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Dave Bulmer-related enquiry

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GUEST,punkfolkrocker 19 Oct 14 - 10:54 AM
GUEST,Fred McCormick 19 Oct 14 - 11:07 AM
caitlin rua 19 Oct 14 - 11:23 AM
GUEST,punkfolkrocker 19 Oct 14 - 11:44 AM
Richard Mellish 19 Oct 14 - 04:13 PM
GUEST,Malcolm Storey 19 Oct 14 - 05:12 PM
Steve Shaw 19 Oct 14 - 06:22 PM
GUEST,Malcolm Storey 19 Oct 14 - 06:54 PM
Steve Shaw 19 Oct 14 - 07:17 PM
Jack Campin 19 Oct 14 - 07:38 PM
GUEST,Guest 19 Oct 14 - 08:56 PM
Musket 20 Oct 14 - 05:23 AM
GUEST,graham_t 20 Oct 14 - 07:07 AM
GUEST,punkfolkrocker 20 Oct 14 - 11:07 AM
GUEST,Fred McCormick 20 Oct 14 - 11:31 AM
GUEST,punkfolkrocker 20 Oct 14 - 11:43 AM
GUEST,Observer 20 Oct 14 - 01:59 PM
Steve Shaw 20 Oct 14 - 07:25 PM
GUEST,Guest 20 Oct 14 - 08:05 PM
Steve Shaw 20 Oct 14 - 08:13 PM
Steve Shaw 20 Oct 14 - 08:14 PM
GUEST 21 Oct 14 - 05:19 AM
GUEST,Fred McCormick 21 Oct 14 - 05:24 AM
Bonnie Shaljean 21 Oct 14 - 05:37 AM
GUEST,John McNeill 21 Oct 14 - 08:43 AM
GUEST,punkfolkrocker 21 Oct 14 - 09:52 AM
GUEST 21 Oct 14 - 09:54 AM
DMcG 21 Oct 14 - 11:22 AM
oggie 21 Oct 14 - 02:23 PM
GUEST,Selby 21 Oct 14 - 02:50 PM
The Sandman 21 Oct 14 - 03:38 PM
GUEST 21 Oct 14 - 04:16 PM
GUEST 21 Oct 14 - 06:11 PM
GUEST 21 Oct 14 - 06:14 PM
Steve Shaw 21 Oct 14 - 08:23 PM
Steve Shaw 21 Oct 14 - 08:28 PM
GUEST 21 Oct 14 - 11:44 PM
GUEST,Selby 22 Oct 14 - 06:43 AM
GUEST,Spleen Cringe 22 Oct 14 - 12:22 PM
Steve Shaw 22 Oct 14 - 02:30 PM
GUEST,Spleen Cringe 22 Oct 14 - 04:13 PM
GUEST,Malcolm Storey 22 Oct 14 - 06:13 PM
Steve Shaw 22 Oct 14 - 07:19 PM
GUEST 23 Oct 14 - 02:11 AM
oggie 23 Oct 14 - 04:39 AM
Steve Shaw 23 Oct 14 - 07:16 AM
Steve Shaw 23 Oct 14 - 07:20 AM
GUEST,Raggytash 23 Oct 14 - 07:58 AM
GUEST,Howard Jones 23 Oct 14 - 08:31 AM
GUEST,punkfolkrocker 23 Oct 14 - 09:00 AM
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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,punkfolkrocker
Date: 19 Oct 14 - 10:54 AM

"The reissueing of the material on CD would cost money"

Pro standard digital transfer for commercial, or even free dowload,
as CD quality [or even higher resolution] Wav or Flac files,
would incur considerably less cost..

This is now rapidly becoming the most popular 22st Century alternative to manufacturing & selling physical media....


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Fred McCormick
Date: 19 Oct 14 - 11:07 AM

Malcolm. "The vinyl is and always was available via the catalogue as far as I am aware". I confess that's a new one on me. As I have virtually all the Leader catalogue anyway, there wouldn't have been much point in my investigating that line of enquiry. But to which catalogue are you referring? Dave Bulmer's own? If so there are presumably other Mudcatters who might wish to benefit.

"considering that the stuff never sold in the first place". Sad but true. Anybody who thinks there's a killing to be made out of this had better think again. However, consider the 100+ Cds which Musical Traditions has released, plus all the stuff which Veteran has churned out, plus how many volumes is it now of Topic's Voice of the People? That's without even mentioning companies like Greentrax, Clo Iar Chonnachta etc.

There may be no money in releasing CDs of traditional music. Nevertheless, there are people who clearly think the stuff is worth releasing, and there are other people who clearly think the stuff is worth buying.

So, to conclude and finish. Here's a job which is worth doing for aesthetic and/or ideological reasons, if not for the greenbacks. All I can add is that, having twice now persuaded Topic to release material which everyone else seemed to have forgotten about, plus having collaborated with Rod Stradling whenever he needed it, I can tell you there's a lot of back breaking and ball aching involved, and very little recognition or profit. But by God, the glow of satisfaction when you succeed in making it happen.


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Subject: RE: Dave Bulmer-related enquiry
From: caitlin rua
Date: 19 Oct 14 - 11:23 AM

The rights can always be sold, without re-issuing a thing. The worth or otherwise of this collection is still only a matter of opinion. Until it's put to the test.

The owner could simply flog it and get something out of it. Then it's somebody else's problem.

I don't think anyone believes it would be lucrative. But that's doesn't mean it's without value.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,punkfolkrocker
Date: 19 Oct 14 - 11:44 AM

.. and whilst business and profit are real world considerations;
it's not entirely unknown or that unusual for families to generously donate
archives / collections / cultural artifacts / etc to the nation's galleries and museums.

If it were to ever be considered as a positive option by representatives of Mr Bulmer's estate,
surely there may already be appropriate responsible organizations
who would be very grateful for such a culturally 'valuable' gift ????

Legalities need not be an obstacle.

Just an idea in progress .. that's all... I don't mind being called naive...


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Subject: RE: Dave Bulmer-related enquiry
From: Richard Mellish
Date: 19 Oct 14 - 04:13 PM

GUEST,Fred McCormick 19 Oct 14 - 07:08 AM seems to have misunderstood my 19 Oct 14 - 06:45 AM posting. I wasn't meaning to suggest that any of those organisations would wish to get into a fight to obtain the recordings and the right to issue them. I was suggesting, in response to the query from GUEST,Malcolm Storey as to who would be interested in the material, that any or all of those organisations might well be interested if it were offered to them.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Malcolm Storey
Date: 19 Oct 14 - 05:12 PM

There is no point in talking in abstracts.

Have just watched Antiques Roadshow and nobody on there would sell the valuable or worthless old jug that Uncle Herbert left them.

Maybe Dave's family feel the same.

Suggest we leave it with Fred.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 19 Oct 14 - 06:22 PM

Whoever this Malcolm bloke is, you lot, stop pussyfooting around him. There are several albums that Bulmer put into touch that would have sold very well on CD. Any by Nic Jones, and what about Bright Phoebus, to name but a few. And let's not forget that there have been several tawdry attempts to release third-rate CD-Rs of the forbidden stuff over the years. I have no idea what the dead Bulmer's twisted motives were for hanging on to stuff, except that they were twisted. The sad truth is, probably, that he didn't look after the tapes, and they're totally shot by now. Some were allegedly used to prop up tables with wonky legs. As I said, anyone with pristine vinyl should hang on to it. You are sitting on what Bulmer did not realise: our bloody heritage, and stuff the "commercial" considerations! One fine day...


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Malcolm Storey
Date: 19 Oct 14 - 06:54 PM

Thank you for the vote of confidence Steve - I can now go to bed and sleep untroubled by life's cares.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 19 Oct 14 - 07:17 PM

You do that - and do carry on defending the indefensible. Hope it makes you happy.


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Subject: RE: Dave Bulmer-related enquiry
From: Jack Campin
Date: 19 Oct 14 - 07:38 PM

Unfortunately this seems to be the wrong Dave Bulmer:

findagrave.com record

Maybe somebody could submit a new entry?

I can see potential for T-shirts. Or maybe decals for uses like the flies in the glaze at Schiphol Airport.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Guest
Date: 19 Oct 14 - 08:56 PM

I think I know who Malcolm Storey is - something to do with Whitby Folk Week in the past I believe.

Who the hell is Steve Shaw?


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Subject: RE: Dave Bulmer-related enquiry
From: Musket
Date: 20 Oct 14 - 05:23 AM

More to the point, who is guest?


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,graham_t
Date: 20 Oct 14 - 07:07 AM

Some practical problems that no-one really knows the answer to (as far as I am aware) -

Exactly how many tapes Dave Bulmer had
What condition they are in.

What their commercial value is (clearly this is related to the above)
I imagine that the cost of trying to catalogue all the tapes, and in particular assessing their condition and the possible costs of restoring them would be considerable. There is also the considerable problem of trying to establish who is entitled to whatroyalties from the individual tapes. Quite possibly the cost of doing all of this would be far more then their commercial value.

I can't see anyone agreeing to buy all or any of these tapes without this information as they might be buying something worthless.

I don't know what has happened to his business, but I thought it included this
http://www.musicbymail.co.uk/

which has had the same message on it for a very long time.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,punkfolkrocker
Date: 20 Oct 14 - 11:07 AM

graham_t - all you ask has been debated to greater depth in more recent Dave Bulmer threads.

This one just seems to have been reopened arbitrarily at random.

Surely it is not too simplistic a notion
to consider that where there is a will there is a way
to minimise all the costs that might be involved........


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Fred McCormick
Date: 20 Oct 14 - 11:31 AM

garham t. The condition of the master tapes isn't all that much of an issue here. If they have degenerated to the point where they have become unuseable (unlikely, I'd have thought), I have nearly all the Leader LPs. IE. the ones which showcased traditional musicians and singers, as distinct from revivalists who were released on the Trailer label. I have no interest in the latter.

The Leader LPs I have are all in good condition, and good remastered copies could be produced from them. The odd items I don't have could doubtless be furnished by other people.

Again, as I keep telling people, the commercial value of the catalogue is virtually zero. Nobody is going to make money from reissuing it. However, its cultural worth is in my opinion, beyond estimation.

The problem is that an enormous mess surrounds the question of copyright. IE., nobody seems to know who owns what. Therefore, the logical thing to do would be to contact all interested parties, which would presumably be Dave Bulmer's widow, Bill Leader and whoever now owns Bulmer's business, if such a person exists, and ask them to waive any rights they might have.

Regarding royalty payments, if I become involved in any attempt to reissue the catalogue, it will be on the clear understanding that royalty payments will be made to the performers, or to their descendants, or failing both of these to some suitable charitable cause; EG., it would be impossible to pay royalties to all the people who performed on 'A People's Carol' but the money could presumably still be put to good use.

Payment of royalties on the terms I've just set out is in fact a cardinal principle where Musical Traditions releases are concerned. Therefore if Rod Stradling can do it, so can anyone else.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,punkfolkrocker
Date: 20 Oct 14 - 11:43 AM

.. just an idle thought...
could there be any tax offsetting incentives for Mr Bulmer's family / estate
if they were to make a kind & generous gift to the nation
of this culturally important collection..???


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Observer
Date: 20 Oct 14 - 01:59 PM

you are going around in circles - yawn


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 20 Oct 14 - 07:25 PM

Who the hell is Steve Shaw?

I'll tell you if you like, Mr Murky-anonymous "Guest". I'm one of the most transparently-honest and open people on this board, a bloke who has posted on God knows how many forums over the years tens of thousands of times always under my real name. So who are you? If you won't tell us your name we could always make a suitable one up for you...

Yes we go round in circles. Another way of looking at it is that we won't let a serious injustice drop below the radar. We live in hope, tenuous though it may be, that some good will come out of this one day.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Guest
Date: 20 Oct 14 - 08:05 PM

Thanks for being so informative Steve - so who are you?


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 20 Oct 14 - 08:13 PM

Do your bloody homework. I have been here for quite a long time. Then tell us who you are. Have you got middle name like Jerome K Jerome? Guest K Guest? Now either tell us who you are (since you asked me who I was) or just belt up, bore.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 20 Oct 14 - 08:14 PM

a


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 21 Oct 14 - 05:19 AM

poplexic?


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Fred McCormick
Date: 21 Oct 14 - 05:24 AM

This is a serious topic, and for once there's a faint chance that it might bear fruit. Therefore, could the naysayers and the arguers and the anonymous guests butt out and leave the rest of us to discuss the matter amicably and constructively, and hopefully find a way forward?


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Subject: RE: Dave Bulmer-related enquiry
From: Bonnie Shaljean
Date: 21 Oct 14 - 05:37 AM

HEAR, HEAR


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,John McNeill
Date: 21 Oct 14 - 08:43 AM

I hear vinyl sales have increased quite substantially after years in the doldrums, because people ( young ? ) want something materially and artistically satisfying for their money. This might have a bearing on future plans for the "product".
    I can't remember from whom, ten or so years ago, I bought a new vinyl "Noah's Ark Trap", but although it was at a higher than usual price, I was not unhappy to pay that for it. At the time I had just discovered Nic Jones and was unaware of any controversial matters. Was it unreasonable to charge over the odds a bit ? I really don't think so -
online bidding is quite acceptable nowadays.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,punkfolkrocker
Date: 21 Oct 14 - 09:52 AM

...with fingers crossed for an optimistic amicable outcome....

But please let's not lose sight of the fact that it is still vitally important
to prioritise salvaging as many useable master tapes [and multitracks]
as posssible for optimum quality pro standard digital transfer purposes.

Vinyl transfer should only really be considered a last resort.

As I've emphasised on other 'Dave Bulmer' threads,
vinyl transfer is an art in itself requiring ideally mint copies
of the earliest pressed LPs from the original fresh stamping plates.

Pro mastering studios, and even internet blog 'pirate' vinyl rippers, use LP playback and digital encoding facilities
far superior to the average domestic Hi Fi record deck and USB audio interface.,
to squeeze every last subtle detail from the vinyl tracks...

Obviously cost would be a deciding factor, but at the same time much more is possible on low budgets
than many enthusiasts realise...

That CD I Purchased of "Bright Phoebus" from a Bulmer Amazon shop,
sounded ok on first impression,
but closer listening revealed horrible distortions on the dynamic peaks
of Lal Waterson's voice;
indicating serious deficiencies in the digital transfer,
perhaps either poor condition tape, or amateurish transfer from worn vinyl....???

These recordings deserve much better preservation & archiving.

I just want to get a chance to hear some of these recordings I've read so much about.

A well curated free download archive site would be a dream
[where are lottery grants when most needed..???]

It's so sad Ralph Jordan is no longer with us to advise.

[imho as an ex audio visual technician for a city museum and social history projects]


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 21 Oct 14 - 09:54 AM

Steve Shaw started throwing his teddy about when someone with knowledge of Dave Bulmer made a statement that Steve Shaw did not agree with when one or two people tried to explain the pedigree of the poster Steve Shaw again threw teddy. So back to original question Mr Shaw what is your pedigree to comment and who are you


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Subject: RE: Dave Bulmer-related enquiry
From: DMcG
Date: 21 Oct 14 - 11:22 AM


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Subject: RE: Dave Bulmer-related enquiry
From: oggie
Date: 21 Oct 14 - 02:23 PM

From what I understand from someone who worked on the tapes some years ago, they are basically shot. In that case working from vinyl would seem to be the only choice.

The good news is that modern digital technology coupled with computing power means that very good results are possible.

Is there a market? For some of the historic recordings (Billy Pigg, Unto Brigg Fair) probably.

Nic Jones and a few others I'd say yes.

For the majority it might be a pick and mix approach, a sort of Voice of the People for the revival.

Also don't forget that Bulmer also bought up the rights to assorted other labels en route. I think that Bill Caddick's earliest records are caught in the same limd but I'm open to correction on that.

Steve


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Selby
Date: 21 Oct 14 - 02:50 PM

Dave Bulmer ran a successful niche market business and obtained the master tapes to what is believed to be some important work. It would seem silly in the business sense not to release the Vinyl on CD but when Dave Bulmer obtained it was it in good enough condition to use? Was he sold a pig in a poke in the first place? While everyone castigates him could there be other reasons why it was not released?
Keith


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Subject: RE: Dave Bulmer-related enquiry
From: The Sandman
Date: 21 Oct 14 - 03:38 PM

Dave Bulmer bought the master tapes of NEW MEXBOROUGH CONCERTINA QUARTET FROM Richard Digance, in 1986, Digance never gave us the opportunity to buy them,Bulmer would not sell them to me either neither did he do anything with them.Those tapes were in perfect condition, please stop making excuses for Bulmer.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 21 Oct 14 - 04:16 PM

Selby.

Dave Bulmer wasn't sold a pig in a poke. My memories, and I'm willing to stand corrected if I'm wrong, are that Leader was put out of business by the oil crisis of 1973. IE., he couldn't get any records pressed because you need oil to make vinyl.

At that time there was a considerable market for folk records,and one might have presumed that once the oil crisis had subsided, things would have returned to normal.

Thus, I assume, Bulmer bought the Leader and Trailer catalogues, intending to re-market at least part of Leader's output once it became profitable to do so. Alas, it never happened.

I went to live in Northern Ireland shortly after the said crisi and returned to find that the bottom had dropped out of folk records. Quite simply nobody was buying anything. Hence, the recordings have lain undisturbed and unissued ever since.

Oggie.

I do not know what sort of state the original masters are in. However, I find it hard to believe that DB, having shelled all that money out, wouldn't have taken good care of them. From his point of view, the market for folk records might have been dead, but who could tell what the future would hold.

In any event, as I've said before, the quality of the master tapes isn't that much of a problem. First of all Musical Traditions has already re-issued one of those recordings - the Cecilia Costello. Personally, I can't hear much wrong with the sound quality. So if that one could be salvaged, no doubt others can.

Secondly, I don't know whether all contributors to this thread are aware of it, but small record companies have been re-issuing pre-war 78s of blues, jazz, country, Cajun and various forms of ethnic music for decades now.

The process usually involves locating copies of the original 78s, transferring them to computer and then re-mastering the results. Not all said companies have been very scrupulous about the re-mastering stage, particularly in the early days. But where labels have done a proper job of restoring the sound, and I'm thinking particularly of Revenant, Frog, Old Hat and Dust-to-Digital, the results can be nothing short of remarkable.

So if they can do that from bunches of scratched and battered 78s, I'm sure it wouldn't be too difficult to remove a few scuffs and clicks from a set of reasonably well preserved Leaders.

In fact, having said all that, I was some years ago involved in a project to reissue some 50 year old LPs of Ewan MacColl singing Child ballads. That was for Topic, and the re-issued material was taken from the original LPs. I can tell you, the difference between the sound quality of the LPs and that of the finished CDs was like the difference between night and day.

If you don't beieve me, go and buy a set.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 21 Oct 14 - 06:11 PM

So has anyone actually contacted the new owner of DB's business, or his widow, or his inheritors? Shouldn't this be the first step?

AND meanwhile the tapes are likely disintegrating ...

http://www.vox.com/2014/10/13/6840233/music-archiving-disappearance-history

Luckily the technology now exists to lift recordings from vinyl.

I advise everyone or anyone to join the 'Association for Recorded Sound Discussion List' at

They debate such issues and the archives are a goldmine of hints and tips and experiences about preserving audio recordings. The List is sponsored by the LOC in Washington. Many members are professional archivists with considerable experience at rescuing or restoring audio recordings.

CJB


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 21 Oct 14 - 06:14 PM

Huh - the email address for the ARSCList should have been

'Association for Recorded Sound Discussion List' at [ARSCLIST AT listserv DOT loc DOT gov]

CJB


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 21 Oct 14 - 08:23 PM

Steve Shaw started throwing his teddy about when someone with knowledge of Dave Bulmer made a statement that Steve Shaw did not agree with when one or two people tried to explain the pedigree of the poster Steve Shaw again threw teddy. So back to original question Mr Shaw what is your pedigree to comment and who are you?

And what pedigree would you like me to have? No, please do tell me? Would you like me to have been a Bulmer victim first or been his next-door neighbour before exercising my right to free speech? You are a charlatan, dear boy or girl, and you sound every bit like one of those occasional Bulmer lackeys that rear their unwelcome heads here and there every so often. Of course, you have a right to free speech, just like me. I choose to identify myself on every single occasion when I exercise that right. So how about you? As for not agreeing with someone "with knowledge of Bulmer" [sic], well here's what I didn't agree with:

He has had very little praise for the good things he did such as the various tune collections and his staunch support of traditional musicians...

...There is no real financial value in the vast majority of stuff that Dave saved from the landfill despite what so called experts might think.


The kind of "staunch support" that means depriving some of our best musicians the right to have some of their finest material released and promoted? Cor, with support like that who needs denigrators! No financial value? So how come that you know that just a short while after his death yet he didn't realise it for decades and give the bloody stuff back!

Tell you what, mate, at least my throwing my teddy around is childlike and honest, which is a damn sight more than can be said for your brand of sanctimony.

"With knowledge of Dave Bulmer"....Jesus.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 21 Oct 14 - 08:28 PM

And apologies to Fred and the others who have suggested that this could be a constructive and, just possibly, useful debate. I couldn't agree more. I've now lost my teddy overboard, I promise, and nanny has just tied the sides of my cot up.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 21 Oct 14 - 11:44 PM

I think his behaviour is unacceptable!


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Selby
Date: 22 Oct 14 - 06:43 AM

I always thought the point of a discussion was to explore all avenues and potential outcomes. Yet when people place a different slant on the discussion, certain individuals take it upon themselves to start name calling and behave like children. This is an interesting discussion with possible outcomes already being raised yet the same people continue to try and shut the discussion down for their own agenda, when challenged will not substantiate their agenda or their knowledge of the issue. Shame as this thread has so much potential to gain insight and knowledge as to what may,has,can go wrong with old tapes and copy write.I am not an apologist but I as I have previously stated I can not understand why a successful business man did not latch onto the CD boom and make money there must be other reasons.
Keith


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Spleen Cringe
Date: 22 Oct 14 - 12:22 PM

With the Leader catalogue, essentially we are talking about a set of recordings of traditional musicians and singers which have little commercial value, but are of great interest culturally to researchers, academics, other folk singers and musicians – and of course to the small number of fans of these sorts of recordings. On a must basic level, it would be relatively easy to ensure copies of the vinyl are available in various sound archives and in libraries such as the RVW library – it probably wouldn't be illegal for these libraries to store such material as digital files or on CD for research and archival purposes. However, if the plan was to make them more widely available – either as free or paid for downloads or for on-line streaming, discussions would need to be had with the current rights holder – presumably Mrs Bulmer or another family member. It's up to the right holder whether they want to hold onto those rights, sell them, license them or give them away. What is clear is that the antagonistic approach taken by some in the folk world in the past to Mr Bulmer (however justified some people think it might have been) is not going to help to resolve the issue – all it can do is to lead to the situation becoming even more deeply entrenched.

In my mind there are several areas to consider.

1)Is there an organisation which would take custody of the recordings (if they are available/salvageable) and take responsibility for ownership/management of the rights to them, if the currents rights holder would be prepared to sell, licence or donate the rights/recordings?

2)Is there an individual or group of individuals (preferably with no axe to grind or history of conflict with Mr Bulmer) who could negotiate the terms on which the current rights holder would be prepared to make the rights available?

3)Is there an individual/group of individuals/organisation who would be prepared to raise funds to pay
a) for the rights (and the recordings if still available);
b) for the digital transfer and remastering;
c) for the admin time to upload the collection onto a suitable site for streaming and downloads (a platform like Bandcamp would probably be the cheapest and easiest way to do this);
d) for the writing of accompanying texts to go online to contextualise and annotate the recordings; and
e) for the promotional and publicity around the launch of the archive?

4)Is it possible to get on board sound engineers, studios, web designers and writers/researchers who would donate some of their time to the project free or at a reduced rate to keep costs down?

I'm sure there are plenty of other issues to consider. First and foremost this is about being able to put in the time and commitment, good planning and project management, getting the right people on board, fundraising and above all retaining focus and a level head…

The commercial releases on Trailer are a separate issue altogether.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 22 Oct 14 - 02:30 PM

I agree with all that. But surely we first need to know that the tapes are usable, or even whether they exist at all any more. The stony silence on this down the years has been deafening and it hardly augurs well.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Spleen Cringe
Date: 22 Oct 14 - 04:13 PM

For the traditional stuff on Leader, professionally transferring from the vinyl would probably be more than adequate, especially for the unnacompanied singing and single instrument recordings. Steve, but fair point.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Malcolm Storey
Date: 22 Oct 14 - 06:13 PM

I had intended to resist replying to Mr Shaw's diatribes but when he attacks me directly that is difficult to do.

First let me affirm that, yes I knew Dave quite well and I said in my first posting that he could be awkward at times - can't we all?

Secondly I referred to his support for TRADITIONAL musicians and I stick by that.

Thirdly why, having bought something, for whatever reason, and subsequently finding it of no value should you offer it to anyone but the seller?

Apart from the one-argument-fits-all Mr Shaw there is some useful stuff being raised.

For any movement on this it would need someone / some organisation to approach the family, who undoubtedly hold Dave's share of the copyright, in a proper manner to see if there is, indeed, a way forward. I fear the time for that may be long past following all the vitriole aimed at someone they loved.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 22 Oct 14 - 07:19 PM

Well, Malcolm, instead of being so patronising and sanctimonious, and as you know the family so well, why don't you do it? You sound like the ideal man! Unless, of course...

No, really. Why don't YOU do it??


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST
Date: 23 Oct 14 - 02:11 AM

I don,t remember this thread asking for volunteers to sort Dave Bulmers estate out. What planet are you on Steve Shaw, oh yes planet Troll.


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Subject: RE: Dave Bulmer-related enquiry
From: oggie
Date: 23 Oct 14 - 04:39 AM

Just to correct something said earlier.

Trailer records were not forced out of business by the oil shortage of 1973. The last records were released in 1977.

Neither was the move to CDs the original cause. They came along in the early eighties.


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 23 Oct 14 - 07:16 AM

If "troll" means disagreeing with anonymous "guests" then so be it. I wasn't asking Malcolm to volunteer, was I, more to piss or get off the pot really. He was the man who sarcastically asked if we wanted to bid for Bulmer's urinals, remember, a nice case of trying to obstruct the debate. Every Bulmer thread throws up people like that. You may also care to dwell for a second on the fact that you are an anonymous "guest" whereas I'm out here in the open, and consider which of us would be more likely to troll. To repeat, "to troll" does not mean "to disagree with you". Maybe you've been reading too many issues of the Daily Mail lately.

Now back to the question, eh? The point is that, somewhere, there are either tapes or there aren't any more. Even if the tapes are knackered, there are still rights and we know that good vinyl still exists. The silence on the tapes is deafening, which is not a good sign, but there's the vinyl, potentially a good second-best. Even Mr Bulmer's allies in this thread accept that they have little or no financial value. They are certainly not earning anyone any money at the moment. So if the family or friends of the family (including one or two people here who claim to be closer than the rest of us) read this thread, let's have a little gentle pressure in the right direction to now do the decent thing. If there's no money in it for the family now, there never will be, so just give the rights back to the artists. That might represent a financial loss but there's no prospect of that being turned around. It would cost more to get the recordings out in decent quality than any profit to be made, eh? So at least let the artists have free rein to do what they want to with their material. They won't make money either, but at least they would have the choice. And let's stop pretending that hanging on and saying nothing is the decent thing, eh?


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Subject: RE: Dave Bulmer-related enquiry
From: Steve Shaw
Date: 23 Oct 14 - 07:20 AM

That's me done in this thread.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Raggytash
Date: 23 Oct 14 - 07:58 AM

I doubt that


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,Howard Jones
Date: 23 Oct 14 - 08:31 AM

This discussion is just rehashing old ground unless his estate is willing to take a different attitude. I have never quite understood why he took the stance he did - if he didn't consider them to be worth releasing commercially then it would have made sense to negotiate with individual artists or others interested in the tapes to get whatever he could for them, but it appears he wasn't willing to do so.

He was not obliged to defend or explain himself, of course, but the consequence is that his reputation as a musician and publisher of some useful tunebooks has been completely overtaken by this matter. If his estate were now to take a different view it is possible that his reputation might at least in part be redeemed.


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Subject: RE: Dave Bulmer-related enquiry
From: GUEST,punkfolkrocker
Date: 23 Oct 14 - 09:00 AM

Maybe he thought that by creating and maintaining an artificial long term scarcity of supply,
eventually ebay auction prices for individual new old stock 'rare' LPs remaining in his warehouse
would be driven up substantially by over competative bidding by well off record collectors...???

Unlikely, risky ? but at least would make some kind of business sense...?????

who knows......


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