Songwriting - what do you need?

Subject: RE: Songwriting - what do you need?
From: Azizi
Date: 24 Dec 06 - 01:12 PM

Perhaps this is understood by the points already made about sometimes needing to re-work a song, but I don't think that anyone in this discussion has mentioned yet whether it's important to him or her to get input from another person [or other people] as to whether that person really feels [or thinks] that the song "works".

Mot that I consider myself a songwriter, but I've revised the lyrics and/or tunes of some children's songs & chants that I've written {whole cloth} and adapted {from traditional game songs & chants} based on my observation as to whether the lyrics and tunes of these songs were well received by groups of children I worked with.
Some of these revisions included or at least started with these children's comments about the songs, or my observations about whether the group of children accepted the song as is. And some of these changes to lyrics & tunes included the words that a child or children made through their mis-interpretation of my words, or through the suggestions that they offerred.

I'm wondering how important to the song writing process for folks here is having input from others?

Subject: RE: Songwriting - what do you need?
From: Azizi
Date: 24 Dec 06 - 01:15 PM

"Mot" of course is supposed to be "Not"

That's input that I can give myself

:o}

Subject: RE: Songwriting - what do you need?
From: Linda Goodman Zebooker
Date: 24 Dec 06 - 01:26 PM

I don't write much, maybe two short simple songs a year, and only because I hafta. A song starts singing itself to me and I have to finish it. The only songs that I actually PLAN to write are for special family celebrations where everyone does a poem - or as most recently when I wanted to sing a well-known traditional 3-verse song. I love the chorus and the first two verses, but I feel the last verse has inappropriate lyrics - so I have made up my own 3rd verse to sing instead.

I need to be moving: walking, driving, subway riding - one time even cleaning a sink. It was the same thing when I was a programming student - I had to take a legal pad and march around the hollow square of corridors to work out a tough problem. I couldn't do it sitting still. I can understand what Dan Schatz said about Si Kahn and his trucks! Subway riding is the best -because you can write down (and cross out) things as you go. It's harder when you are driving, because then you have to try to remember what you wrote, which gets in the way of the next thing (what Bert said about the wastebasket). It's fun to remember where you were when you were writing - "There's the intersection I was crossing when I FINALLY figured out the last line to that song I was working on for two years..."

A specific reason for singing the song - for me it's almost always an Open Sing. Having a time limit (when a song is keyed to the theme of the month) and a friendly group to sing my song for, helps me want to finish it.

Linda

Subject: RE: Songwriting - what do you need?
From: Scrump
Date: 24 Dec 06 - 03:39 PM

This thread is very interesting! My earlier "pen, paper and talent" was somewhat flippant, but essentially right. I agree you don't need a pen and paper literally - you could use MS Word or whatever. And the ideas I get are usually when I don't have a pen or paper handy. My problem is remembering the ideas until I get somewhere where I can jot them down. I've lost quite a few that way.

The other problem is how to motivate yourself to finish a song. I seem to lack this, and feel that maybe if I had a deadline or something it would force me to work on it. Perhaps I need to set myself deadlines - does anyone else do this sort of thing?

Subject: RE: Songwriting - what do you need?
From: McGrath of Harlow
Date: 24 Dec 06 - 04:57 PM

One thing I'd always regard as essential is to sing it through a few times without any instrument, and give it room to breathe.

The singing voice comes first; musical instruments are there to supply an accompaniment, not the other way round.

Subject: RE: Songwriting - what do you need?
From: Peace
Date: 24 Dec 06 - 05:06 PM

With certain songs, yes, McG of H. For others, the synthesis of the music and words--that is melody, lyrics and instrument(s)--is crucial.

Subject: RE: Songwriting - what do you need?
From: GUEST,gleaner
Date: 24 Dec 06 - 05:53 PM

I find Richie's fundamental advice on song form much too limiting. Although he admits that there are many forms, he lays out only one that he finds usual.

If you want to study song form, I'd go back at least to the standards, and preferably much farther. Flavor-of-the-moment pop charts aren't likely to provide a good sample for analysis.

I wouldn't worry at all about an intro and an ending; there are plenty of instrumentalists and arrangers who can take care of those. The first line, however, as Bob Dylan and others have pointed out, can be quite important.

After capturing the key thematic, melodic, and lyric components of the song, whether or not you think in hooks, you've got your song's basis, and you'll soon know whether it's worth shaping up.

Subject: RE: Songwriting - what do you need?
From: McGrath of Harlow
Date: 24 Dec 06 - 06:04 PM

I wasn't suggesting that there aren't many songs where the accompaniment is important, even essential. But it is an accompaniment to something that has an existence in its own right.

Rather like a couple.

Subject: RE: Songwriting - what do you need?
From: Peace
Date: 24 Dec 06 - 06:08 PM

Gotcha. Thanks, Mc.

Subject: RE: Songwriting - what do you need?
From: GUEST,Tone Deaf Leopard
Date: 24 Dec 06 - 06:29 PM

The first thing we often need is insomnia. Many TDL songs were written in the summer when it was as hot at 4 am as it was at 4 pm.
It is favourite to have a pen or pencil and a notepad by the bed for such occasions. Often, songs are inspired by a word, or a phrase. Let us give an example. Sue's calendar had a picture of a chimpanzee in a tree. She sang "A chimpanzee in a tree" and it became the first line of a children's song.

Subject: RE: Songwriting - what do you need?
From: Big Al Whittle
Date: 24 Dec 06 - 06:30 PM

A deep personal friendship with either of England's two influential folk djs. Otherwise, forget it - nobody much is going to hear what you write.

Subject: RE: Songwriting - what do you need?
From: Peace
Date: 24 Dec 06 - 06:45 PM

LOLOL

Fookin' true too.

Subject: RE: Songwriting - what do you need?
From: CapriUni
Date: 24 Dec 06 - 10:28 PM

From Scrump:

I seem to lack this, and feel that maybe if I had a deadline or something it would force me to work on it.

I think that's what I was trying to get at when I said you had to have something important to say. But maybe what I really meant was you needed to be inspired by something -- and that inspiration needs to be strong enough that it will sustain your interest through the revision process.

But it only has to be inspiring to you. Historians, philosophers and literary critics need not give it so much as a second glance.

And if you're really stuck in the revisions, even so, give yourself permission to put that song away and work on any other ideas that pop into your head. Sometimes, the first idea you get for a song is only the tiny key that unlocks a greater one.

Subject: RE: Songwriting - what do you need?
From: Bert
Date: 25 Dec 06 - 02:28 PM

Right on there WeeLittleDrummer.

Subject: RE: Songwriting - what do you need?
From: GUEST,david from cleckhuddisfax
Date: 25 Dec 06 - 06:26 PM

Songwritig is about the mood,the feel,and the sentiment.
One word or thought or turn of phrase.
That grabs ,alights or imposes.
Or a melody that has its own tempo,timbre or emotion.

There is no exact science of songwriting ,or right or wrong way.
though for all sakes keep doing it anyway.

Subject: RE: Songwriting - what do you need?
From: Marion
Date: 26 Dec 06 - 01:32 AM

The ability to live with imperfection. There's a good quote: "Songs aren't finished, they're abandoned." If you feel that every line has to be genius, and every rhyme has to be perfect, and you can't sneak in an extra syllable now and then - you might finish a song eventually, but you probably won't.

I also agree with what Bert said above about the ability to throw things away when they're not working - whether it's a bit of melody or lyric, or the whole damn song.

Marion

SSP: my songbook

Subject: RE: Songwriting - what do you need?
From: McGrath of Harlow
Date: 26 Dec 06 - 10:26 AM

I'd say never throw things away. Recycle them.

Subject: RE: Songwriting - what do you need?
From: Anne Lister
Date: 26 Dec 06 - 11:15 AM

I definitely wouldn't say *never* throw things away - some things really do belong in a waste paper bin, or the metaphysical equivalent! The difficulty comes in recognising the absolute trash from the stuff that's simply in the wrong place at the wrong time.

And can I again make a plea for distinguishing between writing a song and performing it? The two activities really are quite distinct. I can write a song about anything, in any style, at any time, for any reason but it really doesn't follow that that song should ever be performed outside my own private space.

Anne

Subject: RE: Songwriting - what do you need?
From: CapriUni
Date: 26 Dec 06 - 12:21 PM

One of my father's favorite proverbs (he said it was a Russian one, but I don't know if that's true) was:

Don't let the "perfect" stand in the way of the "good."

I think he first heard it in the context of trying to reach a satisfactory arms treaty with the Soviets, and the dangers of rejecting proposal after proposal because it doesn't meet every single one of your objectives. But I think it can apply to any creative endeaver (and finding romance, cooking dinner, and cleaning house, and raising your children, and....) and certainly echos what Marion said, above.

Subject: RE: Songwriting - what do you need?
From: Bert
Date: 26 Dec 06 - 02:33 PM

...Direct light makes them flail their heads or possibly their tails
...

Nice one Marion.

Subject: RE: Songwriting - what do you need?
From: GUEST,GS
Date: 26 Dec 06 - 03:45 PM

All you need is ........simply...........unequivocally........and... indisputedly..........Genius.

Subject: RE: Songwriting - what do you need?
From: Bert
Date: 26 Dec 06 - 04:07 PM

All of us songwriters know that already GUEST,GS.

Subject: RE: Songwriting - what do you need?
From: GUEST,Gs
Date: 26 Dec 06 - 04:15 PM

And where can I avail myself of your undisputed genius Bert?

Subject: RE: Songwriting - what do you need?
From: Seamus Kennedy
Date: 27 Dec 06 - 12:29 AM

Scrump and Marion talked about finishing a song.
Perhaps if you CAN'T finish a song, it IS finished.
Knowing when to quit is as important as knowing when to start.
I've heard quite few songs where I've thought:
Wow, good song, but it would be a great song if it ended a verse or two sooner.
Oh, and in my opinion start with an EMPTY wastebasket...

Seamus

Subject: RE: Songwriting - what do you need?
From: GUEST,gleaner
Date: 27 Dec 06 - 01:05 AM

I believe that I should call even myself out and revisit the part about inspiration. Waiting for goose bumps, laughter, or tears, I've concluded, is not a prerequisite. I believe that it's possible to take a theme, story, or even a persistent thought or hellhound, and pursue it through the songwriting process, or fail and move on. Doing it is another matter, I admit.

One thing I don't like is letting rhyme, often slop rhyme, steer the content of the song. I too am tempted.

Subject: RE: Songwriting - what do you need?
From: Marion
Date: 27 Dec 06 - 10:20 AM

Thanks Bert!

Subject: RE: Songwriting - what do you need?
From: GUEST,guest.gleaner
Date: 27 Dec 06 - 10:36 AM

Genius doesn't always produce creative drive, or persistence in staying with projects, or determination to develop a talent; some geniuses admit no room for improvement. And more than a few acknowledged geniuses have died quite young.

Subject: RE: Songwriting - what do you need?
From: Bert
Date: 27 Dec 06 - 12:49 PM

You can buy my CD GUEST,Gs. *hee hee*

Subject: RE: Songwriting - what do you need?
From: Georgiansilver
Date: 27 Dec 06 - 01:20 PM

...*hee hee*...Strange name for a CD Bert, what gave you that for a title....ROFLOL....can we hear soundbites from your CD online Bert?

Subject: RE: Songwriting - what do you need?
From: Bert
Date: 27 Dec 06 - 01:50 PM

Not yet, I've got to get my website fixed and then you'll be able to listen to it.

Subject: RE: Songwriting - what do you need?
From: Georgiansilver
Date: 27 Dec 06 - 07:42 PM

GR8 Bert, Keep us posted, will be interested to hear some of your stuff.

Subject: RE: Songwriting - what do you need?
From: Linda Kelly
Date: 27 Dec 06 - 09:16 PM

it's a weird thing songwriting-when people know you do it they produce words for you, fantastic pieces of rhyme and prose that they want you to put to music- I have dozens of them, most tucked away never to see light of day - and frankly those I use I have to wing it because my songs are always based on my words and the rythmn of the words - because frankly I am not a musician. The words dictate the melody and the mood of the song - forceful, soulful, happy or sad. I developed song writing from a long association with poetry and prose and I am lucky that I happen to sing and can be creative with voice and harmony. I write songs very quickly always the words first and the tune develops from there. My tools are a dictating machine and very little else.

Subject: RE: Songwriting - what do you need?
From: GUEST,gleaner
Date: 27 Dec 06 - 09:49 PM

Perhaps it's worthwhile to consider accepting a little help, in the music or in the lyrics, to get unstuck. There's the issue of whether co-writing credit is fair or expected, of course.

I heard an author state that Yip Harburg couldn't seem to come up with a last line for "Over the Rainbow," and that when that fact was mentioned to Ira Gerschwin, Gerschwin quickly came up with, "If pretty little bluebirds fly beyond the rainbow, why oh why can't I?" No co-writing credit was required.