02 Feb 00 - 01:35 AM (#172117) Subject: RE: Why Did Barbara Allen Refuse? From: Sorcha Thanks, never seen that version. Nuff said. S |
02 Feb 00 - 08:41 AM (#172205) Subject: RE: Why Did Barbara Allen Refuse? From: Dave (the ancient mariner) Cause the Bastard never paid her mates. Arrghh. Yours,Aye. Dave |
02 Feb 00 - 10:27 AM (#172260) Subject: RE: Why Did Barbara Allen Refuse? From: Bert There's gotta be a song here!!! PMS? - Headache? - Nothing to wear? |
02 Feb 00 - 12:40 PM (#172353) Subject: RE: Why Did Barbara Allen Refuse? From: Art Thieme Simple failure to communicate. Art |
02 Feb 00 - 03:00 PM (#172436) Subject: RE: Why Did Barbara Allen Refuse? From: katlaughing THANK YOU, THANK YOU!!! Bravo, Tákemus! katlaughing&cheering! |
02 Feb 00 - 09:39 PM (#172634) Subject: RE: Why Did Barbara Allen Refuse? From: Sorcha Thanks all, this has been very interesting. I appreciate the time you all took. |
02 Feb 00 - 11:13 PM (#172687) Subject: RE: Why Did Barbara Allen Refuse? From: Art Thieme Church bells? No! Just cows doing their vocal best. Heifer joke is better than none, I guess. |
02 Feb 00 - 11:49 PM (#172705) Subject: RE: Why Did Barbara Allen Refuse? From: Amos It gets worse heifer' time! |
03 Feb 00 - 06:33 PM (#173122) Subject: RE: Why Did Barbara Allen Refuse? From: Uncle_DaveO No, in our culture the commonest folksong, I'm sure, is "Happy Birthday". Dave Oesterreich |
04 Feb 00 - 10:28 AM (#173468) Subject: RE: Why Did Barbara Allen Refuse? From: M. Ted (inactive) Dave, Happy Birthday isn't a folksong--record it, and you must pay royalties!! |
04 Feb 00 - 10:31 AM (#173469) Subject: RE: Why Did Barbara Allen Refuse? From: M. Ted (inactive) Dave, Happy Birthday isn't a folksong--record it, and you must pay royalties!! |
04 Feb 00 - 01:59 PM (#173598) Subject: RE: Why Did Barbara Allen Refuse? From: Doctor John Is "Scarlet Town" a pun for "Reading"? Dr John |
07 Feb 00 - 03:46 PM (#174618) Subject: RE: Why Did Barbara Allen Refuse? From: M. Ted (inactive) Just happened to be reading Bocaccio's Decameron, and the Eighth story, fourth night, struck and eerily familiar chord-- A young man (but sickly) from a wealthy family and the daughter of a tailor grow up in love with each other--his mother gets the executors of her husbands fortune to send the young man to Paris,on business (but really just to get him away from the girl). He is there for several years, all the time pining away and thinking of nothing but the girl--. He finally goes home, only to find her married to a tentmaker. He walks up and down in front of her house, but she either doesn't recognize him or pretends not to recognize him. He sneaks into the house and when the husband falls asleep, he pops out and declares his love. She replies that he is the one who left and never wrote, so she married someone else. She then says that she intends to forget about him, and asks him to leave. He realizes his love letters never reached her,and that, since she intends to forget him, he has no reason to continue living, and he dies. She is upset because, even though she is innocent, it looks pretty bad, what with another man being dead in a bed in her house--She decides to wake her husband and tell him the story, but pretend that it happened to someone else-- He laughs, and says that, of course, the woman is not to blame, at which point she says that she is glad thinks so,and shows him the dead man. He picks the guy up and carries him back home, where he surreptitiously dumps him on the door step and takes off--Whereupon the body is discovered, and everyone is bewildered and scandalixed-- The couple are afraid that gossip might connect them with the death, so they disguise themselves, and go the the church to hear what people are saying. When she sees the body, she is suddenly overcome with long suppressed love, falls on the body, and dies-- At which point, the husband stands up, confesses the whole story, the assembled crowd agrees that it is all a tragic affair, and the two unfullfilled lovers are buried together-- The Decameron was written in about 1350, and there was a popular English translation published(I believe) before 1650, so it is not so far fetched to imagine that it was a source for balladeers-- At any rate, the whole text of the Decameron is here--search for the name "Silvestra" which is the name of the Barbara Allen-like maiden, and it will take you to the first line of the story(this is one of the greatest works of Western Literature, so if you haven't read it, it's worth checking outDecameron
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27 Apr 00 - 05:51 PM (#219157) Subject: RE: Why Did Barbara Allen Refuse? From: GUEST,Kim C Maybe she wanted to marry the house carpenter instead. |
15 Jan 02 - 07:36 PM (#628665) Subject: RE: Why Did Barbara Allen Refuse? From: GUEST,player I just want to sing and play the song does anyone have the guitar chords? |
15 Jan 02 - 07:47 PM (#628669) Subject: RE: Why Did Barbara Allen Refuse? From: Sorcha Chords here, transpose to suit yourself. |
17 Jan 02 - 12:27 AM (#629482) Subject: RE: Why Did Barbara Allen Refuse? From: BK I love it too, for some reason haven't sung it in quite some time; have to remidy that. Cheers, BK |
17 Jan 02 - 05:55 PM (#629967) Subject: RE: Why Did Barbara Allen Refuse? From: lamarca I once read a story where the author conflated Barbara Allen with The Brown Girl ("I am as brown as brown can be", in the DT here) as being the the same story told from two different points of view. In The Brown Girl, the young man initially scorns her because she is "too brown" ie, is tanned from doing manual labor, and therefore of a lower class than him. By the time he realizes his mistake, she wants nothing to do with him and scorns him on his death bed. There are some who hypothesize that "Barb'ry" = Barbary, or a dark-complected woman; if Barbara Allen was a Romany, it adds a twist to the story. Martin Carthy talks a bit about this in the liner notes for the "Waterson:Carthy" album, Broken Ground. It was an interesting theory, as the stories do mesh well. I like Frankie Armstrong's version of The Brown Girl, and my favorite version of Barbara Allen is the one sung by Caroline Paton, which she taught to KathWestra - "It was in and about the Martinmas time..." - although Art's cowboy version with its image of Barbara making "all the boys ride saddle sore" is a close second... |
19 Jan 02 - 01:16 AM (#630982) Subject: RE: Why Did Barbara Allen Refuse? From: Malcolm Douglas Bronson's analysis (part of his essay All This for a Song? 1962) is, as Toadfrog says, sensible and well-informed; unlike Robert Graves' fanciful imaginings which, like most of his comments on traditional song, appear to owe as much to herbal tea as they do to scholarship. I don't know if Mrs. Knipp the actress, from whom Pepys heard the song, was herself Scottish; he said "...in perfect pleasure I was to hear her sing, and especially her little Scotch song of Barbary Allen." This (1666) is the earliest known reference to the song; as Bronson points out, it is unlikely to be older than the mid 17th century, and likely gained greater currency through stage performance, and through the printing of a Scottish text in Ramsay's Tea-Table Miscellany of 1723/4, and of that text and another from an (earlier) English broadside of Pepys' time in Thomas Percy's immensely popular Reliques of Ancient English Poetry ( 1765). It continued to circulate on broadsides, in reasonably consistent forms, until the final years of the 19th century.
As Toadfrog says, the earliest known version of the song does not speculate on motivation, though later versions introduce it. Traditional song tends not to examine underlying motive, being concerned primarily with pure narrative, and it's usually a mistake to try to impose modern sensibilities upon such things; they should really be accepted for what they appear to be at face value. Of course, the obsession with unearthing "deeper" meanings is not new, but it has always led to more misunderstandings than revelations.
Bruce Olson has the early text at his website, as he mentioned long ago when this thread was young: Barbara Allen's cruelty, and a later, very close, broadside text can be seen at : Barbara Allen's cruelty: or the Young man's tragedy Printed in Newcastle; date and printer unknown. There are of course many other broadside examples at the Bodleian site, mostly 19th century. |
19 Jan 02 - 09:34 AM (#631047) Subject: RE: Why Did Barbara Allen Refuse? From: dick greenhaus I'm not sure who first said it, but the subtile should be: "The Bitch and the Wimp" |
08 Mar 04 - 06:59 PM (#1131806) Subject: RE: Why Did Barbara Allen Refuse? From: GUEST,somebody haha |
10 Apr 07 - 09:24 AM (#2021288) Subject: RE: Why Did Barbara Allen Refuse? From: John MacKenzie She didn't like young Willie's? G. |
10 Apr 07 - 11:03 AM (#2021380) Subject: RE: Why Did Barbara Allen Refuse? From: John MacKenzie BTW, my next door neighbour is Barbara Allen. G |
10 Apr 07 - 12:12 PM (#2021439) Subject: RE: Why Did Barbara Allen Refuse? From: Richard Bridge 100 |
28 Apr 08 - 12:43 PM (#2327741) Subject: RE: Why Did Barbara Allen Refuse? From: GUEST i must say, i have enjoyed reading this thread. i found it by chance while looking for the version of this song that i most enjoy. since there are so many variations i don't think it matters so much which is perfectly original. as it has become a song that has been changed and modified over hundreds of years to suit the tale teller. i have a particular interest in the song because my grandma sang it to me all the time when i was a child. her name is Barbara Ellen and her dad sang it to her. and i was named after her, my middle name is Barbara-Ellen (yes, with a hyphen). also, while reading online exerts from the diary of Samuel Pepys i saw the piece about his dear Mrs. Knipp, whom he so fondly referred to. "Mrs. Knipp" Seems like if she was a "Mrs" she had to have been married to a "Mr" and she had a little something going on the side there with Mr. Pepys. i thought that was kind of funny. but mostly i was shocked that he would refer to the song and to a Mrs. Knipp in the same paragraph, Not only for the Barbara Ellen (Allen) reference, but because Knipp is also a family name for me. My grandmother's maiden name was Barbara Ellen Knipp. Ellen is a family name passed down also.. (likewise, "ALLEN" is also a family name that has carried on my father's side of the family and my husband's family also. but not so much as a surname) Anyway, The eldest daughter of the eldest daughter, etc. has always been given the name Ellen in some sort of arrangement. If the eldest daughter had no daughters then the second-eldest daughter, or son if a lack for more daughters, carried on the name. I personally think that this had something to do with the reference in an above post regarding the power women held in old scots society. celt and pictish women were allowed more power than other women in other societies, and that was undermined, overthrown and revoked with the corruption and invasion of the roman catholic empire. Also, in that part of my family (the Knipps, also very scot/irish with other euro influences e.g. german), 9 out of 10 women are the "boss". maybe a coincidence, but seems like a generational trait that has carried on. i found much useful information here. as well as a few laughs... which i really needed. and if anyone has light to shed on the "Knipp's" I would love to hear it, as there is not a lot of recorded information on my own Knipp roots. mostly stories handed down from relatives that are gone now. |
28 Apr 08 - 12:44 PM (#2327743) Subject: RE: Why Did Barbara Allen Refuse? From: GUEST By the way, email me if you have info on the Knipp's minizntwnz@yahoo.com Brandy <3 |
28 Apr 08 - 01:50 PM (#2327812) Subject: RE: Why Did Barbara Allen Refuse? From: The Sandman http://ie.youtube.com/watch?v=V_PoPY-mDpA hope you like it.Dick Miles |