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Subject: RE: Origin: Ain't No More Cane on This Brazos From: BrooklynJay Date: 05 Sep 19 - 02:49 PM The original Ernest Williams recording can be heard here. Jay |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: GUEST,Don Date: 04 Sep 19 - 09:19 PM This song is on the Singin Our Minds album |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: GUEST,henryp Date: 04 Jul 10 - 05:01 PM So Long Ago (so long ago, goodbye Mississippi goodbye) by Si Kahn. Lyle Lovett recorded No More Cane on It's Not Big, It's Large (2007). This Old Porch (from Lyle Lovett, 1986) was written by Lyle Lovett and Robert Earl Keen and refers to it too. And this old porch is like a weathered, gray-haired Seventy years of Texas Who's doing all he can Not to give in to the city And he always takes the rent late So long as I run his cattle And he picks me up at dinnertime And I listen to him rattle He says the Brazos still runs muddy Just like she's run all along And there ain't never been no cane to grind The cotton's all but gone It's about Bryan, Texas, and his video (1990) was filmed there too, catching the atmosphere perfectly. See it on his website http://www.lylelovett.com/#/video/ See also Trucks, Tortillas and Tombstones (1990). |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: Cusco Date: 04 Jul 10 - 03:20 PM Am I right in thinking there's a version (or rewrite) on a Si Kahn CD? Think it may not have the 'Aint No More.........' verse. |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: VirginiaTam Date: 04 Jul 10 - 12:45 PM I love this version http://www.youtube.com/watch?v=AvPw5cM0gg0 |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: GUEST,Dave MacKenzie Date: 08 Sep 08 - 07:36 PM The Donegan version follows the Lomax field recording, pretty closely, the main difference being that it's accompanied (bowed bass and mandoline i.a) rather than unaccompanied. This side of the pond, the LP was a 10" (Pye NSPT 84000). There's also an interesting version by Lightnin' Hopkins on "Lightnin'" Hopkins – The Roots of ...... – EMI Verve Folkways VLP 5003 (UK LP) as - Penitentiary Blues - Mmmmm, Big Brazos here I come, Mmmmm, woah Lord, have mercy, Big Brazos here I come, You know I'm goin' to do time for another man when they haven't done a thing poor Lightnin' done. They say you oughta been on Brazos Nineteen an' ten, Bud Russell drove pretty women Just like he did ugly men; Mmmmm, Big Brazos woah Lord just here I come, Thinkin' to do time for another man an' ain't nothi' poor Lightnin' done. - Well you oughta be ashamed - Yeah you know my mama called me, I answered Mam, She said, Son you tired of workin', I said Mama, yes I am; Papa called me, I answered sir, He said, Son if you tired of workin' What the hell you gonna stay there, I couldn't, no, I couldn't help myself; You know a man can't help but feel bad when he's doin' time for someone else. - You better watch it all the time - |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: Mark Ross Date: 08 Sep 08 - 01:50 PM Best version I heard I learned from Jody Stecher. Don't know if he ever recorded it. Jody told me he learned it from John Herald. Mark Ross |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: bobad Date: 08 Sep 08 - 01:28 PM It is on "The Basement Tapes" album. |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: PoppaGator Date: 08 Sep 08 - 01:16 PM Thanks, Bruce. for the refresh. I'd like to second GUEST,Rev's recommendation of the "Festival Express" rendition by the late Rick, Janis, and Jerry. Rent the DVD! Rick Danko must have sung this song with his band The Band; I think I've heard a recording by them. I'm not sure if it's on one of their regualrly-released albums, or maybe on a bootleg of some kind. Anyone know? |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: Q (Frank Staplin) Date: 14 Mar 07 - 11:19 PM True, guest J. T. Brisco. Many of the songs just 'grew,' to fit the circumstances. Folks have their favorite versions, but I cringe when someone says so-and-so's is the best or the truest. Some of us like to find the earliest versions, and in some cases the origin is in a composed piece, but that doesn't invalidate the variants which developed. "Ain't No More Cane on the Brazos" is well-fixed in a time period because it commemorates a crop failure that affected many people, not just the prisoners on the Texas State Farms; but there are many other planting, harvesting and marketing songs that are, as you say, tools that changed as conditions changed. |
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Subject: RE: Origin: Ain't No More Cane on This Brazos From: GUEST,J.T.Briscoe Date: 14 Mar 07 - 10:50 PM I hadn't thought much about this song in years.I think the first time I heard it must have been mid 60's. I do remember my Grandfather singing this song (or something very much like it) He was born in Indian Territory (now Oklahoma) and moved to Texas,then New Mexico (1907) He had to do just about any kind of work to survive and I recall him talking about songs that the gandy-dancers on the railroad would sing to keep their work in rythm.I think the colored men he worked alongside on those endless rail lines,or in those Texas cottonfields would have found great sport in the notion that someone somewhere could decide that there must be an "official" or "authorized" or "pure" or "seminal" version of any of those songs.Those songs were tools, just like a gandy bar.They used them,changed them,sang new ones and never gave a thought where they had come from. |
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Subject: RE: ain't no more cane From: GUEST,Rev Date: 30 Jan 07 - 09:31 PM My favorite version of "Ain't No More cane on the Brazos" is in the documentary Festival Express, which follows a 1970 (?) concert tour of Canada, by train, of The Band, The Grateful Dead, Janis Joplin, and others. The film is a great document of a legendary tour and the cameraderie of these great musicians. At one point there is a scene during which an obviously very high and drunken group led by Rick Danko, Janis Joplin and Jerry Garcia sing a barely coherent version of the song that ends up coming out as "Ain't no more brain on the Cazos..." Very bittersweet, especially because all three of them have passed away. |
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Subject: RE: ain't no more cane From: GUEST,Gerry Date: 30 Jan 07 - 07:23 PM I loved the Mitchell Trio recording of the song BUT it was only when I heard the Bill Staines recording many years later that I realized the Trio had arranged away the Brazos/molasses rhyme. The Trio sang something like, Ain't no more cane on this Brazos, my boys Wo-o-o-oh We done ground it all to molasses Wo-o-oh while Staines was more like Ain't no more cane on this Bra-a-a-azis Wo-o-o-o-oh We done ground it all into mola-a-sis Wo-o-o-o-oh |
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Subject: RE: ain't no more cane From: Q (Frank Staplin) Date: 30 Jan 07 - 04:56 PM Strange no one looked into the origin of this song, which originated on the Texas State Prison Farms near the Brazos. From the 1880s to 1899, private cane fields and farms with corn and other crops were worked largely by prisoners. Between 1899-1915, the Texas Prison System acquired a huge holding on the Brazos, a part of it over 5000 acres acquired from the Imperial Sugar Company. The total holdings of farm land were about 81,000 acres in 1921, total lands over 100,000 acres. Women prisoners (mentioned in some versions of the song) were domiciled on the Goree Farm. The farms were profitable only in a few years of their operation. In 1928, the cane fields on the Brazos failed because of disease, and were not re-planted to cane. To feed the mills on the farms, raw sugar was brought in. A federal tax on cane sugar effectively ended cane sugar farming in the area. "Ain't No More Cane on the Brazos" was the song that told of this monumental crop failure. From various articles in The Handbook of Texas. |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Tannywheeler Date: 07 Dec 05 - 11:39 AM When I think of this song, I hear several voices in my head: Mama singing, Alan L. singing, a spoken reference by my Dad, Leadbelly singing, several of those polished pop groups(not distinguishable). I can't get specific circumstances in my head. Once, when I'd just heard Pat Boone doing a version of "Delia's Gone", I was horrified. So much of the songstory was left out; it was a paltry, putrid representation of a song I'd heard a number of times that had weight and flavor. My stepdad pointed out to me that those who only listened to current "pop" music might have the advantage of recognizing the song if they later heard it in a more original form, and might be interested enough to listen to it because of this introduction, so cut Mr. Boone some slack. He promised never to make me a present of any of Boone's records. Tw |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: mg Date: 07 Dec 05 - 01:21 AM well, I come I guess from what you might call folk..Irish railroad workers on my father's side and Texas sharecroppers, preachers and eventjually plumbers on my mother's. As far as I know they all sang right purty...we shouldn't think that if it isn't scratchy sounding it isn't folk. oh yes..I bet they sang music hall songs too.... mg |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Lighter Date: 07 Dec 05 - 12:46 AM Most likely. BTW, one of the things that made Joan Baez and Judy Collin standouts in those days(besides their fabulous voices)is that they usually sang the stuff straight, without hamming it up or adding funny contemporary verses at the end. |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Q (Frank Staplin) Date: 06 Dec 05 - 12:42 PM Pop-folk sounds pretty good after a few drinks. Isn't that the way most folks took it? |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Lighter Date: 06 Dec 05 - 10:50 AM Art Thieme truly identifies one of the most pernicious additives in the pop-folk mix: artificial sweetener. As I listen to many of the groups today, I so often hear that condescension of expression, the patronizing vocal tricks meant to tell the audience, "Now, this part is very, very sad," or "Be sure to listen carefully right now." Though I'm probably overreacting, those tricks actually make my skin crawl. (Even the Clancys, one of my favorite pop-folk groups, would do this sometimes, as in "Johnny, I Hardly Knew Ye.") Traditional singing sets the tone at the start and keeps it without noticeable variation all the way through. Usually the approach is straight-ahead; sometimes it can be rollicking, or, for a tragic ballad, sometimes painfully slow. But it doesn't patronize the audience. |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Abby Sale Date: 06 Dec 05 - 10:19 AM :-) |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Wooberry at work Date: 06 Dec 05 - 10:17 AM Art said: Again, it seems I've been pulled into one of these endless arguments. You'd think I'd learn! It could be that I care---too much maybe?---about that evolutionary process of human intelligent design called the oral tradition. I agree with you Art, but I also see the value of the more polished, and/or more published versions, aside from the joy of the song. My priest says he doesn't want churchgoers for our church, he wants disciples. I say that churchgoers are one of the biggest pools for disciples. You have to get them through the doors first! I am not sure what the "evolutionary process of human intelligent design" is, seems an oxymoron Diana |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Art Thieme Date: 05 Dec 05 - 11:03 PM I am with Abby and Sandy ALL THE WAY! Just know this. The slickened stuff ain't the roots version. I enjoyed the Gibson version of this song---but I knew it had been urbanized and sweetened like diet pop--with synthetic sugar.--- I also suspect that the Limelighters and the various different trio's versions came from Bob Gibson too. (They all used to pay him to arrange these songs for them!) The "If it sounds good, it is good" idea is like me saying, "When I was young we didn't have cholesterol, but if we had, we would've fried it." We are only trying to inform. But if you just don't wish to know, that's a different story I guess. Again, it seems I've been pulled into one of these endless arguments. You'd think I'd learn! It could be that I care---too much maybe?---about that evolutionary process of human intelligent design called the oral tradition. Art |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Wooberry at work Date: 05 Dec 05 - 10:50 AM Lighter, but they are great for an intro. I started down a long road after hearing "Fyve-o" recorded by the CMT, Fennario by Joan Baez, and Peggy-o by the Grateful Dead. My child brain recognized that they were the same song, and I started looking for others just like that. I am sure I am not alone, hence the Mudcat! Diana |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Abby Sale Date: 05 Dec 05 - 09:49 AM Folks, Go back and read "From: Sandy Paton, Date: 28 Sep 01 - 08:12." In it he implores to to just listen to him please just this one time. (But you should always pay close attention to Sandy.) And that's it. The skinney. The real dope. The facts. The Truth. I still remember being stunned by that cut when I first heard it in 1959. The sainted Mac Leech, himself, pulled it out of the darkened closet in the tiny, darkened Music Department media room at U of Penn. He lovingly placed the red 78rpm disc on one of the two available turntables (if these terms are unknown to you, I'll just say nothing) and pointed to the earphones. I was mesmerized & listened to the whole series over the next few days. Later, I bought, and still have, the red "LP." Today, it's still easily buyable with transcription and full notes from Library of Congress, Music Division on modernish media. I can tell you with wild emphesis: There is somthing of a difference between hearing the actual chain-gang prisoners and the night club acts. Abby |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Janine Date: 05 Dec 05 - 09:25 AM I'm sure Leadbelly never recorded Ain't No More Cane on the Brazos but he did record several versions of Old Hannah and Shorty George. Sandy is right to refer you to the wonderful 1993 version by Ernest Williams (the group also includes James 'Iron Head' Baker)who has a magnificent voice. Unfortunately I haven't been able to find anything else about him; any information anyone please? Janine Sandy: I like your word 'fakelore'. If it isn't in the OED, it should be! There's certainly none on the records you produce! |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: GUEST,Lighter at work Date: 05 Dec 05 - 08:57 AM WooBerry, there's nothing "wrong" with the Chad Mitchell Trio or The Limeliters or any of those very polished and very popular nightclub acts of the late '50s and early '60s. In the words of Richard Schickele, "If it sounds good, it is good." What seriously concerns many of us, though, is the terribly mistaken belief that the nightclub groups present authentic folk music, folksongs, and folksingers. What they offer instead are denatured, commercially processed, rewritten (and newly written) songs tailored specifically to the entertainment needs of a college-educated, middle-class, liberal white audience mostly born around 1940. The knowing, sophisticated style of their music - delivery, arrangements, instruments, and emotional effect - really doesn't have much to do with the music and song made and passed on by the original sources. If all you've heard are groups like the Mitchell Trio, you've heard some nice pop music but you haven't heard any actual folk music. I think the best real folk performances may be described as "intriguing," "revealing," "compelling," - but only rarely as "nice." |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Roger the Skiffler Date: 05 Dec 05 - 07:54 AM Nope, not in the Lomax Library of Congress Leadbelly LP boxed set or the CD Leadbelly last sessions set. RtS |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Roger the Skiffler Date: 03 Dec 05 - 06:34 AM I'd alwaysd assumed St Lonnie got it from St Huddie. I'll have to look through my Leadbelly recordings again, but if the experts who've already posted haven't traced it, I doubt I will! RtS |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Big Al Whittle Date: 03 Dec 05 - 04:37 AM Thank you all - a very illuminating thread. Jumping Judy also makes an appearance in The Midnight Special of course. I had no idea of its sinister origins. It always seemed like a nonsense verse. |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: greg stephens Date: 03 Dec 05 - 03:59 AM Very intrigued that nobody has found a Leadbelly version. I could have sworn this was in his repertoire. |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: WooBerry Date: 02 Dec 05 - 11:45 PM Chad Mitchell Trio Singin' Our Minds is now available on CD. I know, because I have it. I had only a scratched LP (and this song was one of the ones that was scratched!) that I had listened to as a child, was my father's. Finally found it as a double CD on Collector's Choice Music (with Reflecting) http://www.ccmusic.com/item.cfm?itemid=CCM03722 So what is wrong with the Chad Mitchell Trio? Diana |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Pete MacGregor Date: 15 Jun 05 - 09:42 AM The Lonnie Donegan version is on his second album - entitled Lonnie - and was recorded on 11 March 1958. There are no sleeve notes about the songs. I think this was the second LP I ever bought and it's still just about playable but I can't remember the price. PM |
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Subject: RE: Origins: Ain't No More Cane on the Brazos From: Jim Dixon Date: 15 Jun 05 - 06:50 AM allmusic lists the following variant titles, and the people who recorded them:
AIN'T NO MO' CANE ON DIS BRAZOS - Linda Tillery & the Cultural Heritage Choir AIN'T NO MORE CANE – The Band, Rod Clements, Bert Jansch, Delbert McClinton, Son Volt AIN'T NO MORE CANE ON THE BRAZOS – Lonnie Donegan, Ian Gillan and the Moonshiners, Bill Staines, John Stewart, Ernest Williams AIN'T NO MORE CANE ON THIS BRAZIS – Alan Lomax AIN'T NO MORE CANE ON THIS BRAZOS – The Mitchell Trio, Ernest Williams CANE ON THE BRAZOS – Crowbar, Rick Shea NO MORE CANE ON THE BRAZOS – Eric Bibb, The Bluebirds, Tommy Elskes, Bob Gibson, Ian Gillan, Odetta, Chris Smither |
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Subject: RE: Help: aint no more cane From: ray bucknell Date: 05 Oct 01 - 09:06 AM Bat Goddess, the Chad Mitchell Trio's "Singin Our Mind" album has never been released on CD, nor has their version of Brazos been put on any of their CD compilations. Regardless of the "authenticity" issues, their rendition of the song has always appealed to me because it's not only powerful but the vocals are magnificent. As for the Alberta line, I'd suspected it had something to do with the Trio's earlier recording of the song "Alberta" on their "At the Bitter End" album (which IS available on CD)! Ray |
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Subject: RE: Help: aint no more cane From: wysiwyg Date: 04 Oct 01 - 07:54 PM Yes, but the thing is, songs just like this ARE included in a lot of anthologies that are primaruly spirituals, but also include other material from the negro folk tradition... Since they are anthologized that way, songs like this appear in the index of spirituals in songbooks that I am working on. My logic is that by putting it in our index of posted "spirituals" it will make it easier for someone to look up the thread and see for themselves just WHAT it is, and decide for themselves. When I am pretty sure something cannot fairly be called a spiritual, I do note that in the index thread. ~Susan |
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Subject: RE: Help: aint no more cane From: raredance Date: 03 Oct 01 - 09:09 PM Susan, That's probably because most people wouldn't classify a prison work song as a spiritual. Jackson's book that I cited above has lots of songs but despite lots of "Lordy Lordy's" and "Godamighty's" thre's not much religious sentiment. I'm guessing that Brazos doesn't show up in other collections of African American work songs because it was rather specific and limited to conditions on Texas prison farms. The Jackson book is divided up into "Cotton & Cane Songs", "Axe Songs", "Logging songs", "Flatweeding songs" etc. rich r |
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Subject: RE: Help: aint no more cane From: wysiwyg Date: 03 Oct 01 - 05:44 PM Help Help Help! I don't seem to find this wonderful song in the more than 2,100 songs included in my spiffy Excel index of spirituals and related songs; nor is it in the excellent Cleveland index of spirituals that covers more than 30 other songbooks. So in a total of over a hundred books I've got indexed, this song is missing. THEREFORE! I am forced to conclude that some of you have songbooks that probably contain OTHER spirituals, whose indexes I have not included! Aaaarrrggghhh! SO! If you have this song in a songbook, please, couldja get me a copy of the book's index and cover page with publisher info? PuhLEEZE??? Best is scanned text so I can put it all in Excel. FMI, PM. ~Susan (PS, I am going to count this one in the spirituals project.) |
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Subject: RE: Help: aint no more cane From: chordstrangler Date: 03 Oct 01 - 04:42 PM Sandy, I'm impressed by your knowledge and your passion about the song. Can I add my 'twopence worth. The only version I ever heard of this song was done by - surprise, surprise - Lonnie Donegan. It was on an LP that must have been released sometime in the late fifties. It impressed me then and it impresses me still. Best wishes......Mickey |
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Subject: RE: Help: aint no more cane From: Barry Finn Date: 03 Oct 01 - 04:36 PM The prison network could've well lead to the many floating & swapped verses between songs as well as the many different versions. Many of the men had spent their entire adult lives in & out of different prisons & were often transfered which most likely lead (IMHO)to the songs being so widely used throught out the entire southern prison systems & the variety of versions. Ernest "Mexico" WIlliams & "Ironhead" & group can also be heard (same exact field recording) on Lomax's Deep River of Songs vol "Big Brazos" on rounder. The other recording, if it wasn't mentioned above is out, again, on Rounder #1510. In 1939 Lomax also recorded Moses Platt (Bruce Jackson doesn't say where) after he was released form Sugarland. Jackson also states "the melody of 'No More Cane on the Brazos' is complex & broad (it ranges a 10th-from B-flat to D in this (Jackson's) transcription-an interval significantly wider than almost all the other convict work songs), the song in it's older versions is complex in the relation bewteen lead singer & group. As result it is almost never sung (in 1965)anymore. I met a few men who knew it, but only 2 or 3 who could sing it now. This group (refering to his recording on Wake Up Dead Men, again on Rounder, #2018) started & very quickly decided they didn't want to stay with the song, so they shifted into 'Godamighty'." He recorded Dave Tippen & group doing this. Sandy you got that right, no better place to hear it that in it's own enviroment & next I guess would be the field recording but hell, you've been doing that for ages so I guess my money's (two cents) not as near to my mouth as your's, Thanks for statement. Barry |
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Subject: RE: Help: aint no more cane From: MAG Date: 03 Oct 01 - 12:31 PM Sandy, I've got that LP. Got it for a quarter when my library was dumping all its LPs. (and about 14 more.) I had already taped it, but I wasn't going to let it go in the trash. |
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Subject: RE: Help: aint no more cane From: raredance Date: 02 Oct 01 - 12:00 AM Art, same song on the Trio' "At the Bitter End" album that McGuinn was part of rich r |
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Subject: RE: Help: aint no more cane From: Art Thieme Date: 01 Oct 01 - 11:52 PM Sandy, No problem. Just dealing with too much stuff here lately. You know that I agree with you. Rich R, Gibson's arrangements showed up in the Chad M. Trio's work via Jim (Roger) McGuinn (their instrumentalist back then) who idolized Bob G. And Bob Gibson had recorded "Alberta" as an Ohio River song on his Riverside LP Bob Gibson At Carnegie Hall. (It was actually Carnegie Recital Hall and not the main place at all---but that was never mentioned.)
Alberta, let your hair hang down, Art Thieme |
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Subject: RE: Help: aint no more cane From: raredance Date: 01 Oct 01 - 11:16 PM The "1910, driving the women like they were men" stanza also floats around in versions of "Brazos" and "Old Hannah" and is the lead in to another song collected by Bruce Jackson called "Should A Been on the River in 1910" The latter song goes off in a different direction about going home and missing his girl. As Fred pointed out above, Leadbelly sang "Alberta" as a separate song. Jackson collected several versions of the "Roberta (Alberta)" set of lyrics. The "Alberta" stanza creeps into the Chad Mitchell Trio version of "Brazos" although they also recorded "Alberta" as a separate song on an earlier album leading me to think they might have stuck it in "Brazos" just to make a tie-in to their earlier effort. rich r |
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Subject: RE: Help: aint no more cane From: raredance Date: 01 Oct 01 - 10:56 PM Sandy is right about verses bounding around in various prison songs. What I think is harder to determine is which song had the verses first and which are derivative. There is substantial overlap in verses in "Brazos" and versions "Go Down Old Hannah". the "Go down old Hannah don't you rise no more" line spreads beyond these two songs. It is found in versions of "Shorty George" which in turn is referred to in the Lomax "Brazos" text. Bruce Jackson in "Wake Up Dead Man: Afro-American Work Songs from Texas Prisons" (1972 harvard University Press)has a song he calls "No More Cane on the Brazos/ Godamighty". Seems the convicts started singing Brazos, got tired of it and switched to another song, i.e another melody and a different refrain but some of the same verse lines. The structure of this "Brazos" is probably more like most versions of "Old Hannah".
No More Cane on the Brazos/ Godamighty
rich r
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Subject: RE: Help: aint no more cane From: Joe Offer Date: 01 Oct 01 - 06:16 PM I found a couple of Lomax transcriptions, one version in American Ballads and Folk Songs, and a second in Best-Loved American Folk Songs, with piano arrangement by Charles & Ruth Seeger Rich R transcribed the lyrics from Silverman and Lomax, and I think he got all the verses. Neither version of the lyrics is exactly the same as the recording on Afro-American Spirituals, Work Songs, and Ballads. Guess I'd better work on a new transcription of the tune. It wouldn't do to have just the Chad Mitchell tune in the Digital Tradition. I've been able to get most of the Lomax recordings at my public library, although I have to travel all over town to find them. -Joe Offer- |
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Subject: RE: Help: aint no more cane From: Sandy Paton Date: 01 Oct 01 - 02:26 AM Art, my friend, I would never accuse you, of all people, of attempting to mislead any of us. I was speaking to all of us: don't misinform your audience regarding the source of your material. If any professional singer of traditional songs was ever more honest about his sources than Art Thieme, I've not met him/her. My plea for general honesty in one's presentation may have been awkwardly phrased and easily misunderstood. If so, I'm sorry. But there has been enough of what has been called "fakelore" passed around in the folk revival to last us all a lifetime. Sing 'em as you like 'em, but please be honest about where you got 'em. Sandy |
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Subject: RE: Help: aint no more cane From: GUEST,Fred Date: 01 Oct 01 - 12:24 AM Leadbelly sang 2 independent songs of Oh, Alberta and Go Down Old Hannah. Old Hannah was the sun, in case you didn't catch on. |
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Subject: RE: Help: aint no more cane From: Art Thieme Date: 30 Sep 01 - 11:43 PM I most certainly was not trying to mislead. |
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Subject: RE: Help: aint no more cane From: Sandy Paton Date: 30 Sep 01 - 10:01 PM So did Odetta, Art, and so have some others, I'm sure. I doubt the authenticity of some of the verses posted above, however. Some of them strike me as drawn from other songs and inserted into "Cane on the Brazos" as extenders. We all know that the Lomax published collections are full of such examples. I don't mean to imply that these are criminal actions, just not much good to those scholars who are trying to research various elements of our traditions. If the contrived texts make a good song, okay, sing 'em! But don't mislead people who want to know their origins. Read D. K. Wilgus' Anglo-American Folksong Scholarship Since 1898. Sandy |
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Subject: RE: Help: aint no more cane From: Art Thieme Date: 30 Sep 01 - 06:17 PM Sandy, Wouldn't ya know, I was in the rain barrel when you started yelling down it! (Was just trying to get a few winks o' shut-eye.) We hear ya, guy. But Gibson did do an effective version. ;-) Art |
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