Subject: RE: Origins: Tom o' Bedlam melody
From:
GUEST,henryp
Date: 23 Sep 24 - 10:49 AM
According to Dave Moran on the goldilox website; http://www.goldilox.co.uk/engfolk/frames/nicjones4.htm
"Nic [Jones] and I and mandolin/guitar player Nigel Patterson made up the Halliard. We were looking to develop some new music and we took the advice of song-writer Leslie Shepard.
We decided to add tunes to Broadsides that we discovered, uncovered or collected – we checked out the Harkness Collection at Preston and the collections in Manchester etc.
We also used Ashton's Street Ballads and Victorian Street Ballads (Henderson) and on a couple of occasions we dipped into Thomas D'Urfey's Pills to Purge Melancholy; that is where we found Mad Maudlin (Tom of Bedlam or the Boys of Bedlam).
Nic and I wrote all the tunes together, usually sitting in the front of the Mini and singing and working out tunes as we drove – as the mandolin was the smallest instrument and Nigel [Patterson] was in the back, he always played the tunes.
'Jones and Moran' wrote a heap of songs like this including Lancashire Lads, Going for a Soldier Jenny, Miles Weatherhill, Calico Printer's Clerk etc.
We wrote the tunes to fit the words and sometimes added or altered words, as in The Workhouse Boy. So Nic and I wrote the tune to D'Urfeys words of Mad Maudlin – audiences were confused and stunned – it was very surreal...
We did a booking in the Midlands and an unaccompanied foursome called the Farriers loved the song and asked if they could sing it unaccompanied. We said, Sure – they were very good, a bit like the Young Tradition. I believe that is how it got into the mainstream.
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sj
