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Lyr Req: Steel Man (Brian McNeill)

DigiTrad:
LADS O' THE FAIR
MUIR AND THE MASTER BUILDER
STRONG WOMEN RULE US ALL WITH THEIR TEARS


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Mbo 27 Jun 99 - 12:34 PM
Frank of Toledo 27 Jun 99 - 01:52 PM
Susanne (skw) 25 Feb 06 - 06:57 PM
Abby Sale 26 Feb 06 - 10:46 AM
Susanne (skw) 26 Feb 06 - 06:05 PM
Wolfgang 27 Feb 06 - 04:33 PM
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Subject: Lyrics Request: Steel Man
From: Mbo
Date: 27 Jun 99 - 12:34 PM

Does anyone know the lyrics to Brian MacNeill's song "Steel Man" about Andrew Carnegie? I reallt like the song but the words in places are hard to understand. Thanks to those that can help!


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Subject: Lyr Add: STEEL MAN (Brian McNeill)
From: Frank of Toledo
Date: 27 Jun 99 - 01:52 PM

“Come and stand,” said the poor man, “in the shadow of Carnegie.
He left the shores of Fife without a penny to his name,
But he ended his days drinking wine with lords and ladies,
And across the wide Atlantic my sons came to do the same.”
And the small boy looked up at the statue on the hill,
At the gaze of the hard hollow eyes,
Hot enough to forge ambition from a poor man's will,
And cold enough to temper it with lies –
Cold as STEEL! – Take the iron in his soul
For STEEL! – Make the iron horses roll
On STEEL far out across the land,
And to show the poor of Scotland how proud they could stand,
How many men's lives did he steal?

“Come and stand,” said the teacher, “in the shadow of Carnegie.
He gave palaces of learning to the sons of the poor,
And even in the churches you can hear the people pray
That when the Lord's gifts are gone, Carnegie's will endure.”
And the small boy asked how a palace could be built
With hardship and poverty for walls,
When the greed of the giver mortars every stone with guilt,
And guilt's the coldest charity of all,
Cold as STEEL! – Take the iron in his soul
For STEEL! – Make the iron horses roll
On STEEL far out across the land,
And to place the seed of learning in a small boy's hand,
How many men's lives did he steal?

“Come and stand,” said the worker, “in the shadow of Carnegie,
In sweat shop and in furnace worse than any tongues can tell.
A pittance of a wage is all he ever paid me,
And I hope he's burning yet in the deepest pit of hell.”
And the small boy asked as he listened to their cry,
How the man could be raised ever higher.
If Carnegie was so bad, why did no lightning come
To cast him down to the fire?
Hot as STEEL! – Take the iron in his soul
For STEEL! – Make the iron horses roll
On STEEL far out across the land,
And to make himself the equal of the great and the grand,
How many men's lives did he steal?

Lay the soul of a poor man on the anvil of ambition.
Watch the hammer blows come down and think before you blame.
Is it any wonder he's halfway to perdition
When the hand of compassion pulls his heart from the flames?
How many broken hearts make a Carnegie Hall?
Better not to reckon, by far,
But beware when you see the likes of Carnegie's fall,
For a giant falls heavy and hard,
Hard as STEEL! – Take the iron in his soul
For STEEL! – Make the iron horses roll
On STEEL far out across the land,
And to make himself a God unto his poor fellow man,
How many lives did he steal?

Brian McNeill


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Subject: RE: Lyr Req: Steel Man (Brian McNeill)
From: Susanne (skw)
Date: 25 Feb 06 - 06:57 PM

Having found this old thread again I may as well add Brian McNeill's notes to it. In his songbook 'The Back o' the North Wind' he writes:

[1991:] No Scottish expatriate is better known than Andrew Carnegie, the hand-loom weaver's son born in 1835 in Dunfermline. In 1848 the Carnegie family left Fife for Allegheny, Pennsylvania, and by the time they'd been there a month, young Andrew was working as a messenger boy for the local telegraph company - but it was the arrival of rail transport in Pittsburgh that was to begin the real rise of his fortunes. He joined the railway company, and a lucky break brought to his notice the design of a revolutionary new type of railway carriage - the Pullman sleeping car. He persuaded his employers to finance its manufacture, and ended up as a majority shareholder of the resulting company. Before long, he was the superintendent of the Pittsburgh division of the Pennsylvania Railroad, and with his inside information about the directions of railway expansion, he began to buy stocks and shares. By the age of thirty, he was a millionaire, carefully ploughing back all his profits into reinvestment.

It was a trip back to Scotland at the end of the American Civil War that brought the first pause for breath in the process of self-betterment, and began the impulse to philanthropy. Somehow Carnegie became aware that in his pursuit of riches, he'd lost out on culture and learning - and on his return to Pittsburgh, he began the process of self-education, with the same fervour which he'd brought to the process of self-enrichment. But though he was sincere in his desire for a new dimension to his life, he never lost his commercial appetite. He expanded into iron, then bridges, then rails for the railroads, and finally, by the means of the revolutionary new Bessemer process, into the substance that will always be linked with his name in the USA - steel.

He built his steelworks in Braddock, on the Monongahela river, and with it his empire grew apace. He bought, sold, dealt and undercut, he spurred his labour force on to prodigious productivity by making them compete with each other - and soon, he was no longer just a common or garden American millionaire, he was the head of one of the most all-embracing industrial institutions of the USA, a money-making juggernaut that seemed unstoppable. By 1880 he was spending half of every year in Europe, determined to pursue a cultural life as rich as his commercial one - and it was during one of these trips to Scotland that the labour unrest began which was to blacken his reputation. Carnegie had watched one of his rivals, a neighbouring steelworks called Homestead, nearly collapse with labour troubles, and when these were at their worst, with his usual impeccable commercial timing, he put in his bid, bought it, and appointed a manager, Henry Frick, to run it. But Frick had neither Carnegie's charm nor his ability. In 1892 another strike erupted, much worse than anything that had gone before - Carnegie's men were demanding an end to shifts that were routinely twelve hours long, and sometimes as long as twenty-four. A private army of Pinkerton Detectives was hired to break the new union which had made the demands, the Amalgamated Association. What followed was inevitable; strike, lockout, the introduction of scab labour, and some of the bitterest pitched battles in the history of American industry. But in the end, Carnegie and Frick won - a victory that was to effectively end unionisation in the American steel industry for the next 45 years, and blacken Andrew Carnegie's name forever.

Did he deserve the vilification? And was it the terrible violence of the Homestead strike which turned him into the Andrew Carnegie everyone remembers, the greatest philanthropist in the world? The man who died at the age of 84, having given away over 300 million dollars? Like so many other Scottish children, I learned to love books in a library built with Carnegie money. Time and time again, my teachers pointed him out to me as a hero, as an example of what hard work could achieve; Andrew Carnegie, the self-made Scot who used his money to enrich the lives of others. It was only later, when I worked on building sites as a student, that I discovered how deeply the other side of his reputation - as a strike breaker and ruthless capitalist - had dug itself into the consciousness of working people. The folk memory is long and dogged, and it does not forgive easily; the explanation that I heard most often for Andrew Carnegie's generosity was that it was based on guilt. This song offers no answers; it's just my own personal framework for the questions. (McNeill Songbook 37)


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Subject: RE: Lyr Req: Steel Man (Brian McNeill)
From: Abby Sale
Date: 26 Feb 06 - 10:46 AM

This is wonderfully insightful. Thanks Susanne. The song is fine poetry among so much crap but the insights are better. I, too, always thought of JP Morgan as robber baron, gone soft in his old age & trying to buy his way out of hell.

McNeill reminds me (us, I hope) that although we like/need to "Stick a Little Label on It" (Wizz Jones) and attribute simple black & white motives & explanations to everything - nothing is really that simple. Certainly not people.

Even my own few notes on Carnegie belie my own concept.
He lived to 1919 but began his Good Deeds much earlier. Say, 1870 from your quote above. But maybe not in any serious form until he retired from work. I have Carnegie Hall debut= 1891 and it certainly took some time to set up all those libraries. I'm aware that most present free public US and Scottish libraries were founded by him.

A quote I google just now:
In her landmark survey of steel-town life, _Homestead: The Households of a Mill Town_, Margaret Byington observed that "though the people are very proud" of the libraries, "many a man said to me, 'We'd rather they hadn't cut our wages and let us spend the money for ourselves. What use has a man who works twelve hours a day for a library, anyway?'"


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Subject: Lyr Add: GREENLAND'S ICY WATERS (Brian McNeill)
From: Susanne (skw)
Date: 26 Feb 06 - 06:05 PM

I love Brian's songs because they are a) intelligent and insightful, b) poetic and c) singable - a rare combination! This applies to the ones he wrote for the 'Back o' the North Wind' show in particular.

His preoccupation with fighting 'black and white' viewpoints shows up in other songs as well, not least in this modern whaling song from 'The Busker and the Devil's Only Daughter' (1990) that doesn't seem to have been added to the DT or the Forum so far:

GREENLAND'S ICY WATERS
(Brian McNeill)

A wild and windy morning on the first day of the year
I was waiting for the ferry when a working man appeared
He was joking with his mates about the duty on a beer
While the excise man was looking o'er his cargo
When the forty-tonner's doors they opened wide
I saw the name they'd painted on the side

And oh! Christian Salvesen, perhaps the fault is mine
But there's things that Auld Acquaintance will always bring to mind
As I looked intae the wagon I was sure that I would find
The bloody memories of Greenland's icy waters

A hundred years ago your flags were flying in the shrouds
From Dundee tae St John you were the proudest of the proud
But thank God you changed your trade, tell me where's the glory now
In the hunting of a species to extinction
For the silence of the waters tells the tale
Of how the oceans lost the singing of the whale

And oh! Christian Salvesen, is the world's opinion right
To paint the bloodiest of colours in such simple black and white
Or would Auld Lang Syne be better served by following the lights
O' the men who sailed for Greenland's icy waters

They were lean and they were hard, they were hungry for the prize
They followed him in open boats, threw steel into his eye
And looking back across the years their dreams are easy tae despise
Till you think about the lives they left behind them
For what was there to dream of on the land
Just a life behind the plough, cap in hand

For oh! Christian Salvesen, they were young and in their prime
And for every cup o' kindness they drank ten of bitter wine
Frozen death and bloody iron made them old before their time
And claimed their lives for Greenland's icy waters

Leviathan for fortune, pantechnicon for trade
One was ready for the slaughter, one delivers ready-made
And you know I'd be a liar, when the consciences are weighed
If I justified the bloodiest of hunting
But through the singing of the humpback and the blue
I hear the voices o' the whalers ringing true

So here's to you, Christian Salvesen, here's a health untae your name
I'll drink a glass to all the courage, drown my sorrows in the same
Lest Auld Acquaintance e'er forget the glory and the shame
And the memories of Greenland's icy waters


Who else can take a humdrum moment and turn it into a history lesson with the lightest of touches? And he does it again and again. (Or used to. He now seems far busier handing on his talents to his students!)


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Subject: RE: Lyr Req: Steel Man (Brian McNeill)
From: Wolfgang
Date: 27 Feb 06 - 04:33 PM

He's one of the top handful of songwriters. And he is a splendid singer of his own songs.

Wolfgang


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