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Lyr Req: Tony Rose's George Collins DigiTrad: GEORGE COLLINS GEORGE COLLINS (2) GEORGE COLLINS (3) Related threads: Lyr Add: Lady Alice Child ballad #85 (4) George Collins Is Innocent! (18) (origins) Origins: George Collins: revisited (86) George Collins - what's it all about? (18) Penguin: George Collins (13) Lyr Req: Shirley Collins' George Collins (10) TUNE ADD: George Collins (3) (1)
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Subject: Lyr Req: Tony Rose'S George Collins From: GUEST,Roberto Date: 21 Nov 03 - 04:20 AM Please, somebody to check this one, George Collins as sung by Tony Rose on Bare Bones. Thank you. Roberto George Collins walked out on a May morning When May was all in bloom There he espied a fair pretty maid Washing her marble stone O, she's whooped and she's holler'd (?), she's highered her voice Held up her lilywhite hands Come hither to me, George Collins - she said For your life shall not last you long He set his foot on the broad(?) water side O'er the lea sprung he He embraced her 'round the middle so small Kissed her red ruby cheeks George Collins rode home to his father's own gate: Rise, mother, and make my bed And I will trouble me dear sister For a napkin to tie 'round my head For if I should chance to die this night As I suppose I shall Bury me under the marble stone That's against fair Eleanor's hall Fair Eleanor sat in her room so fine Working her silken skein She saw the finest corpse a-coming That ever the sun shone on And she said unto her Irish maid: Whose corpse is this so fine? - That is George Collins's corpse a-coming That once was a true love of thine Come lower him down, me six pretty lads And open the coffin so fine That I might kiss those lilywhite lips Ten thousand times they have kissed mine And go you upstairs and fetch me the sheet That's wove with the silken twine Hang it over George Collins's head Tomorrow it'll hang over mine And the news was carried to fair London town Wrote on London's gate: Six pretty maids died all in one night All for George Collins's sake |
Subject: RE: Lyr Req: Tony Rose'S George Collins From: Malcolm Douglas Date: 21 Nov 03 - 09:55 AM I'd be surprised if Tony didn't say in his sleeve notes where he got this. Perhaps you would tell us? It appears to be the text from The Penguin Book of English Folk Songs, which is in the DT: George Collins (3). If that is the case, then a few trivial changes have been made, which can be compared with the DT text (where, of course, "thousnad" is a typo). See also comments in your previous George Collins thread. One note: a common problem people have when transcribing songs from recordings made by revival singers is the confusion between the words "me" and "my". Where it is a matter of pronounciation rather than dialect (which is the case here) it is best to show the correct "my", which is how the word is spelled in what I take to be Tony's source. Different procedures are often employed when transcribing from traditional singers, as in such cases the context is as important as the material; though the extent to which accent or dialect can be faithfully reflected without making the result unreadable or having recourse to the phonetic alphabet is a matter for debate. Here, however, pronounciation is largely irrelevant. |
Subject: RE: Lyr Req: Tony Rose'S George Collins From: boldreynard Date: 21 Nov 03 - 10:40 AM Unfortunately Tony Rose didn't list his sources for any of the songs on Bare Bones. The tune and most of the words are quite close to those sung by Enos White on the Topic Voice of the People anthology "O'er his grave the grass grew green". Mr White was recorded by Bob Copper in Axford, Hampshire in July 1955. His lyrics are as follows ( changes in brackets according to the sleeve notes): George Collins walked out [one] May morning When May was all in bloom [And there he saw the] fair pretty maid [A-]washing her [white] marble stone [She] whooped, [she] hollered, [she called so loud], [She waved] her lilywhite hands Come hither to me, George Collins -[ she said] For your life [it won't] not last you long [He put his benbow down on the bankside And across the river he sprung. He clips his hands] 'round [her] middle so small [And] kissed her red ruby cheeks George Collins rode home to his father's own [house And he knocked at the ring. "Arise, arise, dear Father," he cried "Arise and let me in." "Arise, arise, dear Mother," he cried, Arise and shake up] my bed [Arise, arise, dear sister," he cried, "Get] a napkin to tie 'round my head For if I should die this night {Which] I suppose I shall [You] bury me under [that white] marble stone That [leads from] fair [Ellender's home."] Fair [Ellender] sat in her [hall one day A-weaving her silk so fine] She saw the finest corpse a-coming That ever [her eyes] shone on [Fair Ellender] said unto her head maid: Whose corpse is this so fine? - [She made a reply, "George Collins's corpse An old true lover] of thine." [Oh put him down, my little brave boy] And open [his] coffin so wide That I might kiss George Collins's cheek For] thousand times [he has] kissed mine [Rose's next verse is absent] [This] news [being] carried to fair London town, [And] wrote on [London gates]: [There was] six pretty maids died all in one night ['Twas] all for George Collins's sake Hope this is of interest. |
Subject: RE: Lyr Req: Tony Rose'S George Collins From: Malcolm Douglas Date: 21 Nov 03 - 11:17 AM You might have a look at Roberto's previous George Collins thread, where we have already been over the Enos White business in some detail; though nobody posted his full text. There is a link to the discussion in my previous message. It's unlikely that this was Tony's source; "Penguin" is a far closer match, as the other link I gave will show. On the whole, it is best to stick to just the one one thread when asking questions about differing forms of the same song; it saves unnecessary repetition. |
Subject: RE: Lyr Req: Tony Rose'S George Collins From: Roberto Date: 21 Nov 03 - 01:47 PM Malcolm, I think you've already told me to avoid writing "me" instead of "my", etc, when it is only a matter of pronunciation. I agree with you, but I often write the words as I hear them to remind me of how actually the singer sang the song, to hear it in my mind while I read it. Roberto |
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