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18 Jan 07 - 02:42 PM (#1940796) Subject: Obit: Jimmy Cheatham RIP (January 2007) From: Mary Katherine Trombonist, bandleader was fixture in San Diego By George Varga UNION-TRIBUNE STAFF WRITER January 17, 2007 Jimmy Cheatham's trombone playing sounded very much like he did in conversation - warm, inviting and filled with the joyful spirit he radiated on and off stage. A pillar of the San Diego music scene since the late 1970s and a veteran of the bands of jazz icons such as Duke Ellington, Count Basie and Ornette Coleman, Mr. Cheatham died Friday after being taken by ambulance to a hospital. He was 82. The official cause of death has not been determined. Mr. Cheatham had undergone heart surgery Dec. 28, said his wife, singer-pianist Jeannie Cheatham. Mr. Cheatham's passion never dimmed for the music he had taught for nearly three decades at the University of California San Diego or for the Sweet Baby Blues Band, the award-winning group he led with his wife of 49 years. "Jimmy was getting ready to play some of the gigs we've got coming up," Mrs. Cheatham said yesterday. "He came in the house from taking a walk. Twenty minutes later, I had to call 911." The Cheathams were internationally celebrated for their ebullient brand of Kansas City blues and jazz with the Sweet Baby Blues Band, which recorded eight albums for Concord Records. The first, 1984's "Sweet Baby Blues," was awarded France's prestigious Grand Prix du Disque. The group went on to perform at major festivals in Europe, Japan, New Zealand and beyond. Their fans included Miles Davis, with whom they shared a stage at the Chicago Jazz Festival, and the countless San Diego listeners and musicians who attended the weekly jam sessions the Cheathams hosted here in the late 1970s and for much of the '80s. "Jimmy was an excellent musician and a great representative of the art of the jam session," famed saxophonist Charles McPherson said. "He'll certainly be missed." But Mr. Cheatham made his biggest impact as a jazz teacher - and as a living link to a vital era of the music his students otherwise would have known about only through books and records. "Jimmy was a consummate artist, but I marveled at his role as a teacher," said UCSD music professor Cecil Lytle, who brought Mr. Cheatham to teach at UCSD in 1978. "He instructed students not just in how to play their instrument, but why. And he was a remarkable walking history book who provided younger musicians the atmosphere of the big bands. He knew that music as mother's milk and he conveyed its excitement, joy and tragedy. I think the people who will miss him the most are the younger musicians he touched. He was their link to the foundations of jazz." Those sentiments were seconded by UCSD music professor Mark Dresser, who was a student of Mr. Cheatham's in the late 1970s. "He was vital until the very end," Dresser said. "I saw him give his very first lecture at UCSD and was completely enamored by the way he spoke to the spirit of the music. He could be a stern taskmaster, but was always joyful. He also had an uncanny way of seeing who you were, in a deep way." Mr. Cheatham was born in Birmingham, Ala., on June 18, 1924. He studied at the New York Institute of Modern Music and later became a protégé of jazz drum great "Papa" Jo Jones. In addition to collaborating with jazz luminaries such as Thad Jones and Chico Hamilton, Mr. Cheatham worked extensively as a studio session musician and as a teacher who stressed life lessons as strongly as a sound artistic foundation. "I'm always very strong about emphasizing the technique of music, but the most important thing is that we share ourselves," Mr. Cheatham told The San Diego Union-Tribune in a 2005 interview. "My ultimate focus is to be constantly open, so that I'm a channel through which the music sounds." He retired from UCSD, after 27 years, in 2005. But even in retirement, Mr. Cheatham remained active, performing with his wife and the Sweet Baby Blues Band, whose most recent local date was at the KSDS Jazz 88 Festival in Ocean Beach in September. He was scheduled to perform with the band next month at the annual San Diego Jazz Party at the Del Mar Hilton and in May at the Kennedy Center in Washington, D.C. "I'll just see how that works out," Mrs. Cheatham said when asked if she would continue working with the Sweet Baby Blues Band. "In fact, Jimmy and I talked about me getting somebody else (on trombone)." In addition to his wife, Mr. Cheatham is survived by a daughter, Shirley Wilcher of Boston, and a son, Jonathan Cheatham of Wisconsin. No services are scheduled, but UCSD's Lytle said a musical send-off for Mr. Cheatham is likely in the coming weeks. Mrs. Cheatham requested no cards or flowers, but suggested donations in Mr. Cheatham's name to the Lower California Jazz Society's scholarship fund. For more information, call the UCSD music department at (858) 534-4830. "He would have loved that," Mrs. Cheatham said. "He lived for those students." Staff librarian Merrie Monteagudo contributed to this report. |
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07 Feb 07 - 01:28 PM (#1960155) Subject: RE: Obit: Jimmy Cheatham RIP (January 2007) From: GUEST,Christopher Jean, Moonlight Express Big Band I was truly saddened to hear of Jimmy's recent passing. I only knew him from the jazz improvisation classes I took with him from 1985 to 1986 at UCSD. Even though my improvisation attempts on my trumpet were hopelessly square, Jimmy never failed to encourage me to keep trying, especially when he discovered that I had sufficient "lead" chops that could excuse me from soloing. Most importantly, I knew I was getting advice from a working musician with a plethora of experience. It was especially impressive to hop in my car after class, turn on the radio and hear the local jazz DJ annoucing Jimmy and Jeannie Cheatham's "latest" release. Pretty Cool! It was just such an announcement that caused me to learn of Jimmy's passing. Jimmy, I want you to know I never gave up! My wife and I have been leading and managing the sixteen piece Moonlight Express Big Band, based in Fullerton, California for the past 13 years. I still can't improvise my way out of a wet paper bag, but I do get to conduct and play lead trumpet. Thanks for your impassioned tutelage. You will be missed. |