Joe has a good point about community singing. Rise Up Singing is probably the best resource for that sort of song circle. However, the song circles in Portland (Oregon) have been mostly folk and traditional and have suffered from an influx of blue book singers. Our weekly song circle was essentially taken over by them--that is, we let the culture of our Monday night session drift toward the blue book and did nothing to change that drift. In fact, the better singers--and by that I mean the singers who are most deeply invested in their songs(some of whom have a hard time carrying a tune)--basically abandoned the Monday night sessions. I don't know if it's even happening now, but my impression was that they had no leader and really needed one. Joe? A little over a year ago it was suggested I write an article for our local newsletter about the negative aspects and dangers of an over-dependence on Rise Up Singing. Here it is, for what it's worth. As I point out, I want to start a dialogue about the topic. It's become an important part of our organizational culture and needs to be addressed. Since the article came out things have improved. We don't allow a song from the blue book now unless someone knows it well enough to lead it all the way through. SOME THOUGHT ABOUT RISE UP SINGING by David Ingerson davidingerson9@yahoo.com Rise Up Singing is used so frequently at song circles that we refer to it as The Blue Book, The Hymnal, or simply The Book. Yet a number of singers fear it has changed the culture of our song circles for the worse. Here are some of my thoughts about the issue, presented as a starting point for a community discussion. It seems to me that the more we depend on Rise Up Singing, or any single book, for that matter, the more we lose the qualities that make song circles the invaluable experiences we have come to expect. We lose value in three areas: musical, communal, and personal. MUSICAL LOSSES We lose the joy of singing well. Good feelings spontaneously arise within many of us as we sing. This upwelling of joy is, for me, one of the important pleasures in life. It is enhanced when we are familiar enough with the song to sing with confidence, verve, even abandon. In this way the song flows naturally from the center of our beings--an experience that can touch us deeply. When we have to struggle with a song, however, the joy leaks away and leaves frustration. All too often this is what happens when we sing from Rise Up Singing. A song is requested but no one knows it well enough to lead the singing. The group stumbles through the song anyway, with frequent mis-scanned lines and usually at a funereal tempo. There is a palpable deadening of the spirit in a song circle when this happens several times during an evening. When we depend on Rise Up Singing we also lose a large amount of the variety that enlivens folk singing. The many differences among song versions and the variety of performance styles is the very soul of folk singing. Yet if we depend on Rise Up Singing, we have only one version of each song, a pitiable musical poverty. In addition, a book--any book--can only hint at the possible styles for singing a song. A book can only point to performers and recordings as sources for those stylistic varieties. If we don't go beyond The Book, we are left with white bread singing: bleached, doughy, bland, and pre-cut. A number of singers have also complained that singing from the Blue Book becomes repetitious and eventually boring. We lose the musical energy and momentum that electrifies the best of song circles: confidence falters, tempos slow, ownership of the songs slips away, and tentativeness sets in. As a result, feelings droop, the fires die down and we might as well be sitting at home in front of the TV. COMMUNAL LOSSES This loss of energy directly affects the feeling of community in the song circle. Helping create and partake of that energy binds us into a community. But people with their heads in a book, struggling through a song they don't know well, and singing tentatively, are less likely to feel bound together. This loss of communal energy has created a downward spiral at some song circles. As more and more songs are sung from the Rise Up Singing during an evening, it becomes more difficult to break away and sing something not in the book. I have seen "anti-Blue Book" singers pick a song from Rise Up Singing when the culture of a particular circle is dominated by The Book. We lose leadership. We lose the forward direction provided by individuals who know a song, who have made it their own, who can lead it or sing it with confidence. We lose the regional flavors of local songs and songs composed by members of our community, which are absent from the book. Instead, head-in-the-blue-book breeds a conformity, a timidity, a backing away from taking risks. This brings us to the personal losses we experience from over-dependence on Rise Up Singing. PERSONAL LOSSES The level of risk-taking in the group seems to have dropped. Relying on the crutch of one wide-ranging source offers a level of comfort that, in my opinion, too many people seem to be accepting. Fewer songs are coming from other books or recordings. Fewer singers are learning new songs. After all, why go to all the trouble of transcribing or looking up the words to a new (for you) song and then all the work of memorizing the words and making the song yours if you can just turn to page 275 and sing the same old favorite once again? We lose ownership of songs. When you learn a song well enough to lead it or sing it solo, you have put your own stamp on it. It becomes yours. There is a different feel to a song sung out of a book than to one owned by the singer. The former is usually tentative and bland; the latter more vibrant and distinctive. So we lose the new blood of singers learning new songs. We lose the stimulation of singers venturing into different styles of folk song. We lose leadership. We lose ownership. WHAT I AM NOT SAYING Let me be clear about what I am not saying. I am not against Rise Up Singing or using it at song circles. It is a valuable resource for words, chords, discography, and sometimes a little background. I am against depending on it alone. I am not against including people who use the only Blue Book. I welcome anyone who wants to sing. I am against using the Blue Book when no one knows a requested song well enough to lead it. I am not against people coming to song circle not knowing a song to sing. Nor am I against people requesting a song from Rise Up Singing. It has a huge number of wonderful songs. Let's just make sure someone can lead the requested song. If not, let's pick a different song that can be sung with gusto (and maybe someone can learn the other requested song!). In the end we are involved in an oral activity. We sometimes need a written crutch. The more we depend on that crutch, however, the more crippled that oral activity seem to become. Do you disagree? Good. Let's talk about it at a song circle. Have I left something out or gone off in a wrong direction? Write your ideas and send them to Local Lore. We need to bring this issue out in the open and make our culture more explicit.
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