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Origins: I Know You Rider

DigiTrad:
I KNOW YOU RIDER


Related threads:
Lyr/Tune Req: I Know You Rider (24)
Lyr Req: I Know You Rider (6)


GUEST 24 Jan 21 - 01:17 AM
GUEST,Jerome Clark 29 Dec 20 - 08:18 PM
GUEST,Seth Lipner 28 Dec 20 - 04:30 PM
GUEST,Joseph Scott 30 May 17 - 03:48 PM
GUEST,GUEST, Warren 25 Jul 13 - 10:55 AM
GUEST,Bob Coltman 31 Mar 10 - 07:35 PM
PoppaGator 31 Mar 10 - 05:17 PM
Johnny Harper 30 Mar 10 - 06:44 PM
Suffet 17 Jul 08 - 03:21 PM
Suffet 23 Apr 08 - 06:23 AM
GUEST,Jim 22 Apr 08 - 06:02 PM
Suffet 21 Apr 08 - 07:20 PM
Suffet 20 Mar 08 - 05:44 PM
GUEST,TJ in San Diego 20 Mar 08 - 12:00 PM
GUEST,Darowyn 20 Mar 08 - 08:48 AM
Suffet 20 Mar 08 - 07:02 AM
GUEST,RS 20 Mar 08 - 05:38 AM
Big Al Whittle 20 Mar 08 - 03:42 AM
PoppaGator 20 Mar 08 - 03:20 AM
Suffet 19 Mar 08 - 11:05 PM
Eric Levy 05 Apr 07 - 09:21 AM
Peace 30 Mar 07 - 02:00 AM
michaelr 30 Mar 07 - 01:14 AM
PoppaGator 29 Mar 07 - 06:05 PM
Eric Levy 02 Mar 07 - 02:54 PM
Eric Levy 02 Mar 07 - 02:52 PM
Eric Levy 24 Feb 07 - 07:21 AM
jaze 23 Feb 07 - 06:02 PM
jaze 23 Feb 07 - 04:59 PM
Eric Levy 23 Feb 07 - 11:59 AM
Mudlark 10 Feb 07 - 01:14 AM
GUEST,Bob Coltman 09 Feb 07 - 07:10 PM
GUEST,Bob Coltman 09 Feb 07 - 06:53 PM
GUEST,Eric Levy 09 Feb 07 - 04:49 PM
Azizi 07 Feb 07 - 09:12 PM
GUEST,Bob Coltman 07 Feb 07 - 07:03 PM
GUEST,Eric Levy 06 Feb 07 - 10:59 PM
PoppaGator 21 Feb 06 - 02:56 PM
GUEST,jones 21 Feb 06 - 12:34 AM
GUEST,Bob Coltman 03 Feb 06 - 05:29 AM
Suffet 02 Feb 06 - 01:40 PM
GUEST,Gerry 01 Feb 06 - 09:53 PM
TinkerandCrab 01 Feb 06 - 05:15 PM
GUEST,Bob Coltman 01 Feb 06 - 03:33 PM
GUEST,Art Thieme 18 Jan 06 - 10:58 AM
GUEST,Bob Coltman 18 Jan 06 - 09:38 AM
GUEST,Catherine M. 17 Jan 06 - 10:48 PM
Q (Frank Staplin) 17 Jan 06 - 06:04 PM
Suffet 16 Jan 06 - 06:21 PM
GUEST,Bob Coltman 16 Jan 06 - 02:35 PM
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Subject: RE: Origins: I Know You Rider
From: GUEST
Date: 24 Jan 21 - 01:17 AM

My error on date. Sorry


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Subject: RE: Origins: I Know You Rider
From: GUEST,Jerome Clark
Date: 29 Dec 20 - 08:18 PM

Actually, Jimmie Rodgers died in 1933.


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Subject: RE: Origins: I Know You Rider
From: GUEST,Seth Lipner
Date: 28 Dec 20 - 04:30 PM

In Ken Burns’ documentary on Country Music, in the second episode on Jimmie Rodgers, at one point the background music is:
“I’d rather drink muddy water, sleep in a hollow log...,” lyrics The Dead incorporated when they sang IKYR as a stand alone (acoustic) song. I assume the voice is Rodgers, who died in 1928

I cannot find any reference to these lyrics on the Net to these lyrics other than in GD material, nor does this thread mention a Rodgers recording.

Fascinating history


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Subject: RE: Origins: I Know You Rider
From: GUEST,Joseph Scott
Date: 30 May 17 - 03:48 PM

"understanding that the lyrics come from C.C. Rider" "Rider" was a very common black slang expression meaning lover i.e. meaning the person you're currently having sex with. It was liberally thrown into folk songs where "mama" or "baby" could be thrown in instead and it wouldn't make any difference. The presence of the word "rider" in one black folk song should never be taken as evidence that the song is related to another black folk song with the word "rider" in it, any more than you would do the same with the interjection "mama."

Ma Rainey popularized Lena Arrant's song "See See Blues" (as Arrant initially called it) in 1924, but Arrant's song was just one version of a family of black folk blues songs about seeing what you done, many of which didn't happen to have the word "rider" in them, and many of which, e.g., said "look" what you done rather than "see." Even in the '50s and '60s the members of that family that didn't happen to include the word "rider" still existed. None of this had anything to do with e.g. "circuit courts" as was creatively imagined by some later. See meant see.

The Lomaxes were notorious for lumping fragments together and rewriting them to create unidiomatic messes. In this case Coltman turned an unidiomatic (from a blues standpoint) Lomax mess into unidiomatic (from a blues standpoint) actual music.


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Subject: RE: Origins: I Know You Rider
From: GUEST,GUEST, Warren
Date: 25 Jul 13 - 10:55 AM

hi from later with a couple more cents. When I was 16 in 1966 and just learning guitar my folks shipped me to a summer program in France to get rid of me for 6 weeks. I met a cute 17 year old girl who was way better than me (so being as I was both younger and crummier she wasn't 'interested' in me, but I badgered her into showing me some chords to practice: Rider! She told me she learned the song from her guitar teacher, "An old beatnik living in Palo Alto. There's a couple of older kids that are his students, too. They are in a band that plays at this pizza place......" OK, so that's that.

Years later, understanding that the lyrics come from C.C. Rider, and various other songs, all shifting sands here; I came across a 1967 paperback reprint of Lomax' book (foreward by Pete Seeger) which gave a verse as:

I wish I was a catfish swimmin' in the deep blue sea
I wish I was a catfish swimmin'in the deep blue sea
That'd stop all them women from fussin' over me!

It didn't make any sense, but I sang it that way. Now, just last year I was waiting (for nothing as it turned out) in front of Union Station in Los Angeles and, among other things, this old black guy in a wheel-chair saw my guitar, caught my eye with a nice grin and powered on over to share a cigarette. We traded riffs on the guitar. I played Rider. When we got to the above verse, he very sharply articulated the 'correct' lyric: "That'd stop all them women from 'f--kin' over me! Yeah, well. Guess so.


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 31 Mar 10 - 07:35 PM

Here are the chords I used at the beginning, and still do. Pretty straightforward:

    D                               C             G          D
I know you rider, gonna miss me when I'm gone,

    D                                        C          G            D
I know you rider, you gonna miss me when I'm gone,

            A7                        G                        A7                D
Gonna miss your sweet papa, babe, from rollin' in your arms.

At times I built a vamped D - C - G - C - D progression under the first two lines and at the ends of all three lines, but not invariably.

Hope the chords appear approximately over the right words ... Bob


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Subject: RE: Origins: I Know You Rider
From: PoppaGator
Date: 31 Mar 10 - 05:17 PM

Glad to see this old thread resurrected, especially in such an interesting fashion by the "OP" (original poster).

When I first heard this song played by the Dead, the chord progression sounded familiar, pretty much the way I had heard it played acoustically by folkie-types, in person and maybe on records.

Allowing for transposition from one key to another, I've always considered this song as one that always uses (in essence, that defines) a certain characteristic chord-progression that is quite distinct from the standard 12-bar-blues routine ~ even though the verses are three lines in length, same as a standard blues song.

When I learned from this thread that Bob Coltman is apparently responsible for this standard/popular version of "Know You Rider," I began to consider his accomplishment as very similar to Dave Van Ronk's resetting of the traditional "House of the Rising Sun" to an innovative set of chords, the arrangement made relatively famous by Bob Dylan and then, later, world-famous by the Animals...


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Subject: RE: Origins: I Know You Rider
From: Johnny Harper
Date: 30 Mar 10 - 06:44 PM

I'm interested to see that I actually started this thread 9 years ago! (As a Guest; now have Member status.) The subject continues to interest me, and I'm finally ready to post about it again. I have an interesting entry ready to post, comparing the CHORD PROGRESSIONS of the many different versions that have been discussed here, and some more -- almost all of which I have heard (including the earliest recordings, Baez and Tossi Aaron), and almost all of which are slightly different from each other! BUT...

The one thing I don't know, Bob Coltman, is the chord progression YOU were playing when you first disseminated the song. Your contributions on this topic have been extremely valuable and a real pleasure to read. And of course we're all very much in your debt for having first put the song into circulation. But this one question remains: what was your original arrangement, your version of the chord progression? (And do you still play it that way now, or has your version changed with time?) Please let me/ us know this, and I'll then post my comparative analysis of the different ways the chords were played, by these various performers back in the '60s/ early '70s. Looking forward to hearing from you on this matter.

Best regards, Johnny Harper
jjmusic@ix.netcom.com


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 17 Jul 08 - 03:21 PM

Greetings:

I just put a sneak preview of my version of I Know You Rider onto the SoundClick website. Just click here for my music page, and I Know You Rider will be the first song at the top. That's me on guitar, Allen Hopkins on harmonica, and Laura Munzer on second vocal.

I Know You Rider will be on my upcoming CD, Low Rent District. I intend to take down the sneak preview once the CD is released later this year. Please enjoy it for free while you can.

--- Steve


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 23 Apr 08 - 06:23 AM

Here is a draft of my songs for the upcoming CD:

12. I Know You Rider (traditional, adapted & arranged by Steve Suffet © 2008; 2:55). One of my all-time favorite traditional blues. Bob Coltman popularized it among folk musicians in the 1950s. Later, Janis Joplin sang it. So did the Grateful Dead, James Taylor, and countless others. John and Alan Lomax collected the original version from the singing of an 18-year female prisoner in the 1930s.

I welcome suggestions, but please remember that space is limited. If I add any text, I need to delete a like amount.

The copyright notice only extends to my own arrangement, of course. The place that makes my CDs requires that I submit an intellectual property declaration along with mechanical licenses and/or copyright registrations for every song, including any in the public domain. I find it easiest to burn a CD-R with tracks of all the PD songs I am using, and then submit it to the US Copyright Office as a unit, along with a Form PA registration and a check for $45.

Did I actually add any new material to I Know You Rider, as required to claim a copyright? My answer on Form PA is "Musical arrangements for voices and instruments, and editorial revisions of words (includig order of verses, and addition or deletion of text)."

--- Steve


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Subject: RE: Origins: I Know You Rider
From: GUEST,Jim
Date: 22 Apr 08 - 06:02 PM

refresh


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 21 Apr 08 - 07:20 PM

Greetings one more time!

I recently had Laura Munzer add her own vocal part to my vocal and guitar. So, using the lyrics shown above and the chords I posted on March 19, I will release I Know You Rider as a boy-girl blues duet on my new CD, Low Rent District, due out this fall.

--- Steve


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 20 Mar 08 - 05:44 PM

Greetings again,

In case anyone is interested, here are the lyrics I just recorded:

I Know You Rider
(Traditional, adapted & arranged by Steve Suffet)

I know you rider gonna miss me when I'm gone,
I know you rider gonna miss me when I'm gone,
Gonna miss your lovin' daddy rollin' round in your arms.

Now, I wish was a catfish swimmin' in the bottom of the sea,
Said, I wish was a catfish swimmin' in the bottom of the sea,
And my baby come a-fishin', she come a-fishin' after me.

Takes a hard hearted woman to make a long time man feel bad,
Takes a hard hearted woman to make a long time man feel bad,
She makes he remember all of the troubles that he had.

Well, I ain't got a nickel, and I ain't got a lousy dime,
Said, I ain't got a nickel, and I ain't got a lousy dime,
Without your love, babe, the sun ain't never gonna shine.

But that sun's gonna shine in my back door some day,
Said, that sun's gonna shine in my back door some day,
And that wind from the river carry all my troubles away.

I know you rider gonna miss me when I'm gone,
I know you rider gonna miss me when I'm gone,
Gonna miss your lovin' daddy rollin' round in your arms.


I can't recall for sure where I got all the verses from, except that they came from many sources.

Enjoy!

--- Steve


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Subject: RE: Origins: I Know You Rider
From: GUEST,TJ in San Diego
Date: 20 Mar 08 - 12:00 PM

The Kingston Trio frequently took songs like "Rider" and translated them into up-tempo pieces with a driving rhythm and used them as "show stoppers." My own group used this same song in around 1963-1964 in northern California with the same approach. It was very effective for us, especially after a group of two or three ballads.
I have occasionally bumped into original Trio member Nick Reynolds, who still lives in this area. If the occasion arises, I will ask him if he recalls where they found the song.


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Subject: RE: Origins: I Know You Rider
From: GUEST,Darowyn
Date: 20 Mar 08 - 08:48 AM

I have a version of "See See Rider" by Ma Rainey- a very old version accompanied by what sounds like a New Orleans Street Band from the 1920s or 30s.
The interesting thing about that version is that it has a sixteen bar verse, with a very conventional I,V, V,I music hall song structure, and then goes into a twelve bar blues structure for the chorus.
"See See Rider, See what you have done (twice)
You made me love you, now you done and gone"
It was on a compilation CD called "The Birth of the Blues".
I get the impression that this version pre-dates anything yet mentioned.
Cheers
Dave


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 20 Mar 08 - 07:02 AM

Greetings again:

The chords for first two lines of my version of I Know You Rider are pretty similar to Bob Coltman's, that is: I - Dorian VII - IV - I. Where we differ is that I use the I7 and IV7 chords in some measures where he stays on the basic I and IV chords. My third line, however, is completely different. Instead of going to the Dorian III and Dorian VII, my version uses the conventional V7 until it resolves back to the I chord.

Note that Robin Greenstein, the late Hedy West's former student and personal assistant, recorded I Know You Rider as a fairly standard blues, using the I7 in place of the Dorian VII in each of the first two lines, and using the V7 back to the I chord as my version does. I borrowed harmonic ideas from both Bob and Robin, but my arrangement is unlike either of theirs.

By the way, except when I'm jamming with others, I've stopped doing the DVR/Dylan version of House of the Rising Sun. Instead I have gone back to either the simpler version that Pete Seeger recorded or the fast and bouncy 4/4 time major key (with flatted 7th) version that Woody Guthrie recorded.

--- Steve


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Subject: RE: Origins: I Know You Rider
From: GUEST,RS
Date: 20 Mar 08 - 05:38 AM

Just discovered this very interesting thread - I, too, first heard this song via J Renbourn, but the mention of the single original stanza put me in mind of the first verse of Frank Stokes' 'It Won't Be Long Now' (recorded August 1928), to whit:-

One of these mornin's, mama & it won't be long (X2)
Before you miss your good man rollin' in your arms.

Stokes was a big seller in his day, so maybe his lyric was a prior source? Chordally tho, his song follows the usual 3-chord blues format..


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Subject: RE: Origins: I Know You Rider
From: Big Al Whittle
Date: 20 Mar 08 - 03:42 AM

I've been working on I Know You Rider quite recently. My first knowledge of it was John Renbourn's version.

I've been using Martin Carthy's guitar tuning that he uses for Famous Flower of Serving Men (DGCGCD). Also I move the the third line up to the second, and repeat the first line. I think it works quite well. I'll put a version o the website and put the URL on here - soon as I can.

Its a great lyric and repays your attention many times. I can see we all owe Bob Coltman, the Lomaxes and the original authoress a great debt.


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Subject: RE: Origins: I Know You Rider
From: PoppaGator
Date: 20 Mar 08 - 03:20 AM

I'm so glad to see this wonderful thread again, and to re-read every word.

For the record, I think it's time someone provided the chord progression as it's generally known, probably Bob Coltman's or very close. This is what makes this song so distinctive and momorable, what made it become a "jam-band anthem."

I think this bit of harmonic structure ranks right up there with Dave Van Ronk's arrangement of "House of the Rising Sun" as the a couple of the greatest creative achievements of the American folk revival. In both cases, a relatively ordinary traditional song, a simple melody that could easily have been sung over a very conventional 2- or 3-chord arrangement, is completely transformed by an original, and very inventive, chord progression. Both works are pretty obviously the product of a mind accustomed to thinking in terms of chords, and seem to have been written on and for the acoustic guitar.

(DVR's transformation of "House of the Rising Sun" is, of course, the version much more widely known as recorded first by Bob Dylan and later by The Animals.)

So, for anyone who doesn't already know it ~ "I Know You Rider" in D:

. D                   C       G       D
I know you rider gonna miss me when I'm gone

. D                   C       G       D
I know you rider gonna miss me when I'm gone

      F         C          F               A
Gonna miss your daddy from rollin in your arms...

Another similarly "underground" song that was truly folk-processed during the early electronic age of the '60s, becoming hugely popular thanks to a fun-to-play guitar-chord progression, was the garage-band staple "Hey Joe," eventually made most famous by Jimi Hendrix. There's a great Mudcat thread (or maybe more than one) about "Hey Joe," tracking down its nearly-forgotten creator, and discussions of how it became a "live-band" favorite without ever making much of a splash as a commercial recording.

Now, "Hey Joe"'s chords are simple and obvious to anyone who took Music Theory 101 ~ a plain-vanilla circle of fifths. Dave Van Ronk's arrangement of "Rising Sun" and Coltman's of "Know You Rider" are something else again: each distinctive, original, and irresistible.

And neither one of them made a dime for its creator. I think that qualifies these songs as "real" folk music.


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 19 Mar 08 - 11:05 PM

Greetings:

I recently recorded I Know You Rider, and I will likely include it on my next CD, scheduled for release later this year. Here's how I describe it in the song notes: One of my all-time favorite traditional blues. Bob Coltman popularized it among folk musicians in the 1950s. Later, Janis Joplin sang it. So did the Grateful Dead, James Taylor, and countless others.

My version is pretty different from Bob's, although I am indebted to him for giving me (and all of us) a starting point from which to develop an individual arrangement.

Here are the chord changes I use:


A          A7          G       D7       A    A7
I know you rider gonna miss me when I'm gone,

A          A7          G       D7       A    A7
I know you rider gonna miss me when I'm gone,

      E7                                             A
Gonna miss your lovin' daddy, rollin' round in your arms.


Thank you, Bob, for rescuing this wonderful song from obscurity.

--- Steve


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Subject: RE: Origins: I Know You Rider
From: Eric Levy
Date: 05 Apr 07 - 09:21 AM

From David Gans:

I sent the Tossi Aaron "Rider" and "Fennario" to Bob Weir today,
asking if he thought they might have influenced Jerry's versions.
Here's what he said:

>I never heard these recordings, but they were typical of the current
>versions of these songs at the time of their release. I heard
>folkies doing these songs this way back in the early 60's, though
>1960 was a bit before my time. Sounds like Tossi Aaron could have
>been an early inspiration for Joan Baez.
>
>Jerry could have picked up his versions of these tunes from these or
>any of a number of other similar versions.
>
>Cheers,
>Weir


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Subject: RE: Origins: I Know You Rider
From: Peace
Date: 30 Mar 07 - 02:00 AM

"Rain and Snow" or "Cold Rain and Snow"--info here.


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Subject: RE: Origins: I Know You Rider
From: michaelr
Date: 30 Mar 07 - 01:14 AM

An interesting version of "Rain and Snow" featuring the Red apple juice verse is on the recent Solas 10-year Reunion CD/DVD. Probably not the version Poppa heard, though.

Cheers,
Michael


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Subject: RE: Origins: I Know You Rider
From: PoppaGator
Date: 29 Mar 07 - 06:05 PM

I missed reading these recent messages "live" last month; I was just checking my "tracer-ed" threads and found this great stuff today.

I have nothing to add about "I Know You Rider," but I feel obligated to pass along the information that I very recently heard an unfamiliar (i.e., new-to-me) recording of "Cold Rain and Snow" on Sean O'Meara's Saturday morning Celtic-music program on WWOZ. The lyrics and melody were exactly what I would expect, but the tempo was extremely slow and the chords were strikingly different ~ slightly dissonant (probably due to DADGAD guitar tuning) ~ resulting in a wholly unfamiliar and very melancholy sound.

The recording conveyed the flavor of a very ancient Celtic song, but was undoubtedly a recent production. It was so different from the Dead's rendition, as well as from any conceivable 60s-era folk performance, that it took me several verses to realize that the melody had not been changed at all, or at least not significantly.

Setting the familiar melody against a highly-produced, extremely echo-ey multi-instrumental background featuring a completely reworked harmonic structure (chord progression) turned it into a very different song.

Sorry; no info on the artist, label, etc. ~ I heard it on the radio! I may be able to email the DJ to learn more.


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Subject: RE: Origins: I Know You Rider
From: Eric Levy
Date: 02 Mar 07 - 02:54 PM

Forgot to mention: Tossi had no idea that the Grateful Dead had recorded I KNOW YOU RIDER. She was tickled to learn it was such a huge part of their repertoire and has since become a jam band anthem.

;^)

Eric


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Subject: RE: Origins: I Know You Rider
From: Eric Levy
Date: 02 Mar 07 - 02:52 PM

Some exciting news to share. Unsurprisingly, I haven't heard back from Baez's management, but Tuesday evening I had the pleasure of speaking on the phone with...

TOSSI AARON!

Yes, she is still around, and living near Philadelphia. We spoke for about an hour, and it was a wonderful conversation. I had the feeling she was pleasantly surprised to find someone was researching her. She had all sorts of interesting stories to tell, like when Bob Dylan and his girlfriend spent the weekend at her house in 1962. And she did confirm that her album was recorded before Joan Baez's first album, so we can finally put to rest who did the first recording. As Bob suggested above, it was definitely Tossi.

Bob, she had a few questions for you that I prefer not to share publicly. Please e-mail me off-list if you get a chance.

Eric
capercaillie@sbcglobal.net


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Subject: RE: Origins: I Know You Rider
From: Eric Levy
Date: 24 Feb 07 - 07:21 AM

Thanks for checking Jaze. I actually e-mailed Joan's management yesterday to see if they would forward my inquiry. I doubt I'll get an answer, but if I do I'll post it here.
Eric
capercaillie@sbcglobal.net


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Subject: RE: Origins: I Know You Rider
From: jaze
Date: 23 Feb 07 - 06:02 PM

Nothing new in her book or Positively 4th Street--just that the lp was recorded -19 songs over 3 days, in the summer of 1960. It was released with 13 songs in Nov.1960.


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Subject: RE: Origins: I Know You Rider
From: jaze
Date: 23 Feb 07 - 04:59 PM

I'll check her autobiography about the recording of the 1st lp to see if there is any mention of when it was recorded.


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Subject: RE: Origins: I Know You Rider
From: Eric Levy
Date: 23 Feb 07 - 11:59 AM

Since my last post I received the Tossi Aaron LP. I also picked up the re-release of Joan Baez's album, and I bought the Lomax's book with the "original" version of the song. First off, thank you Bob and everyone else for turning me on to these things. It's thrilling to hear these early folk albums, and needless to say the book is invaluable. I have a couple further points to make...

Concerning the transmission of the song to the Bay Area folks, my friend Christian Crumlish made this suggestion:

"I would guess the transmission went Baez to Garcia, Weir, Kaukonen (not relying on Janis, who arrived later), because Garcia was known to be envious of Baez and ambitious about equaling her career. If she was singing it, he probably heard it. The Palo Alto coffeehouse scene would account for that transmission."

This seems to make sense to me. The Grateful Dead's first recording of the song predates the known recordings by the Byrds, Big Brother, and Hot Tuna. So while all of those artists were clearly familiar with the song relatively early, the evidence for Garcia's familiarity seems to precede (or at least coincide with) the others'. Though Garcia may very well have found a copy of Tossi Aaron's album. Her version of FENNARIO is very close the the Dead's interpretation--much more so than to Dylan's for instance.

On the other hand, I'm friends with Grateful Dead Hour host David Gans (http://www.trufun.com/), who is friends with Jorma Kaukonen. David forwarded an inquiry from me to Jorma about where he learned the song. Here is Jorma's reply:

"I learned I Know You Rider either at Antioch or NYC sometime in 1960. I just learned songs I liked... I had no idea where they came from.
It's a worthless answer but true."

Not exactly helpful--but far from worthless, and Jorma's answer fits Bob's description of how the song migrated.

I have plenty to say about how all of these versions differ--no two are exactly alike, but I'll save that for a future post if I manage to transcribe all the lyrics.

Bob, you stated in an earlier post:

"Because I feel a strong personal connection to it, part of the intriguing weirdness, for me, has been finding out how far the song has traveled."

In case you didn't know--every contemporary "jam band" (a term I'm not fond of) does I KNOW YOU RIDER--inspired by the Dead's rendition of course. Sting Cheese Incident in particular have made it a live staple. For an extremely thorough--though not necessarily exhaustive--list of official recordings, see Matt Schofield's Grateful Dead Family Discography: http://www.deaddisc.com/songs/I_Know_You_Rider.htm.

Finally, I have a question. It seems overwhelmingly clear that Bob was the one who introduced the song to the people in the late 50s/early 60s folk scene, and the song just spread from there. But one question remains: Who recorded it first, Joan Baez or Tossi Aaron?

Joan Baez's self-titled debut album was released in 1960. The liner notes to the re-release CD--written by Arthur Levy (no relation) in 2001--confirm that the bonus tracks were recorded at the same time as the other songs on the original album. Levy just says the album was recorded in "the summer of 1960" but doesn't give any specific dates. The liner notes to the Baez box set RARE, LIVE & CLASSIC (by Joan herself) don't list a specific date for the recording of the album either, though Levy's liner notes say it was recorded in a single day!

As excited as I was about getting to hear Tossi's album, I was just as excited to finally put a date to the recording--or at least the release of her album. Alas, there is no copyright date anywhere on the album--not on the back cover or on the label. Maddening to say the least. In the liner notes--which are by Tossi herself--she refers to a colleague and writes, "In 1959..." obviously she wouldn't use the word "in" if she was writing that same year, so the writing of the liner notes--and presumably the recording of the album couldn't be earlier than 1960, but it could theoretically be later. On the other hand, Tossi was writing these notes for posterity, and could have written "In 1959" knowing that people would be reading these notes for years to come (as indeed I did in 2007), so 1959 is a remote possibility.

I found a website which lists all of the Prestige International albums from the era: http://www.jazzdisco.org/prestige/folk-cat/a/. Maddeningly again, there is very little date information for any of these albums. The earliest one with a date listed is Dave Von Ronk's FOLKSINGER album from "April 1962." The site doesn't specify if this is the recording or release date. But assuming the albums were released sequentially by catalog number, Tossi's precedes Ronk's. So that places her album somewhere between 1959 at the earliest, and April 1962 at the latest. I'm leaning toward 1960 as the release year, but was Tossi's recorded before Joan's? Finding the true "original" recording is very important to me, so any ideas or further help would be wonderful.

Finally, the notes to the re-release of Joan's album don't offer any information about where she may have learned it, but Tossi says she learned it from "other singers" again supporting Bob's claims.

Eric (now a Mudcat member)

PS. Thanks for the COLD RAIN info Bob--good to cross another one off the list :^)


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Subject: RE: Origins: I Know You Rider
From: Mudlark
Date: 10 Feb 07 - 01:14 AM

Ah, this is what Mudcat does the best...and very good to get your input, Bob Coltman. I first heard (and promptly started playing) this song on an album on Argo Folk records by a duo that called themselves The Outsiders, Joel Cory & George McKelvey, both prominant in the Chicago folk scene in early 60's. Can't find a year for this album, but I think it was given to me around 1963. They seem to have gotten around the whole title thing by calling it something entirely different, "Gonna Miss Your Lovin' Papa," attribution "Traditional, arr. by Cory/McKelvey. They include most of the verses you list, Bob, pretty much the way you sang them.

This record is stamped "Not for Sale" and I've never been able to find out much about these two...a friend of theirs gave me the album. There's a good version of Stackalee (sic) that they call "Meanest Man in Town."

(Thread creep...Thanks, Bob, for the extra verse for Wait til the Clouds Roll By...I really love singing that song!)


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 09 Feb 07 - 07:10 PM

Excuse the blank message preceding -- bad case of nervous finger.

Azizi, thank you for your kind words. As you know, it's a mutual admiration society. I always learn from your posts and your viewpoint, and appreciate your friendship and your excellent common sense. Keep on posting!

Eric, it makes sense to answer your query here, just in case others would like to know. "Rain and Snow" originated on recordings with Obray Ramsey, as you thought. He was the one who introduced it to us all in the 1950s via his Prestige LP Folksongs From the Three Laurels, and I've no doubt that Jerry Garcia, always interested in banjo songs as a banjo picker himself (when not playing guitar), picked it up from that album.

Ramsey's LP notes credit Cecil Sharp, who collected the 1st verse only from Mrs. Tom Rice at Big Laurel, NC August 18, 1916. I'm guessing that the rest of the verses coalesced around the Laurels in the decades that separated her from Ramsey. Others may know whether he was related to her, or friendly, or just down the road, or what.

But the remaining three verses as Ramsey recorded them are distinct, though each has traditional elements in it, shared with "Red Apple Juice" aka "Red Rocking Chair," among other songs.

"Rain and Snow" is one of my great favorite banjo songs, and I frequently find myself picking it. But that's enough creep for one thread. Bob


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 09 Feb 07 - 06:53 PM


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Subject: RE: Origins: I Know You Rider
From: GUEST,Eric Levy
Date: 09 Feb 07 - 04:49 PM

Thanks for responding to my post Bob--especially a year after the main thread was discussed. I've been searching for the earliest recording of I KNOW YOU RIDER literally for years, so finding out about Tossi Aaron's recording is like a dream come true. Even more exciting, I managed to find a used copy online already and ordered it. Can't wait to hear it. So thank you so much for finally putting this one to rest.

Another folk song in the Grateful Dead's repertoire that's proven pretty elusive is COLD RAIN AND SNOW, which they first recorded in 1966 and performed throughout their career. It's believed the song's roots date back centuries, and it has been recorded several times, but the earliest recording I've come across is by Obray Ramsey from 1960 called simply RAIN AND SNOW. There is a 1938 song called RAIN AND SNOW by Shorty Bob Parker that is sometimes cited as a source, but it is not the same song.

I suppose we could start a new thread if there is also interest in this song, or feel free to e-mail me off-list.

Thanks once again,
Eric
capercaillie@sbcglobal.net


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Subject: RE: Origins: I Know You Rider
From: Azizi
Date: 07 Feb 07 - 09:12 PM

Bob Coltman, I'm just popping in to this thread to let you know how much I look forward to reading your posts, and learning from you.

Thanks for sharing your experiences and knowledge on Mudcat.

Best wishes,

Azizi


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 07 Feb 07 - 07:03 PM

The Sonny Terry reference puzzles me. Sonny never to my knowledge did anything remotely like this, and I've heard nearly all of his recordings made from the 1930s onward.

But like the "Blind Lemon" reference way up at the beginning of the thread, it could be a haphazard guess on the part of the person who wrote up the credits. Or Sonny could well have sung a verse resembling something in "I Know You Rider." But his blues were a lot different from it.

Trouble is, antecedent versions of blues are not like antecedent versions of other kinds of songs. They're not like Barbara Allan or John Henry. Blues (apart from ballad blues like Bessie Smith's "Back Water Blues") are assembled on the spot out of often disconnected "floating verses" that may or may not fall into a coherent story.

To show that one blues descended from another, you have to lean a lot harder on melody, sound, overall theme, and the entire text, not just part of it. So if you find a verse or two from "I Know You Rider" in another song or several other songs, that shows commonality of verses, but tells you nothing about their relatedness otherwise.

That's a capsule statement of blues derivation or the lack thereof. Hope that helps separate the sheep from the goats...wheat from the tares...whatever.

Bob


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Subject: RE: Origins: I Know You Rider
From: GUEST,Eric Levy
Date: 06 Feb 07 - 10:59 PM

WOW! I see that this thread is a year old, but I was just told about it by my friend Alex Allan, who runs an exhaustive Grateful Dead lyric site: http://www.whitegum.com/intro.htm. He and I, along with our friends Matt Schofield (http://www.deaddisc.com/) and Dick Rosemont (http://www.originalsproject.com/) have been discussing the roots/earliest recordings of Dead songs for years now. "I Know You Rider" has always been one of the harder ones to pin down, and now I understand why. Bob, thank you so much for all the clarification.

I have a few points to add. It's true that the Kingston Trio, the Big Three, and Judy Henske all recorded the song for LPs that were released in 1963. If the January 1st date cited above is accurate, then clearly Henske's was the earliest of those three. I didn't know about the Baez or Aaron versions until reading this thread, so it's thrilling to learn about those.

There are two issues that are still troubling: The Big Three recording credits the song to blues legend Sonny Terry. I can find no indication that he ever recorded the song, but how do we explain the credit?

Bob, the only other possible precedent I've heard of--and it's a long shot, is called "I Told My Rider" by Robert Wilkins, recorded in September 1928, never issued and presumably lost (http://www.wirz.de/music/wilkifrm.htm). So even if that is a precedent, I don't think we'll ever be able to find out.

By the way, the Grateful Dead's earliest recording of the song dates from November 1965.

Anyway, just wanted to thank you for this thread, and add what little I could.


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Subject: RE: Origins: I Know You Rider
From: PoppaGator
Date: 21 Feb 06 - 02:56 PM

Great song, and even greater input from Bob Coleman. I, for one, am not in the least offended by his unavoidable use of the first-person pronoun.


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Subject: RE: Origins: I Know You Rider
From: GUEST,jones
Date: 21 Feb 06 - 12:34 AM

I believe a very young Bob Dylan, when asked as to the source/inspiration for his tunes, said something like:
"The song was here before I came along. I just came along and wrote it down."

What a treat and an honor to read the words of Bob Coltman regarding this tune.


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 03 Feb 06 - 05:29 AM

Suffet, I've never doubted the female prisoner DID make the verse up herself. I surely hope so. I wish we had a chance to hear what else she sang.

Catherine, about switching gender in songs, sometimes I do, sometimes I don't. Depends. "Wish I Was a Single Girl Again" has such a female identity I wouldn't change it for anything. In this song I had a personal connection; the rider as she came through the song to my perception was definitely female, and there was a personal story attached, nuff sed. However, in Lomax, the rider was plainly intended to be male.

Why should there be any hard-and-fast rule? You take over any song as your own when you sing it. If you can make the connection across genders, you do. If not, a switch may have to happen if you're going to sing the song at all.

I sing it direct, person-to-person: "I know you rider, you gonna miss me when I'm gone." But all noted approaches are possible.

Elvis? Which Elvis?

Yes, I admit the word "I" is beginning to get monotonous. Sorry folks. It's not conceit, it's just been tempting to answer all the questions by going deep into the past and trying to reconstruct it as truthfully as I know how, because it does seem to have a bearing on how we all got from there to here in the folk music world. But it sure must be a bore to anyone who hasn't that quirk!

But Al Gore never said he invented the internet -- that was just right wing propaganda -- and I sure as hell didn't invent this song. I just happened to be the person who, as I said at the beginning, started the chain by lifting it off the page, arranging and performing it.

Because I feel a strong personal connection to it, part of the intriguing weirdness, for me, has been finding out how far the song has traveled, and trying to work out how that happened. Guess I probably have gone on at too great a length. Put it down to a fatal fascination with song history, even right down to the nits and the grits.

Bob


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 02 Feb 06 - 01:40 PM

It just could be that the teenage female prisoner from whom the Lomaxes that one verse made it up herself. Every traditional song has to start somewhere.

Or, to paraphrase Al Gore, "Folk music? I invented folk music."

--- Steve


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Subject: RE: Origins: I Know You Rider
From: GUEST,Gerry
Date: 01 Feb 06 - 09:53 PM

"I also sang it in the west, in Wyoming/Tetons 'Teton Tea Parties' and on the West Coast, especially in San Francisco and Los Angeles, late summer-early fall '59. Then I went in the Army...."

Wow! Did you know Elvis?


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Subject: RE: Origins: I Know You Rider
From: TinkerandCrab
Date: 01 Feb 06 - 05:15 PM

Bob: Thank you for responding to my question about the term "rider" and its connotations. If I read you correctly, it seems to be a double entendre? A "rider" can connote lack of fidelity, as he travels from town to town, partner to partner. (Such a frequent theme in folk songs in general! Rambler Gambler, Rambling Sailor... please help me out with the scores of others...) But it also connotes the sex act itself, being "ridden" by a man. Both connotations are sexual, only the latter is more graphically so. The term "rider" seems to link these two meanings in a playful way.

I guess the other thing about this song that has always intrigued (provoked?) me is the problematic grammar. Am I supposed to *assume* there's a comma between you and rider? As in, "I Know You, Rider". The woman is *addressing* the lover? Apparently others grappled with this issue as well since, if I'm remembering correctly, several performers changed the lyric to "I Know My Rider" so as to make the sentence flow more smoothly: "I know my rider's gonna miss me when I'm gone..." Perhaps I (and others) are a little too verbally uptight for Blues talk... ;^)

And one more thing, which perhaps should be (already has been?) a separate thread: What do y'all think about performers who change the gender of the song's speaker so as to match their own? I bring it up because, personally, I've always had a problem with it. I'm not so musically blessed as to be a performer myself, but in my frequent daydreams in which I am singing a song to an audience, I always sing the song as I have learned it, and simply *take on* the persona of the song's speaker, gender and all. I guess I feel that's part of the art of musical performance. Can any (actual) performers comment on this?

--Catherine (who used to be a GUEST but is now registered)


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 01 Feb 06 - 03:33 PM

Re "Woman Blue," anyone who hasn't already done so may want to check out the "LYR ADD: When a Woman Blue" thread:

http://www.mudcat.org/thread.cfm?threadid=88130&messages=3

It has a little more "I Know You Rider" history, and in it I distinguish between "Rider" and "Blue," which are separate songs, though in some folk revival versions they seem to cross.

Of course, Art, the *real* book left to be written is WHEN WE WERE BAD. I think I might have some choice input for that one. :)

Bob


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Subject: RE: Origins: I Know You Rider
From: GUEST,Art Thieme
Date: 18 Jan 06 - 10:58 AM

Fascinating! These discussions on the oral/electronic tradition within the folk revival generation singers (and variations thereof) proves to me the validity of Robert Cantwell's book called "WHEN WE WERE GOOD".

This ought to lead to a fine yet to be written book---and/or a television mini-series. ---- Deborah Robins, are you listening???

Art Thieme


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 18 Jan 06 - 09:38 AM

Catherine, "rider" is sexual. It is a lover, and not a faithful one. An "easy rider" proverbially "rode from town to town," so it also has connotations of catching a freight (or, earlier, a horse, like a circuit rider. In connection with that, a "stone pony" is another sexual term.

A "rider" is primarily a man who goes from woman to woman, like the silver dollar in the '20s song. A woman "rider" goes from man to man, or is suspected of doing so -- as in C.C. (or Easy) Rider. "Riding" is sex too, but I think there's a wider connotation of a person who is thoroughly at home with the opposite sex, a hottie in modern terms, someone magnetic and available whom anybody might make a play for.

Q, I think the reason "I Know You Rider" is a tough song to trace is that it really only exists in the Lomax version, in mine, and in the various versions that stem from mine. I have found no others, and believe me, I have heard nearly all of the blues issued on record, and seen nearly all of the blues printed by folk song collectors as found c. 1900-1940, and believe me if I had spotted a relative, I would have noticed.

I think we ought to be wary of linking blues that are quite separate just because they happen to share a line or a verse. Just listen to Blind Lemon, Papa Charlie Jackson, Blind Blake, Peg Leg Howell, Barbecue Bob or some of the other prolific bluesmen of the 1920s and you will hear a scad of verses shared and traded in and out of songs that are otherwise quite distinct -- not to mention the great blueswomen like Bessie, Ma and so on, who did the same. Blues verses were a vast pool from which singers recomposed to create individual songs ... a lot like southern mountain fiddle and banjo songs.

Please don't think I'm trying to shut the door on other variants! I just can't find hide nor hair of them in the record.

As it happens, I have the books you mention, and I'm referring to them now.

First, we should remember that "I Know You Rider" as originally collected was ONLY the verse (I went back to Lomax to be sure I give it exactly in the words printed there),

I know you rider, gonna miss me when I'm gone, (2)
Gonna miss your li'l mama, baby, f'um rollin' in yo' arms.

Lomax's added-on verses seem mostly without antecedents I know of, except for "Sun's gonna shine" and a couple I didn't use, like "Take me back, baby." "I laid down last night" is common enough, but usually differs from there on.   For example:

I laid down last night, turnin' from side to side,
I was not sick, I was just dissatisfied.

My guess is that the Lomaxes, who collected scads of blues verses and fragments in addition to distinct songs, put unusual or unique verses here that hadn't fit anywhere else. They commonly did this kind of assembly work in "floating verse" songs, which is how we get our canonical versions of things like "Cindy" and "Old Joe Clarke" as well as various field hollers and blues.

As to the other references, here goes.

Brown: I think the reference must be to Vol III, Folk Songs, p 563, When A Man Gets the Blues. One verse only. No tune provided in Vol IV, "The Music of the Folk Songs."

Oh! when a man get the blues
He boards a train and rides,
Oh! when a woman gets the blues,
She ducks her head and cries.

Sandburg: I've addressed Sandburg's "Woman Blue" (which contains that verse) in Q's separate thread "WOMAN BLUE"

Lomax: addressed above.

Silber. Folksinger's Wordbook: That is exactly, word for word, my earliest version under my title, the version I sang as of 1959 and in about 1960-61 slightly altered to the one quoted above. It is therefore the one that Edwards and Kelley got from me in summer 1959, and I suspect Silber used it more or less whole from the Coffee House Songbook, though I have not seen the latter.

In general, I think I'd like to turn over to the rest of you the task of plowing deeper and deeper trying to find other versions. Any results, please let me know!

I too would like to know the antecedents of some of the Lomax verses. But I think the lesson we keep learning as we play song detective is that the unnamed murderess's first verse was unique to her. That's the song's soul.

As for the other verses, except for antecedents as noted, I haven't had much luck finding them elsewhere.

I guess the only thing left to state is that I was indeed the one who retitled the song, as well as revising and arranging it.

Oh yeah, and just in case of any misunderstanding regarding Bill Briggs re this song. All honor to the great Brigger, who taught me much, whose music I love... But as he would tell you himself, he was not the co-composer, as may have been implied above.

He learned "I Know You Rider" from me, just as I learned many songs from him, including his signature tunes like "Horse Named Bill." the wonderful "Willie's Rare," and "Cuckoo Yodel." To the best of my knowledge (dating back a few years I admit), Brigger still lives in Jackson, Wyoming. If you want to check it out with him, please do; and tell him hello from me.

Bob


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Subject: RE: Origins: I Know You Rider
From: GUEST,Catherine M.
Date: 17 Jan 06 - 10:48 PM

This thread is fascinating.

On a slightly different tack, what do you think "rider" means? Horseback? Is it sexual? Does it refer to a particular lifestyle/job? Is there any cultural context?

I'm so glad to know that it was originally from a woman's point of view... it sort of makes more sense to me now that way. I first heard the Byrds recording of this song... and the Jorma Kaukonen version sometime thereafter.


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Subject: RE: Origins: I Know You Rider
From: Q (Frank Staplin)
Date: 17 Jan 06 - 06:04 PM

This is a tough song to trace. One form is an old blues, not found yet. More than one song involved?
These are the earlier published references
Brown, North Carolina Folklore, 1919. Not seen. Perhaps a different song.
Sandburg- 1928, "When a Woman Blue," Two verses and music in "An American Songbag, pp. 236-237. "collected from Negroes in the cotton fields of Texas."
Lomax, 1934, "Woman Blue," One collected verse and nine added.
Silber, Fred and Irwin, 1973, "Folksinger's Workbook," "I Know You Rider," eight verses, mostly from Lomax (or Coltman or Kingston Trio?).
Bob Coltman, information posted above, song used in the 1950's.


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Subject: RE: Origins: I Know You Rider
From: Suffet
Date: 16 Jan 06 - 06:21 PM

Bob,

Say "hello" to Irwin from me. And I'll say "hello" to Jerry Epstein on your behalf the next time I see him. We are both on the New York Pinewoods Folk Music Club board of directors, so we see each other at least once a month. If you don't already know, Jerry's e-mail address is: jerepst@att.net

He and Don Wade (also on the NY Pinewoods board) still carry your old Minstrel Records LPs in stock, along with the recordings of Jack Langstaff, Frank Warner, Dwayne Thorpe, and others.

Regards again.

--- Steve


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Subject: RE: Origins: I Know You Rider
From: GUEST,Bob Coltman
Date: 16 Jan 06 - 02:35 PM

I haven't heard it. But I went to her website to check it out. She uses the Lomax title, "Woman Blue" and adds "(aka I Know You Rider") at least on the CD version.

Since that record was not recorded until 1965, I'm assuming Roderick heard it from Henske or the Trio, or even the Serendipity Singers (1964). By the time she picked it up, it was clearly in play in the folk pop market.

Since she uses the title "Woman Blue," though, I take it she (or someone she knew) after hearing the song, must have done some back research, ferreted out its source, noticed the Lomax title and used that.

Bob


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