Origin: Goodnight Irene

Subject: Origins: Goodnight Irene
From:
Date: 28 Jan 99 - 08:28 PM

Would anyone out there have any info on the ballad "Goodnight Irene", it is very important to my school project. Any info would be helpful.

Thanx, Jon

Subject: RE: Goodnight Irene Origin
From: Mike Billo
Date: 28 Jan 99 - 09:42 PM

To the best of my knowledge, it was the composed by Leadbelly.

Subject: RE: Goodnight Irene Origin
From: Brad Sondahl
Date: 28 Jan 99 - 09:52 PM

Yes, Huddie Ledbetter wrote it. The story is that he wrote the song, got tired of getting about $25 to make a record for it, so took the same song to a number of different race record companies, and got $25 from each. When the made the record, there were lots of copies which contributed to its popularity. You might search on the web for Leadbelly or Huddie Ledbetter for more info. Brad http;//www.camasnet.com/~asondahl/bradindex.html

Subject: RE: Goodnight Irene Origin
From: rick fielding
Date: 28 Jan 99 - 10:56 PM

In the recent biography of Leadbelly (sorry I've forgotten the names of the authors but one is named Kyp something) They trace "Irene" back to an old pop song from the turn of the century. Leadbelly's seems to have borrowed a bit from it but like everything he did, by the time he sang it ..boy , was it original.

Subject: RE: Goodnight Irene Origin
From: Brian Hoskin
Date: 29 Jan 99 - 10:42 AM

The biography Rick is referring to is by Charles Wolfe and Kip Lornell and is entitled: 'The Life and Legend of Leadbelly', it's available in paperback and is well worth a read. If you want to support the Mudcat whilst you're getting a copy, then follow the link to Amazon.com and get it from them.

Brian

Subject: RE: Goodnight Irene Origin
From: Guy Wolff
Date: 29 Jan 99 - 07:40 PM

I know nothing but love the song so much I'm putting it on my next vanity press CD. ...........

Subject: RE: Goodnight Irene Origin
From: Banjer
Date: 30 Jan 99 - 07:26 AM

The story I heard was that the original was written by a prisoner in a Texas jail located near the town of Irene. The last thing he would see before going to sleep would be the lights of the city, and missing his freedom or contact with those he loved would say good night to "Irene". Another story along same vein is that of the Midnight Special. The story on that has it that only by being outside the prison could the train's light shine on a person as it passed by; hence the plea "let the Midnight Special shine it's everloving light on me" Don't know for sure, but that's what folklore is made of. My information comes from a musician known as VGO.

Subject: RE: Goodnight Irene Origin
From:
Date: 02 Feb 99 - 03:48 AM

Hamish Imlach used to introduce the song claiming Irene was the daughter of the governor of the prison in which Leadbelly was doing time (if that's the correct expression) for murder, and that he fancied her. However, I am nor sure how seriously Hamish is to take on that ... - Susanne

Subject: RE: Goodnight Irene Origin
From:
Date: 02 Feb 99 - 11:36 AM

Dear Susanne. My friend Garnet Rogers told me the most outrageous, funny, and difficult to repeat Hamish Imlach story a few weeks ago. After hearing it I wouldn't be surprised at anything Mr. Imlach said....short of him introducing another Leadbelly song with a description of how he (Hamish) used to "pick a bale" in the Glasgow cotton fields.

Subject: RE: Goodnight Irene Origin
From: Steve Parkes
Date: 02 Feb 99 - 12:01 PM

At the Fitter's Arms in Walsall (England), Alex Campbell often used to tell us about the hard time he had "when I was a negro on the Clyde Delta". One night he was in full spate, when he noticed our West Indian floorsinger Ryland Campbell (no relation!) was slowly sliding from his chair to the floor, laughing hysterically but quietly (we were always very polite at the Fitter's). Interrupting his spiel, he said, "it's all right for you, you're a black negro - I was a white negro!". This brought the house down; Ryland had to be carried home on a hurdle. Ah, happy innocent days ...

Steve

Subject: RE: Goodnight Irene Origin
From:
Date: 08 Feb 99 - 11:41 AM

I'll always be happy to have known Hamish, and I'll always be happy to have seen Alex Campbell live once in my life - although I must admit I wasn't really up to appreciating either when it first happened. I'd heard Alex's name somewhere, and I was stridently anti-alcoholic, which Hamish was not .... That was before I grew up, of course.

Still, here's something else - from Joe Klein's book on Woody Guthrie:

[1980:] [The] Lomaxes discovered, at the Angola State Prison Farm in Louisiana, Huddie Ledbetter, who was called Leadbelly by the other inmates. His ability on the twelve-string guitar, his range, creativity, and sheer magnetism left the Lomaxes breathless. The years earlier, while serving a thirty-year sentence for murder in Texas, Leadbelly had sung and jived his way to a pardon by Governor Pat Neff. Now, serving ten years for assault with intent to murder, he made the same trick work again: John Lomax took his musical plea for clemency, on record, to Governor O. K. Allen, who set him free several months later. Hiring on a Lomax's chauffeur and traveling companion - Alan's former role - Leadbelly was brought to New York, where he charmed college audiences and caused a brief stir in the press. He left the elder Lomax after a year, chafing under his white paternalism, wanting to control his own money, and tired of having to wear his convict clothes each time he performed, "for exhibition purposes", as John Lomax put it. (Klein, Woody Guthrie 144)
[The Weavers'] first record was "Tzena Tzena Tzena" with a version of Leadbelly's lovely "Irene" on the flip side; on both sides, the label read: "by Gordon Jenkins and the Weavers". "Tzena" did nicely enough as a novelty song, but the real surprise was "Irene", which became a huge success, the most popular song of 1950. [...] Not only were traditional folk songs changed [in order to copyright them], but also those composed by known authors. Leadbelly's "Irene" was shortened and bowdlerized - even the name was changed to "Goodnight Irene" - to fit the public taste. (Klein, Woody Guthrie 356f)

Subject: RE: Goodnight Irene Origin
From: simon-pierre
Date: 22 Mar 01 - 04:45 PM

Do anyone knows exactly when it was released? I'm reading a historical novel and the action is in the fall of 1935. A man in a barroom take his guitar and start singing this song. I suspect an anachronism. I have read elsewhere that the first records of Leadbelly were released in the debut of 1935, and they were no commercial succes, but I can find if Irene was one of them.

Anyway, for the case of the novel, I find it very doubtful that the song was known in French-Canada at this time.

SP

Subject: RE: Goodnight Irene Origin
From: GUEST,Roll&Go-C
Date: 22 Mar 01 - 05:45 PM

Doubtful that Leadbelly did any recording before 1940 but I'm sure someone will come up with the citation.

Subject: RE: Goodnight Irene Origin
From: toadfrog
Date: 22 Mar 01 - 06:49 PM

There was an NPR program about Huddie Ledbetter where this was discussed at some length, although I have forgotten the name. He did not originate "Goodnight Irene," although there is no doubt in my mind that his version was an enormous improvement over the original popular song. The story went, he made it his theme song because he did not like the tough guy image Lomax foisted on him (guy with the bandana sitting on a bale of hay) and wanted to show he was capable of real sentiment. As in fact he was.

A whole lot of popular songs from the 50's were not attributed to their real authors. Like "Freight Train." "Kisses Sweeter than Wine," which the Weavers popularized, is a sappy version of Leadbelly's rendition of an old Irish balad. The Leadbelly version is called "If it wasn't for Dicky," (Library of Congres, issued on a Rounder CD.) The recording is rough, but the song is MAGNIFICENT.

Subject: RE: Goodnight Irene Origin
From: Irish sergeant
Date: 22 Mar 01 - 08:07 PM

I always heard that he did write "Good Night Irene" Alan Lomax did get his records cut and was instrumental in getting Ledbetter paroled. A rather rare occurence in those days and damned near impossible if you were African-American. I always loved that tune. Kindest reguards, Neil

Subject: RE: Goodnight Irene Origin
From: Suffet
Date: 22 Mar 01 - 10:17 PM

Leadbelly's "If It Wasn't for Dicky" was his treatment of an Irish song called "Drimmer's Cow." Supposedly Leadbelly learned "Drimmer's Cow" from an Irish singer at a New York hoot in the 1940s. Fred Hellerman took Leadbelly's bass line as the Weavers transformed "Dicky" into "Kisses Sweeter Than Wine."

--- Steve

Subject: RE: Goodnight Irene Origin
From: dick greenhaus
Date: 22 Mar 01 - 10:29 PM

A few verses of Drimmen Dhu are in DigiTrad, if anyone's interested.

Subject: RE: Goodnight Irene Origin
From: Mike Regenstreif
Date: 22 Mar 01 - 10:58 PM

Somon-Pierre,

Lead Belly's first commercial recordings were indeed made in 1935 for ARC.

I was contacted a few years ago by a Lead Belly researcher who said that he once performed in Montreal. I'm not sure exactly when that would have been.

"Goodnight Irene" really spread into public consciousness after the Weavers hit version, circa 1950.

Mike Regenstreif

Subject: RE: Goodnight Irene Origin
From: DougR
Date: 22 Mar 01 - 11:37 PM

Gordon Jenkins Choir also had a very popular version in the early 1950s.

DougR

Subject: RE: Goodnight Irene Origin
From: GUEST,Roger the skiffler
Date: 23 Mar 01 - 03:54 AM

Introducing one of his recordings of Irene, Pete Seeger says: "Huddie said Irene was a real person, just 16 years old when she met up with a rambler and a gambler"[presumably Huddie himself].
RtS

Subject: RE: Goodnight Irene Origin
From: wes.w
Date: 23 Mar 01 - 11:52 AM

This song was a total surprise to me when I first heard Leadbelly recordings in the 1960s, as I grew up hearing English people of my parents generation singing it, along with 'Down at the Old Bull and Bush' and other such 'sing along' things. They are now in their 70s,80s and 90s, so it must have got over the water to here by the early 1950s at the very latest. Very nostalgic!

Subject: RE: Goodnight Irene Origin
From: simon-pierre
Date: 23 Mar 01 - 12:18 PM

Thanks Mike.
Here is a very good site about Leadbelly, especially for the discography, but it does not gives the commercial releases of the songs, only the date of their recordings. So... I still wonder if Irene was one of the songs released by ARC in 1935, or if it was done later.

Subject: RE: Goodnight Irene Origin
From: wes.w
Date: 26 Mar 01 - 06:52 AM

I was puzzled when I responded to this thread earlier, as mention of the Weavers and the early 1950s pointed to the music of a later generation than my parents (born mid 1920s). The song may have become popular in the USA in the 1950s, but I've since spoken to my parents, and some of their friends, and they confirm that 'Goodnight Irene' was a popular song throughout Britain during the Second World War (1939-45), and also as a final closing tune for dance bands, when the dancers would sing along with it for the 'Last Waltz'.

I've found a possible source of introduction of this song into Britain via Leadbelly. Charles Chilton, a pioneering Producer for the BBC, writes in his Foreword to 'The Josh White Guitar Method' published in London in 1956:

'My first association with Josh was early in the war when a half hour programme of Negro folk songs, played and sung by him and Huddie Ledbetter, was broadcast in my Radio Rhythmn Club series. As the programme was recorded in New York, I had no direct contact with him...'

So this song could have been recorded in the early 1940s (Leadbelly was recording in June 1940 in New York) and adapted to a British style of song then, perhaps even being learnt by the American Forces in Europe and bought back to the USA in a completely different guise, as a popular 'British' song. This may help to explain some of the confusion over the origins, and it could also be an interesting theory for the project Jon.
Good Luck .. wes

Subject: RE: Goodnight Irene Origin
From: GUEST,Roger the skiffler
Date: 26 Mar 01 - 08:05 AM

Just trying out the UK Sound Archive catalogue (qv).Can't see any recording dates for their versions but note an alternative title "Drown in the River"/
RtS

Subject: RE: Goodnight Irene Origin
From: GUEST
Date: 26 Mar 01 - 10:28 AM

Leadbelly did popularize the song. I know of no older version, but, Leadbelly like Woody Guthrie tends to get and take credit for the many borrowed #'s he performed. Leadbelly more so than Guthrie, I would say that I have heard earlier versions of most songs in Huddie's repotiare.

Subject: RE: Goodnight Irene Origin
From: McGrath of Harlow
Date: 26 Mar 01 - 10:29 AM

To double the confusion, Woody Guthrie's "Roll on Columbia" and "So long it's been good to know you" both use variants on the tune (at least that's how the DT sees it - I think in the latter case it's stretching it a bit).

But I reckon it's a tune that's been around a few times, as good tunes normally are. (For example the tune Huddie used for "Pick a bale of cotton" is always turning up in Irish and Scottish tune sessions, though I can never remember what it's called.)

Subject: RE: Goodnight Irene Origin
From: Snuffy
Date: 27 Mar 01 - 07:18 AM

"Pick a bale of cotton" also has a strong resemblance to the "Getting Upstairs" family of Morris Dance tunes.

Wassail! V

Subject: RE: Goodnight Irene Origin
From: Stewie
Date: 27 Mar 01 - 09:35 AM

Skimming through the Leadbelly entry in Godrich & Dixon, it appears he recorded 'Irene Parts 1&2' for the Library of Congress in July 1933 and again in January 1935. ARC recordings of 'Irene Parts 1&2' were made in February 1935 (16810 and 16811) but were not issued. It seems the first issued commercial recording was made in the summer of 1943 and released on Asch 343-2, Atlantic 917 and the English Melodisc 1151.

--Stewie.

Subject: RE: Goodnight Irene Origin
From: MMario
Date: 27 Mar 01 - 09:56 AM

According to the holdings at Levy Sheet Music site Goodnight Irene was published in 1936

Subject: RE: Goodnight Irene Origin
From: simon-pierre
Date: 27 Mar 01 - 04:58 PM

Great! Thanks a lot, Stewie! Where did you found that, or what is Godrich & Dixon?

Subject: RE: Goodnight Irene Origin
From: Stewie
Date: 27 Mar 01 - 05:54 PM

Simon-pierre, it's actually R.M.W. Dixon & J. Godrich (I have the names around the wrong way in my mind) 'Blues & Gospel Records 1902-1943' Third Edition, Storyville Publications 1982. There's probably a later edition than the one I have, but it is the definitive discography of pre-war blues and gospel recordings.

--Stewie.

Subject: RE: Goodnight Irene Origin
From: Luke
Date: 28 Mar 01 - 09:24 AM

As a teenager I learned that Huddie wrote the song for the wife of the warden at the prison he was locked up in. It was through the writing of the song that he gained his parole. Is that just romantic pr?

Luke

Subject: RE: Goodnight Irene Origin
From: GUEST,John Hill
Date: 28 Mar 01 - 09:47 AM

I have Alan Lomax's book of "American Folk Songs".. which has Irene in it. I don't have it to hand but I'm sure that it says that the song was written by Leadbelly's uncle. I'll have another look when I get home.

Subject: RE: Goodnight Irene Origin
From: Snuffy
Date: 28 Mar 01 - 05:15 PM

In the Penguin Book of American Folksongs Lomax says Leadbelly was the first singer they recorded for the Library of congress in 1935 and Irene was the first song they recorded.

But he says Leadbelly learned the song from his uncle, not that his uncle wrote it.

Subject: RE: Goodnight Irene Origin
From: GUEST,Irene B
Date: 28 Mar 01 - 06:23 PM

Josh White sang this song to me at a concert in Caird Hall Dundee when I was about one year old (around 1952!!)My parents failed to find a babysitter so took me along to the concert, Josh asked my name and when my dad told him it was Irene he sang it just for me. I still have the programme he signed for me that night.

Subject: RE: Goodnight Irene Origin
From: GUEST,Fred
Date: 28 Mar 01 - 10:52 PM

Alan Lomax, in Folk Songs of N. America, says that this was the first folk song that the Lomaxes recorded with their new portable equipment, for the Archive of American Folk Song. He doesn't mention a date for that recording,which was in the State Penitentiary at Angola, Louisiana. He attributes the authorship to Lead Belly, but he gives no further details about it.

Subject: RE: Goodnight Irene Origin
From: GUEST,Fred
Date: 28 Mar 01 - 10:55 PM

Oops, correction. He gives 1936 as the 1st copyright year with Macmillan, New York in "Negro Folk Songs as Sung by Lead Belly." Second copyright is Ludlow Music, 1950, as "Goodnight Irene."

Subject: RE: Goodnight Irene Origin
From: Stewie
Date: 29 Mar 01 - 12:40 AM

Fred,

The recording date that you mentioned is given in Dixon & Godrich as circa 16-20 July 1933. There were 3 recordings of 'Irene', one a 2-part version - 120-A-1, 120-A-6 and 120-A-7. Given Lomax's comment that it was the first recorded, it is curious that there are 5 Leadbelly cuts with earlier numbers - 'The Western Cowboy' 119-B-1, 'Honey Take a Whiff on Me' 119-B-2, 'Angola Blues' 119-B-4, 'Angola Blues' 119-B-5 and 'Frankie and Albert' 119-B-6. There is a note that 119-B-3 was by an unidentified black convict. D & G noted elsewhere that the new disc recording machine was delivered to the Lomaxes on 15 July 1933 in Baton Rouge and was used throughout the rest of that expedition.

--Stewie.

Subject: RE: Goodnight Irene Origin
From: rich-joy
Date: 28 Jul 02 - 05:34 AM

A great series that's just been on ABC-TV, here Down Under - about the history of Popular Music - mentioned that "Leadbelly's" Goodnight Irene was taken from a piece of popular sheet music published sometime in the 1800's (I think?!) by one GUSSIE DAVIS ..

Cheers! R-J

Subject: RE: Goodnight Irene Origin
From: masato sakurai
Date: 28 Jul 02 - 06:47 AM

rich-joy, I haven't seen the piece, but The Traditional Ballad Index (Click here) says: "The 1888 song 'Irene, Goodnight,' sung by the Haverly Minstrels and credited by Spaeth to 'Davis'(but dated 1892), is a separate piece."

~Masato

Subject: RE: Goodnight Irene Origin
From: masato sakurai
Date: 28 Jul 02 - 07:10 AM

James J. Fuld writes in Th Book of World-Famous Music, 4th ed. (Dover, 1966, pp. 305-306):

"A possible source of this melody is Irene, Good Night, with music and words by Gussie L. Davis, sung by Edwin harley of Haverly's Mastodon Minstrels and published by Geo. Propheter, Jr., 20 W. 14th St., New York, N.Y., and 640 Race St., Cincinnati, Ohio, with copyright claims by the publisher of 1886 and 1887; JF. The melody line and words of the first two bars are the same as those set forth above [that is, a familar version], and the song is in 3/4 time, but the harmony is different throughout and the melody line and words do not resemble those of the well-known melody after the first two bars. As the 'feel' of the song is similar to the well-known melody, this song may either have been an adaptation of an existing folk song or have been the source for its later adaptation into a folk song. The melody is also known as Goodnight, Irene."

~Masato

Subject: RE: Goodnight Irene Origin
From: Kaleea
Date: 28 Jul 02 - 01:44 PM

I used to have a record of Huddie Ledbetter singing & playing the 12 string. Wish I still had it so I could read the program notes & see what they said--not that it would necessarily be true. I do recall that this song was on the albumn!

Subject: RE: Goodnight Irene Origin
From: Dicho (Frank Staplin)
Date: 28 Jul 02 - 03:15 PM

Like many old songs (if it is one), changes probably took place as it was handed down. I have not found sheet music on the internet in Library of Congress or other collection under Irene or Good night, although there are several songs by Gussie L. Davis, who seems to have done mostly minstrel-type songs.
As things stand, it could be credited to Lead Belly's uncle Terrell, the source according to Lead Belly in an article in Time Magazine.

The article quotes two of the original verses, which are not sung on the usual recordings that I have heard although he sang the last one at a concert at the University of Texas about a year before he died. With his leg in bad shape, he was escorted on and off stage by his wife. An unforgetable evening. At the time, there was only one black student on the campus; a law student named Sweat, who was taught in a separate class, forced on the University by the courts. At the time, a popular deoderant named Mum was sold. A sign on the campus announced: "Mum's the word for Sweat."

I ask your mother for you,
She told me you was too young;
I wish to de Lawd that I never seen your face,
I'm sorry you ever was-a born.

I love Irene, God knows I do,
Love her till the sea runs dry.
An' ef Irene turns her back on me,
I'm gonna take morphine an' die.

Copyright 1950, Spencer Music Company

The website: http://ourworld.compuserve.com/homepages/JimCapaldi/timeiren.htm : Good Night, Irene

Subject: RE: Goodnight Irene Origin
From: dick greenhaus
Date: 28 Jul 02 - 04:16 PM

Gussie L. Davis was an interesting phenomenon: a black composer who was extremely successful in a white3 man's Tin Pan Alley. He wrote a bunch of songs, including The Baggage Coach head and The Fatal Wedding.

Subject: RE: Goodnight Irene Origin
From: 12-stringer
Date: 28 Jul 02 - 04:53 PM

Re: a couple of old postings on this topic:

Woody Guthrie's "So Long, It's Been Good to Know You" is certainly not "Goodnight Irene." The tune is the same (with an added chorus) as Rev Andy Jenkins' "Billy the Kid." Jenkins allegedly wrote this song abt 1927, basing it on a book club summary or the dust jacket copy for Walter Noble Burns' novel "Saga of Billy the Kid." It was recorded on 78 by Vernon Dalhart and is often described as a traditional ballad, but it isn't -- it's from the hilljack version of Tin Pan Alley.

Wolfe and Cornell's "Life and Legend of Leadbelly" goes into much detail about the song. There seems no question that Huddie's uncle Terrell Ledbetter learned "Irene" in Texas and taught it to his brother Bob Ledbetter, from whom Huddie got it. (John Lomax recorded Bob in 1940, including a version of "Irene.") A white singer in AR (originally from LA) recorded a song called "The Girls Won't Do To Trust" in Nov 1936 which also uses the "Irene Goodnight" lyrics. This seems to be independent of the Ledbetter versions.

Huddie recorded "Irene" for the LC but those recordings were not generally available to the public at the time. He recorded it on his first commercial session, for ARC, in 1935, but it was not released and the original masters ("Irene," parts 1 and 2) may no longer exist, since they have never surfaced on any of CBS or Sony's later reissues of these sessions.

The first issued recording seems to be on Asch in 1943, but at least 9 radio broadcasts survive from 1941 and 1942 in which Huddie performed this song. It's noted as his "favorite ballad" in a 1935 newspaper interview with Lomax, and Huddie sings it in a 1935 "March of Time" newsreel. On the radio, it was his theme song. So it was unquestionably heard widely before the Weavers record turned it into a pop hit.

The lyrics of the Gussie Davis "Irene" song don't scan at all like the Ledbetter version. Wolfe and Cornell say the melody is similar and theorize that the well-known version is perhaps a recomposition of the pop song. Maybe so. I suspect that it is a mix of Davis' song with a white country ditty from the family of "Ain't It Hell, Boys" or "Late Last Night When Willie Came Home."

I wonder how the guy doing the school project made out?

Subject: RE: Goodnight Irene Origin
From: Lanfranc
Date: 28 Jul 02 - 06:29 PM

Just a small aside....

On my wall hangs a framed copy of the sheet music of "Goodnight Irene" bearing the picture of Frank Sinatra!

The authorship is given as "Huddie Ledbetter & John Lomax", the date is not shown but the publisher is Leeds Music Ltd and the price was 1 shilling (5p) which would date it to 1946-52, as that was the price of a single sheet of music at that time.

If I every get around to destroying the frame, I'll check the date.

Alan

Subject: RE: Goodnight Irene Origin
From: Nerd
Date: 29 Jul 02 - 02:22 AM

One of the funny things about "Goodnight Irene" is that many of the Lomax haters (see the "Alan Lomax: Another View" thread) use the fact that John Lomax shared the copyright with Leadbelly as an argument that the Lomaxes were unscrupulous. Why should they get money for a song Leadbelly wrote? But Leadbelly didn't write the song, either. He was the one who told JL that he'd had it from his uncle, and his uncle confirmed it.

As to the story of the Lomaxes helping Leadbelly get out of jail by using a record sent to the governor...it's true, sort of. But the record wasn't "Irene," nor did "Irene" have anything to do with that incident. I say it's true sort of, because they did decide to try that strategy with the Givernor, and they did send a record, and Leadbelly did get out soon after. But, according to the Governor's office, the recording had nothing to do with Leadbelly getting out of jail. He was let out on a policy called "double good time" which allowed well-behaved prisoners out of jail early. But if they ended up back in jail, they had the remainder of their original maximum sentence to serve as well as their new sentence. In other words, it was a form of parole, not a pardon, and it was not a special dispensation from the Governor, just a routine working of the system. The point being that Leadbelly was not pardoned at all, he was still considered to be a convicted criminal, out on parole. (Apparently leaving the state was not a violation of double good time, because he went with the Lomaxes!)

It was Leadbelly himself who always told the story that the Lomaxes got him out using his song. One, he could well have believed it to be true. Two, it was great PR since it meant that not once but twice his singing had melted the heart of a southern Governor.

Subject: RE: Goodnight Irene Origin
From: Rt Revd Sir jOhn from Hull
Date: 29 Jul 02 - 01:56 PM

Michelle Shocked sings a good version of this song, I can't remember wich CD it is on, but I THINK it is The Texas Campfire Songs.

Subject: RE: Goodnight Irene Origin
From: GUEST,Lyle
Date: 29 Jul 02 - 02:44 PM

I know I've responded to this before, but can't find it.

The best explanation of the origin of the song comes from "The Life and Legend of Leadbelly" by Wolfe and Lornell (referenced above as Wolfe and Cornell - obviously, someone else types like I do! *bg*)

The reference can be found through out the book, but your best bet is to get a copy from a library and read pages 52-56. There is an excellent argument that the song pre-dates the 1880's as sumg by "Haverly'd Colored Minstrels."

The references from the book are a little too long to scan in, but if someone wants them I'll be happy to do that.

Lyle

Subject: RE: Goodnight Irene Origin
From: Dicho (Frank Staplin)
Date: 29 Jul 02 - 03:20 PM

The experts seem to be split on whether the Haverly Minstrel song is the one from which Lead Belly's is derived. Until someone comes up with the sheet music, the derivation is likely to remain uncertain.

At The Traditional Ballad Index, Robert B. Waltz says it is a separate piece. Spaeth commented on similarities and credited it to a Davis, 1892, but what was this? Music with a similar name (and any date) cannot be found at the Library of Congress, Levy or the Brown Univ. Collection of African-American music. Wolfe and Lornell theorize only that there is a similarity and another song may have influenced it.

Subject: ZDTStudy: Goodnight Irene
From: Joe Offer
Date: 30 Jul 02 - 01:24 PM

This seemes to be the seminal thread on this song, so I'll tag it for DTStudy indexing. Here are the Traditional Ballad Index entry, and the lyrics as found in the Digital Tradition. Note that the Digital Tradition has no chorus and has a typo on Saturday...
-Joe Offer-

---

GOOD NIGHT IRENE
(Leadbelly)

Last saturday night, I got married,
Me and my wife settled down
Now me and my wife are parted,
I'm gonna take another stroll downtown

Sometimes I live in the country,
sometimes I live in town
Sometimes I take a great notion,
To jump into the river and drown.

I love Irene, God knows I do,
I'll love her till the seas run dry
But if Irene should turn me down,
I'd take the morphine and die.

Stop rambling, stop your gambling
Stop staying out late at night,
Go home to your wife and your family
Stay there by your fireside bright.

@love @drugs @marriage
filename[ IRENGDNT
DG

---

PLEASE NOTE: Because of the volunteer nature of The Digital Tradition, it is difficult to ensure proper attribution and copyright information for every song included. Please assume that any song which lists a composer is copyrighted ©. You MUST aquire proper license before using these songs for ANY commercial purpose. If you have any additional information or corrections to the credit or copyright information included, please e-mail those additions or corrections to us (along with the song title as indexed) so that we can update the database as soon as possible. Thank You.

---

Goodnight Irene

DESCRIPTION: The singer describes how he courted Irene. Now he and his wife are parted. "And if Irene turns her back on me, gonna take morphine and die." Chorus: "Irene, goodnight, Irene, goodnight; Goodnight, Irene, goodnight, Irene, I'll (get/see) you in my dreams."
AUTHOR: popular version by Huddie Ledbetter ("Lead Belly")
EARLIEST DATE: 1936 (copyright)
KEYWORDS: love courting separation drugs suicide loneliness floatingverses
FOUND IN: US
REFERENCES (4 citations):
Lomax-FSNA 315, "Irene" (1 text, 1 tune)
PSeeger-AFB, p. 48, "Irene, Goodnight" (1 text, 1 tune)
Fuld-WFM, pp. 307-308, "Irene (Goodnight, Irene)"
DT, IRENGDNT
RECORDINGS:
Pete Seeger, "Goodnight, Irene" (on PeteSeeger24) (on PeteSeeger43)
Gordon Jenkins & The Weavers, "Goodnight Irene" (Decca 27077, 1950; on Weavers01)
CROSS-REFERENCES:
cf. "Dark and Dreary Weather" (floating lyrics)
cf. "Willy, Poor Boy" (floating lyrics)
cf. "Rambling Round" (approximate tune)
Notes: Fuld quotes the Lomaxes to the effect that Lead Belly learned the chorus of this song from his uncle. Many of the verses can also be shown to be older. To what extent Lead Belly created this song, as opposed to reshaping the materials, cannot now be determined.
The 1888 song "Irene, Goodnight," sung by the Haverly Minstrels and credited by Spaeth to "Davis"(but dated 1892), is a separate piece. - RBW
According to Seeger, Lead Belly said Irene was a sixteen-year-old girl he knew, who took up with a rambler. - PJS
File: LoF315

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Go to the Ballad Search form
Go to the Ballad Index Instructions

The Ballad Index Copyright 2002 by Robert B. Waltz and David G. Engle.

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The DT also has Mudcatter Chet W's Goodnight Irene, and Good Night Irene Parody, submitted by the infamous DG.

Subject: Goodnight Irene (Lomax version)
From: Joe Offer
Date: 30 Jul 02 - 01:51 PM

Here's the version from the Folk Songs of North America, by Alan Lomax (1960). Lomax says it was titled "Irene" in the 1936 Lomax book, Negro Folk Songs as Sung by Lead Belly, and copyrighted in 1950 by Ludlow Music as "Goodnight Irene."

---

IRENE

CHORUS
Irene, goodnight, Irene, goodnight
Goodnight Irene, goodnight Irene,
I'll kiss you in my dreams

Sometimes I live in the country,
sometimes I live in town
Sometimes I haves a great notion,
To jump in the river and drown.

Last Saturday night, I got married,
Me and my wife settled down
Now me and my wife have parted,
Gonna take me a stroll uptown

I loves Irene, God knows I do,
I loves her till the sea runs dry
And if Irene turns her back on me,
I'll take morphine and die.

Quit your rambling, quit your gambling
Quit your staying out late at night,
Go home to your wife and your family
Sit down by the fireside bright.

Subject: RE: Goodnight Irene Origin
From: Joe Offer
Date: 30 Jul 02 - 02:03 PM

Here are the background notes from The Folk Songs of North America (Alan Lomax, 1960)

THE ARCHIVE of American Folk Song, which now numbers some 60,000 songs in its files of field recordings, came into actual being one broiling summer day in the State Penitentiary in Angola, Louisiana. The first recording we took on our new portable equipment was of the state's prisoner, Lead Belly, singing Irene Goodnight.

We were powerfully impressed by his panther-like grace and his extraordinary good looks: his already snow-white hair set off the aquiline features and the proudly gazing eyes inherited from his African and Cherokee Indian ancestors. We were amazed by his mastery of his great, green-painted twelve-string guitar, but we were deeply moved by the flawless tenor voice which rang out across the green cotton fields like a big sweet-toned trumpet. We believed Lead Belly when he said, "I'ze the king of all the twelve-string guitar players of the world."

My father and I had come to the penitentiary hunting folk songs. In Lead Belly we found a great folk artist, who not only stamped the songs with his own strong personality, but at once involved us in his life. Before the recording session had ended, Lead Belly had what he wanted from us—the promise to ask the Governor of Louisiana to pardon this two-time murderer. We stopped off at Baton Rouge the next day and left a recording of Lead Belly's ballad appeal for a pardon in Governor O.K. Allen's office

I left my wife wringing her hands an' cryin',
Governor O.K. Allen, save this man of mine.

Had you, Gov. O.K. Allen, like you got me,
I'd wake up in the morning, and set you free

Whether because of this song or for another reason, Lead Belly was paroled to my father a year later, and joined him on a long tour through the Southern prisons, where Lead Belly's performances for the convicts demonstrated just the kind of songs we wanted to record. At the Christmas meeting of the Modern Language Association, Lead Belly sang at the final smoker and drew an ovation from an audience of two thousand staid college professors. Newspaper and magazine stories led to a series of concert engagements where, despite the fact that few of his listeners could understand his Louisiana dialect, Lead Belly triumphed again and again with his brilliant performances. His wedding was filmed for the March of Time and covered by the New York Press.

In the years that followed Lead Belly recorded his songs for a number of companies, though never so beautifully as he had first sung them for us in Louisiana; his voice grew thinner and harder in the smoke and tension of New York City yet, even in his late recordings, he sang with so much force and with such great style that he has become the model for hundreds of young folk singers in Britain and the U.S.A. Everywhere he performed, he sang Irene, his most beloved song. Instinctively, he must have guessed that one day it would be a hit, and so it happened.

Death came to him slowly and painfully in the form of a creeping paralytic disease, that stilled his sinewy limbs one after another, like an army cautiously besieging and capturing some great fortification. He had been unable to sing for many months, before he finally told his wife, Martha Promise Ledbetter, goodbye on the night of December 6, 1949.

Six months later, Irene Goodnight became the hit of the year and sold about two million records. It was translated into every European language and has become a folk song in a dozen countries. Today, the songs of this violent, talented man, whom life had tempered to a steely hardness; are sung by an ever-widening circle of people round the world; and it looks very much as if this Louisiana farm-labourer and convict will emerge as one of the important musical figures of the twentieth century.

Subject: ADD: IRENE GOODNIGHT (Seeger Version)
From: Joe Offer
Date: 30 Jul 02 - 02:16 PM

Pete Seeger has a slightly different version and an addtional verse in his American Favorite Ballads (1961). He says he got the lyrics from the Lomax Lead Belly book, and from the singing of Huddie Ledbetter.

IRENE, GOODNIGHT

CHORUS
Irene, goodnight, Irene, goodnight
Goodnight Irene, goodnight Irene,
I'll see you in my dreams

Sometimes I live in the country,
Sometimes I live in town
Sometimes I take a great notion,
To jump into the river and drown.

I love Irene, God knows I do,
I'll love her till the seas run dry
And if Irene turns her back on me,
I'd take morphine and die.

I asked your mother for you,
She told me you was too young.
I wished to God I'd never seen your face,
I'm sorry you ever was born.

You caused me to weep, you caused me to mourn,
You caused me to leave my home.
But the very last words I heard her say,
Was please sing me one more song.

---

Seeger's notes:

In 1950, six months after Leadbelly died, this song of his sold two million copies on the hit parade. He always said Irene was a real person and he knew her - a girl just sixteen years old, who met a rambler and a gambler.

Subject: ADD Version: Irene
From: Joe Offer
Date: 30 Jul 02 - 02:26 PM

One more version, this one from Oaks's The Leadbelly Songbook (1962, edited by Moses Asch and Alan Lomax)

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IRENE
(words and music by Huddie Ledbetter and John Lomax)

CHORUS
Irene, goodnight, Irene, goodnight
Goodnight Irene, goodnight Irene,
I'll kiss you in my dreams

Sometimes I live in the country,
sometimes I live in town
Sometimes I have a great notion,
To jump into the river and drown.

I asked your mother for you,
She told me you were too young.
I wish to the Lord I never seen your face,
I'm sorry you ever was born.

You caused me to weep, you caused me to moan,
You caused me to leave my home.
The last word I ever heard her say,
"I want you to sing me a song."

Stop rambling and stop gambling,
Quit staying out late at night.
Go home to your wife and your family,
Sit down by the fireside bright.

I love Irene, God knows I do,
I'll love her till the sea runs dry
If Irene turns her back on me,
I'm gonna take morphine and die.


Publisher: Ludlow Music, Inc.

Subject: RE: Goodnight Irene Origin
From: GUEST,Patrick Wall
Date: 03 Sep 02 - 07:15 AM

I own the song "Goodnight Irene" by many of my favorite singers - including Leadbelly, Jerry Lee Lewis, Moon Mullican, Jim Reeves, Ernest Tubb with Red Foley, etc. Of all these versions I know, the Moon Mullican version is very different. Gone from this are the verses "Sometimes I live in the country" and "stop your rambling, stop gambling". Instead, there are verses like "I loved you Irene for years, each goodnight leaves me in tears" and "I'll never love another, nobody else but you".

I know that neither Leadbelly or Moon originated the song but what I am not sure about is: Are Moon's lyrics from the turn of the century folk song [which I don't own] or are they Moon's own lyrics or are they off of an obscure Leadbelly version [Moon was a blues singer as much as a country singer and knew lots of obscure black music as he was friends with a lot of black musicians].

Subject: RE: Goodnight Irene Origin
From: jimmyt
Date: 03 Sep 02 - 12:14 PM

I remember my mom singing this song to me when I was little, probably as early as 1950.

Subject: RE: Goodnight Irene Origin
From: Mark Clark
Date: 03 Sep 02 - 01:55 PM

An old friend of mine who used to attend hootenanies in NYC with Lead Belly and Woody Guthrie often told me that Huddie would sing:

Goodnight Irene you sex machine
I'll get you in my dreams.

      - Mark

Subject: RE: Goodnight Irene Origin
From: GUEST,jaze
Date: 03 Sep 02 - 02:48 PM

Mississippi John Hurt does a great version on one of his early 60's Vanguard lps.

Subject: RE: Goodnight Irene Origin
From: GUEST,Guest,Jen
Date: 28 Oct 04 - 06:56 PM

Our family history has it said that my dads uncle went to prison for stabbing my dads aunt Irene 13 times. He was in prison with Led Belly who heard the story and wrote a song about it.

Subject: RE: Goodnight Irene Origin
From:
Date: 29 Oct 04 - 04:45 PM

My Aunt Irene was born in 1901. I was just trying to figure out if she was named for that song. After reading all of this and what's on the web, I really wonder, as it isn't really a love song, like I thought I remembered...Is there another old Irene song from the turn of the century?

Subject: RE: Goodnight Irene Origin
From: Q (Frank Staplin)
Date: 07 Dec 04 - 08:51 PM

The second verse of "Goodnight Irene" had been collected by E. C. Perrow from "East Tennessee, Negroes, 1909."

19. Sometimes I Lib in de Country

Sometimes I lib in de country,
En sometimes I lib in town;
En sometimes I hab uh notion
Tuh jump in de ribber en drown.

In thread 76295, "On Top of Old Smoky," Masato posted Section VI of "Songs and Rhymes from the South," by E. C. Perrow. This verse appeared there. Old Smoky

Subject: RE: Goodnight Irene Origin
From: GUEST,Paul Burke
Date: 08 Dec 04 - 07:25 AM

The song is VERY much older than Leadbelly, though his ancient ancestor Tinbelly might have composed it. It was sung on the ancient Phoenician trading vessels: as the slaves rested on their oars and the sun sank towards the Pillars of Hercules, they would sing mournfully:

Trireme goodnight,
Trireme goodnight...

Subject: RE: Goodnight Irene Origin
From: GUEST
Date: 28 Jan 07 - 08:25 PM

ok I know this thread is years old, but I have one question? What exactly is it about??? And be very precise

Subject: RE: Goodnight Irene Origin
From: Q (Frank Staplin)
Date: 28 Jan 07 - 10:28 PM

(as hopeless as George W. Bush)

Subject: RE: Goodnight Irene Origin
From: fumblefingers
Date: 28 Jan 07 - 11:53 PM

Here is a good source for all things related to Texas, including Leadbelly.

http://www.tsha.utexas.edu/handbook/online/articles/LL/fle10.html

Subject: RE: Goodnight Irene Origin
From: GUEST
Date: 16 Aug 07 - 08:04 AM

Hi Folks
I was seraching the verses of If It Wasn't For Dicky done by LEADBELLY and I found in MUDCAT café your reply
You said
A few verses of Drimmen Dhu are in DigiTrad, if anyone's interested.

I didn't found any thing about that and I'll be really please if you could help me in sending verses of this song at
[e-mail]

As you see I'm French and it's the reason why I ask you that

thank you

Claude

Subject: RE: Goodnight Irene Origin
From: GUEST,Jim
Date: 16 Aug 07 - 12:19 PM

I have two different recordings of Lead Belly singing Irene and both versions say,"I'll get you in my dreams." I heard that the Weavers changed it to,"I'll see you in my dreams." I had never heard,"I'll kiss you in my dreams," till this thread.

Subject: RE: Origin: Goodnight Irene
From: GUEST,Lois Schultz
Date: 11 Oct 07 - 02:16 PM

My mother named me for this song which she loved and said it was popular when I was born in Dec 1943. If it was commercially recorded in the summer of 1943, it certainly makes sense. Glad to know the history.

Subject: RE: Origin: Goodnight Irene
From: GUEST,Lois Irene Schultz
Date: 11 Oct 07 - 02:52 PM

I responded earlier and should have explained that my middle name is Irene. :-)

Subject: RE: Origin: Goodnight Irene
From: Dave'sWife
Date: 11 Oct 07 - 09:07 PM

I was wondering if you're mom had heard Goodnight Lois! glad you added the postscript!

Subject: RE: Origin: Goodnight Irene
From: Mr Happy
Date: 29 Jan 08 - 01:16 PM

Can anyone poiny me to where I can get the dots [sheet music] for this song?

I've tried JC's but its not there

Subject: RE: Origin: Goodnight Irene
From: Fred McCormick
Date: 29 Jan 08 - 01:44 PM

Presumably, the story that Leadbelly wrote Goodnight Irene has been well scotched early on in this thread. I would like to add though, in case nobody else has, that Leadbelly claimed he learned it from his uncle Bob Ledbetter. There's a recording of Bob Ledbetter singing Irene on the Flyright Lp of Library of Congress Recordings; Jerry's Saloon Bar Blues; FLY LP 260.

What I wanted to say though was that a couple of weeks ago, one of the musicians at a jazz session I go to introduced Irene by saying "Here's a song Leadbelly wrote. He wrote it about his first wife, who was called Irene, before he murdered her. He had four wives altogether and he murdered them all. And the lyrics which Leadbelly sang were very coarse. A lot coarser than the version we're going to perform."

I attempted to disabuse him in the interval by telling him that Leadbelly was only married twice; that he only committed one murder; that neither of his wives was called Irene, and he never did either of them in; that he never wrote Irene; and that the words he sang were pretty much what everybody else sang, give or take a 'get' instead of a 'see'.

Okay, he admitted he'd exaggerated the rest, but he was adamant that Leadbelly was the composer. The following week I came back armed with an extract from Wikipedia (having checked its assertions against the Lornell/Wolfe biography).

"Don't believe everything you read on the Internet", he said.

Last night, apropos of nothing, he said to the audience "I was looking on the Internet today, and I discovered that John Wayne was only 5'6" and he used to ride a shetland pony when filming to make himself look taller".

Well, what would you have heckled him with?

Subject: RE: Origin: Goodnight Irene
From: GUEST,meself
Date: 29 Jan 08 - 02:08 PM

A brick bat.

Subject: RE: Origin: Goodnight Irene
From: Nerd
Date: 29 Jan 08 - 11:37 PM

You were quite right, Fred.

Way back, someone quoted a grandiose claim by Lomax that the Archive of American Folk Song came into being when he and his father had first recorded Lead Belly. Not quite true. It had existed by then for some five years.

The date on the catalog card for the Archive's first recording of Irene is July 1933. They recorded it again from Lead Belly in 1934, and again in 1935.

John Lomax recorded it from Uncle Bob Ledbetter in 1940.

I'm going to start a new thread announcing our new online card catalog.

Subject: RE: Origin: Goodnight Irene
From: Mr Happy
Date: 30 Jan 08 - 06:39 AM

Anyone have the dots please, in ' new online card catalog' or elsewhere?

Subject: RE: Origin: Goodnight Irene
From: Roger in Baltimore
Date: 30 Jan 08 - 12:53 PM

Mr. Happy,

A pdf file of the sheet musci for Goodnight Irene is available on
www.levysheetmusic.mse.jhu.edu/ There is a search enging, just type in goodnight irene and you should get it.

Roger in Baltimore

Subject: RE: Origin: Goodnight Irene
From: Mr Happy
Date: 31 Jan 08 - 03:44 AM

Roger in Baltimore,

Thanks for the link, unfortunately couldn't acces the dots.

Got this message instead:

http://levysheetmusic.mse.jhu.edu/otcgi/llscgi60



There are two reasons why, although you have pulled up a text record for a particular title, you may have trouble finding the music that accompanies it.
The music was published after 1923, and therefore is not in the public domain. We do not include images for music published after that date.
The music is duplicated elsewhere. If there is a field in the text record with the heading "Duplication," it will direct you to the location of the music (e.g., "music same as Box 2, Item 3"-look in Box 2, Item 3 to locate the music). This may also occur when the cover is a duplicate.
IMPORTANT: MUSIC PUBLISHED AFTER 1923 IS NOT IN THE PUBLIC DOMAIN. YOU WILL NOT FIND IMAGES FOR MUSIC PUBLISHED AFTER THAT DATE ON THIS SITE. THERE IS A TEXT RECORD FOR EACH SONG.

Any suggestions where else I can look?

Subject: RE: Origin: Goodnight Irene
From: Mr Happy
Date: 31 Jan 08 - 10:26 AM

refresk

Subject: RE: Origin: Goodnight Irene
From: GLoux
Date: 31 Jan 08 - 10:54 AM

I just searched for Goodnight Irene, found it, launched the PDF for it with no problems...

Try again, is my recommendation

-Greg

Subject: RE: Origin: Goodnight Irene
From: Roger in Baltimore
Date: 31 Jan 08 - 01:59 PM

Mr. Happy,

I tried the link again. I searched the collection using "goodnight irene" and it took me to the music and it allowed me to print the music. Sorry it did not work for you.

Roger in Baltimore

Subject: RE: Origin: Goodnight Irene
From: katlaughing
Date: 31 Jan 08 - 02:02 PM

Mr. Happy, just a couple of ideas...make sure your pdf reader, Adobe or what have you, is working and/or see if your firewall is interfering. Mine does that if I haven't told it what to do with a certain website. I don't know if this would be a problem with Lester Levy Collection, but thought it worth mentioning.

Subject: RE: Origin: Goodnight Irene
From: Nerd
Date: 31 Jan 08 - 04:17 PM

Yes I just accessed it too. Surreal that it's got Frank Sinatra on the cover, eh?

Subject: RE: Origin: Goodnight Irene
From: Mr Happy
Date: 03 Feb 08 - 05:05 AM

Roger in Baltimore,

Yes have tried again & it worked!

Many thanks!

Subject: RE: Origin: Goodnight Irene
From: GUEST,Roger in Baltimore
Date: 04 Feb 08 - 04:08 PM

You're welcome Mr. Happy. Keep coming back if you have requests. We aim to please.

Roger in Baltimore

Subject: RE: Origin: Goodnight Irene
From: GUEST,Guest
Date: 05 Oct 09 - 09:14 AM

According to Ralph Kramden, a dus briver who appeared on the $99,000 Answer, Goodnight Irene was written by Lomax and Ledbetter. That's prrof enough for me. ;-)

Subject: Lyr Add: GOODNIGHT IRENE (from sheet music)
From: Jim Dixon
Date: 27 Sep 10 - 08:49 PM

Since this is still under copyright, the sheet music shouldn't be viewable at Levy, but it is, as a PDF—a mistake on their part, I suppose. The image is a little fuzzier than most. The picture on the cover is of Frank Sinatra! (I kid you not: His picture is captioned "Featured and Recorded by FRANK SINATRA on Columbia Records.")

I took the opportunity to transcribe it. I also copied the copyright statement verbatim, since it's so unusually complicated.


GOODNIGHT, IRENE
Words and music by Huddie Ledbetter, John Lomax

CHORUS: Irene, goodnight. Irene, goodnight.
Goodnight, Irene. Goodnight, Irene.
I'll see you in my dreams

1. Last Saturday night, I got married.
Me and my wife settled down.
Now me and my wife are parted.
I'm gonna take another stroll downtown.

2. Sometimes I live in the country.
Sometimes I live in town.
Sometimes I have a great notion
To jump into the river and drown.

3. Stop ramblin'. Stop your gamblin'.
Stop staying out late at night.
Go home to your wife and your fam'ly.
Sit down by the fireside bright.

Added Verses

4. I asked your mother for you.
She told me you was too young.
I wish to the Lord I'd never seen your face
Or heard your lying tongue.

5. I love Irene, God knows, I do,
Love her till the seas run dry,
And if Irene turns her back on me,
I'm gonna take morphine and die.

Copyright 1936 by MacMillan Co., N.Y.
Copyright assigned 1950 to World Wide Music Pub. Co., N.Y.
Copyright 1950 by World Wide Music Pub. Co., N.Y.
Copyright assigned 1950 to Spencer Music Corp., N.Y.
Copyright 1950 by Spencer Music Corp., New York, N.Y.
International Copyright Secured.    Made in U.S.A.
All rights reserved including Public Performance for Profit
Any arrangement or adaptation of this composition without the consent of the owner is an infringement of copyright

*

[By the way, the version of GOODNIGHT IRENE in the DT is a parody, not the original.

The version posted in this message is supposed to be Leadbelly's version from the "Last Sessions" but it is missing verse 1, the remaining verses are in a different order from the sheet music (4, 2, 3, 5), and there are a few other differences.

The version posted Barry here has verses 2, 3, 1, 5, and another one that begins: "You caused me to weep; you caused me to moan." Following the lyrics is a quote and the note "Lifted from A. Lomax's Folk Songs of North America," but I suppose that only applies to the quote and not the lyrics, since the lyrics are different from the ones Joe got from Folk Songs of North America. So it isn't clear where Barry got the lyrics. God, this is complicated!

Subject: RE: Origin: Goodnight Irene
From: GUEST,Desi C
Date: 26 Dec 10 - 07:51 AM

I did research the song some years ago, and can't recall much of the info now, except that Ledbelly did not write, it hailed for much earlier in the century, but he did get credited with

Subject: RE: Origin: Goodnight Irene
From: Q (Frank Staplin)
Date: 03 Nov 11 - 03:56 PM

A verse used in this song was collected by Perrow in 1909.

Lyr. Add: SOMETIMES I LIB IN DE COUNTRY

Sometimes I lib in de country,
Sometimes I lib in town;
En sometimes I hab uh notion
Tuh jump in de ribber en drown.

Collected from East Tennessee Negroes, 1909.

E. C. Perrow, 1915, Songs and Rhymes from the South, Jour. American Folklore, vol. 28, pp. 129-190.

Subject: RE: Origin: Goodnight Irene
From: GUEST,Irene
Date: 06 Feb 12 - 02:43 AM

Thanks everyone for all the interesting info on "my" song!
Goonight!
Irene

Subject: RE: Origin: Goodnight Irene
From: Charley Noble
Date: 12 Oct 16 - 11:02 AM

Well worth refreshing.

Subject: RE: Origin: Goodnight Irene
From: Joe Offer
Date: 19 Feb 19 - 02:06 AM

I sometimes get in trouble for singing this verse, but I like it:

Sometimes Irene wears pajamas,
Sometimes Irene wears a gown,
And sometimes Irene wears nothing at all,
And then she's the talk of the town.

I had heard that Joe Hickerson wrote that verse (such as it is), so I asked. I got a nice email in reply:

My goodness, what an ....interesting question indeed! I did not compose this verse. As I recollect it, I heard it in 1950, when "Irene" was number one on the Billboard best selling record charts (for 13 weeks!). I heard it one Saturday evening sung by Bob Hope on Hope's weekly radio show. I learned it thusly:

Sometimes Irene wears pajamas,
Sometimes Irene wears a gown.
But when they're both in the laundry,
Irene is the talk of the town.


A bit later, I learned another verse from the pages of Billboard magazine:

Stop rambling, stop your gambling,
Confess your sins and your faults.
You'd still be singing "Goodnight Irene" if
Patti Page hadn't sung the "Tennessee Waltz."


Actually, there were two recordings which were #1 in between "Goodnight, Irene" and "Tennessee Waltz." They were Sammy Kaye's "Harbor Lights" (2 weeks) and "Phil Harris's "The Thing" (4 weeks). Then "Tennessee Waltz" for 9 weeks.


Joe "The Songfinder" Hickerson
Joe's Jottings (click)

Subject: RE: Origin: Goodnight Irene
From: GUEST
Date: 19 Feb 19 - 10:11 AM

There is a nice version by Lonnie Johnson. Two actually. He is interesting in terms of guitar history and otherwise. Played with a white man who pretended to be black to get round the apartheid system of the USA.