Subject: RE: Obit: 'Country Joe' McDonald 1942-2026
From:
Stilly River Sage
Date: 08 Mar 26 - 10:48 PM
From the New York Times obit:
Country Joe McDonald, Whose Antiwar Song Became an Anthem, Dies at 84
One of the starring acts at Woodstock, he and his band, the Fish, came out of the Bay Area’s psychedelic rock scene. He went on to a long career as a solo artist.
Country Joe McDonald, whose performance at Woodstock — in which he led a crowd of 400,000 through a subversive cheer before starting his satirical antiwar song “I-Feel-Like-I’m-Fixin’-to-Die Rag” — struck a chord so deep, it often obscured the variety and scope of his career, died on Saturday at his home in Berkeley, Calif. He was 84.
His death was announced by his wife, Kathy McDonald. The cause was complications from Parkinson’s disease.
In his breakthrough years, Mr. McDonald led Country Joe and the Fish, one of the first and most adventurous bands to rise from the Bay Area psychedelic rock scene of the 1960s. After the band’s main run ended in 1970, he released scores of solo albums in a number of styles over many decades.
Yet, it was his showcase at Woodstock, immortalized by its film and soundtrack, in which he spiked the main refrain of his band’s piece “The Fish Cheer,” with a far more provocative F-word, before beginning his best-known anti-Vietnam War song, that came to define him for many.
“From the moment I yelled ‘Give us an F … ’ it became a folk-protest moment,” Mr. McDonald told the British newspaper The Independent in 2002. “There was a certain in-yer-face Kurt Cobain-ness about it that matched the attitude of the time pretty well.”
Likewise, Mr. McDonald’s albums with the Fish, for which he wrote and sang most of the material, perfectly mirrored the experimentalism and politics of the psychedelic scene that birthed them.
At the same time, the group’s work augmented the era’s usual guitar distortions and drug references with arcane melodies, left-field lyrics and influences that also drew from ragtime, old time folk and the avant-garde.
The Fish’s first single, “Not So Sweet Martha Lorraine,” centered on a death-obsessed woman who also had a yen for homicide, while another early song, “Superbird,” imagined President Lyndon B. Johnson as a lunatic cartoon character.
The tone of the politics and social commentary in Mr. McDonald’s songs could range from whimsical to snarky. In “The Harlem Song” he satirized white people’s fetish for Black culture, while in “Fixin’-to-Die,” he sang in the voice of a TV pitchman selling parents on the chance to “be the first one on your block to have your boy come home in a box!” The song culminated in the ironic refrain, “Whoopee! We’re all gonna die!”
While two of Mr. McDonald’s albums with the Fish broke Billboard’s Top 40, the band never came close to achieving the success enjoyed by other acts from the San Francisco scene like Jefferson Airplane or the Grateful Dead.
And none of Mr. McDonald’s solo works made Billboard’s album chart. Yet, he remained true to his musical instincts and lyrical themes. Long after the Vietnam War ended, he continued to write about its effects and legacy, captured best in his 1986 album “Vietnam Experience,” which feature 12 of his songs on the subject.
Joseph Allen McDonald was born on Jan. 1, 1942, in Washington to Worden McDonald, who worked for the phone company, and Florence (Plotnik) McDonald, a political activist who later became prominent in Berkeley politics. Both his parents were members of the Communist Party, and they named him after Joseph Stalin.
When he was still a child, the family moved to El Monte, Calif., near Los Angeles. “My family were the only Communists in the entire area, and we lived a very isolated life,” Mr. McDonald told Let It Rock magazine in 1974. “My parents never went dancing or drinking — typical Communists.”
At the same time, his father had a Hawaiian guitar that he taught Joe to play when he was 7. When Joe was a teenager in the 1950s, his father was called before the House Un-American Activities Committee, whose aim was to root out Communists in the United States, and as a result he lost his job. (His parents later renounced the cause.) At 17, Mr. McDonald enlisted in the Navy because, as he told Let It Rock, he wanted to “see the world and have sex.”
After serving a little over three years, he tried college for a few semesters before dropping out to move to Berkeley at around the time of the Free Speech Movement. “I went to San Francisco to become a beatnik,” he told Let It Rock.
Mr. McDonald started a small underground magazine called Rag Baby before forming an early version of Country Joe and the Fish with the guitarist Barry Melton in 1965. His stage name wryly reflected the fact that Stalin was sometimes referred to as “Country Joe” because of his rural background. The word “Fish” was taken from Mao Zedong, who wrote that revolutionaries “must move amongst the people as a fish swims in the sea.”
In a “talking” version of the magazine, the band included the first version of “Fixin’-to-Die,” performed acoustically. “I was inspired to write a folk song — about how soldiers have no choice in the matter but to follow orders — but with the irreverence of rock ’n’ roll,” Mr. McDonald told The New York Times in 2017.
The group later electrified its sound, moved to San Francisco and was signed by Vanguard Records, which released its debut album, “Electric Music for the Mind and Body,” in 1967. The album’s producer, Samuel Charters (best known as a blues historian), refused to let it include “Fixin’” or “The Fish Cheer” on the debut, fearing it would lead to a boycott by radio stations.
But because no one complained about the anti-Johnson song “Superbird,” which was included on the debut, they were allowed to include it on their second album — as its title track no less.
At a show in Central Park in 1968, the band’s drummer, Gary Hirsh, suggested they change the word “fish” to the epithet to make a free speech statement. While the crowd deliriously cheered the change, Ed Sullivan immediately canceled the group’s scheduled appearance on his popular Sunday night variety show.
After performing the augmented “Cheer” in Worcester, Mass., Mr. McDonald was charged with inciting an audience to lewd behavior, resulting in a $500 fine and lots of publicity. By the time he performed the provocative version of the song at Woodstock, listeners were primed for it.
At the festival, Mr. McDonald played two sets, one with the band and the other solo, a reflection of long-simmering internal tensions that brought the group to an end by the next year. By then Mr. McDonald had already begun recording solo, having released a set under his own name in late 1969 titled “Thinking of Woody Guthrie,” which consisted entirely of songs associated with that folk legend.
While his solo work tended to be less quirky than his recordings with the Fish, his lyrics remained as imaginative: His 1973 album “Paris Sessions” explored feminism, and “War War War” used original lyrics based on the work of Canadian poet Robert William Service. In 2017, he celebrated half a century of his career with an album titled “50.”
Besides his wife of 43 years, Kathy, he is survived by five children, Seven McDonald, Devin McDonald, Tara Taylor McDonald, Emily McDonald Primus and Ryan McDonald; four grandchildren, and a brother, Billy.
Throughout his career, Mr. McDonald’s politics and lyrical concerns avoided the literal or the doctrinaire, extending the tone of his most famous song.
Speaking of the effect of “Fixin’ to Die” to Let it Rock, he said: “You laugh at the war. You laugh at yourself, and you laugh at the left wing at the same time. Something’s very attractive about the song.”
“Something’s very attractive about drugs, too,” he added. “It’s basically an insane song.”
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