Prompted in part by the repeat showing of Kathryn Tickell's TV programme last night and coming across a tape I made of a BBC Radio 3 documentary from about 3 years ago that included a section on students and Folk Degree in Newcastle I thought I'd start a discussion on the whole thing. (Also in part by a burning desire to wrap a baseball bat around one of the student's head). As I see it some of the possible benefits are: A higher profile for folk music, Any degree level education is a good thing in and of itself, Exposure to other traditions Meeting and learning from the "masters" of their trade How to be a professional musician Some of the possible pit falls: Many of the students ending up with the same or similar style Losing individual traditions in favour of a mish-mash of traditions Production of an elite group of musicians vs the rest Concentration on the technical aspets to the detriment of the music A 'right way' and a 'wrong way' to do the music. Other points: Is there enough interest to keep or increase the number of courses available or will the course(s) disappear in a few years? Is there a danger of creating 'Academic Folk' that's different from (or is it to?) 'The People's Folk'? Can a folk degree be as academically rigorous as a normal, classical say, music say Are all musical instruments treated equally (piano accordion/one row melodeon;classical flute/tin whistle) or is their a bias towards the 'classical' instruments and away from the simple? What do you think?
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