|
|||||||
Origin: Locks and Bolts DigiTrad: LOCKS AND BOLTS Related threads: Lyr Req: Rainbow Mid Life's Willows (Almeda Riddle (11) identify this song? - I Dreamed Last Night of my.. (5) (closed) |
Share Thread
|
Subject: Hist/Info song 'Locks & Bolts' From: GUEST,m.dunlop Date: 12 Apr 02 - 11:56 AM Can anyone provide any history/info on the song, entitled "Locks and Bolts" in Mudcat database? |
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: IanC Date: 12 Apr 02 - 12:14 PM Well The Mudcat Number (#328) is shared with The Miller's Will (2) which is obviously a mistake. The Laws Number (M13) isn't helpful within the context of the DT either. I'll have to look a bit harder.
Cheers |
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: IanC Date: 12 Apr 02 - 12:28 PM Here's the entry in the "Traditional Ballad Index".
Locks and Bolts [Laws M13]DESCRIPTION: The singer misses his love. Her parents, learning she loved a poor man, locked her away (in her uncle's house). The young man breaks the locks and rescues her (possibly fighting a battle along the way). The two are marriedAUTHOR: unknown EARLIEST DATE: 1876 (Christie, _Traditional Ballad Airs I_) KEYWORDS: love poverty separation rescue marriage FOUND IN: US(Ap,MA,MW,SE,So) Britain(England) REFERENCES (18 citations): Laws M13, "Locks and Bolts" Belden, pp. 168-169, "Locks and Bolts" (1 text, a fragment) Randolph 110, "I Dreamed of My True Lover" (2 texts, 1 tune) McNeil-SFB1, p. 74, "Rainbow Willow"; pp. 75-76, "I Dreamt Last Night of My True Love" (2 texts, 2 tunes) BrownII 84, "Locks and Bolts" (1 text) BrownSchinhanIV 84, "Locks and Bolts" (1 excerpt, 1 tune) Chappell-FSRA 74, "Sylvania Lester" (1 text) Brewster 65, "Locks and Bolts" (1 text from tradition plus a text from the Pepys Ballads) SharpAp 80, "Locks and Bolts" (5 texts, 5 tunes) Sandburg, p. 149, "I Dreamed Last Night of My True Love" (1 text, 1 tune) Kennedy 162, "Locks and Bolts" (1 text, 1 tune) Sharp/Karpeles-80E 31, "Locks and Bolts" (1 text, 1 tune -- a composite version) MacSeegTrav 79, "Locks and Bolts" (2 texts, 2 tunes) Chase, pp. 132-133, "Locks and Bolts" (1 text, 1 tune) Ord, pp. 438-441, "The Lass o' Bennochie" (3 texts, very diverse; the second is mixed with this song) Abrahams/Foss, pp. 111-112, "Rainbow Willow" (1 text, 1 tune) Silber-FSWB, p. 145, "Locks And Bolts" (1 text) DT 328, LOCKBOLT* Roud #406 RECORDINGS: George Maynard, "Locks and Bolts" (on Maynard1) New Lost City Ramblers, "Locks and Bolts" (on NLCR16) Almeda Riddle, "Locks and Bolts" (Vanguard VRS-9158, n.d.); "Rainbow 'Mid Life's Willows" (on LomaxCD1707) CROSS-REFERENCES: cf. "The Iron Door" [Laws M15] (theme: girl locked away by father) cf. "The Gallant Shoemaker" (theme: girl locked away by father) cf. "The Sailor and His Love" (theme: girl locked away by father) cf. "The Lass o' Bennochie" (theme: girl locked away by father) cf. "Johnie Scot" [Child 99] (theme: girl locked away by father) cf. "Bredalbane" (theme: girl locked away by father) cf. "The Farmer's Daughter and the Gay Ploughboy" (theme: girl locked away by father) cf. "William (Willie) Riley (Riley's Trial)" [Laws M10] (theme: girl locked away by father) cf. "Andrew Lammie" [Child 233] (theme: girl locked away by father[?]) cf. "All Over Those Hills" (theme) cf. "The Drowsy Sleeper (II)" (theme) cf. "The Farmer's Daughter and the Gay Ploughboy" (theme) ALTERNATE TITLES: The Lass o' Bennachie At the Back o' Bennachie NOTES: "Rainbow 'Mid Life's Willows" is a truncated version of the song, ending with the singer's lamenting his separation from his true love; his breaking down the door is omitted. It does contain the key line, "Locks and chains [bolts] doth hinder," which places it as a version of this song. The versions of "Locks and Bolts" found in MacSeegTrav, "The Lass o' Bennachie" and "At the Back o' Bennachie" should not be confused with the song indexed as "Where Gadie Rins", although the latter is also called "The Back o' Bennachie" and was collected from the same singer as MacColl/Seeger's "B" text. The songs are different. - PJS Belden notes a song from Martin Parker called "The Lover's Joy and Grief" with the burden "but locks and bolts doe hinder." It is not clear what is its relation with the present song. - RBW Last updated in version 2.7 File: LM13 Go to the Ballad Search form Go to the Ballad Index Instructions The Ballad Index Copyright 2013 by Robert B. Waltz and David G. Engle. Don't take the earliest date as meaning very much, it's usually an earliest date for a recording. The song's quite old, as can be gathered from the use of its tune for other old songs. See BruceO's site for more information on that.
Cheers! |
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: Malcolm Douglas Date: 12 Apr 02 - 02:59 PM Though found in England, this song appears to have been most popular in Scotland, the USA and Canada. Laws M13, as previously stated; Steve Roud's Folk Song Index assigns it Roud number 406.
Ewan MacColl, for one, considered that this was originally a Scottish song. In Travellers' Songs from England and Scotland (1977), he and Peggy Seeger printed two Aberdeenshire sets, noted from Jock Higgins and Maggie McPhee. The Scots versions tend to be called The Lass of Bennachie (not to be confused with The Back of Bennachie, often called Gin I Were Where Gaudie Rins or similar, which is a completely different song); they fall into three groups. MacColl & Seeger specify:
"(1) The Lass o' Bennachie, a stilted and rather lengthy piece in which the girl is bound in prison by her father but upon gaining her freedom she follows her love to Germany and then returns home again with him. The style of the story is similar to that of Jack Munro (Laws N7) but it lacks the disguise motif.
(2) The Lass o' Bennachie, our song, in which the most prominent opening stanza is:
... This version does not state explicitly the difference in the social status of the lovers. It is by far the most popular of the three songs.
(3) The Lass o' Bennachie, a lyric song of five to six stanzas, beginning with the above-quoted stanza then proceeding to describe the girl, the parting and the love-vows."
John Ord's Bothy Songs and Ballads (1930) includes examples of all three, together with the following note:
"There are three versions of The Lass o' Bennochie, and the stories told in each are somewhat different. The following particulars regarding the ballad appeared in The Huntly Express of 27th. December, 1879:
The estate of Pittodrie is at the foot of the Hill of Bennochie."
MacColl & Seeger add that Miss Erskine was born in 1747, and give Knights first name as William, though they give him the rank of Ensign. They also admit that [Gavin] Greig pointed out that the historical records contradict the details in the song, but comment it is possible that the song has combined with, and borrowed from, other existing pieces.
There is a broadside example at Bodleian Library Broadside Ballads:
Faithful lover ("I never knew what sorrow was ...") Printer and date unknown.
MacColl & Seeger also refer to a 17th century broadside by Martin Parker, entitled The Lovers Joy and Griefe, with the refrain but locks and bolts do hinder. Another printing of this can be seen at the Bodleian:
The lovers joy and grief, or, A young-mans relation, in a pittiful fashion. Printed between 1674 and 1679 for F. Cole [sic], T. Vere, J. Wright, and J. Clarke of London.
It may be that the later song derives the phrase Locks and bolts do hinder from the earlier broadside, but they do not seem otherwise to be related.
There is an Appalachian set in the DT: LOCKS AND BOLTS
There are four American examples at the Max Hunter Folk Song Collection:
Locks And Bolts As sung by Harrison Burnett, Fayetteville, Arkansas on August 18, 1960
They'll Fight For Each Other As sung by Mr. Fred High in High, Arkansas on February 11, 1959
I Dream't Of My True Love Last Night As sung by Mr. William Edens, Mont Ne, Arkansas on August 17, 1960 Rainbow Willow As sung by Ollie Gilbert, Mountain View, Arkansas on May 26, 1969
|
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: MMario Date: 12 Apr 02 - 04:03 PM I want to be Malcolm when I grow up!Thanks Malcolm! |
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: GUEST Date: 12 Apr 02 - 04:27 PM I take the original to be that in the broadside ballad index at www.erols.com/olsonw as "A Constant wife". It's listed at ZN3202 (Laws M13, in DT). It was entered in the Stationers' Register in 1631. In the index are cited some close relatives with pretty much the same tale as the 1st half of the song (e.g. the oft told 'Earl Brand' [Child #7] tale, and Abraham Miles' The Masterpiece of Love Songs/ The Bold Soldier (index ZN1516, Laws M27, in DT), Percy's 'Child of Elle'. The song was undoubtably not entirely original. The 2nd half is a common 'praise of a pretty woman' and the 1st half was undoubtably based on an earlier version of the tale that's now unknown.
Gavin Grieg in 'Folksong of the Northeast' (Art. #8) gave "The Bonnie Lass of Benachie" and a version of "Locks and Bolts" and noted that the Bonnie Lass of Benachie was said to be a Miss Erskine, heiress of Pittodrie, who married her soldier lover about 1770. He adds that "Locks and Bolts" is said to refer to the tale, but we know it was already nearly 140 years old by 1770. wbo
|
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: MMario Date: 12 Apr 02 - 04:43 PM And thank you bruce!
|
Subject: Lyr Add: CHILD OF ELL (from Percy folio MS) From: GUEST Date: 12 Apr 02 - 06:01 PM The full tale runs something like this: Young man wishes to elope with his lady love. Her father (or guardian uncle) disapproves of him, and lock her in. He rescues her [breaking locks and bolts to do so in one version] and they leave on horseback. Father (uncle) follows with 7 sons (cousins). Young man kills all sons (cousins) in swordfight. He readies to attack father (uncle), but she begs him to hold his hand. She says father (uncle) may get her more brothers (cousins), but she'll never get another father (uncle). He desists and peace is made between survivors.
Here's the "Child of Ell" fragment from the Percy folio MS.
"my father sayes he will noe Meate,
I wold I were in my sadle sett,
I wold I were in my sadle sett,
he leaned ore his saddle bow
he sett himselfe on one good steed,
he had not ridden past a mile,
"but thou lyest, Sir John the Knight!
but light now downe, my lady gay,
but light mow downe, my owne trew love, |
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: GUEST Date: 12 Apr 02 - 07:38 PM For the purpose of comparison I've added "The Child of Ell" fragment, "A constant Wife, a fine Wife" and "The Masterpiece of Love Songs" (The Bold Soldier) to the Scarce Songs 2 file at www.erols.com/olsonw wbo |
Subject: RE: Help: Hist/Info song 'Locks & Bolts' From: GUEST,Jean Date: 05 Dec 05 - 03:50 AM Mary Erskine, of Pittodrie, was my great great great great grandmother, & I was thrilled to find this song about her - anyone have any idea where I can get a recording of the tune? |
Subject: ADD Version: I Dreamed Last Night of My True Love From: Joe Offer Date: 26 Sep 08 - 06:54 PM Here's the entry from Sandburg: I DREAMED LAST NIGHT OF MY TRUE LOVE I dreamed last night of my true love. All in my arms I had her; Her pretty yeller hair like strands of gold, Lay dangling round my piller. I waked in the morning and found her not. I was forced to do without her; I went unto her uncle's house, Inquiring for this lady. He said that she was not there, And neither would he keep her. I turned around to go away, My love she come to the winder. She said that she would come to me, If doors nor locks did not hinder I turned around and broke them locks, I broke 'em all asinder (asunder). Notes from Sandburg:
The mountaineer may remark of his horse, "That mare is the loveliest runner and the sensiblest animal I ever saddled," or he may give places names such as Shoo Bird Mountain, Shake-a-rag Holler, or Huggins Hell. Once in Kentucky a wanderer inquiring the route was told he was on the right road and to go on "about two screeches and a holler." . . The independent lingo and manner of the mountaineer is in this text and tune from Mrs. Mark E. Hutchinson of Mount Vernon, Iowa. Source: American Songbag, Carl Sandburg, 1927, page 149. |
Subject: RE: Origin: Locks and Bolts From: Sorcha Date: 26 Sep 08 - 07:14 PM :)....thought you probably did! Wasn't banking on 2 copies tho, LOL |
Subject: RE: Origin: Locks and Bolts From: Q (Frank Staplin) Date: 26 Sep 08 - 07:33 PM Malcolm's links to Max Hunter Collection no longer work. Locks and Bolts, Harrison Burnett- Locks and Bolts From this one, there are links to the other versions mentioned. |
Subject: RE: Origin: Locks and Bolts From: tradpiper Date: 27 Sep 08 - 06:04 AM Subject: identify this song? From: tradpiper - PM Date: 26 Sep 08 - 06:04 PM I dreamt last night, of my true love. and in my arms, I held her. but when I awoke, I found it not so. she was gone, forever. I went unto, her fathers gate. enquiring for, my darling. he said young man, you've made a mistake. I've none such in my keeping. but then I heard, a voice from above it was my own, true darling. she said my love, I am but yours. but locks and bolts do chain me. So blood was shed, from every side. untill I'd won, her from among them. so come all young men, won't you do like wise. and fight untill you win them... this was my post. The two questions were, who wrote it, which we have started getting to the answer, and who sung this version. Is it even the same song? which is older? where did this vsn come from? was it Ewan Maccoll or Dick Gaughan? anyone? in referance to the traditional singers changing traditional songs.... this appears to be an example. |
Subject: RE: Origin: Locks and Bolts From: tradpiper Date: 27 Sep 08 - 06:15 AM The 4 American versions are very different. and of course the melody we will have to leave for the present, but i doubt they hold much, if any, relation to the tune I sing. |
Subject: RE: Origin: Locks and Bolts From: Joe Offer Date: 27 Sep 08 - 09:17 PM I dunno, Tradpiper. If you look at the primary UK index, Roud (click), you'll see that almost all of the "I Dreamed Last Night" versions are American. I think you're singing an American song. It's OK, though - we'll let you.... -Joe- Here's one more fragment, from Emrich's Folklore on the American Land (page 544): Last Night I Dreamed of My True Love Last night I dreamed of my true love, All in my arms 1 had her; When I awoke she was not there, I was left alone without her. Her long yellow hair like strings of gold Came dazzling o'er my pillow; That pretty little girl I love so well, She's gone from me forever. Notes from Emrich:
|
Subject: RE: Origin: Locks and Bolts From: GUEST Date: 28 Sep 08 - 07:26 AM No, it can not be! an American song.... :-) No Im pretty certain its an old , possibly Scotts ballad. the version i have is significantly differant tio the ones i can find on the net. Id like to find out who has recorded it, particularily the version I have as I learnt it from an old tape.... could perhaps be Robin Williamson, Dick Gaughan, Ewan MacColl.... but I have no iudea... still searching. |
Subject: ADD: Twas Over the Hills From: RTim Date: 28 Sep 08 - 10:26 AM A different version of the song from the George Gardiner Manuscripts - called Over the Hills. TWAS OVER THE HILLS. ‘Twas over hills, ‘twas over dales, ‘twas all through flowery valleys Where my true love was kept from me, ‘twas out of spite and malice. I went unto her - father’s house to inquire for my true love She is not here her father said but at her uncle’s house a-bi-ding. I went unto - her uncle’s house to inquire for my true love She is not here, I greatly fear she sets my heart a-beating. My love she over heard my voice and looked out of her window She said I’d be in your sweet company but locks and bolts do hinder me, Some locks and bolts, - some door he split, some bars he broke asunder Since and I’d lose my own true love I’d die all in her chamber. Her uncle over - heard the noise and in the room did follow Said young man you must quit this room or in your gore you shall wallow. No gore I have, - no gore I fear, No gore I am in danger Since and I’d lose my own true love I’d die all in her chamber. I took my sword - in my right hand my darling in the other So, it’s all young men that loves like me take one and fight the other. ‘Twas over hills, ‘twas over dales, ‘twas all through flowery valleys Where my true love was kept from me, ‘twas out of spite and malice. Gardiner Mss. No. 302 from Notebook No. 5 page 195 collected on 24th May 1906 at St. Denys. It appears in Roud as No. 406, and there is a version in Purslow’s Foggy Dew with the title of “Locks and Bolts” collected by Gardiner from Henry Purkiss (or Perkes) of Cadnam and James Brooman of Upper Farringdon. Gardiner also collected it from Isaac Hobbs of Winchester. |
Subject: RE: Origin: Locks and Bolts From: Q (Frank Staplin) Date: 08 Jun 14 - 03:49 PM Lyr. Add: LOCKS AND BOLTS Sung by Harrison Burnett, Arkansas, 1960 1 I had a dream the other night I dreamed I was with my darling An' when I woke I found it not so An' I started looking for her. 2 Saying, O. that girl, that pretty little girl She rode on the railroad with me Saying, O that girl, that pretty little girl Somebodies stole her from me. 3 An' it's every man at every hour Are you sure she's growing lonely Her yellow hair, like strands of gold Hang a dangling 'round her shoulder. 4 I rode till I came to her brother's house An' there I inquired for her He answered me, there's none such here And I have a room here, for her. 5 I rode till I came to her Father's hall And there I inquired for her He answered me, there's none such here And I have a room here, for her. 6 I stood awhile all in a maze A viewing the lonely window Said, at length, to be in your sweet company But there's locks and bolts to hinder. 7 I stood awhile all in a maze A viewin' the lonely temper My passion flew, my sword I drew An' I swore her room I would enter. 8 Her Father sent for some other men So swiftly they did follow They swore before I should enter that door In my own hearts blood they would wallow. 9 Th locks and th* bolts were knocked away *sic And I caused th locks for t' shatter No sooner than I had entered that door So swiftly I made for her. 10 The blood was shed on every side Till I got my love from among them Come all young men who have sweethearts You must fight till you've over come them. http://maxhunter.missouristate.edu/songinformation.aspx?ID=541. |
Subject: RE: Origin: Locks and Bolts From: Steve Gardham Date: 09 Jun 14 - 10:34 AM Just to expand a little on Malcolm's and Bruce's earlier explanations about the print tradition of this ballad, closely related pieces were printed both in the 18th and 19th centuries based upon the 17thcentury probable original mentioned previously, The Constant Wife, 1631. Almost all of these 17thc ballads can now be viewed on the Santa Barbara University website under 'English Ballads'. It includes Pepys, Roxburgh, Euing, Crawford, and others, and of course Rawlinson and Douce can be viewed on the Bodleian website. Roud 406. English oral versions generally follow 'A New Song' c1780 in the Madden Collection (which sadly isn't yet online) which derives directly from The Constant Wife. Another shorter ballad, again c1780 'The Resolute Lover' derives from the Madden version. It is in a no imprint garland 'The Lover's Jubilee' no 15 of 20 ballads. This is in Manchester Central Library. As has already been stated Scottish versions have attracted a verse from literary ballads based on a true event. American versions have attracted the first 2 verses of a bawdy broadside ballad 'The Bugle Horn' again in the Madden Collection c1820 probably due to a similar line in both pieces about the lover's hair dangling down the pillow. Various other 17th and 18th century ballads employ the commonplace of breaking locks and bolts or even 'locks and bolts do hinder' and as MacColl quite rightly conjectures this must have been a stock phrase. See Martin Parker's ballad 'The Lover's Joy and Grief' in Roxburghe, Pepys and Euing. 'The Maiden's Adventure for her Jolly soldier' 18thc Madden Coll. Others on the same theme in oral tradition 'The Cruel father/ Mary-Ann/ Love can enter an iron door. |
Share Thread: |
Subject: | Help |
From: | |
Preview Automatic Linebreaks Make a link ("blue clicky") |