Getting nursing home gigs

Subject: RE: Getting nursing home gigs
From: Genie
Date: 03 Oct 02 - 03:12 PM

Marion, "No" can mean, "No, Nay, Never," or it can mean "You caught me in a bad mood (or at a bad time)" or "No to the hidden agenda I think you have" or "No to X" (when you are selling Y). In the case of ADs, it can (and often does) mean "I'm not booking anyone else for this month or the next few months." AD's sometimes do book for that time frame after saying that, due to cancellations, additional budget coming in for a special occasion, etc.

I don't think it's ever a bad idea to send a brochure with a cover letter to a facility even if your initial phone call has resulted in a rebuff. (Don't send more than one a year, though, without permission or unless a new AD takes over, and if specifically asked NOT to send one, DON'T.)

I thought I mentioned this in an earlier post to one of these threads:
It's hard to connect with the other entertainers since you are seldom booked for the same time period. I have met a few and exchanged cards and called them if I had to cancel and had them mention my name when they had to cancel. I would love to organize a network of entertainers who do senior facilities on a regular basis -- for referrals, sometimes to compare notes on facilities and ADs and admins, and occasionally to send a sort of petition to the facilities in the area (e.g., asking them to ask their staff and visitors to refrain from using cell phones and carrying on loud conversations during music programs, lectures, films, etc.--or trying to adopt a general policy about not cancelling longstanding bookings willy-nilly). But that takes a lot of work, and I don't know how good a response I would get from the other entertainers.

Genie

Subject: RE: Getting nursing home gigs
From: wysiwyg
Date: 03 Oct 02 - 03:21 PM

There IS a network-- someone gave a link to it on some other thread or maybe this one. Sorry I can't recall!

~S~

Subject: RE: Getting nursing home gigs
From: Marion
Date: 03 Oct 02 - 04:09 PM

Thanks Genie. Your answer doesn't ring a bell; I guess I missed that thread.

Marion

Subject: RE: Getting nursing home gigs
From: Genie
Date: 03 Oct 02 - 09:32 PM

Yeah, Sooz, there's a network for one community or another. What would be nice is similar networks within each geographic area. Rita, Marion, Jerry, Mike and I can't very easily fill in for each other or serve as referral sources, since we're so far apart.

Also, just as with the Musicians' Union, there are a lot of performers who aren't connected with whatever networks exist.

I have asked some ADs if I could look thru their card file, and I have gotten some leads that way, but other ADs are reluctant to give out phone numbers without permission. (I can understand that.)

If there is an AD association in your area, they could probably help get the performers networked, too.

Genie

Subject: RE: Getting nursing home gigs
From: Marion
Date: 13 Oct 02 - 03:43 PM

Hmm... I've just gotten a message on my machine from someone I sent a brochure to. She says that she wants to talk more about my experiences and get some referrals from the Toronto area. This is a bit of a problem, since my first gig of this project is in a couple of weeks; my nursing home experiences have been volunteer, instrumental fiddle only, and in Ottawa and Nova Scotia.

What do you think would be the best response? I'm thinking of trying the "satisfaction guaranteed" thing, since I don't want to offer to audition. Or I could just suggest we talk again in a month when I'll have some references (I have seven gigs lined up now).

Marion

PS. Despite the sample brochure I posted above, I did not write "references and demo are available" on the first edition of my brochure, since I don't have either yet.

Subject: RE: Getting nursing home gigs
From: Genie
Date: 13 Oct 02 - 10:35 PM

Well, Marion, you might call her and ask her what kind of references she wants -- e.g., references from other (paid or unpaid) music gigs, peronal (character) refererences, or general job-perormance references (e.g., are you reliable). If she insists on evaluations from other nursing home ADs where you've played, maybe your "talk again in a month" suggestion would be the way to go.

Good luck.

Genie

Subject: RE: Getting nursing home gigs
From: 53
Date: 14 Oct 02 - 06:16 PM

do they pay anything?

Subject: RE: Getting nursing home gigs
From: GUEST,Dana in Denver
Date: 15 Oct 02 - 12:27 AM

I just found these great posts and am thrilled to find out there are so many musicians out there actually getting *paid* to sing at nursing homes. I LOVE to sing with elders and do so on a volunteer basis 2x or more per month. I always figured if I could get paid to do what I love I would be so grateful. My question is about 'music therapy.' (forgive me if this is another post somewhere) I wonder who out there is doing music therapy and what exactly does that look like? My vision is to do 20 to 30 minutes with someone one on one just singing to and with them some beautiful music. What would one sing for music therapy? What would one charge? If there is someone doing this please feel free to answer here or email direct at [e-mail].

Thanks so much!
Dana

Subject: RE: Getting nursing home gigs
From: Marion
Date: 15 Oct 02 - 01:13 AM

Hi Dana, and it's great to see your post. I hope you'll tell us about your experiences in these threads.

There's music therapy and then there's Music Therapy. To be a Registered Music Therapist involves a university training (with a lot of psychology as well as music) and certification, and is I think necessary to take a job as an institution's music therapist*. To the best of my knowledge there are two RMTs on Mudcat: Night Owl and Musicman (not to be confused with Musicmic). If you join as a Mudcat member (it's free) you can exchange personal messages with them.

However, the phrase music therapy is often used colloquially on this thread and around Mudcat, for when amateurs or pro musicians who are not licensed therapists use music therapeutically. Genie is a great person to talk to about this, and I'm sure she'll be along soon; part of her work is unofficial music therapy, and she's a neighbour of yours as well.

I've been calling up activity directors looking for work, and the ones who have spoken to me about what they might need or actually booked me have all been interested in concert-type events, not singalongs or one-on-one. So my early impression is that it's easier to get work with a performer hat on than a therapist hat.

A good thread for you to look at is: Music therapy. Towards the top of that thread are some links regarding Music Therapy as a profession. Later, in Katlaughing's post, there are links to some good threads where people talk about their experiences making music for people with special needs. Be sure to read the thread called "Music therapy - the original".

Cheers, Marion

*One other thing - a friend of mine got a full-time job at a nursing home as a "Music Therapist" although her only formal education was the first year of piano performance program. So it is sometimes possible to be hired as a music therapist even if you aren't really one. But this is practicing medicine without a license, and I think it would have been more responsible if she had insisted that her job title be changed to Music Director.

Subject: RE: Getting nursing home gigs
From: Genie
Date: 15 Oct 02 - 02:50 AM

Actually, Marion, I'm not sure whether doing someone doing "music therapy"
who is not a certified/licensed music therapist constitutes "practicing
without a license" or not.   In the field of clinical/counseling
psychology or social work, there are licensed psychiatric social workers,
clinical psychologists, licensed family therapists, etc., but many people
(ministers, etc.) do "counseling" without violating the law or professional
standards.  Someone who is a licensed "music therapist" may have a
more definitive answer.  But to me the difference between "music therapy"
and "entertainment" -- in the contexts in which I do the two, overlapping,
kinds of activities -- has to do with the purpose and, to some extent,
the method.

I (and the activity directors) call it "music therapy" when the
goal is to:

 -- promote physical and/or emotional/mental healing
via the music,

 --  actively engage and stimulate the residents'
memory. general cognitive functioning and emotional responsiveness,
etc.

 --  help develop or maintain skills that will carry
over to other aspects of day to day living.

Sometimes I do this one-on-one.   (And, God! do I wish
the homes had the budget to afford the 20- to 30-minutes of one-on-one
with an individual resident!)  This can involve singing songs
from someone's early childhood. native language, religious background,
etc., or songs that  have strong associations with other important
t imes in  their his tory.  It may also involve getting them
involved in singing along, doing rhythm accompaniment, "dancing" to the
music, or telling the stories that the music evokes.

In group sessions, my goals include getting folks to engage their memory
skills (e.g., recall memory, learning new refrains). rekindle emotions
that they may have lost touch with, laugh, move, talk with each other,
reaffirm their own competence, etc.

Programs that  are geared to entertainment may accomplish
some of the same  goals, but their main purpose is just that
-- diversion.    Often in a happy hour or when playing
background music for dinner,  there is no expectation that anyone
will even pay any attention to the lyrics I'm singing.  The goal is
primarily to sound good and make the music enjoyable.  The
songs don't have to be ones that the residents already know or that have
special significance to them.  If the AD hires Irish dancers for a
St. Patrick's party, there is no expectation that this kind of dancing
will evoke childhood memories,  directly stimulate cognitive skills,
etc.   It's something that folks enjoy, and that is important
in and of itself.

Here's an aside that may (I hope) make the point:

I have a doctorate in [life-span] developmental psychology (non-clinical)
and some post-doctoral study and employment in counseling.  I cannot
call myself a "clinical psychologist"  or "psychiatric social worker,"
or any of several other kinds of specific occupational names, since I do
not hold the relevant licenses or certificates.  But I have been
employed as an adolescent and family counselor and mental health therapist,
under the auspices of agencies for which I worked in those capacities. 
As I see it, if the Recreation Therapy Director of a nursing home hires
me to do one-on-one music therapy   (e.g., by getting a native-born
German lady to sing the songs of the old country with me or by having me
sing special hymns to help a hospice patient  and their family deal
with impending death or by stimulating Alzheimer's patients' memories and
emotions via oldies sing-alongs), what I do is music therapy.  This
does not qualify me to do all that a music therapist might be required
to do.  But I may be every bit as capable of doing certain kinds/aspects
of music therapy as are those who hold licences in the field.  
(If I prescribed drugs, I'd be guilty of practicing medicine without a
license.  If I told someone that their health would probably improve
if they got some exercise, avoided overeating, and tried to sleep at least
6 hours a day, I would not.  And if I told someone about the results
of medical studies, I would not. )

I don't mean to disparage those who have specialized in music therapy
and become certified.  Still, there is a phenomenon in American society
that  I find rather troubling -- namely, the piling on of time and
monetary hurdles to anyone's making a partially parallel move career-wise. 
(If I wanted to get a job as a nurses aide, despite my extensive educational
and employment backgound in the psychological and medical fields, I would
still have to take a number of hours of course work, at a considerable
expense.)  Getting certified in music therapy would cost even more
in time and money.  Usually, there is no way to "proficiency the course,"
as we used to say.     If it were simply a matter of
acquiring the important skills and knowledge and demonstrating them, personally,
I would go for certification in music therapy.  But I'm not at all
sure it would be worth the time and tuition money to enroll in formal courses. 
Some music therapists have told me that folks like me make as much money
ast they do, without the certificate.

Any other opinions, on either side, are most welcome.

Genie

Subject: RE: Getting nursing home gigs
From: Marion
Date: 15 Oct 02 - 11:42 AM

Hi Genie. I am convinced that you don't need to be a licensed music therapist to use music as therapy - in fact you don't even need to be a musician for some ways of doing it. But since the term music therapy has a specific meaning in caregiving jargon which is more than the sum of its parts, I think we in the business have to use it more carefully than, say, people sharing stories in the Music Therapy - The Original thread.

I think music therapy has far less potential for harm than prescribing drugs, or counselling, but it has some potential for harm, and I wonder about the legalities of calling your work therapy.

For an extreme example, breaking a hip can have life-threatening complications for an elderly person (but I'm just passing on what I've been taught, that's not formal medical advice ;)). Suppose, God forbid, that someone fell down while dancing to your music and died as a result. Could it not be said that she died while being treated by a therapist who happened to not be qualified for the job? Couldn't that put you, or the facility that hired you, into a difficult situation?

I once talked to an RMT about non-licensed people doing music therapy. She agreed that many institutions will hire someone with that job title who have no credentials, but it wasn't a practice she approved of. She didn't say anything about the legalities of it, but of the potential for harm. When I asked what harm could come of it, she gave me two examples:

1. While music can raise a person's pain threshold, and doing so is a primary use of music therapy, it can be dangerous because if a person is playing along in a euphoric state they might be hurting their joints through improper technique without feeling it. RMTs are trained in helping people to play instruments in an ergonomic way.

2. If a person is having an intense emotional experience in a music therapy session, a person with no psychological training may not be able to handle or respond appropriately to all the feelings that come up.

I'm going to PM Night Owl and ask for her input here. I'd like to know better what the legalities of calling myself a therapist are.

I have also contemplated becoming an RMT, but I'm leaning against it. It would mean four more years of university to be able to do what I can (in my opinion) mostly do already. I think that I have some vocation to help make music accessible to people with special needs but that I can do that as a volunteer and as a "side effect" of working as an entertainer.

Cheers, Marion

Subject: RE: Getting nursing home gigs
From: Genie
Date: 15 Oct 02 - 12:45 PM

related thread:   
neurobiology and music

 

"...I wonder about the legalities of calling your work therapy...." 
- Well, the states I work in seem to allow activity directors and recreation
therapy directors to count memory-stimulation music groups, one-to-one
room music visits, rhythm instrument groups, etc., as "music therapy." 
I don't use that term for all sing-alongs or strolling music I do,
and I certainly don't call it that when I'm playing for happy hour. 
I don't use the term for what I do unless the rec. tx director hires
me for an activity that he or she has already designated as "music therapy."

As for folks dancing while I'm playing and singing, that is usually
under the control of the facility staff, and they have liability insurance
partly to cover just such things.  (Usually they err in the direction
of caution -- keeping ambulatory residents in wheelchairs, e.g., because
they might fall while walking.)

If I am left on my own to do a group activity -- a situration I avoid
for groups of folks with various kinds of dementia and/or physical frailty
-- I don't invite folks to get up and dance.  (I often invite them
to move --e.g., tap their feet or clap along -- in their chairs.

The points that your RMT friend bring up are valid, but I don't see how calling something "entertaiment" or just "music" would keep those dangers from being present. Keep in mind
that residents in nursing homes have many kinds of stimuli and activities
as part of their "activities" or "recreation therapy" program which have
the same potential hazards.  Activity directors and/or  their
assistants and sometimes CNAs often conduct exercise classes.  Facilities
hiring licensed PT/OT people for all these activities is becoming rarer. 
I think the key is to work under the auspices and guidance of the staff
who are trained in those areas.  (In my case, I am not untrained
in matters having to do with ergonomics [I've taught courses where that
was part of the content], the psychology and physiology of emotions, although
the licensed music therapists probably have more training in that area.)

Sorry to leave this kinda up in the air.  -- I have to go do music
at an assisted living residence and a convalescent center.

...to be continued ...


Genie

Subject: RE: Getting nursing home gigs
From: GUEST,Dana in Denver
Date: 15 Oct 02 - 01:43 PM

Thanks for the info! I'm a certified hypnotherapist by trade and I just love to sing and connect with children and elders. My husband and I teach a kids Peace Choir at our kids elementary school and we have over 300 kids involved in it! We sometimes perform at local nursing homes and the residents love to hear the children sing~

I am thinking about begining with us as a duo (Dave on guitar, my voice) and working from there. Will keep ya'll posted!
Warmly,
Dana

Subject: RE: Getting nursing home gigs
From: Genie
Date: 15 Oct 02 - 03:31 PM

I'm back, for a few minutes. It seems to me that the debate over the legalities and ethics of calling your work "music therapy" if you are not licensed or certified as a "Msusic Therapist" should have its own thread. It's kind of a side track for this thread -- connected, but the discussion can become somewhat tangential.

Re the topic of this thread, let's just say that many (most?) nursing and convalescent homes do not hire only licensed/certified music therapists to do musical programs or one-to-ones, even when those activities are "prescribed" for the resident(s) by the therapy/care team in the care conferences. Sometimes they use volunteers who are very much untrained in that area.

Genie

Subject: RE: Getting nursing home gigs
From: Marion
Date: 15 Oct 02 - 07:00 PM

Dana, what's a Peace Choir?

Genie, I had also thought about starting a new thread, but I suspect that we've pretty much said all there is to say already, unless Night Owl wants to join in.

I know that the risks I mentioned exist whether or not the activity is labelled therapy, and that you personally are better able to avoid them than the average person. My concern here was not for the actual risks but the question of liability. A musician entertaining an audience member does not have the same responsibilities as a health care professional treating a patient. I think I'm being influenced here by my training as a Home Support Worker, where it was impressed on us that when working in that capacity our responsibilities and limits are different from those of a random friendly visitor. Also, I have a long bizarre story of my own, in which an autistic man in my care put both of our lives in danger because of his obsession with music.

But hopefully the fact that many facilities do hire non-licenced therapists means that it's OK, or at least that it's the facility's mistake if it's not OK. If this only happened once I would want to know if the AD also thought they speak Italian in Mexico, but I guess there's strength in numbers.

You said, "Sorry to leave this kinda up in the air. -- I have to go do music at an assisted living residence and a convalescent center." Cool... I was out this afternoon too, playing fiddle at the local nursing homes. I was volunteering (I know, I know, but this is my hometown and I don't think it'll compromise my big city career girl status) and I noticed that the AD in one place made notes on who attended. Now, on July 28 and 29 you told me that volunteering is a donation to the facility rather than the residents, and I doubted this because I was finding people sitting around doing nothing when I arrived and after I left. But now the fact that notes were being made suggests that my free show was actually "counted" by the home as part of their programming. When will I learn... Genie is always right!

Marion

Subject: RE: Getting nursing home gigs
From: Marion
Date: 13 Feb 03 - 06:20 PM

New silly question: at the end of my gig yesterday (which went very well, and they've already booked me again), as the AD came up to thank me, she gave me a handful of cash, right in front of the audience when their attention was still focused up front (i.e., not as people were milling about and leaving).

Am I overreacting, or was this a little uncouth? I found this embarrassing, and would have much preferred that she pay me privately, or at least with an envelope or something. I'm tempted to ask her to not do the same thing next time. But maybe it's not wise to criticize the hand that pays you in cash on the spot, no matter how inappropriate its timing.

What do you think?

Marion

Subject: RE: Getting nursing home gigs
From: Genie
Date: 15 Feb 03 - 05:37 AM

Marion, I had the same reaction the first couple dozen times an A D handed me cash right in front of the residents right after I played and sang for them. Nobody else (nurses, cooks, aides, etc.) gets paid for their services right after they provide them, and I do think it may detract from the beeeenefits the residents derive from the music. While I never pretend to be doing my music as a volunteer, I think that being handed cash right after I finish singing sort of says to the residents, "Don't forget, folks, she only comes to see you because we pay her."

I do think they should at least put the money into an envelope and hand you the envelope.

That said, though, I've got to admit that this practice is so common that I'm hardly fazed by it any more. (At least it keeps me from having to spend 15 minutes after my program tracking down someone to pay me.) And residents in general seem to be quite accustomed to seeing their entertainers paid by the A D.

If it does bother you, though, I see no harm in asking the A. D. to pay you outside the room or at least keep the money in an envelope.

Genie

Subject: RE: Getting nursing home gigs
From: GUEST,Amy
Date: 18 Oct 03 - 02:38 AM

I am an Activity Director and have been one at both for profit and non-profit. I have also worked at a nursing home. It is true that we do get a budget-- however, that does not mean we can go hog wild booking many entertainers. Budgets vary from place to place, however, we have to think about-- equipment for exercise, food and decorations for parties, art supplies, resources-- I even worked at one place that I had to pay (out of my budget)paper for my Newsletters and ink for my computer. So, yes we do get a budget-- but most (here in the NW) entertainers charge 50 at most 65 unless it is for a special event-- and that means I can usually book 3, sometimes 4 entertainers a month. Entertainment is usually the most expensive part of my budget-- we really don't get huge budgets-- like some like to think! I sing myself and try to have a sing-a-long twice a month. However-- I like to try new performers-- and I sometimes question if a performer wants to volunteer or perform for very little-- I want my residents to have the best-- and the best are getting paid.

Subject: RE: Getting nursing home gigs
From: Beer
Date: 18 Oct 03 - 09:56 PM

Hi Marion;
   Great thread.
Worked in a Psychiatric setting for 35 years and in that time I was responsible for providing entertainment to approxmately 1000 patients (residents). This I did for 15 years before moving to a different department. I, like many, went out and did the club scenes looking for people who would give up a few hours of their time to come and entertain. Many musicians, before they would perform would say that they were nervous. I would say, "Yep!! you should be". Then I would look them in the eye and tell them the following. " If you can play before this audience then you will have played before one of the toughest and most "HONEST".
I am now retired and (55)entertain in my community nursing home with an accordian player, fiddler and another guitarest. We don't charge because we do it for "the love of it". A few weeks back I overheard the new person in charge saying to a very young musician (who was a guest,her brother.) not to play any sad songs because the folks didn't like sad songs. Well, when it came to my turn,I sang songs such as, A Prisoners Farwell, A Mother's Love Is a Blessing,Old Shep,The First Fall of Snow and so on. When I was finished she couldn't beleive the round of applause I received. I then took her aside and explained that these songs were number one hits for them. Yes , sad but songs of their youths. and times which should not be erased but brought back to memory. I don't think she understood. What the hell, when I'm old (not to far of) Please bring me some one who can sing Bob Dylan, John Prine, Gordon Lightfoot, Jerry Jeff Walker, David Massengill, Penny Lang, Tom Paxton and so on. If they don't know any of their songs then fuck off, because I will be at the age where I really don't give a shit and want to keep abrest with new musice.

Subject: RE: Getting nursing home gigs
From: Genie
Date: 10 Nov 08 - 01:32 PM

Amy, I really do appreciate your perspective as an AD.   I know that budgets are often very tight, and most places can't afford to pay more than one entertainer a week.

I do run into ADs who choose to use only volunteers, and in truth, SOME volunteers are top-notch musicians. (E.g., I know some excellent bluegrass groups and players who play for nursing homes as volunteers. Then there's the wonderful Boeing Choir in the Seattle area, who perform as amateurs despite being very high "professional quality.")   But there are two problems with relying on volunteers:
1) Sometimes people who volunteer don't see the booking as a commitment in the same, serious way as they would a paid gig.    I'm told volunteers are "no-shows" far more often than paid performers are.
2) Few entertainers can afford to do a LOT of unpaid gigs.   Hence, it's hard to book all the desired spots with volunteer entertainers, especially high-quality ones.   
(If you do a gig for "business," you can write off over 40 cents per mile for travel, for example. If it's as for "charity," your mileage deduction is only about 15 cents per, and if it's as a "hobby, you can't write off any expenses at all.)

Subject: RE: Getting nursing home gigs
From: Genie
Date: 10 Nov 08 - 01:48 PM

Marion, back to the original focus of this thread, I thought I'd mention that internet sites like YouTube, FaceBook, and even other just-plain audio/video upload and download sites can be a great boon to getting bookings.

I am finding that more and more activity directors are wanting some sort of "audition" before hiring a new person. But, as I've illustrated in this or other related threads, doing in-person auditions for potentially one-time gigs that pay under $100 a pop is a real losing proposition.   (For one thing, the AD you auditioned for may be gone the next month, leaving you back to square one. Or the budget can be slashed, the facility sold to a new owner, etc. And if you do one audition and get one paid gig out of it, you've basically done two gigs for the price of one.   Unless the "audition" is for an ongoing, regular booking, with a contract, I'd advise against it.)

Some ADs say they're fine with a CD or tape, but it can get expensive making and sending those out too.   But if you have a good audio or video file, it's easy to make it available online now and send people the link.   If you have your own website, that's even better, but YouTube and some other sites are free.

I've found it easy to make decent music videos of some of my gigs using my MacBook with the built-in camera and mic. Then I can make shorter clips from those and send them to people as video files (e.g. Windows Media) or post them online.   

Ain't technology wunnerful!?

Subject: RE: Getting nursing home gigs
From: Mark Ross
Date: 10 Nov 08 - 07:40 PM

I just started calling every nursing home and assisted living facility in the Yellow Pages. Over the next few months I've already gotten four paid bookings, not for a lot of money, but if I can put together enough of them, may be I can actually make a living doing this........ dunno I've only been working at it for 41 years.


Mark Ross

Subject: RE: Getting nursing home gigs
From: Genie
Date: 26 Nov 08 - 07:23 PM

Don't forget to look under "Retirement Home," "Senior Center," and "Adult Day Care" as well.
Those places usually pay for entertainment as well, but most of them are not in the "Nursing and Rehab. Centers" or "Assisted Living."

Of course, the repertoire you use for the higher-functioning groups (e.g. Independent Living or Senior Centers) will probably be quite a bit different (and probably musically more satisfying) than what you would do for a nursing home or memory care unit.   

You probably can make a living at it if you approach it as a business, but, as with most every other aspect of the economy these days, entertainment budgets for senior facilities keep getting slashed further and further.

Subject: RE: Getting nursing home gigs
From: Michael Harrison
Date: 26 Nov 08 - 10:28 PM

Genie is mostly correct - budgets for senior facilities keep getting slashed further and further. I perform at quite a few senior facilities and it just breaks my heart because the "memory" units and most of the "assisted living" units are the ones that need the music the most, yet, they pay the least. Many of the "independent" facilities don't really need entertainers to come in because the residents can go out themselves (in many cases) whenever they want; however, the "memory" and "A/L" folk are basically locked in and are stuck with whatever entertainment is found for them. It seems that the lower the cognition of the residents equates to the amount of expenses the corporations will afford for entertainment and social functions. Cheers,...................mwh

Subject: RE: Getting nursing home gigs
From: Genie
Date: 26 Nov 08 - 10:50 PM

So right, Michael.

And, sad to say, my experience is that in general the ones who can/will offer the least - both in terms of money and in terms of schedule flexibility - are the ones who take a booking the least seriously.   They are the most likely, when a new activity director or manager comes on board, to just cancel or disregard all the bookings previously made (sometimes without bothering to notify people of the cancellations).   
It seems to be an example of your perceived value being a function of how high or low your price is.
It's very frustrating, when I try to bend to accommodate clients' budgtary boundaries, to find that flexibility 'rewarded' by my services being devalued.

Still, doing music for the frail elderly or cognitively-impaired people can be very rewarding in and of itself.   If I didn't need the income, I'd be inclined to do a lot of this music gratis.
Part of me would say don't do it, because you'd be offering unfair competition for other musicians who do need the income. But I do all sorts of jams and sing-alongs and open mics (not to mention my church choir) without pay, so I can understand those who do provide music to various places as volunteers.

Subject: RE: Getting nursing home gigs
From: Michael Harrison
Date: 27 Nov 08 - 10:20 PM

Genie - yes, the A/D switches are a real problem and will probably continue to be so. There is one money problem, however, that had to be dealt with by me alone - the bottom line.

I usually approach a facility asking for one-half of my regular corporate rate, which most of the rehab, A/L and memory units simply cannot (or will not) afford. Prior to a few weeks ago I simply employed a "bottom line" and would turn down any work that did not pay at least that amount; however, during this last election period I found myself chastising the republican politicians for not wanting to do anything to help "the public sector" unless they could make a profit from it.

I still believe that most of them feel that way, but it caused me to have to take a look at myself as well because the folks who reside in those rehab, memory and A/L units really like for me to come and play for them. There's no comparing what I do to saving New Orleans post Katrina, or anything like that, but, I decided to go in as usual but accept any fee they will afford me - not for myself, not for the corporation, but for the folks who deserve to have some fun in their lives. It won't set the world on fire but it is one small musician giving something back to the folks despite the corporation trying to suck them dry. Hang in there Genie, give those A/D's hell and keep singing. Cheers,.............mwh

Subject: RE: Getting nursing home gigs
From: GUEST,ChillinD23
Date: 15 Apr 09 - 09:23 PM

I wanted to thank EVERYONE here , Genie, Marion, everyone for being so helpful by contributing to this forum. I am an alto sax player and am just beginning the journey of acquiring gigs in this "circuit" if you will. Many of the musicians in my area do not like competition from musicians that play the same instrument as them so I am looking into this as I do need money and it is a wonderful service to provide for the elderly as well. If anyone is interested, I have a video of my playing up on youtube.

And yes, I do realize I will have to "tone it down" in terms of the jazzy-ness and bebop elements to more recognizable standards and sing-alongs. Thanks everyone!

Subject: RE: Getting nursing home gigs
From: Barbara Shaw
Date: 15 Apr 09 - 10:16 PM

Frank and I play for free at the nursing homes of friends and family, and we receive payment at others that ask us to play. Most of the songs we do are old folk and bluegrass classics which many residents have never heard before, but which are surprisingly well-received. In fact, the residents (and staff) like this variation from their usual entertainment. Music is truly universal.

Subject: RE: Getting nursing home gigs
From: Stilly River Sage
Date: 21 Aug 19 - 12:25 PM

This article suggests other performance options. Whether free or paid, its a direction to explore. Because I expect this to be a non-durable link, and since they aren't going to go looking to see where it may be posted, I am posting the content here for future reference.

“It’s in His Heart” Student Volunteer Plays for Patients
August 16th, 2019

While some musicians dream of playing at Carnegie Hall or the Grand Ole Opry, Fort Worth teenager Jo Jo Liu prefers a smaller, more personal audience.

The incoming senior at L.D. Bell High School has performed one day a week this summer in the lobby of the JPS Health Network Oncology and Infusion Center, hoping to bring a little bit of peace and serenity to patients awaiting their treatments. He wasn’t playing for school credit or to round out his college admissions applications. He wasn’t even playing for applause. Liu just thought some music in their day would make things brighter for cancer patients.

“Music is a gift in my life, it’s what I have to give,” Liu said. “But there is value in serving people through music.”

The 17-year-old Senior Volunteer wasn’t sure how he’d be received when he began his residency at the health network. But his reservations were quickly forgotten when he saw how moved people were by his music. When he played Tuesday, Liu started off with some hymns that captured the attention of people in the lobby and even brought some patients to tears. Later, he took requests for Marvin Gaye and Kenny G songs. As patients heard their names called for their appointments, they passed Jo Jo to tell him how much they appreciated his efforts.

“Your playing is beautiful,” one patient said. A few minutes later, another said “I want to thank you for doing this. It means so much that you give your time for us.”

Kim Pinter, Manager of Volunteer Services at JPS said there are many different ways to help patients. She was excited when Liu offered to play music for them.

“It’s in his heart,” Pinter said. “He’s here for the right reasons and we’re so excited to have him. Patients and team members have really responded to him in an amazing way.”

Patient access representative Diana Garza has had a front row seat for Jo Jo’s performances. She sits just inside the Oncology and Infusion Center door, checking people in as they arrive.

“He had patients crying tears of joy,” Garza said. “It was so beautiful that I almost started crying, too. I think the patients and their families really appreciate the music because sometimes it is so quiet in here. It’s something to make them feel better and take their minds off their troubles.”

Liu, who will be a senior in high school in the fall, said he didn’t choose to play his instrument at JPS to further his musical aspirations. He did it because he has been considering a career in the medical field someday.

“Music is mostly a hobby for me now,” Liu said, mentioning that he stopped performing with his school band and, besides his JPS performances, the most likely place for people to find him playing is at his church. “I just want to play where I feel I can make a difference with my music.”

While summer vacation has come to an end and Jo Jo’s weekdays will be filled with class instead of music, he’s not quite ready to give up his passion for playing to patients. He said he hopes to switch up his schedule and spend Saturdays this fall performing for patients at the JPS Main Campus. Pinter said Liu will likely bring a second instrument during his encore performance. He also plays the guitar, so she’s asked him to strum a few tunes for his second act.