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User Name Thread Name Subject Posted
Steve Gardham The Advent and Development of Chanties (916* d) RE: The Advent and Development of Chanties 31 May 18


P54
….there were rude comments in the chanties at the many pully-haulie jobs. The soloist in the chanties had traditional liberty to improvise and was free to criticise anything. In this way the sailors let off some steam. no one ever paid attention to their broad and frequently blasphemous hints.....

The favourite time for a rousing chanty was when the tops'l halliards were manned, which was generally at the change of the watches. there was a Welshman for'ard--one of our few Britishers there who sang extremely well and was a first-rate improvisor.
    "Oh, our old man he don't set no sail!" he'd begin, all hands trailing on the stout line ready to come in with two mighty shouts of "Leave her, Johnny, leave her" and two hearty synchronised hauls which would shift the yard about a quarter of a foot.

    "An I could 'a stayed in a lovely jail!" Again the soloist sang melodiously.

"Oh, leave her, Johnny, leave her,
With all night in and plenty of ale.
Leave her....
'Stead o' driftin' about the Tasman Sea.
Oh, a Jackshite's life it ain't for me!
Leave her...….
Cos there ain't no grub an' there ain't no pay!
Leave her......
But they tell me we'll come in some day,
Leave her......
Before then we'll be eating hay!
Leave her ......
Now it's time for me to shout belay!


"Belay the halliards there! Do you want to jam the parral in the bloody cross-trees?" Jackie would shout, and a couple of strong men would run to the fore-part of the halliards, by the block, while at a shout of "Come up there!" all the others let go, and the line was quickly belayed round its pin.'


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