusion in the latter part of this very interesting 8 year old thread. Guy <><><><

Subject: RE: Help: Start of Folk Career: Guidance?
From: Richard Bridge
Date: 22 Mar 09 - 02:17 PM

Snail - very possibly, but only if you close your eyes...

Subject: RE: Help: Start of Folk Career: Guidance?
From: TheSnail
Date: 22 Mar 09 - 08:20 AM

Richard Bridge

He [Jim Causley] does not do the macho man singer thing that would go with singing, say, "the Threshing Machine".

Oh I don't know, go here http://www.myspace.com/jimcausley and listen to The Lollipop Man.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Anglo
Date: 21 Mar 09 - 09:49 PM

Best wishes Jon. As one who remembers the sample mp3s you made available a number of years ago (very nice), and has since bought your solo CD (for real money, here in the States yet), and who has seen a number of your YouTube demo videos, I applaud your efforts on behalf of English traditional music. You are a talented laddie, and I hope you go far.

Good luck
JR

Subject: RE: Help: Start of Folk Career: Guidance?
From: English Jon
Date: 21 Mar 09 - 09:27 PM

Gosh. Well this is sort of embarrasing really. I've not been around much of late, but I didn't realise I'd got >entirely< back to square one! However, all these comments are just as relevant now as when I first asked, so thank you once again for your collective sagacity....I can't believe where the time has gone, though.

So...an update: In the last 8 years I have....

Quit my job as manager of a recording studio. Gone solo, performing pretty much exclusively English traditional song and self accompanying with various combinations of fiddle, mandolin, viola, english concertina, melodeon, bagpipes, hurdy gurdy, piano and guitar (variously tuned DADEAD, DADEAB, CGCDGA, CGCGCD and various others with the possible exception of DADGAD and EADGBE). I've done countless barn dances, medieval banquets and period functions, learned to call, breath fire, write sonnets and make violins.

I've been in ill starred bands with some great musicians, some of whom win folk awards, and good working bands with fellow strugglers and stragglers on the road to obscurity. I made an album for Fellside which was hailed by the press as hugely significant and the next big thing and sold nearly two copies, and I've sessioned on all sorts of other records. I've busked when times were hard and moved to a town I hate in order to afford a mortgage.

I have had a small but significant sequence of personal disasters and been ill in the sort of way that necessitates the prescription of SSRIs and the removal of sharp objects from the house. I got better, so "here's a health to the doctor who eased all my pain". I suppose if I hadn't, I wouldn't be typing this. It's a funny old world.

I still do the odd bit of recording for private clients, and I sell melodeons at The Music Room 3 days a week, basically John Spiers' old job. I now play hurdy gurdy in a trio that people seem to like in spite of the fact that it has a hurdy gurdy in it and I'm generally older but none the wiser. I've got a great new guitar, courtesy of the exceptionally splendid Mr Colin Kendall and I've even started working on some new material. I say new, strictly speaking it's a couple of hundred years old, but you know what I mean. I'm currently trying to learn renaissance cornett and Eddie Van Halen's two handed tapping technique....I'll let you know how I get on with that in another eight years.

Best wishes all,

Jon Loomes

Subject: RE: Help: Start of Folk Career: Guidance?
From: Stringsinger
Date: 21 Mar 09 - 12:02 PM

it's not about being a macho man. It's about sounding the way you look and presenting
an acceptable image to a folk audience. They are the ones that pay the bills. As I look
at Causeley I see someone who matches his image with his voice and may not have a bucolic image but certainly a working-man down-to earth image. He doesn't look like something else.

The idea that the public will accept someone who looks oddly out of place with what he/she is doing is not borne out by reality. Appearances are a lot more important than many folkies like to admit because it runs counter to their idea of somehow remaining pure from the trappings of show business.

There are so many conceptions as to what constitutes the look of a folk singer and many may not cross the Pond.

Well Julian Clary! His image is concrete in the public eye. I don't see Causeley anywhere near that image.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Richard Bridge
Date: 20 Mar 09 - 08:22 PM

He's a splendid singer. I mean that. Splendid. Live, however, his stage presence is more like Julian Clary. Not that I mind, but it does not jibe with the traditional singer thing - and that's my point. He does not do the macho man singer thing that would go with singing, say, "the Threshing Machine". It is therefore possible to be a well-thought of folksong singer while not presenting in accordance with the bucolic image.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Stringsinger
Date: 20 Mar 09 - 06:02 PM

O.K. I YouTubed Causley and I like him very much. Rich folksy baritone voice with subtle
ornamentation in his singing style. No necktie though. Plain colorful shirt, not buttoned down but simple in appearance. No excessive flash in the costuming but a hint of the working-man image. He definitely has a "look" that goes with a folk image.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Stringsinger
Date: 20 Mar 09 - 05:51 PM

Not knowing who Causley is, I maintain that if you want to have a career as a professional entertainer calling yourself a "folk singer", you have to look like one. There is sometimes
a mannerism that you can adopt. Holding your head up and looking to the ceiling like Woody Guthrie or Pete Seeger, cupping your hand over your ear ala Ewan McColl or today the obligatory sporting of a beard seems to lend a kind of visual legitimacy. There are not too many folksinging performers that are accepted wearing a tuxedo (with or without tails).
Ascots, or fur coats with high heels won't help you either.

Think of your favorite folk-type performer. Can you visualize them? What are they wearing? How do they "act"?

Being a "professional folksinger" (an oxymoron if there ever was one) means adopting
a certain "aw shucks" performance attitude which is a part of show business. That is
if you want to get paid for doing it.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Richard Bridge
Date: 19 Mar 09 - 07:23 PM

Jon is a very entertaining talker - his "meet the" at Broadstairs a couple of years back was very lively. I have been dining out on his comment about the age and tuning issues of his hurdy-gurdy ever since.

If we are broadening the thread top general advice to folksong-singers who are starting out on a possible career, I don't think a certain disparity between stage apearance and musical presentation has harmed a certain Causley very much.

But despite Vin Garbutt's eloquent narrative, I would suggest that it is possible to talk too much - as well as too little.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Stringsinger
Date: 19 Mar 09 - 06:45 PM

It helps to look and appear the way you sound. People are impressed by visual presence.

It helps to be entertaining. I don't necessarily mean telling jokes but don't put your audience to sleep.

Singing well and playing musically is a plus but not always a requirement.

Know your material.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Guy Wolff
Date: 18 Mar 09 - 06:48 PM

Sorry for the confusion everyone on bringing this thread back as I did .I am glad to hear how Jon's music is doing and what he is up to . I am an early fan and in the usa so I am happy for any information here, Also from Jon's early conversations (8 YEARS IS IT ? ! ) its great to hear about all he is doing .. Congratulations to a good musician and a nice person .. I just did a national American TV show and in the middle of the segment Martha Stewart showed America how different we looked a decade ago. I must say Martha looks a lot better then I do for the time under the bridge .. All the best to all here , Yours Guy

Subject: RE: Help: Start of Folk Career: Guidance?
From: Jayto
Date: 18 Mar 09 - 11:49 AM

I agree be yourself.

Try to feel what you are going to play and sing not think what you are going to do.

Believe in yourself. The crowd will pick up your insecurity. If you believe in yourself and your music the crowd will too.

Don't think about how many are in the crowd or focus on "Is everybody liking it?" Most of the time not everyone is liking it and there is really not much you can do. Focus on making the ones enjoying it enojoy it more maybe the ones not liking it will start.

I don't know man there is more advice but I will take a break. Everyone will have thier own advice and ideas of what is right and wrong. Keep an open mind and read through the posts. Decide which (if any) will help you or you like.

I have read things that I think "No way would that work." Then I have posted things on other threads and people jump me saying "No way that would work." so just keep that in mind while reading. No advice offered by anyone is intentionally bad advice. All is well intended but every performer is different.
cya
JT

Subject: RE: Help: Start of Folk Career: Guidance?
From: matt milton
Date: 18 Mar 09 - 09:53 AM

So will we get the equivalent of one of those reality TV update episodes where they go back to do a "did they take Sarah Beany's advice in the end" programmes?

Subject: RE: Help: Start of Folk Career: Guidance?
From: Surreysinger
Date: 18 Mar 09 - 09:28 AM

Yup, Richard noticed, and so did I before posting about Trio Heretique that this is an eight year old thread... and in that time Jon has done the rounds, so current advice directed at him is a little out of date ... he's had eight years at it [grin]

Subject: RE: Help: Start of Folk Career: Guidance?
From: Richard Bridge
Date: 18 Mar 09 - 09:05 AM

Er - chaps - Jon's CD Fearful Symmetry is both good and well reviewed!

Subject: RE: Help: Start of Folk Career: Guidance?
From: Terry McDonald
Date: 18 Mar 09 - 09:04 AM

Matt, you might like to read Guy Wolff's posting from yesterday for the answer to your question...........

Subject: RE: Help: Start of Folk Career: Guidance?
From: matt milton
Date: 18 Mar 09 - 08:21 AM

Hey, just noticed this is a revival of a thread from 2001! How'd that happen?!

Subject: RE: Help: Start of Folk Career: Guidance?
From: matt milton
Date: 18 Mar 09 - 08:03 AM

That said, much as I love Martin Carthy (fave MC album: Shearwater), I don't do so unreservedly. Sometimes his music can be a little dour and monochrome.

At the risk of opening a huge can of worms here, I also think his singing has, on some albums, suffered slightly from that slightly nasal British folksinger stylization that anti-folkies love to bash (often unfairly, sometimes entirely justifiably). It hasn't prevented me from coming to love his albums though.

Let's just say that if you really do sound a lot like Martin Carthy, then one way out might be to ask yourself if any of those reservations might also apply to your own music?

Have you heard the album Strange Histories by James Raynard? He's a young singer who clearly owes a debt to Martin Carthy, but still manages to be his own man. Well worth having a listen to.

Subject: RE: Help: Start of Folk Career: Guidance?
From: matt milton
Date: 18 Mar 09 - 07:51 AM

I think the best thing to do if you're serious is to put your money where your mouth is and put out a CD.

You can do endless floor spots, open mics and folk clubs and whatnot for years and never get any feedback beyond a polite round of applause.

Or you can record your current repertoire as best you can over the course of a month. And then press up 1000 copies of a CD for around £400 (cheapest I can currently find is colour card wallets at: www.wr4multimedia.co.uk/index.php/cd-replication.html)

And then send out your album to every journalist at every magazine you think is relevant. Send out your album to every festival and club organizer to think is relevant. Send out all 1000 of them if you have to.

If you're really serious about a pro career, you might even want to set yourself up as a business and claim a portion of this money as a promotional/marketing expense. But that's a whole other thread.

Don't worry about whether you sound too much like Martin Carthy for now.
Just get out there.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Richard Bridge
Date: 18 Mar 09 - 07:27 AM

Please, chaps and chapesses, stop to think how known Jon has become over the intervening 8 years before suggesting he travels miles to do floor spots!

Subject: RE: Help: Start of Folk Career: Guidance?
From: Acorn4
Date: 18 Mar 09 - 07:15 AM

...and of course, Bob Dylan started off imitating Woody Guthrie.

Subject: RE: Help: Start of Folk Career: Guidance?
From: Acorn4
Date: 18 Mar 09 - 06:09 AM

Everyone imitates ar first. Nic Jones started off by trying to sing and play like Martin Carthy but ended up with his own style.

Subject: RE: Help: Start of Folk Career: Guidance?
From: GUEST,Sally
Date: 18 Mar 09 - 05:33 AM

Get out there, be prepared to play for nothing, be prepared, professional at all times, be tolerant, and if you've got IT, it'll come to you but it could take years!
Sal

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Valmai Goodyear
Date: 18 Mar 09 - 03:26 AM

Good luck, Jon. Lots of floor spots at folk clubs will be a help in getting you used to audiences and are far more effective at getting you folk club bookings than sending demos, which aren't representative of what anyone is like in live performance. YouTube and MySpace links are very useful to put in publicity material for gigs you've already got as they tell the audience what to expect.

If you ever in Lewes in Sussex on a Saturday night, come and do a floor spot at the Lewes Saturday Folk Club in the Elephant & Castle. We enjoy a wide range of styles, but what we mostly book is performers of British traditional music and song.

You could also come to one of our workshops on a big variety of subjects. Here is this year's list:

LEWES ELEPHANT FOLK MUSIC WORKSHOPS 2009
The workshops last a full Saturday or Sunday & the tutor performs at the club in the evening. Booking forms can be printed from the website.

28th Feb         Brian Peters                         Melodeon
1st. March         Brian Peters                           Ballad forum
28th. March         Tom McConville                 Fiddle        
25th. April         Craig Morgan Robson                 'Way through the Woods' suite of songs & readings
26th. April         Craig Morgan Robson         Vocal harmony
6th. June         Nancy Kerr                         Fiddle
                James Fagan                         Bouzouki
                Robert Harbron                 Concertina
7th. June         Nancy Kerr & James Fagan         Vocal harmony
                Robert Harbron                Winter MS tunes (any instrument)
11th. July        Will Duke                         Scan Tester's tunes (any instrument)
18th. July         Bonnie Shaljean                    Harp
12th. Sept         Tommy Peoples                 Fiddle
19th. Sept         Jeff Warner                         Song accompaniment
10th. Oct        Tim Edey                            Melodeon
14th. Nov        Vicki Swan                         Scottish smallpipes
14th. Nov (eve) Vicki Swan & Johnny Dyer
21st. Nov        Tom & Barbara Brown        Ballad forum
5th. Dec        Billy Teare                         Storytelling
5th. Dec        Kathleen O'Sullivan                 Irish song

Telephone [phone] for details.
email: [e-mail]
Website: www.lewesarmsfolkclub.org/

Valmai

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Surreysinger
Date: 17 Mar 09 - 10:31 PM

Jon has recently been out in action in his new trio Trio Heretique at Cheltenham Festival. They have a new website at this address

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Guy Wolff
Date: 17 Mar 09 - 09:15 PM

Here is a link to a whole batch of his music on my space .I did see something at that site about his being sick and being on the mend . I wish him very well !!! Guy

http://www.myspace.com/jonloomesmusic

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Richard Bridge
Date: 17 Mar 09 - 09:09 PM

Jon has been out for a while, but is back in the fray.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Guy Wolff
Date: 17 Mar 09 - 09:01 PM

Heres Princess Royal on melodeon .. Just great .

http://www.youtube.com/watch?v=GJ1cZVL77yI&feature=channel

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Guy Wolff
Date: 17 Mar 09 - 08:50 PM

Here is one of my favorite songs from Jon Loomes up on youtube !

http://www.youtube.com/watch?v=CSCyoCL-pQk

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Guy Wolff
Date: 17 Mar 09 - 08:45 PM

This was such a great thread . It would be great fun to get an update on how English Jon has gotten on . I will look for some of his Yiutube things to post here . The Hurdt gurdy seems to have come to pass as well !!! Im still a fan and want to hear more about how its all going for English Jon !!! Al the best to all here .. Guy

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: English Jon
Date: 12 Apr 01 - 10:50 AM

Update:

Have now done first solo gig. 2 Hour set for small private audience. Didn't go too badly... Whether or not I'll get a return booking is another matter! -we shall see. Anyway, I'm recording at the moment. 1/2 a dozen tracks down so far, going pretty well, but I'm only REALY happy with one of them, so I shall probably re-record some of the others. All advice given in this thread has been incredibly helpfull. Thank you all. Will keep you posted.

Cheers, Jon

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Indy Lass
Date: 09 Feb 01 - 12:23 PM

KingBrilliant-Yes, I'd like to form a group. I've been checking out bookstore performances, coffeehouses, etc. but the musicians I've approached have just not found common ground with what I do. I guess this is the case with a lot of musicians/perfomers. I live in central Indiana. I am influenced by Loreena MacKennitt, Connie Dover, Mary Dillon, Karan Casey, Dolores Keane, Kate Rusby and the like. I love the ballads for their stories. I play guitar with a fingerstyle I've developed playing years alone. I don't know if I have the nerve yet to busk. I've played at open mic's, bookstores, and a pub (only once because of the smoke) I must admit I'm a bit dependent on my amp for the sake of not wearing out my voice when performing. I need a group that can pick up on the music by ear because I don't have sheet music. I played with a symphony violinist who could only learn from sheet music, though we slowly managed to work out one song for a performance, and it was worth the effort. So if there are folks near here wanting to form a group, PM me!

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: English Jon
Date: 09 Feb 01 - 04:38 AM

Once again, another batch of realy useful advice. I thought when I posted this thread it was probably a bit silly, but I'm glad I did. This stuff is gold dust. Many thanks.

1. Cashflow. Yep I know it's a bugger. But I really want to do this. I'll make it work somehow. I'd rather be poor and happy than work in a bank. (Easier to say at 26 than at 36, I suspect...) Fortunately, I have a friendly agent who is pretty good with the band, and I dare say would take on "Jon Loomes - Solo English Idiot" or whatever. But I don't suppose I can quit my job just yet...

2. Clone-ism. I'm very aware of this one. I like MC's guitar style a lot, and it's certainly been a huge influence. Also Nic Jones - fantastic stuff.

The thing is: I do English Trad, and with these people as primary influences it's very hard not to be a "sound-alike"

A little on my guitar style: I wanted to get a very sustained sound, like a hammered dulcimer. Basically, I wanted a cheap guitar to ring like a Martin 000, so I worked out that by playing melody notes on adjacent strings tuned a tone apart, you could get long sustained runs, and play the whole scale on the middle two strings. This also stems from the melodeon, the push pull thing gave me the idea for tuning 1 tone apart etc.

Coupled with some D+A drones (also an idea from the melodeon: Capo 5 gives you G+D perfect for morris tunes) I came up with DADEAD, which turns out to be an early "carthy tuning" (it's great, by the way? anyone else found this one? I prefer it to DADGAD)

O.K. MC now plays in CGCDAB, but it's close enough to sound almost the same.

Derek Brimstone and Ralph McTell are also big influences, although I tend to play less tinkly stuff now, prefering that sort of Bluesy thumping noise (carthy, jones again) Also Renbourn, but I don't think I'll ever be anywhere near as good as him.

I've recently bit the bullet and bought a real guitar. I'll still be paying for it in 2004, but it's been a revelation. It's perfectly in tune all the way up, and suddenly, without realising it I'm using much more of the fingerboard. Weird.

Anyway, hence I'm fiscally a bit buggered right now, so Home recording it is. However, my day job is a recording engineer, so it shouldn't come out too bad. I'd rather get another engineer to do it for all sorts of reasons, but thats just the way it is. Demo in Progress. Will send out copies to interested parties when it's done. Probably just 3-4 tracks in the first instance, but I'm trying to get together "the album". I think Mark is right, and guests should be kept to a minimum for demos. I'm not a great one for overdubs anyway. They never sound natural to me.

Anyway, I'll keep you posted.

Many thanks again,

Jon

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,Mark. West Sussex. UK
Date: 08 Feb 01 - 08:19 PM

Read all the above advice Jon. These 'Catters know what they're talking about. Yes, go Busking. It toughens you fingers and your voice, makes you project your personality and, sometimes earns a bit of cash. Play floor spots everywhere, not singarounds so much, you need to test yourself in the same circumstances as the pro guests. Whatever you play, make sure it is accomplished and well-rehearsed throughout the set. As to the patter? To some it comes naturally as part of their personality such as Ian McCalman and Vin Garbutt. To others it is irrelevant. I was so lucky to book Isaac Guillory a few months before his recent tragic death. There was a man of very few words who held audiences spellbound and earned love and respect wherever he went. Folk performance is not like other live performance. It is up close and personal. An Actor, Comedian, Cabaret, Stage star can have a "Persona" which is a professional act. Up close it doesn't work. You get found out. Be yourself and relate to audiences from your own experience. When I started out I was lucky. I got support and advice from some great people, particularly Alex Campbell. Alex was always very concerned about young players running before they could walk. He maintained that if you went after bookings before you were really ready you could do irrepairable damage to your reputation. You would get that "Not bad but not again" response from promotors who would hold that opinion no matter how much you improved. Be patient. Don't go out as a Martin Carthy Clone or any other Clone. Audiences spot it and make the inevitable unfavourable comparison. Develop your own style and arrangements. Listen to people like Nic Jones, Dick Gaughan, Norma Waterson, Jon Brindley, Kate Rusby - not to copy - but to see just how original some arrangemants and interpretations can be. Finally, do you want the life? Every cup of coffee on the road you have to buy. Hard floors and cheap B&B? Endless "English Breakfasts" will put you off fry-ups for life. Washing your clothes in unfamiliar laundrettes because after three weeks on tour you are out of clean pants and socks? At £100 a gig you have to do 100 gigs to earn ten grand a year. That is two gigs a week average if you can get them? It can be a hard life full-time. But if you are serious, fund a decent demo or CD but get it done in a pro environment with a good engineer. Don't do it on your mate's computer with a nerd mixer. (Bill Jones got hers done by Brian from "Artisan"). Get a folk directory of venues and pick suitable approaches. Don't waste time sending out forests of paper. Promoters don't book paper. One good demo is worth a forest of bumf. And don't clutter it up with guest instrumentals. If you are solo, we want a "What you hear is what you get" sound. When you've done it send it to me at the Famous Willows Folk Club, Arundel. Or come and visit our open stage on alternate weeks. We'll tell you honestly and discretely where you are at. Good Luck mate.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,JWB
Date: 08 Feb 01 - 03:34 PM

The key to success in performing is providing entertainment. Why would anyone go to some place miles from home and pay good money to listen to music they can hear just fine on their stereo system? Because they want to be entertained.

Whether you play music for a living or perform as an avocation, you will be successful if you entertain people. That means knowing your material and being in practice, selecting songs/tunes for variety, making eye contact, smiling, saying the right amount of stuff to introduce each number, paying attention to the audience's energy, using humor, and -- most important -- enjoying yourself on stage. I've heard time and time again from audiences, "You were great! You really looked like you were having fun." They want you to like what you do, so they can relax and enjoy it too.

Don't ignore the fact that making a living at music means that you spend a much smaller percentage of your time actually playing in front of audiences. There are phone calls to make, bookings to book, promo to send, miles to drive, songs to learn. I've been performing for over a quarter of a century, and have no desire to make it my career (and I still have two CDs out that have made a profit). The professional folk musicians I know spend inordinate amounts of time on the road and on the phone so that they can 1) spend a few hours a week in front of an audience and 2) pay the bills. Most of them give lessons, too, since actual gigs tend not to bring the ends together.

All that said, go for it! I'm happy with the choices I've made about folk music in my life. Everyone must make the choices that work for them.

I think there is wonderful advice in this thread. Some enterprising Catter could edit this into a book to sell to aspiring folk musicians.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Lady McMoo
Date: 08 Feb 01 - 10:43 AM

Lots of good advice here. Go to it!

But has anyone explained the vow of poverty yet?

mcmoo

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST
Date: 07 Feb 01 - 03:09 PM

Don't be too polished. I think the unique thing about folk music is that it allows you to make mistakes and grow from them. No one expects perfection (boring). Be yourself and relax. The audience will let you know how they like a song. Applause is instant feedback. You'll know right away if a song is right for you. So go for it. Have fun and GOOD LUCK! (I'm jealous).

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: English Jon
Date: 07 Feb 01 - 06:15 AM

Norma is fabulous. Always comes and has a chat, bless her. And the most hugely relaxed and captivating performer, to boot. This is the kind of thing I'm aiming at. One of the nicest things about folk music is the abscence of a lot of Ego-tripping which has always struck me as unnecessary and a bit silly. There seem to me to be two sorts of performer: those who put on a persona, and those who are completely open. Having given this a lot of thought, I think the open approach is probably better. It's also harder and a lot more exposed. I'm not quite happy with the show yet , but I guess Geordie Broon is right. In at the deep end! I'm trying to finalise my set at the moment. Too much material is the problem, rather than not enough. You have to make value judgements about which items to include/leave out and then issues of context within the set, variety, continuity etc come up... Trying to keep two 50 minute sets absoluteley polished is hard work... Especialy when you're trying to do a lot of material that nobody else does. It takes me about three weeks to get a new song arrangement polished to the extent where I think it's good enough for public airing. Maybe I'm trying to set too high a standard, but then, I think you've got to.

After which stream-of-consciousness narrative, I shall say

Cheers,

Jon

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Deni
Date: 07 Feb 01 - 06:04 AM

Liz the Squeak

Thought I'd have a look at what you had to say about June Tabor in previous postings. You've got about a thousand messages to sift through. Nothing cam up on a search. Any clues to go on? Dying of curiosity. Cheers Deni

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Deni
Date: 07 Feb 01 - 05:44 AM

English Jon,

A new committee has recently taken over our local folk club, The Hyde, Mutley, Plymouth, UK and I am the poor sucker booking acts. Bearing in mind that everyone in the club - sometimes 40 people, has different tastes, entertainment combined with a varied set is the thing I'll be looking for.

Our members regularly visit a nearby club, Folk on the Moor, Wotter, Dartmoor, UK, where they have loads of guest acts, very high quality too. All are musically great and doubtless work hard, but the ones that impress me much are those with a bright resonant vocal style, and those who look around the audience in a relaxed way, catch people's eye and make them feel included, tell jokes, bit of background etc... (but never lecture like one chap I saw recently). This removes the us and them problem which makes local performers resent the visitors.

Once you get to the stage where you are known enough to be booked widely, all your competition are terrific music-wise, but they're not all terrific guys. If they like you as a person, they'll come and see you, which brings us back to the 'nice guy' thing, and Martin Carthy is not the only one who does it well. Norma Waterson is an angel too.

Richard and Indy Lass.

If you haven't got a club near you, why not start a low-maintenance singaround in a local pub. Some people have done that where I live and it's turning out to be very successful. The landlord (Artillery, Stonehouse, Plymouth Devon UK), is very supportive. The singaround happens once a fortnight, the locals either listen or chat and the landlord gets around twenty extra customers and everyone's happy.

When you walk in, the atmosphere is much as I imagine it must have been in a pub 50-100 years ago, except that the decor and toilets are of a very high standard and there's no sawdust on the floor. Those singers really raise the roof, they are all friendly and brilliant to listen to. It's a pity more pubs don't put out feelers for occasional musicians free-for-alls. It's good practise and you get feedback from members of the public who aren't into folk, as well as the hope of converting a few.

Cheers and good luck all!

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: John Routledge
Date: 06 Feb 01 - 08:45 PM

English Jon - The only way to learn to dive from the top board is to do it once and then practice what needs to be polished up.

Best of Luck. You will be fine. Cheers John

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: death by whisky
Date: 06 Feb 01 - 06:33 PM

The saeson is just about to start. For the last three years I've been doin 5 nights a week (march-sept).Play the songs youREALLY LIKE,practice with your eyes shut,music is an aural experience.I get the best reaction from songs I want to play.Some standards are expected,fill your set with them. Good luck

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST
Date: 06 Feb 01 - 06:07 PM

Richard and IndyLass Don't know where you live, but my local folk club has occasional workshops for folk to get together and play as a group, with excellent instructors. If you can afford the time (and money) you could join a Folkworks event.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: cowboypoet
Date: 06 Feb 01 - 04:27 PM

Let 'er buck, pardner! One last thought, for whatever it's worth. You meet a very high class of people in the folk world. I've made some very good friends through music, or perhaps I should say that some of my best friends are musicians (o,-). However, as my daddy used to say, "There's always one more son of a bitch than you counted on." In my case the SOB was most often the manager of some club or a concert promoter who didn't want to pay me what I'd been promised. The point is, let your love for the music sustain you when the SOB you didn't count on shows up. Oh, and if I make it across the pond (or when you do) I'll expect free tickets to your concerts no matter how much they cost, seeing as how I knew you when.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: KingBrilliant
Date: 06 Feb 01 - 11:33 AM

Richard - go for it. Folk clubs are very inclusive and supportive, and I'm sure your local club/s will love to hear you.
One thing I find helpful is as follows: when I first started to go along to listen at clubs/festivals etc I always assumed that everyone who played/sang must have been doing it forever and be full of confidence, and I always thought that if they made a mistake then it was not a disaster - and then it occurred to me that if I just gave it a go then people would most likely assume the same of me. It seems to work, and that thought gives me enough initial confidence to be going on with.
I too thought I'd like to sing with a band for mutual support - but I've since discovered that I'm not much of a team-player at the moment, so I've decided to go my own way & just do what I do (but I'd like to have a go at a group sometime).
I'm thinking that in a couple of years time I'll go part-time in my job & spend more time on singing/playing - not as a career, but just because I love to perform and want to develop that side of my life before I miss the boat (I'm 37 & I've only been singing for about 3 years - tick tock tick tock...). So I'm following this thread avidly for tips & advice...

Let us know how you get on.

And - Indy-lass, are you going to form a group then? I'd expect its easier to do that than to find an existing group to join.

Kris

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: English Jon
Date: 06 Feb 01 - 10:04 AM

John B, I'm in the lucky position of having a reasonable day job (sound engineering) which doesn't involve too much overtime/weekends. Current problem is more to do with not having enough solo experience. Plenty with bands etc. but solo is so much more exposed.

I guess i'm worrying about performance details at a fairly high level. Blowing my own trumpet for a minute, I think I'm good enough as a musician. (Nothing clever about that, just a lot of hard work - I'm passionate about the music). I need to develop a bit more confidence with the act though for it to be really top class. I suppose I just want to get every last detail right....

DebC, I'm glad it's not just me mad enough to want to do this! keep up the Good work, and if I ever get over to the states, we'll do a few songs, yes? Likewise should you ever find yourself stranded in dear old blighty.

Many thanks

Jon

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: DebC
Date: 06 Feb 01 - 09:30 AM

Deciding on a career in folk music takes alot of commitment, serious decision-making and bollocks. You really have to be passionate about your music and be willing to make a lot of sacrifices for something that you love to do. It also takes a lot of support from the folks that love you and a commitment on their part as well.

My story is a long one, so I have cut it down for the sake of brevity.

I had been a part-timer for 25 years. In 1997 I took a leave of absence from my full-time teaching position and decided to INVESTIGATE the idea of making a career out of singing. I am NOT a singer/songwriter (although some folks erroneously assume that I am), but prefer to focus on traditional anglo-celtic song and some trad-based contemporary stuff.

I was very lucky to make the acquaintance of many established folk musicians in the last 15 years by hosting many of them in my home when they came through No. Calif on tour.

One of the first things I did was consult some of these folks and asked the very blunt question "Am I talented enough to make a go of it?" I let these folks know that feelings were not to be considered, I needed the honest truth before I took the plunge. The neat thing is that, every one of these people I asked said that they THOUGHT I might have the stuff that it takes. So I took a leave of absence from my job and began a folk music career.

It is now three years later, and I know I made the right decision. I am have just finished my first solo album called the Long Grey Line, I am beginning to get some veryt nice bookings in nice venues and my music is getting played on folk music radio shows. It is a slow process, but I have never been happier. The main thing that I have discovered is that I have to sing. It is who I am and the thing that I do best.

And English Jon, if you play like Carthy, get your bum over here to the States. I am looking for a guitar player.

Cheers, Debra

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,Indy lass
Date: 05 Feb 01 - 02:08 PM

Richard--I'm just like you with the same questions. I'd like to find a group to play with. I try to get to a folkclub once a month (we play in a library conference room once a month for each other although we would like to have people come in just to listen), and i've played at a local bookstore in the past. I'm sure my performance would be greatly enhanced with other instruments. But joining a folk club in your area would be a start. Everyone is usually supportive and the experience of playing/performing will help your confidence.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,Richard Blair
Date: 05 Feb 01 - 12:31 PM

I'm one of those "dime-a-dozen" singer/guitarists, not that good, just really want to play. Strictly amateur, but just for the joy of performing. I haven't done much public playing since the seventies, and everything's a bit rusty. I have ideas of going to folk-clubs to listen a few times (size up the standard and the kind of music), then maybe put myself on the list on an open night.

I think I'd like to play as a member of a band (for mutual support, or a more varied sound). How to start?

Any ideas?

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,JohnB
Date: 05 Feb 01 - 12:29 PM

Get a Day job, one where you don't have to work overtime or weekends. Do what everyone else has said, until your name is known as well as Martin Carthy's was about 30 years back. Then just keep doing it. Do it like Liz the Sqeak says, you could go a long way to meet a guy with Martins temperament and ability. The word I have heard twice this last weekend to describe the other sort is "High Maintainance" and neither of those acts will be booked again by the people who used the words. Oh Yes Good luck lad, I wish I had the talent and ability, the years would be OK too. JohnB

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Mrrzy
Date: 05 Feb 01 - 12:13 PM

The boy's got it BAD. Good for him!

I don't perform, but I know what I like, and what I like is a story. Or stories. That's why I like ballads. Carpe Diem indeed! "Break" whatever it is folk singers hope not to break! And keep us posted!

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: English Jon
Date: 05 Feb 01 - 04:22 AM

Many thanks everyone.

Maybe I am being to contemplative about the whole thing.

To preces:

Some information, not too much given out between songs, they can always ask me about them in the interval/afterwards.

Variety. I can throw in a few tunes on Fiddle or mandolin, the odd unnacompanied song, various melodeons, concertina and probably a little bit of Hurdy gurdy, although that's probably not ready to go in the act yet. Storytelling is a good idea, thanks Rev.

Politics/manners.I think I'm generaly pretty nice to other people in the field. I tend to like folkies - same interests etc, and I'm quite lucky in that I don't get pissed off that much myself, so I (hopefully) don't tend to piss too many other people off in return! I can't say anything about June Tabor, but I've certainly worked with a few prima donnas in my time...! You have to laugh.

Russ, Yes, If I wanted to be making a fortune, I'd be making pop records, but the English tradition is very important too me. I suppose these questions are about marketing in a way, it is part of the nature of folk music that each performance is to a degree an advert for the next.

I think Cowboypoet is right about making composite versions of songs, and having the freedom to modify the tunes if required. I tend to do this a bit anyway, although I have found some problems with linguistic development, I.E. Making a later verse sit well in an older version of a song etc. I suppose if you sing something often enough it tends to get honed down O.K.

You have all been very helpfull. Certainly, it's given me some things to think about.

"To thine own self be true" would seem to sum up a lot of it. Also Carpe Diem. O.K. Wish me luck!

Many thanks,

Jon

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Liz the Squeak
Date: 03 Feb 01 - 04:09 AM

Don't upset the little people... folk club goers want to see as good a performance as you would get at the 148th Fairport convention, or Sidmouth Area, or the Mariposa festival. Give everyone your best, whether it is the local festival or local Rest home for the terminaly bewildered.

And don't upset the circuit organisers either... one bad behaviour thing with one festival may lead you to being 'dropped' from the popular lists - see previous postings of mine re: June Tabor. In fact, keep modelling your behaviour on Martin - I've met and staged both, and believe me, Martin is a bloody sight easier to cope with than June. When asked what did he want on and backstage , all he wanted was a stool, some bottled water and a table for Norma's drink. June demanded the entire contents of the local vegetarian deli, a grand piano that wasn't the provided Steinway (philistine - her pianist was shite not the pianos he played.....), a 45 min sound check, despite turning up 1hr late, leaving only 30 mins to spare..... and that was before she got on stage!!!

Be nice to people on the way up, because you will meet them again, coming down.*BG*

LTS

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: InOBU
Date: 03 Feb 01 - 03:59 AM

Hey Jon:
One word... Busk.
The best way to hone your tallent is to get direct input from the audience. Open the old case and see the tupence turn into pounds and you will know you are doing the right thing with a song. You anywhere near good busking grounds? Bath? Salsburry is not great money - but may provide you with a less challenging audience to work your way up to the big crowds in more touresty spots like Bath... if the throw rotten vegitables at you, make stew. It is all part of the learning process
Good luck, travel light and wear fast shoes...
Larry

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Rev
Date: 03 Feb 01 - 03:34 AM

The only thing I can add to this discussion is if you're intent on going solo, providing your audience with variety is essential. Sometimes an evening of nothing but guitar accompanied songs gets a little old. Break up your show with a little storytelling, an a capella ballad or two (if you have the voice to pull that off), and if you have an aptitude for learning musical instruments learn to play something other than guitar. Pick up a mandolin or a banjo or a concertina, maybe a hurdy gurdy! There are so many wonderful "folk" instruments that audiences love to hear, and in my humble opinion singer/guitarists are a dime a dozen, but singer/guitarist/accordionist/mandolinist/fiddler/ukulele players are much harder to come by. I'm not suggesting being a musical dilettante (which is what I am) but you'll be amazed at how learning a second instrument can expand your repertoire, your potential audience, and the way you think about music. Best of luck to you!

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Richard Bridge
Date: 02 Feb 01 - 06:21 PM

Play English and provide information. Also do some English harmony song (if you can find a ahrmony singer) Not enough people do it. That is ultimately bound to make it mre remunerative than being yet another mid-atlantic singer-sognwriter

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,Willa
Date: 02 Feb 01 - 03:48 PM

Lots of good advice above. If you look for a "definitive" version of a song you'll usually find at least a dozen, so don't worry too much about getting the correct version. I recently heard a song I liked, bought the CD from the composer and learned it, only to hear him sing it in an amended version a few months later - he hadn't been happy with his first version. In any case, even if you learn a particular version, you'll almost certainly deliver it differently on different occasions. Sometimes I feel a song wants to go a different way from the way I'd planned. Hope that doesn't sound ridiculous; it's a fact. Best of luck with the career.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Jim the Bart
Date: 02 Feb 01 - 02:32 PM

First of all, you'll need to decide what "a folk career" means to you. Is it performing, or writing, or both? Does it mean that folk music is your sole source of income or simply your avocation?

Back in the 60's I started playing without any clear answer to those questions - all I knew was I WANTED TO PLAY! After finding myself in too many situations where playing had ceased to be fun or fulfilling (Holiday Inns, Wedding Receptions, Rock'n'roll bars, Country Lounges - yecch)I kept finding myself back in the same place asking the same questions you're asking now.

Whatever you do, don't ever do something for money that you wouldn't do for free. It's good to stretch yourself from time to time, but choose what your limits are. If you love what you do and do it to the best of your ability. . >
they still may hate you, but shag 'em if they can't take a joke. Now go play. Have fun. Stop with the questions already. . .

Hope we get to trade songs sometime.

Best of luck
Bart

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: cowboypoet
Date: 02 Feb 01 - 01:57 PM

Jon,

I've been performing off and on for the better part of three decades -- I began in the womb (o,-) -- so here are some observations based on my experience and my own slightly twisted view of life, music, and everything.

You say you suspect that you're "a lousy performer at the moment." If this is true, why do you want to do it? If you're just feeling obligated to be modest, try to get over it. I've heard a number of performers be self-effacing on stage, but not many of them got away with it. You have to believe that you're good enough that people will want to hear what you have to offer -- if you don't, that will come across. In a performer humility is essential, but modesty can be a downright handicap. If you're a good performer people will like to listen to you. If you're not, they won't. It *is* that simple. And there's only one way to find out.

Sometimes no introduction at all is best. Just play the song. When I *do* introduce a song I try to make the introduction part of the performance in some way. I don't do lectures, and I don't like to hear them. I do, however, always say to the audience that if anyone wants to know more about any song they've heard they can feel free to see me after the performance. A lot of people have, and I've been able to introduce them to some great songwriters, or at least satisfy their curiosity.

Do what works for you. Sounds trite, I know, but if you perform a song you don't particularly care about because you think you should -- perhaps because it's historically significant or appropriate to the venue or because someone requested it, your lack of enthusiasm will be the most noticeable thing about your delivery. And it'll be worse if you try to fake it. I've annoyed more than one person by flatly refusing to sing "Happy Birthday To You" because I *loathe* that song, and I'm sure it shows. I'm quite willing to dedicate a song I like to the celebrant, but that's as far as I'll go.

Muck about with the lyrics/tunes/arrangements as much as you like. The audience will tell you whether they like what you did. If *you* really like it, I'm betting they will.

Imitation is the sincerest form of flattery, and it can be very profitable -- just ask the house band at any Holiday Inn. However, if you want to "make it," especially as a solo performer, you must find your own voice. Take what you like from Martin Carthy and from anyone else you admire, but try to think about what you want to convey with each song -- maybe a change in phrasing or a slight (or major) modification of the lyrics will make the song say better what you want to say, and that's why you're up there. One sure-fire (for me, anyway) way to accomplish this is to try to find several versions of the same song and borrow shamelessly from all of them. If I sing a song I learned from a record by a favorite performer it's hard not to sound just like him or her in my head. If I put together pieces from two or three versions the song becomes mine and sounds like me.

To be brief (though it's *way* too late for that), just be yourself and you'll be fine, or you won't be invited back. Either result will tell you something you probably need to know.

I'll follow this thread with interest -- keep us posted on how you get along. And feel free to say, "I considered everything you suggested, decided to ignore all of it, and am having a grand time." Hey, it's free advice and worth every nickel. Good luck, and remember -- we're all in this together.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: McGrath of Harlow
Date: 02 Feb 01 - 01:52 PM

Be yourself, and put the music and the songs first. You're just there to help it reach other people in a way that makes them listen to it and pass it on.

And I think doing that is what makes Martin Carthy tick. If you want to model yourself on him, that's what to concentrate on, not his guitar style, which is very secondary. (Brilliant, but secondary.)

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Allan C.
Date: 02 Feb 01 - 01:23 PM

If I remember correctly, a young Art Thieme asked a similar question of Sandy Paton a good long time ago. Maybe Sandy will post his answer here.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: selby
Date: 02 Feb 01 - 01:17 PM

I think the performer has to enjoy doing there set wether its to an audience of 2 or 2000. And the other thing is the ability to see when they are winning or losing the audience and adapt accordingly. Keith

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: GUEST,Russ
Date: 02 Feb 01 - 12:52 PM

English Jon, you are being awfully cerebral about this. Input from others is good, but you are neglecting your most important source of information: yourself. Ask yourself, "When I am in the audience, what do I want to see and hear?" Then just do it. Also, your questions seem to be about good marketing. But if marketing and "success" are issues why bother with "folk" music. Finally, GO FOR IT. If you don't do it now, you never will.

Subject: RE: Help: Start of Folk Carreer: Guidance?
From: Wolfgang
Date: 02 Feb 01 - 05:21 AM

Jon,
I've played rarely in public (wasn't good and determined enough), so I can only respond you as a 'consumer'.
As for the repertoire play what you feel comfortable with, the listeners will feel that.
Same advice for the performance itself. There are great storytellers among the British performers, e.g. the McCalmans. If you do not feel comfortable with this style, the audience will feel it. The Corries or Brian McNeill also make you feel comfortable with a bit less of storytelling than the McCalmans. However, their styles would not survive a transplant to a different person.
I love hearing some information to the songs (most solo performers mainly do it for regaining the strength to sing), but I love it with variation (the Irishman Andy Irvine is a good example for that): Tell a personal story to one song (how you found it, why it means something to you, a remotely related story of a friend reminding you of this song), tell its historic background (who fought against whom in that battle; cultural background in 18th century England...), or just tell a single line like 'Now comes a love song, I like it a lot for no particular reason'. People like the variation. Whereas in liner notes, I love to find reliably the same information (Child number, alternative titles, old recordings, background, and all that) to each song, I'd be bored by this in a live performance. Play with your stories, tell different tales to the same song each time and listen to how they react. Listen to other performers when and how they make you laugh or think or be bored by a too long bit of teaching.
I remember one German folk group (Zupfgeigenhansel for those who know them) that made me want to run away by their elaborate information to each song. There was no variation, each time they told their audience the political background and why it was a 'progressive' song and how we should feel about it. It was too much of the same and too much like in school. I came back because I loved their music, but I stopped listening to their tales bwtween the songs.
Listen and experiment, experiment and listen.

All the best to you, but I hope I'll be able to see Martin Carthy at least once before you completely take over his job.

Wolfgang

Subject: Start of Folk Carreer: Guidance?
From: English Jon
Date: 02 Feb 01 - 04:11 AM

Following on from WYSIWYG's Moral/ethical thread. Kind of go me thinking.

Here I am, 26, armed with a Guitar, a lot of books and the complete recorded works of Martin Carthy. (Can also play other instruments) I play in a load of bands, but I'm trying to put together my "Solo Performance". Effectively, I want MC's job. This is a bloody stupid thing for a young man to want to devote his life to, but there you go. In many ways I am as thick as pigshit and stubborn as a mule.

Issues that are bothering me: Immitation=sincerest form of flattery and all that, but I do English Trad in a style based heavily on Sir Martin of Carthy OBE EPNS CGCDAB and Bar (28th fret). Don't want to become a clone. O.K. my style is subtly different, (tuningwise, I don't use a thumbpick etc) but it's currently too close. Especialy given that I'm researching the same area of music. How do I resolve this?

Repetoire? Unlike M.C. I tend to be narrowly "English" about what I play, simply because lots of people are serving other British traditions. Should I try to incorporate other cultures into the act? England is a melting pot in many ways. Or, should I stick to preserving English Trad. as a historical form? If it comes to that is this music fixed or mutable? If I muck about the words/tunes/arrangements am I affecting the fossil record? Opinions deperately needed, as head is about to explode (implode? probably more likely)

Performance:

What makes an enjoyable performer? I think that folk gigs should be fun, informative (or at least informed, not didactic) and as a performer, I think I need to be able to relate to the audience? Or do you prefer to see singers more remote/theatrical? Do you like long lectures on precise origins of songs, or should that sort of thing be reserved for sleevenotes?

Many many thanks for reading this waffle. All feedback would be appreciated, as I'm trying to get some sort of audience profile together. Also, I'm O.k. as a musician, but I suspect that I'm a lousy performer at the moment!

Many, many thanks,

Jon