Subject: RE: What's a Mummers Play? From: Tattie Bogle Date: 26 Dec 22 - 07:06 AM For a few years, I was in the (only one in Scotland?) all - female group performing as “The Meadows Mummers”, and doing our own version of the ancient Galoshins play. As with other Mummers plays, the story is based around death and resurrection, with the “stage” (often bare pavement) littered with dead bodies who all eventually get restored to life. We had no St George, Turkish Knight, etc, but we did have a very quacky Doctor (who was also our excellent script-writer.) My role was as presenter/narrator, but I also played short snatches of music to represent characters or events during the play, anything from the Imperial March from Star Wars (the big fight involved toy light sabres!) to the Dead March every time another character died, the Trumpet Hornpipe (Capn Pugwash theme) for our bold sea captain, or imitation sirens for the Dr’s entrance. It was full of ham/over-acting and great fun to do, though sadly various ailments and other misfortunes have made it difficult to keep the group going. |
Subject: RE: What's a Mummers Play? From: Dave the Gnome Date: 25 Dec 22 - 02:58 AM That was wonderful :-) Thanks for the link Joe I was a bit worried that they may take it too seriously but it was great to see them really getting into the spirit of hamming it up and having fun. They are far too good! :-D |
Subject: RE: What's a Mummers Play? From: Joe Offer Date: 24 Dec 22 - 08:54 PM Do take the time to watch the American Folklife Center 2022 Video Mummers' Play, from the Library of Congress. It's the perfect thing to do on Christmas Eve or Christmas Day. |
Subject: RE: What's a Mummers Play? From: Dave the Gnome Date: 23 Dec 22 - 04:57 AM See Lancashire Legends pages 144-150 You can chose to close the donation page if it pops up but a donation does help them maintain the archive :-) |
Subject: RE: What's a Mummers Play? From: Joe Offer Date: 22 Dec 22 - 07:08 PM Here it is folks, the American Folklife Center 2022 Video Mummers' Play, from the Library of Congress !! I just got a chance to watch the whole show. It is very, very clever - and very topical. And hey, Jennifer Cutting got to play her accordion. |
Subject: ADD: The Overton Mummers' Play From: Joe Offer Date: 27 Dec 15 - 12:22 AM My wife and I were talking about mummers' plays this afternoon, and I thought it might be nice to have a thread with a collection of scripts for mummers' plays. This one is from The Winter Solstice, a book by John Matthews. THE OVERTON MUMMERS' PLAY A TALE OF OLD CHRISTMAS Dramatis Personae FATHER CHRISTMAS KING GEORGE TURKISH KNIGHT (a brave fellow) THE DOCTOR (a quack) TWING TWANG (a fool) (ENTER FATHER CHRISTMAS) FATHER CHRISTMAS In comes I, old Father Christmas Welcome or welcome not, I hope old Father Christmas Will never be forgot. TWING TWANG I hope he won't be here. FATHER CHRISTMAS Christmas comes but once a year When it does it brings good cheer; With a pocket full of money And a cellar full of beer. Roast beef plum pudding and mince pie. Who likes them better than I? TWING TWANG I do! FATHER CHRISTMAS I don't know that you do my little fella. But I want room, acres of room, For after me comes King George, with all his noble train. In this room there shall soon be a battle More dreadful than ever was known, Betwixt King George and the Turkish Knight. Enter in King George, and boldly clear the way, For old Father Christmas has only got A short time for to stay. (ENTER KING GEORGE) KING GEORGE In comes I, King George, so bold, so grand. I do appear, with my old tribes and Britons By my side. I am come to close this year. Here is England's rights, here England's wrongs, Here's England's admirations. When I pull out my old trusty rapier, Is there a man before me can stand That I can't knock him down With my created hand? (ENTER TURKISH KNIGHT) TURKISH KNIGHT In comes I, the Turkish Knight, Just come from Turkey Land old England for to fight. I'll fight thee King George, That valiant man of courage bold, Let the blood be never so hot I'll shortly draw it cold. KING GEORGE 'Twas I that fought the fiery dragon And brought him to his slaughter, And by that fight I hope to win The Queen of Egypt's daughter. If any man dare to enter this hall I'll cut off his head and kick it about like a football! (KING GEORGE AND THE TURKISH KNIGHT BATTLE AND THE TURKISH KNIGHT FALLS DEAD) FATHER CHRISTMAS King George, King George, what hast thou done? Thou has ruined me by the killing of my son. Oh, is there a Doctor to be found, To heal this noble Turk a-bleeding on the ground? (ENTER DOCTOR) DOCTOR Oh Yes, Oh Yes, there is a Doctor to be found To cure this noble Turk a-bleeding on the ground. FATHER CHRISTMAS What can you cure, Doctor? DOCTOR I can cure the itch, the stitch, the palsy and the gout, The raging pain within and the raging pain without. If the devil's in a man, i'll fetch him out. Give me an old woman, four score and ten, With scarce a stump of a tooth in her head, I will make her young and plump again. More than this. If she falls downstairs and breaks her neck, I'll settle and charge nothing for my fees. Recollect I'm not like one of those bony quack doctors Who runs from door to door telling a pack of lies, I will shortly raise the dead before your eyes. KING GEORGE Where have you been learning all these things, Doctor? DOCTOR I've been to England, Ireland, Scotland and Dover, I've traveled the wide world over. KING GEORGE What is your fee, Doctor? DOCTOR Ten guineas is my fee. Thee being a poor man, Half of that I'll take of thee. KING GEORGE (HANDING HIM SOME MONEY) Take that and cure him. DOCTOR I've a little bottle in the waistband of my belt Called "The Golden Frosty Drop" A little to the eye, a little to the thigh, A little to the string bone of the heart, Rise up, thou noble Turk, and try to stand. See the time of day. After you've one, put out your tongue, And let's hear what you can say. (THE DOCTOR ADMINISTERS A LARGE DOSE OF HIS CONCOCTION, AT WHICH THE TURKISH KNIGHT JUMPS UP ALIVE AGAIN.) FATHER CHRISTMAS Well done, my little man. Thee aren't like those old quack doctors. Thee does the work all right my lad. Will thee have the money now Or stop here till thee get's it? TURKISH KNIGHT Now see, King George, I've risen again. How long have I been on that old floor? I've been hurried and scurried, I've been dragged from door to door. Pick me up a stranger, Knock me down a blow, Wherever I'd have been if the ground hadn't caught me I do not know. SOMEONE THEN PARADES AROUND THE SPECTATORS WITH A BOX, AND THE COMPANY JOINS IN SINGING ALL Good Master and Mistress, As you sit by the fire, Remember us poor ploughboys That run through mud and mire. The mire it is deep, And we travel far and near, We will thank you for a Christmas Box And a mug of your strong beer. This version of the play was recorded by George Long in the village of Overton in Hampshire, England, around 1930, though it probably dates from around 1850 and in its original form as early at the twelfth century. It has been edited by John Matthews. |
Subject: RE: What's a Mummers Play? From: FreddyHeadey Date: 26 Dec 15 - 07:39 PM I don't see it above so it might be worth mentioning this page for info and current dates(though I've noticed several groups don't always log their diary dates here) http://www.mastermummers.org/index.htm |
Subject: RE: What's a Mummers Play? From: Joe Offer Date: 26 Dec 15 - 05:23 PM Malcolm mentions the "Traditional Drama Research Group" above, but the link he gave is dead. I found a "Folk Play Research Group" at http://www.folkplay.info/. Checking the old link at archive.org, it's clear the new link is the same organization, with a slight name change. It's a good Website to spend some time with. -Joe- Up above, DMcG gave a definition of a Mummer's Play:
Posted By: DMcG 20-Jul-02 - 01:52 AM Thread Name: What's a Mummers Play? Subject: RE: BS: What's a Mummers Play?
A mummer's play is a traditional play, usually performed at either Easter or Christmas (but these days at any opportunity!) It has a cast consisting of most of the following and perhaps a few more That sounds like a perfect description of the annual (chiefly Mudcat) Mummer's Play at the FSGW Getaway, produced by the inimitable Jacqui Morse. Do you mean to tell me that Jacqui's giving us the Real Thing? It's always fun, but I had no idea it was authentic. -Joe- |
Subject: RE: Folklore: Mummers Plays From: Scrump Date: 06 Feb 07 - 11:10 AM Round our way, the Brafront Guisers do a more or less traditional Mummers play. (No I don't know how they got their name! Often wondered!) |
Subject: RE: Folklore: Mummers Plays From: Stu Date: 06 Feb 07 - 10:56 AM The Alderley Edge Mummers still perform in the Macclesfield area in January. For the second time in two years they came to The Harrington Arms in Gawsworth where our ancient and fine session is still going strong despite the fact the pub has changed hands in the past few months (the new licencees seem keen for the music to continue, so let's hope they stay true to their word). It's always a joy to see the mummers when they come around (they finish up in most excellent Waters Green Tavern in town). They are fine players and Bold Slasher's death scene is almost worthy of a Shakepeare play. Long may they continue! |
Subject: RE: Folklore: Mummers Plays From: Flash Company Date: 06 Feb 07 - 10:45 AM Bob Morton and The Union Folk used to do a version which I believe originated from Alderley Edge in Cheshire, The basic Saint (King) George and the Turkish Knight story line. As I recall, Frank was the narrator, Kenny was King George, Steve was The Turkish Knight, Bob was The Doctor and Martin was Father Chris-me-as. Happy Days FC |
Subject: Folklore: Mummers Plays From: GUEST,Rej Bullhorn Date: 05 Feb 07 - 05:10 PM Morris Federation members, the Knaresborough Mummers launched their new website in January this year. Rather than attempting to making sense of the complex history of Mumming, the website concentrates on the history of the team, how they got together and how they developed their style of performance over their 32 year existence. Team members John Burrell and Ted Dodsworth have compiled the extensive archive of plays, the origins and photographs of different versions throughout the life of the team, together with statistics of the many performers who have been members down the years. John, a founder member of the team, is hoping this might jog a few memories and encourage people to look in their own photographic collections for pictures of the team, particularly in the early years. The Christmas Blue Stots tours this year raised a record collection for local charities and among beneficiaries this year will be the English Folk Dance and Song Society in memory of Nigel Hudleston, who did an enormous amount of work with his wife, collecting folk traditions, including texts of Blue Stots performances in the area. The website is at www.knaresboroughmummers.org.uk If you have any material which you think might be of interest to the team, contact John Burrell on 01423 566112 or email: jburrel1@hotmail.co.uk |
Subject: RE: What's a Mummers Play? From: GUEST,Anne Croucher Date: 20 Feb 05 - 12:06 PM Thanks for the link - the character Grandad played was Devil doubt, which appears in one of the Derbyshire plays, and there are similar lines, but not the exact ones - I am assuming that his memory was a true one - he could recall the exact same words every time, in the same timing and with gestures. I have not been through all of them, and there seems to be no index of characters, so it is a matter of trawling through all of them - as I am not sure where some of the places are. There must be quite a few people who remember that their grandparents had knowledge they could easily have aquired, and discover too late that it was significant - Anne |
Subject: RE: What's a Mummers Play? From: GUEST,pulchritude Date: 19 Feb 05 - 08:41 PM Wooooooow |
Subject: RE: What's a Mummers Play? From: IanC Date: 13 Dec 04 - 09:03 AM Anne More or less any "hero combat" style mummers play. Try looking at the collection of 220 scripts here. :-) |
Subject: RE: What's a Mummers Play? From: GUEST,Anne Croucher Date: 12 Dec 04 - 08:07 PM My father's father used to recite 'In comes I little devil doubt, no matter how you try you can not cast me out' and lots more - there seemed to be a larger and a lesser devil, the larger one was armed - 'in my hand a frying pan', then I think it was 'on my head a rusty pail' - and there was a broomstick which at times was ridden like a hobby horse, and the threat 'I'll sweep you all about' if money 'give us a penny, or an 'aipenny will do' was not forthcoming. Grandad lived in Derbyshire - in the village of Youlgreave in the 1920s as my Dad attended, or not, the village school. It might have been there, or when Grandad was a lad. He was very small - about 4ft 6inches as an adult - it is genetic I think - my sister is under 5 ft. My Dad and brother had/have small feet and hands. Of course when he was around I was not in the least interested in finding out what all the nonsense was about - he went through it so often I can still recall snatches, even though it was over 40 years ago I can see him now going through all the actions and the words - 'with my big head and little wit' anyone recognise the source of the play and the characters? Anne |
Subject: RE: What's a Mummers Play? From: Rt Revd Sir jOhn from Hull Date: 12 Dec 04 - 03:57 AM |
Subject: RE: What's a Mummers Play? From: GUEST,AR282 Date: 30 Oct 03 - 01:53 PM There's nothing secret about the Hiram Abiff story. It can be found on the internet and in any number of books on Freemasonry. I encourage any and all to examine both the mumming play plot and the Hiram Abiff plot and draw their own conclusions regarding similarities. |
Subject: RE: What's a Mummers Play? From: AggieD Date: 30 Oct 03 - 01:39 PM The husband is of course not allowed to divulge the secret depths of Freemasonry to his little wifey, but he informs me that he can see no resemblance between Freemasonry & mumming, although if he admitted to any, then I would pull his leg about it, just as he has mine about cavorting about wearing strange costume & Morris dancing all these years. As GuestQ says, a good plot will always be used down the centuries, & will be adapted by each different culture. Many ancient cultures have some type of revival ceremony. I'm afraid that personally I don't like to over analyse any traditional acts, as I think we could be in danger of simply making them museum & study pieces rather than living breathing customs. |
Subject: RE: What's a Mummers Play? From: GUEST,AR282 Date: 30 Oct 03 - 01:37 PM Yes, the plot turns up over and over again in the most disparate places. Often, it is so disparate that people are positive that one could not be connected to the other. I laugh when I hear kids talking about how great "8 Mile" the Eminem movie is. I became curious, so I watched it when it came out on cable. It's the movie "Crossroads" all over again!!! Watch both and pay close attention to the endings of each. And, really, you find the same plot redone in different garb in "White Men Can't Jump". This new tv show I keep seeing trailers for--"Skin"--is just Romeo and Juliet all over again. Then again, it's difficult to see, on the face it, any connection between mumming plays and blackface minstrelsy. Read Professor Cockrell's excellent book and any doubt will be removed. He does a very thorough job of showing the connection. Chris Ware, a ragtime/minstrelsy enthusiast in Chicago, then produced a spate of 19th century minstrel photos and old postcards with connections so close to the mumming play that, if any doubt might remain after reading Cockrell's book, there could be little doubt of the connection after examining Mr. Ware's photo exhibit. |
Subject: RE: What's a Mummers Play? From: GUEST,Q Date: 30 Oct 03 - 01:18 PM The unifying thread is that in theatre a good plot is often revised and recast. Parallel developments occur; seeking for "the one true origin" ends in fruitless speculation. |
Subject: RE: What's a Mummers Play? From: GUEST,AR282 Date: 30 Oct 03 - 12:06 PM The basic mumming play involved a hero, a villain, a woman and a healer. The hero and villain vie for the hand of the woman and end up battling one another. The villain slays the hero. Then all is thought to be lost. Then the healer shows up and resurrects the hero and the villain is vanquished. In the 3rd Degree story, 3 craftsmen try to extort the Master's Word from Hiram Abiff--the master builder of Solomon's Temple. When their attempts to extort the Word fail, the 3 craftsmen kill him and bury his body. Upon locating his grave, Solomon pulls Hiram's body up using the Lion's Paw grip and the secret word is then divulged via the 5 points of fellowship. The 3 craftsmen are executed and Hiram lives on in the new initiate. So, in both stories, you have a villain who wants something from the hero. They battle, the hero is slain, then he is raised up. Now I'm not saying, mind you, that the 3rd Degree descended from mumming plays necessarily. I am saying there are definite similarities and so at least have their genesis in the same legend. What legend? The age-old legend that is repeated from Ancient Egypt to Sumeria to Ancient India to Scandinavia to Greece to Christianity. The story of the dying god. Christianity is nothing new--same old story with a new location and new characters playing the same old roles. It goes back ultimately to astronomy. The mumming villain usually wore a darkened face. He represents what all such villains do--darkness. In this case, that darkness is that which falls starting at the autumnal equinox after which the days get shorter, i.e. the sun is "slain" by a "dark giant" (yes, that includes David and Goliath). After the passing of the winter solstice, however, the sun is "resurrected" and so the days grow longer and light returns. The problem with masonry acting out supposedly biblical stories occurs when we try to locate this story of the slaying of Hiram Abiff in the bible. Can you find it? The ritual uses biblical characters but it cannot be the reenactment of a biblical story. But the plot of the story can be found in Christianity because it is the story of Jesus Christ. But, as stated, the same plot is found in many other religions--many of them substantially pre-dating Christianity. I would say that the mumming play and the 3rd deree ritual both descend from mystery plays such as those popular among the Greeks at one time. |
Subject: RE: What's a Mummers Play? From: AggieD Date: 30 Oct 03 - 07:00 AM And then of course there's the infamous & very contemporary Bedfordshire Lace 'Dadders Play', the total antidote to all things traditionally male! :) GUEST AR282, my husband can see no similarity to Mumming & any degree whatsoever of Freemasonry, which is based on a symbolic representation of Biblical Stories. He would also like to know how you come to that conclusion. There are however plenty of links between Freemasonry & traditional folk music & songs, eg 'The Mason's Apron', & some folk tunes are used in the ceremonies & celebrations. |
Subject: RE: What's a Mummers Play? From: mouldy Date: 30 Oct 03 - 02:52 AM The play performed in some areas of the East Midlands (Cropwell Bishop, and Farnsfield, Notts, for example) was one with Bold Tom as the narrator, his entrance followed by the Recruiting Sergeant, Young Man (who enlists), his lady, Farmer's Man, Sankey Benny (pedlar), Dame Jane (with illegitimate child, said to be Bold Tom's), and then Beelzebub, who challenges anybody who will stand before him and fight. Dame Jane obliges and is clubbed to the ground. Enter the Doctor, etc. Now part of this play has a definite point of origin (Recruiting Sergeant), but who can say that it wasn't a "updating" of an earlier form: the Recruiting Sergeant, one of the first figures to enter, and the Young Man and the Lady become mere incidental characters after they have recited their verses and the young man is enlisted. I suspect that most of the characters, except the Doctor and Beelzebub, are relatively recent "tweakings" from the lines they speak, but they could have also been contemporary updates from the time of the Recruiting Sergeant. Audiences always react well to things they can relate to, and many performances have topical additions to the script. On the other hand, it could have been written and first performed in the last couple of hundred years! My husband used to be in the group that performs this play around Calverton, Notts. He made a wonderful entrance in clog-irons on a sloping tiled floor one year: "In comes I, the farmer's man..." CRASH! Trouble was, it went down so well he had to do a fall at every subsequent performance that year. Andrea |
Subject: RE: What's a Mummers Play? From: The Shambles Date: 30 Oct 03 - 02:16 AM Click here for the BBC site where you can hear the item. The mumming piece is about two thirds through - after the bit about overarm/underarm bowling in cricket. It is a short history of mumming and makes no reference to its treatment under current or future legislation but does mention past legal attempts to ban the activity. |
Subject: RE: What's a Mummers Play? From: LadyJean Date: 29 Oct 03 - 11:48 PM I believe the Paxton letters also mention a play of St. George and the Dragon. I had a dozen women and three men, for a play with 14 male roles, and one female. I bought a lot of cheesey looking fake mustaches, and had the one female role played by a man. It may not have been authentic, but it worked. |
Subject: RE: What's a Mummers Play? From: GUEST,AR282 Date: 29 Oct 03 - 10:41 PM Professor Dale Cockrell has written a book entitled "Demons of Disorder" in which he traces blackface minstrelsy in part back to the mumming plays. I also see a great resemblance between mumming plays and the Masonic 3rd Degree ritual called "The Murder of Hiram Abiff." |
Subject: RE: What's a Mummers Play? From: Rt Revd Sir jOhn from Hull Date: 29 Oct 03 - 08:57 PM There was a very intersting article about mummers plays on Radio 4 this week, not sure exactly what the programme was called, but i think it is called "The History Hour", or something very similar, it was on on monday afternoon, you can hear it on the BBC Radio 4 website, just click the listen again thing. |
Subject: RE: What's a Mummers Play? From: Doktor Doktor Date: 16 Jul 03 - 06:59 AM Sure does What we're doing this Friday evening at the Gibberd Garden in Harlow will be illegal next year unless all manner of hurdles are jumped. Given the amazing collection of beaurocratic minds at the Town Hall I rather doubt that there will be much in the way of al fresco outdoor entertainments in future ....... |
Subject: RE: What's a Mummers Play? From: The Shambles Date: 16 Jul 03 - 06:04 AM The past of course is very interesting but possibly a word on the threats presented to the present and future of the custom - would be timely? Our new Licensing Act does have a specific exemption for performance of Morris, or dancing of a like kind and music as an integral part of that performance - but it would appear to me that the threat to mumming plays still exists? Mummers play stopped Cerne Abbas |
Subject: RE: What's a Mummers Play? From: IanC Date: 16 Jul 03 - 04:17 AM LadyJean The Paston letters don't actually describe a mummers play (though a manuscript, including part of a script of Robin Hood and The Sherrif of Nottingham, dated 1475, has been associated with John Paston). There is an excerpt which states that a servant was retained for playing in the Robin Hood and St George plays. Here 'tis. [16 April 1473] To John Paston Esquer in Norffolk [...] No mor, but I have ben and ame troblyd with myn over large and curteys delyng with my servants, and now with ther onkynd nesse; Plattyng, yowr men wolde thys daye byd me ffar well to to morrow at Dover, notwithstandyng Thryston yowr other man is ffrom me, and John Myryell, and W. Woode whyche promysed yow and Dawbeney, God have hys sowle, at Castre, that iff ye wolde take hym in to be ageyn with me, that then he wold never goo ffro me, and ther uppon I have kepyd hym thys iij. yer to pleye Seynt Jorge and Robyn Hod and the Shryff off Notyngham, and now when I wolde have good horse he is goon into Bernysdale, and I withowt a keeper. Wryten at Canterburye, to Caleys warde on Tewesday and happe be, uppon Good Frydaye the xvj. daye off Apryll, Anno E. iiijti xiijo Yowr J.P., K. [...] John Paston was a bit of a joker too, as the description of his servant as "goon into bernysdale" is obviously a quote from the Robin Hood play! :-) |
Subject: RE: What's a Mummers Play? From: LadyJean Date: 16 Jul 03 - 12:28 AM I produced a mummer's play, "The Fool and his Sons" at an S.C.A. event several years ago. In it a king courts a queen, the sons do a sword dance, and the fool acts like a fool. There is no St. George or Turkish Knight, no fighting, and no ressurrection. Just a lot of macho posturing. The Paxton letters, fifteenth century correspondence, describe something like a mummer's play. Beatrix Potter describes children mumming in turn of the century England at Easter time. |
Subject: RE: BS: What's a Mummers Play? From: IanC Date: 15 Jul 03 - 12:42 PM Just to start a hare again, here's an essay associated with the REED project which helps us a little with why medieval drama isn't always easy to find. This is the bit I like ... The Toronto project Records of Early English Drama (begun in 1977, ten volumes so far, out of a projected thirty-five) shows, however, that the surviving text corpus is completely unrepresentative of what was actually going on. After REED, every history of early English theater will have to be re-written. Between 1400 and 1650, virtually every town in Great Britain, and notably southern communities, had religious and folk festival theater of some kind. The same is true for continental Europe and Germany. Wherever archival records from this period survive, you will, if you care to look, find references to theater. The plays REED so richly documents for England were not cycles, but, as on the continent, single plays (Nativity, Ephiphany, Passion, Easter, Pentecost, Saint, May, Robin Hood, tournament, dance plays), not movable in performance, but stationary (scaffolds in open places). Between 1400 and 1650, theater was a church and civic mass medium of extraordinary importance. Movies play a similar role in our society. Much of the culture of these centuries (town, court, university) is theatrical. We only realized this when we started looking at unpublished archival sources. And here's an interesting bit of a Doctor's speech from a play circa 1475. All manar off men yt haue any syknes To Mast Brentberecly loke that yow redresse What dysease or syknesse that ever ye haue He wyll nev leve yow tyll ye be i yow graue Who hat ye canker ye collyke or ye laxe The tercyan ye quartan or ye brynnyng axs For wormys for gnawyg gryndyg i ye wombe or i ye boldyro All man red eyn bleryd eyn & ye mydgrym also For hedache bonache & therto ye tothache The colt-evyll and the brostyn men he wyll undertak All tho yt ye poose ye sneke or ye tyseke Thowh a ma wre ryght heyle he cowd soone make hym sek Inquyre to ye colkote for ther ys hys loggyng A lytell besyde Babwell Myll yf ye wyll haue undstodyg I'm getting near the first of a series of articles about origins of the mummers play, so watch this space ... :-) |
Subject: RE: BS: What's a Mummers Play? From: Hester Date: 22 Nov 02 - 04:13 PM In a bibliography on traditional Persian dance, I found a vague reference to: "Winter rituals, not unlike European mumming, that include dance". Does anyone know anything about the "mumming" customs in Iran? Cheers, Hester |
Subject: RE: BS: What's a Mummers Play? From: michaelr Date: 21 Nov 02 - 09:37 PM There is a definite Germanic connection with Mummer's plays, in that the German word "Mumme" means a (scary) mask, and "Mummen-schanz" (the second part, according to my venerable dictionary, from the French "chance") is a traditional masked play, much like what was witnessed by Penny S. in Austria. Cheers, Michael |
Subject: RE: BS: What's a Mummers Play? From: IanC Date: 21 Nov 02 - 12:30 PM Hester I have read, though not yet entirely verified to my satisfaction, that the Harlequin costume of coloured diamonds originated in the rag costume (still used by some mummers), being a stylised version. If that's so, some linking of Harlequin with the mediaeval figure may well be in order. You have to remember that Commedia Dell' Arte is very stylised though, and undoubtedly Harlequin came from more than one original stereotype, so I wouldn't read too much into the connection. As regards Punch, earlier versions of the show call him Punchinello and the history is quite well documented. Here's one of the very good history pages on the web. Here's another one ... :-) Ian |
Subject: RE: BS: What's a Mummers Play? From: Hester Date: 21 Nov 02 - 11:50 AM Hi, Ian: Thanks for that. Will you be publishing your piece on the Mumming Play and its connection (or lack thereof) to the Commedia Dell'Arte? I'd be interested to read it. Speaking of the Commedia Dell' Arte, do you have any information on the origin of the Harlequin figure? In _Santa Claus: Last of the Wild Men_, Phyllis Seifkert suggests the Harlequin draws upon imagery of the medieval wildman figure (as she claims Santa and Robin Hood also do). Her arguments are not paricularly compelling, though. I wonder if the Harlequin is related in some way to the Saturnalian Lord of Misrule? And speaking of Punch and Judy, Brewer in his _Dictionary of Phrase and Fable_, mentions but rejects an interesting folk etymology for the name of this puppet play: "The most popular derivation of Punch and Judy is _Pontius cum Judæis_ (Matt. xxvii. 19), an old mystery play of _Pontius Pilate and the Jews_; but the Italian policinello seems to be from pollice, a thumb (Tom-thumb figures), and our Punch is from paunch." Cheers, Hester |
Subject: RE: BS: What's a Mummers Play? From: *#1 PEASANT* Date: 20 Nov 02 - 09:53 AM I have a mummers play in my new book! Such plays were generally part of most door to door activities such as wassail... Greetings to one and all! Those who enjoy the holiday traditions may enjoy this! Do the Wassail Conrad Jay Bladey, Hutman Productions 2002.Do the Wassail in the Hall, Do the Wassail Door to Door, Do the Wassail with a Mumming Play. Do the Wassail with a bowl and do the Wassail with song. Do it with BONFIRES do it with the oxen or in the apple groves. Do it in the kitchen or all over the town... A spectacular illustrated guide to all things Wassail. All you need to make a perfect celebration. Recipes, traditions, dramatic plays, sayings, songs, and celebrations. Well researched and authentic. The only work of its kind. Great Hymnal for that holiday gathering. See further informtaion at: http://www.geocities.com/artcars/wasspub.html Ok maybe not spectacular but certainly very useful.... Conrad Bladey |
Subject: RE: BS: What's a Mummers Play? From: IanC Date: 20 Nov 02 - 09:45 AM Hester Panto (along with Punch & Judy) almost certainly seems to have sprung from the Italian Commedia Dell' Arte, linked - in the case of pantomime - with nursery rhymes and childrens' stories. Mummers plays were also influenced by this form (though I'm currently putting together a rather long piece to show that it wasn't the inspiration for mummers plays). The similarity of "feel" probably comes from this common influence. :-) Ian |
Subject: RE: BS: What's a Mummers Play? From: Hester Date: 20 Nov 02 - 09:39 AM Just read the Jungian analysis that Ian pointed out, "The English Mummers as Manifestations of the Social Self" by Christine Herold . And while I find Jungian analysis to be too focused on the psyche of the individual to be a satisfying approach to communally produced socio-cultural phenomena, still, I believe that Herold's identification of the play characters as mythic types is very helpful in decoding the meaning of these plays. I'm also particularly intrigued by an idea buried in the footnotes, that the Western European mummer's plays descend from the customs of the Roman Saturnalia, via Greek mumming plays in the 13th century. Saturnalian customs of midwinter misrule have been very robust and enduring. Indeed, the Normans introduced the Winter Lord of Misrule into the English royal court, and this "King of the Bean" was well-documented in the English universities in the late medieval and early modern period. Even the divinatory charms still baked into British Xmas cakes in the 20th century (ring for marriage, button for batchelor, thimble for spinster, etc.) are an elaboration of the "bean lottery" of the Saturnalia. Also, thinking about the motif of cross-dressing and midwinter misrule, does anyone know of a historical link between these folk plays and the 19th century professional Xmas pantomimes? If so, could you suggest sources for further reading on the topic? Cheers, Hester |
Subject: RE: BS: What's a Mummers Play? From: MAG Date: 15 Nov 02 - 09:33 PM Art, the last time (many years ago, now) that I saw the Mummer's Play at OTSFM, Katie Early played the King's daughter -- I hope Jenny or Becky saved the dragon costume. |
Subject: RE: BS: What's a Mummers Play? From: Hester Date: 14 Nov 02 - 09:16 PM Enjoyed the Peter Millington article, but I found it a bit odd that he mentioned the prominence of the Beelzebub character among the supernumeraries without also mentioning that this one aspect of the Mummer's Play at least does seem to have a pagan origin that even hard-core sceptics like Ronald Hutton acknowledge: >>>For the present writer, the most remarkable of the former remains 'Beelzebub', with his club and pan. As Chambers noted, medieval stage devils carried pitchforks, not these accoutrements. In 1929 the archaeologist Stuart Piggott suggested that he was so like the celebrated prehistoric hill-carving of the Cerne Abbas Giant that he was surely a personification of an ancient deity, a remark which inevitably found an enthusiastic reception in the Folk-Lore Society of the time. The particular comparison no longer works, because there is now considerable doubt as to whether the Giant itself is older than the late seventeenth century. Piggott's instinct was, however, a sound one, because Beelzebub does look amazingly like the ancient Celtic god-form venerated in Gaul under the name of Sucellus and in Ireland as the Daghda, a male figure carrying a club and a pot or cauldron. This sort of deity does not, however, seem to have been popular in ancient Britain, and how this image manages to leap-frog over a thousand years to turn up in eighteenth-century England is a real puzzle; unless, of course, the date of the 1685 Cork play is correct and he really is the Daghda, given a devil's name and trans- planted from Irish folklore to English folk-drama via Munster. All told, the collapse of the theory of pagan origins has created more problems that it has solved in the quest for the origins of the Mummers' Play.<<< (_Stations of the Sun_ pp. 78-79) Also, I think it was Ian who asked what present-day performers of the plays believe them to mean. Hutton addressed this question to one of the Waterly Bottom Mummers: "I asked one of them if he thought that his play was pagan. He replied that, whether it was ancient or not, it was certainly pagan in spirit, for nothing could be less Christian than the resurrec- tion from death of a braggart, performed by a quack armed with a medicine bottle. I asked him if he regarded it as a ritual. He answered that anything becomes a ritual if you have to do it ten times in a single night. It seemed to me then that the romantic Edwardian picture of the natural wisdom of the countryman, so often rightly derided as a cultural artefact, might not at times be so far from the truth." (Ibid, p. 80) Indeed, the plays do not need to be dated back to the pre-Christian era to have pagan meaning and connotations. Certain pagan sensibilities remained and became enmeshed with Christian belief and custom during the Middle Ages and persisted into modern times. That said, it also seems that the plays likely pre-date any written records of them. The nonsensical tone and language of the earliest texts suggest a degradation through long-standing oral transmission. That we have no "evidence" of such plays before the chapbooks versions is not surprising, however, as plebeian folk customs would not have been recorded UNLESS they happened to come to the attention and interest of the "scribbling" classes of the time. And although I'm a structuralist, not a Jungian, I'm looking forward to reading the Jungian analysis to which Ian posted a link. And Pavane, is this the play from Wales that you took part in: Crwmpyn John If so, can you provide any additional information about its specific history and origins? Cheers, Hester |
Subject: RE: BS: What's a Mummers Play? From: GUEST,Bill Date: 14 Nov 02 - 07:17 PM I once knew a morris side that used to do mummers plays at Xmas time but I think that was because the foreman liked to dress up as a fairy Bill(the sound) |
Subject: RE: BS: What's a Mummers Play? From: Art Thieme Date: 14 Nov 02 - 03:32 PM George and Gerry Armstrong, Ted and Marsha Johnson, Fleming Brown, Dave Prine (I think) --- and one or two others used to do their Mummer's Play at the Old Town School Of FOLK MUSIC in Chicago almost every Christmas. George, with his cardboard sword, played St.George----Gerry wore an amazing Unique memories, these !! Art Thieme |
Subject: RE: BS: What's a Mummers Play? From: GUEST Date: 14 Nov 02 - 01:58 PM Nickp must be referring to the Philadelphia Mummers Parade. Not as edifying as a play but certainly something to see. Oh! Dem golden slippers! Check it out. http://mummers.com/ |
Subject: RE: BS: What's a Mummers Play? From: GUEST,Penny S. (elsewhere) Date: 14 Nov 02 - 12:16 PM I went on a trip to Austria some time back, and part of the entertainment was a folk dance group at a hostelry. Leather shorts, slapping, general mucking about and licenced laddishness. But they were accompanied by a troupe of, for want of a better word, mummers. A fake female, in a wide skirt, with some sort of shaped object for hitting people; a fool, and other characters, some in black-face, some masked (I think the masks may have been black, rather than face paint). There was a deal of leering at the females in the audience, and attempts at kissing. The overall feel of the thing was certainly not the triumph of light over dark, but quite grim. In Innsbruck museum, there were some old costumes. The mask faces were very gargoyle-like. Both the museum images, and the performance were a bit disturbing. A number of costumes, and smaller dolls of the characters, used corn - what do you call the sheaths of maize cobs? - in their construction, which argues against antiquity. However, they did seem to be related to parts of tradition here in the UK. It looks unlikely that traditions were exchanged during recent wars, or indeed Marlborough's essays into Higher Germany, so it seems that there could be some common origin further back than that. I don't know if that's any help - perhaps someone knows more about that tradition. Penny |
Subject: RE: BS: What's a Mummers Play? From: IanC Date: 14 Nov 02 - 07:52 AM I've recently been spending a little time on a comparison of the Mummers Play with other dramatic forms. As a sideline to this research, I spent a little more time looking at Church Ales, Ridings and Pageants from the 13th - 17th Centuries. As a result of this, I've discovered that over half the "pageants" had words to be spoken by the characters and many of them were in fact plays. One pageant in particular attracted my attention. Here's a summary from WEBB, JOHN J. "The Guilds of Dublin" (London: Ernest Benn, 1929), pp90-92. Dublin, 1498 A "Chain Book" describes a St. George's day pageant, with the following cast: George (on horseback) Emperor 2 doctors Empress 2 knights 2 maidens Dragon (with "a mayd well aparelled to lead the dragon") 4 attendants (carrying props for the various characters) 4 trumpeters King and Queen of Dele, with attendants The pageant was also shown on Corpus Christi (about a month or so later). There is no evidence to suggest that this was a play, but the cast of characters, including in particular two doctors, may be felt to be more than a little suggestive of the influence of an existing tradition. Why are doctors an important part of this pageant? Is somebody likely to be hurt? ;-) Ian |
Subject: RE: BS: What's a Mummers Play? From: GUEST,Fred Miller Date: 24 Jul 02 - 10:13 AM My own interest in mummer's play's is long gone, but I'm following this in admiration of the sheer scholarship of the participants. What may also may be interesting is the evolution of the value of originality, for the old sense of which some writers did actually invent antique fictional antecedents to give credibilty to their own inventions. But originality as a value later came to mean the opposite. If people do invent an origin, sometimes, pagan or whatever, perhaps it's to gain a gloss of the former idea of Originality, to stress a timeless interest and to relegate say, particular religious values to a secondary role. But there may also exist an opposite desire to stress uniqueness in particular connection with a cultural or religious value. Reminds me of the patterns of likenesses in Hamlet, where sometimes the differences matter more to some than others. |
Subject: RE: BS: What's a Mummers Play? From: greg stephens Date: 24 Jul 02 - 04:56 AM Rereding this thread, I find McGrath doing his usual good job of oil on troubled waters. He says: "It's rather as if we were arguing about Christmas carols, and some of us were pointing out that the actual carols are generally fairly recent, and others were arguig that the idea of singing at Christmas is a lot older.Both would in fact be right". Well, I disagree, McGrath, there is a ral fundamental difference in viewpoint here. If Malcolm Douglas and confined themselves to saying "Mumming plays in their present form can't be dated early than the 18th century" I wouldn't presume to disagree,but they go much further than that. For example:
GUEST: "quite why people insist on inventing "pagan origins" for songs, rhymes, customs etc is beyond me: In which case, count me among the romantics. Which does of course put me in some strange company! Any one familiar with the work of the splendidly eccentric Lancaster poet Norman Iles?He devoted his life to recreating the "originals" of wellknown carols, plus "Hal an Tow" etcetc, putting back all the sex, pagan practises etc that the wicked Christians had censoered out. With memorably awful results.. |
Subject: RE: BS: What's a Mummers Play? From: greg stephens Date: 24 Jul 02 - 02:18 AM I mean in Britain and elsewhere.eg Hobby Horse England, folk plays Balkans, animal disguise performances central Asia. I find it perfectly all right including geograpically and temporally widespread examples....the widespread nature of eg Indo European Languages(Dingle to Calcutta) and other cultural connections suggest to me very widespread links over thousands of years.If people from Kidderminster to Kabul use versions of the same language and the same agricultural tools, I don't find it surprising if the cultures both contain vestiges of similar centrally important customs associated with ensuring successful agriculture. |
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