Origins: The Days of Forty Nine

Subject: RE: Origins: The Days of Forty Nine
From: GeoffLawes
Date: 06 Jan 24 - 01:07 PM

A variety of California Gold Rush songs is to be found here in Mudcat thread Any January Songs /mudcat.org/thread.cfm?threadid=169254&messages=108#californiagoldrushsongs:~:text=org/wiki/California_Gold_Rush-,SONGS%2

Subject: RE: Origins: The Days of Forty Nine
From: GUEST
Date: 06 Jan 24 - 10:34 AM

the rambling sign : at first sight we know he is of these old days of gold, as if he would carry a sign.

Subject: RE: Origins: The Days of Forty Nine
From: Lighter
Date: 19 Sep 23 - 04:20 PM

A minutely earlier text of eight stanzas appeared anonymously in the Evening News (Gold Hill, Nevada), Sept. 7, 1871.

It was reprinted in several western papers over the next few weeks.

Subject: RE: Origins: The Days of Forty Nine
From: Charley Noble
Date: 19 Sep 23 - 03:35 PM

This version overlaps with the one in Lomax but there are some small differences:

From SONGS OF THE RANCH AND RANGE, ©1932 Paull-Pioneer Music Corp., NYC

The Days of Forty-Nine

You are gazing now at old Tom Moore,
A relic of bygone days;
Tis a bummer now they call me,
But what cares I for praise!
It’s oft, says I, for days gone by,
It’s oft I do repine,
For the days of old, when we dug out the gold,
In those days of Forty-Nine.

My comrades all, they loved me well,
The saucy, jolly crew;
A few hard cases I’ll admit,
Though they were brave and true;
What e’er the pinch, they ne’er would flinch;
They ne’er would fret nor whine;
Like good old bricks they stood the kicks,
In the days of Forty-Nine.

Refrain:

Like good old bricks they stood the kicks,
In the days of Forty-Nine.

There’s old “Aunt Jess” that hard old cuss,
Who never would repent;
He never missed a single meal,
And never paid a cent;
But old “Aunt Jess” like all the rest,
At death he did resign,
And in his bloom went up the flume,
In the days of Forty-Nine. (REF)

There is Ragshag Jim, the roaring man
Who could out-roar a buffalo, you bet;
He roared all day and he roared all night,
And I guess he’s roaring yet;
One night Jim fell in a prospect hole;
‘Twas a roaring bad design,
And in that hole roared out his soul,
In the days of Forty-Nine. (REF)

There is Wylie Bill, the funny man,
Who was full of funny tricks,
When he was in a poker game,
He was always hard as bricks;
He would ante you a stud, he would play you a draw,
He would go you a hatful blind;
In a struggle with death Bill lost his breath,
In the days of Forty-Nine (REF)

There was New York Jake, the butcher boy,
Who was fond of getting tight;
And every time he got on a spree
He was spoiling for a fight;
One night Jake rampaged against a knife
In the hands of old Bob Sine,
And over Jake they held a wake,
In the days of Forty-Nine. (REF)

There was Monte Pete, I’ll ne’er forget,
The luck he always had;
He would deal for you both day and night
Or as long as he had a scad;
‘Twas a pistol shot that laid Pete out,
It was his last resign,
And it caught Pete dead sure in the door,
In the days of Forty-Nine. (REF)

Of all the comrades that I’ve had
There’s none that’s left to boast,
And I’m left alone in my misery
Like some poor wandering ghost;
And as I pass from town to town,
They call me the rambling sign,
Since the days of old, and the days of gold,
And the days of Forty-Nine.

Subject: RE: Origins: The Days of Forty Nine
From: Lighter
Date: 19 Sep 23 - 04:20 PM

A minutely earlier text of eight stanzas appeared anonymously in the Evening News (Gold Hill, Nevada), Sept. 7, 1871.

It was reprinted in several western papers over the next few weeks.

Subject: RE: Origins: The Days of Forty Nine
From: Charley Noble
Date: 19 Sep 23 - 03:35 PM

This version overlaps with the one in Lomax but there are some small differences:

From SONGS OF THE RANCH AND RANGE, ©1932 Paull-Pioneer Music Corp., NYC

The Days of Forty-Nine

You are gazing now at old Tom Moore,
A relic of bygone days;
Tis a bummer now they call me,
But what cares I for praise!
It’s oft, says I, for days gone by,
It’s oft I do repine,
For the days of old, when we dug out the gold,
In those days of Forty-Nine.

My comrades all, they loved me well,
The saucy, jolly crew;
A few hard cases I’ll admit,
Though they were brave and true;
What e’er the pinch, they ne’er would flinch;
They ne’er would fret nor whine;
Like good old bricks they stood the kicks,
In the days of Forty-Nine.

Refrain:

Like good old bricks they stood the kicks,
In the days of Forty-Nine.

There’s old “Aunt Jess” that hard old cuss,
Who never would repent;
He never missed a single meal,
And never paid a cent;
But old “Aunt Jess” like all the rest,
At death he did resign,
And in his bloom went up the flume,
In the days of Forty-Nine. (REF)

There is Ragshag Jim, the roaring man
Who could out-roar a buffalo, you bet;
He roared all day and he roared all night,
And I guess he’s roaring yet;
One night Jim fell in a prospect hole;
‘Twas a roaring bad design,
And in that hole roared out his soul,
In the days of Forty-Nine. (REF)

There is Wylie Bill, the funny man,
Who was full of funny tricks,
When he was in a poker game,
He was always hard as bricks;
He would ante you a stud, he would play you a draw,
He would go you a hatful blind;
In a struggle with death Bill lost his breath,
In the days of Forty-Nine (REF)

There was New York Jake, the butcher boy,
Who was fond of getting tight;
And every time he got on a spree
He was spoiling for a fight;
One night Jake rampaged against a knife
In the hands of old Bob Sine,
And over Jake they held a wake,
In the days of Forty-Nine. (REF)

There was Monte Pete, I’ll ne’er forget,
The luck he always had;
He would deal for you both day and night
Or as long as he had a scad;
‘Twas a pistol shot that laid Pete out,
It was his last resign,
And it caught Pete dead sure in the door,
In the days of Forty-Nine. (REF)

Of all the comrades that I’ve had
There’s none that’s left to boast,
And I’m left alone in my misery
Like some poor wandering ghost;
And as I pass from town to town,
They call me the rambling sign,
Since the days of old, and the days of gold,
And the days of Forty-Nine.

Subject: RE: Origins: The Days of Forty Nine
From: Lighter
Date: 11 Jul 17 - 08:13 AM

Eight stanzas without a chorus appeared in the "Idaho Tri-Weekly Statesman" (Sept. 21, 1871) with the note that "The following 'touching ballad' has become quite a favorite, especially with old Californians."

Subject: RE: Origins: The Days of Forty Nine
From: Jim Carroll
Date: 11 Jul 17 - 05:40 AM

While sorting out some old files, I stumbled across one containing a load of digitised songbooks including:

Put's Original California Songster
Giving In A Few Words What Would Occupy Volumes.
Detailing The Hopes, Trials And Joys Of A Miner's Life.
4th Edition, 18th Thousand.
San Francisco :
Published By D. E. Appleton & Co. 504 & 510 Montgomery St. 1868

If someone could find space for it on this forum, or could make use of a copy of it (or anything else from the file) personally, please let me know
Jim Carroll

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,Truman Price
Date: 10 Jul 17 - 10:30 PM

I learned it from "Reminiscences of an old timer" by George Hunter, published 1888-9, who said it was popular in Jacksonville Oregon in 1856.

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,Lighter
Date: 04 May 12 - 09:03 AM

Thanks for that!

Interesting "new" stanzas.

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,Andrew Finch
Date: 04 May 12 - 08:57 AM

Very interesting discussions here! I have an original manuscript lyrics book from Helena Montana Territory 1873-74 era with some variant lyrics of this song, likey designed for the local audience. There are an amazing 12 verses, some with obscure lyrics - I wrote them as I deciphered them - some of the error could be mine, some in the spelling, etc. With more research, the date could probably be more accurately established but the manuscript ledger book was owned by one Mose Abraham, Helena City Montana, and he dated the front October 20, 1873. Some of the songs are "as performed by", including members of the Great Western Minstral Troupe, apparently led by Eugene Holman, Song and Dance Artist, Bajoist, etc. Enjoy!

Days of Fourtynine
1st
You see before you Old Tom Moor
A relic of by gone days
The people call me a bummer sure
But what care I for praise
When I think of the days that are passed and gone
It makes me grieve and pine
For the days of old the days of gold
The days of fourtynine
2nd
I had comrades then a savage set
They were rough I must confess
But brave and bold as true as steel
Like hunters from the West
But they like many an other fish
They have run out their line
But like good old briks they stord(?) the kicks
Of the days of fortynine
3rd
There was "Monte" Pete a clever chap
As ever had a dad
He'd deal from morning untill night
Or as long as he had a scad
One night a pistol "laid him out"
T'was his last "lay out" in fine
For it caught him sure right "bang" in the door
In the days of fourty nine.
4th
There was "New York" Jake the butcher boy
Who was always on a tight
Whenever Jake got on a spree
He was "spiling" for a fight
One night he ran a gainst a knife
In the hands of old Bob Kline
And over Jake we held a "wake"
In the days of Fourtynine.
5th
There was "Old Lame Jess" a hard old cuss
Who never would repent
Jess was never known to miss a meal
Nor never to pay a cent
But poor lame Jess like all the rest
To death he did incline
And in his bloom he "went up the flum"
In the days of fourtynine
6th
There was "Buffalo" Bill who could out roar
A Buffalo Bull "you bet"
He "roared" from morning untill night
He may be "roaring" yet
One day he fell in a prospect hole
Twas a "roaring" bad design
And in that hole he "roared" out his soul
In the days of fourtynine.
7th
Then there was Henry Plumer
A ruffin he was by trade
He went up to Montana
And thought his fortune was made
But quickly he "passed in his checks"
Like others of his kind
With a hempen rope about his throat
Like the days of Fortynine.
8th
There was Bill Luttle as good a boy
A ever drew a breath
He caught Banmonia one day
And struggled hard with death
Poor bill he now lies in his grave
Way over in white pine
He leaves many friends to mourn his death
Of the days of fourtynine
9th
There was "Farmer" Peele another sport
Who from California came
He delt faro and played "short card"
And many an other game.
But "Farmer" like many an other one
He had lived out his time
For "Sonny Bull" put out his light
Like the days of fortynine
10th
There was one I nearly had forgot
And that was Irish Tom
As brave a heart as e'er drew a steel
Or made an enemy run
His enemies said that he would hang
In his boots when he was dead
But he died one day in the month of may
On a downy Feather bed
11th
There was old bill stine a good old sport
A butcher he was by trade
He used to run "with der machine"
A gallant fire "blade"
He worked on a fire in Montana one day
Which over taxed his spins
Wid out stopping he laid down and died
Like the days of fortynine
12th
Of all the comrads I had then
Theres none now left but me
The only thing I'm waiting for
Is a senator to be
The people cry as I pass by
There goes a travelling sign
It is Old Tom Moore a bummer sure
Of the day's of fourtynine.

Subject: RE: Origins: The Days of Forty Nine
From: meself
Date: 29 Feb 12 - 10:52 AM

"The line may have been as obscure to most people in 1874 as it is today."

Perhaps - but then I wonder why it would be so persistent, while so many other words and phrases in the lyrics change or are replaced ....

Subject: RE: Origins: The Days of Forty Nine
From: RoyH (Burl)
Date: 29 Feb 12 - 09:59 AM

I don't know if Jerry Epstein has recorded this, but he should do. He sings it really well.

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,Lighter
Date: 29 Feb 12 - 08:12 AM

He could be an object lesson.

The line may have been as obscure to most people in 1874 as it is today.

Subject: RE: Origins: The Days of Forty Nine
From: meself
Date: 29 Feb 12 - 12:03 AM

Talk to me, people!

Subject: RE: Origins: The Days of Forty Nine
From: meself
Date: 27 Feb 12 - 08:53 PM

It occurred to me that that could be the meaning - but you would think if it were going to be mentioned at all in that sense, that somewhere along the line some songster/poet/wag would have made a little more of it. And, to me, that meaning just seems somehow at odds with the general tenor of the song - although it is not totally illogical, either.

How do the rest of you interpret it - is old Tom Moore an unholy prophet, a walking object lesson, a sandwich man, or what?

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,Lighter
Date: 27 Feb 12 - 11:02 AM

As I understand it, a "traveling sign" was what was also called a "sandwich man": a menial hired to walk around wearing advertising placards front and back.

Subject: RE: Origins: The Days of Forty Nine
From: Joe Offer
Date: 27 Feb 12 - 02:49 AM

Dylan did it on the Self Portrait album (1970). Lots of good songs on that album. Seems like the song is usually listed as "The Days of '49," and not often as The Days of Forty Nine. Try both spellings if you're searching Spotify - you'll find several nice recordings, and a number of songs you'd never expect to hear from Dylan - Dylan Does Rodgers & Hart, Lightfoot, and Paul Simon???.

-Joe-

Subject: RE: Origins: The Days of Forty Nine
From: meself
Date: 26 Feb 12 - 10:45 AM

Yes, Dylan recorded it.

One of the persistent phrases that has persistently aroused my curiosity is "the travelling/roving/rambling sign" - would this have had some more specific meaning in the late 19th C., or would it have been as open to interpretation then as it is now (i.e., "sign" of what? the folly of youthful misadventure? the consequences of drinking and gambling? the awful truth that can't be revealed to the ears of youth?)

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,Karl
Date: 26 Feb 12 - 09:00 AM

Think that I remember Bob Dylan singing this on the ..? (I forget).. album. Jim Kweskin did it too on "Kweskin Live"?..? Don't have those pieces of vynil anymore. Alas

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 28 Jan 04 - 03:40 AM

Footnote: The 1910 version was reprinted without change in 1916. Lighter found that additions in 1916 were made at the end, starting at page 327, thus pagination of the older ones remained the same through the 1925 re-printing.

Subject: ADD Version: The Days of Forty Nine (John Lomax)
From: Joe Offer
Date: 27 Jan 04 - 11:34 PM

OK, and here's yet another version. Most of these verses are posted above, but not in this order.

THE DAYS OF FORTY-NINE

We are gazing now on old Tom Moore,
A relic of bygone days;
'Tis a bummer, too, they call me now,
But what cares I for praise?
'It's oft, says I, for the days gone by,
It's oft do I repine
For the days of old when we dug out the gold
In those days of Forty-Nine.
For the days of old when we dug out the gold
In those days of Forty-Nine.


My comrades they all loved me well,
The jolly, saucy crew;
A few hard cases, I will admit,
Though they were brave and true.
Whatever the pinch, they ne'er would flinch;
They never would fret nor whine,
Like good old bricks they stood the kicks
In the days of Forty-Nine.

There's old "Aunt Jess," that hard old cuss,
Who never would repent;
He never missed a single meal,
Nor never paid a cent.
But old " Aunt Jess," like all the rest,
At death he did resign,
And in his bloom went up the flume
In the days of Forty-Nine.

There is Ragshag Jim, the roaring man,
Who could out-roar a buffalo, you bet,
He roared all day and he roared all night,
And I guess he is roaring yet.
One night Jim fell in a prospect hole,
— It was a roaring bad design,
— And in that hole Jim roared out his soul
In the days of Forty-Nine.

There is Wylie Bill, the funny man,
Who was full of funny tricks,
And when he was in a poker game
He was always hard as bricks.
He would ante you a stud, he would play you a draw,
He'd go you a hatful blind,
— In a struggle with death Bill lost his breath
In the days of Forty-Nine.

There was New York Jake, the butcher boy,
Who was fond of getting tight.
And every time he got on a spree
He was spoiling for a fight.
One night Jake rampaged against a knife
In the hands of old Bob Sine,
And over Jake they held a wake
In the days of Forty-Nine.

There was Monte Pete, I'll ne'er forget
The luck he always had,
He would deal for you both day and night
Or as long as he had a scad.
It was a pistol shot that lay Pete out,
It was his last resign,
And it caught Pete dead sure in the door
In the days of Forty-Nine.

Of all the comrades that I've had
There's none that's left to boast,
And I am left alone in my misery
Like some poor wandering ghost.
And as I pass from town to town,
They call me the rambling sign,
Since the days of old and the days of gold.
And the days of Forty-Nine.


Source: John A. Lomax, Cowboy Songs, 1916

---

Click to play

Subject: RE: Origins: The Days of Forty Nine
From: Joe Offer
Date: 26 Jan 04 - 09:00 PM

Q, I double-checked that Lingenfelter-Dwyer tune, and it's exactly what's found in their two songbooks. Sounds to me like the key signature or accidentals are wrong, but that's what's in their books. Maybe it's not wrong - maybe it just takes some getting used to, since we're so familiar with the Lomax tune.
The tune from Lomax is almost the same as what's in the DT, but I think I'll post it for completeness. The Lomax lyrics have been postedabove - mostly, but not completely.
-Joe Offer-

The Days of '49 (Lomax)

I'm old Tom Moore from the bummer's shore,
In the good old golden days,
They call me a bummer and a gin-sot too,
But what cares I for praise?
I wander around from town to town.
Just like a roving sign,
And the people all say, "There goes Tom Moore
Of the days of Forty-Nine."

CHORUS: In the days of old, in the days of gold,
How oftimes I repine—
For the days of old when we dug up the gold
In the days of '49.

2. My comrades, they all loved me well,
A jolly saucy crew,
A few hard cases I will admit,
Though they were brave and true;
Whatever the pinch they ne'er would flinch,
They never would fret or whine—
Like good old bricks, they stood the kicks
In the days of '49.

3. There was old Lame Jess, a hard old cuss,
Who never did repent;
He never was known to miss a drink
Or ever spend a cent;
But old Lame Jess, like all the rest,
To death he did resign
And in his bloom went up the flume
In the days of '49.

4. There was Poker Bill, one of the boys,
Who was always in for a game,
Whether he lost or whether he won,
To him it was all the same;
He would ante up and draw his cards
He would go you a hatfull blind,
In the game with death Bill lost his breath
In the days of '49.

5. There was New York Jake, the butcher's boy,
He was always getting tight;
And every time that he'd get full
He was spoiling for a fight;
Then Jake rampaged against a knife
In the hands of old Bob Sine;
And over Jake they held a wake
In the days of '49.

6. There was Ragshag Bill from Buffalo,
I never will forget,
He would roar all day and roar all night
And I guess he's roaring yet;
One night he fell in a prospect hole
In a roaring bad design;
And in that hole he roared out his soul
In the days of '49.

7. Of all the comrades that I've had
There's none that's left to boast;
And I'm left alone in my misery
Like some poor wandering ghost;
And as I pass fmm town to town
They call me the rambling sign—
"There goes Tom Moore, a bummer shore,
Of the days of '49."

CHORUS: In the days of old, in the days of gold,
How oftimes I repine—
For the days of old when we dug up the gold
In the days of '49.

Source: Lomax & Lomax, Best Loved American Folk Songs

---

Click to play

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 24 Jan 04 - 03:23 PM

Bummer appears in 1855 (Portland Oregonian) and bum in the 1860s (Gold Hill NV News, 1864) in American print (in the sense in the song). Probably older and both probably equal in age.
Bummer in print in England in the 1860s (Pall Mall Gazette) in the same sense. Country of origin??
Hobo is more recent, 1880s in U. S. print, Ellenburgh, Washington, Capital). A western U. S. term?
Vagrant, the term beloved in legal statutes, goes back to ME, 15th c. in print.
Bummers Shore may come from one of the song versions which includes the words, "bummers, sure,..." Then again, could be just some singer waxing poetic.

Bum as buttocks goes back to the 14th c. at least, from ME bom.

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,guest mick
Date: 24 Jan 04 - 07:48 AM

Does anyone know what Bummers Shore means or where it is.   Does "bummer" predate "bum" ie hobo?

Subject: RE: Origins: The Days of Forty Nine
From:
Date: 23 Jan 04 - 10:37 PM

Great thread and info. This song, in its many variations, has the ring of authenticity. Thanks to all.
CA

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 14 Dec 03 - 02:17 PM

Joe, I had a hard time recognizing your tune for Days of Forty-Nine. If that is the one in Lingenfelter, maybe no one sings it that way. The em-phas'-sus is wrong for the story.

Subject: RE: Origins: The Days of Forty Nine
From: Art Thieme
Date: 14 Dec 03 - 12:30 AM

Joe,

No, that tune your link took me to wasn't the way I used to play it. I used the minor key tune that Jim used.

Art

Subject: RE: Origins: The Days of Forty Nine
From: Art Thieme
Date: 14 Dec 03 - 12:22 AM

Joe,

I did the song for years but never did put it on a recording. The version I did was one I heard Jim Kweskin do (just him and a guitar) on Ella Jenkins' very early (1961 I think) folk radio show called The Meetin' House on WSBC-FM in Chicago. Always the collector of music that just knocked me for a loop, I did tape the show (reel-to-reel) way back then. A friend just put that show onto a CD for me---along with a '70s set of Kweskin in a Rockford, Illinois folk club. (I opened that show .)

By the way, Ella Jenkins is a real wonder. I just talked to her a month or so ago. I think she must've had over 100 childrens albums out on Folkways over the years...just wonderful stuff.

Good to talk at ya !! (and thanks for those MP3 copies !!)

Art

Subject: RE: Origins: The Days of Forty Nine
From: Joe Offer
Date: 13 Dec 03 - 11:17 PM

Art, did you record either of thes songs (49, or 50/51/52)? I think I can hear your voice singing '49 with more-or-less the Charley Rhoades tune, but I can't seem to find it.
-JOE-

Subject: RE: Origins: The Days of Forty Nine
From: Art Thieme
Date: 13 Dec 03 - 10:54 PM

Q,

Thanks ! I always wondered where I got that song. I used to own Lingenfelter and Dwyer's Songs Of The American West.

And, Q, it's good to find you at Mudcat. I'd wondered where you went after THE NEXT GENERATION left the air. ;-)

Art Thieme

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 13 Dec 03 - 03:43 PM

Lyr. Add: THE GOOD OLD DAYS OF '50, '1, AND '2
Lyrics: J. Riley Mains
(Answer to "The Days of '49.")
Words given above by Art Thieme.

Lyrics composed by J. Riley Mains and distributed on an undated broadside. The date would have to be after 1874-1876 when Charles Bensell's "Days of Forty-Nine" was published. The same music was used.

Lyrics in Lingenfelter and Dwyer, "Songs of the American West," p. 560, and Dwyer et al. 1964, pp. 191-192. Also appeared in J. W. Sullivan, "Popular California Songs," no date.

Subject: RE: Origins: The Days of Forty Nine
From: Amos
Date: 13 Dec 03 - 12:04 PM

Wow, Art!! That's a doozy!! I love it!! It does sound a bit later, somehow. I'd love to know where it came from!


A

Subject: ADD: Days Of '50,'1 and '2
From: Art Thieme
Date: 13 Dec 03 - 11:54 AM

and yet another...

Days Of '50,'1 and '2

The only notation I have on the typed-out version I've kept says, "From a broadside sheet of 1867" But it does sound later to me.

----------------------------------------------------------

Tom Moore has sung of '49 and the pioneers who came
Across the plains and around the horn in search of gold and fame,
But in his song he tells us not one word of those we knew,
Those pioneers of of the good old days of '50, '1 , and '2.

There's Kaintuck Bill and Monty Pete, he holds them up to fame,
New York Jake and Ransack Jim and old Lame Jess the same,
But men like these were not the boys so hardy, tough and true
That flumed the streams and worked the mine of '50, '1, and '2.

There's Captain Love and gallant Burns, Dave Buell tall and brave,
Likewise Bob Fall and also Thorn were the dread of Robbers Cave,
They would trace them oer the mountains, steep ravines and canyons through,
Those men of pluck from the good old days of '50, '1 and '2.

There was Joaquin and 3-fingered Jack, to catch 'em seemed in vain,
Though followed on their bloody track oer mountain, hill and plain,
But they at last were forced to yield to men who well I knew,
Those gallant souls who knew no fear in '50, '1 and '2.

Where are they now that gallant band, those friends who once were mine,
Some sleep beneath the willow's shade, some 'neath the lofty pine,
Whilst some have sank beneath the waves deep in the ocean blue,
Those cherished friends of bygone years of '50, '1 and '2.

I once had wealth and it brought new friends and I thought them true I'll own,
But when kind fortune ceased to smile those summer friends had flown,
And now I wander on alone life's thorny pathway through,
But I'll ne'er forget those dear old friends of '50, '1 and '2.

'Tis true theres some old pioneers that unto wealth have gone,
But there are many that are poor and I am one I'll own,
But never shun a ragged coat if the heart beneath is true,
Of a pioneer of the good old days of '50, '1 and '2.

And now kind friends I've sung my song, I've had my little speak,
But when I think of those good old day tears oftimes wet my cheek,
We opened then the Golden Gate and it's treasures unto you,
We boys who came in '49, and in '50, '1 and '2.

Subject: RE: Origins: The Days of Forty Nine
From: The Fooles Troupe
Date: 12 Dec 03 - 10:30 PM

Our community TV station Bris 31 used to play whtever it could get.

They had some old programs from about 1988 (or was it 98) one or two of which were about a guy - more of an entertainer than just a singer - playing banjo on a stage set with a wagon. He did a lot of songs - including "Jesse James" - complete with lots of stories and histories interpolated, as well as "Days of 49".

He seemed to be somewhere from the midwest - his themes were all about the pioneer days. The TV station/network/production company had a mid western sounding name. He wasn't too old - did it for a living from his comments.

Can't remember his name.

Robin

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 12 Dec 03 - 08:46 PM

I think it has been posted before, but the late Doughbelly Price of Taos singing "Days of Forty-Nine" should be on a cd: Doughbelly's Songs
With one or two slips, he sings it all. A few others at the same website.

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 12 Dec 03 - 04:14 PM

Keith McNeil sings "The Days of Forty-Nine" from his "California Songs" at Days of Forty-Nine

Here is the "senator" verse:

Of al the comrades that I had then,
There's none left now but me.
And the only thing I'm fittin' for
Is a senator to be.
The people cry as I pass by
"There goes a traveling sign,
That's old Tom Moore, a bummer sure,
Of the days of 'Forty-Nine."

Subject: RE: Origins: The Days of Forty Nine
From: GUEST,ClaireBear
Date: 12 Dec 03 - 11:33 AM

I was just cruising PBS' Web site for The West, in hoipes of finding a sound link to my brother's performance, which didn't sound exactly like any of Joe's MIDIs above -- though it was clearly related to the Rhoades one, as it should be.

Well, I haven't found one yet, though I haven't given up hope -- I KNOW I've heard the cut on the radio, so there must be a CD set somewhere. But what I did find is the verse that caught Larry's attention, along with what must be the actual "postscript" (what the heck do you call that bit in a song? I can't remember!) Alan sang for the series, which is spomewhat different from what I quoted in my Lyr Add:

Oh, I miss the boys and all the noise,
And the gold that once was mine;
In the days of old, the days of gold, the Days of '49.
In the days of gold, when we dug up the gold, in the Days of '49.

I'll keep looking for a sound sample and get back to you with a link if I find one.

Claire

Subject: RE: Origins: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 11 Dec 03 - 10:47 PM

Joe the version you found without attribution and posted 23 Jan 02 is the one printed in John A. Lomax, 1910, "Cowboy Songs,' minus two verses.
These concern Monte Pete (in Claire Bear's post, with a few differences), and one about Wylie Bill, neither in Claire Bear's nor in Lingenfelter and Dwyer's versions.

There is Wylie Bill, the funny man,
Who was full of funny tricks,
And when he was in a poker game
He was always hard as bricks.
He would ante you a stud, he would play you a draw,
He'd go you a hatful blind,--
In a struggle with death Bill lost his breath
In the days of Forty-Nine.

There was Monte Pete, I'll ne'er forget
The luck he always had,
He would deal for you both day and night
Or as long as he had a scad.
It was a pistol shot that lay Pete out,
It was his last resign,
And it caught Pete dead sure in the door
In the days of Forty-Nine.

Note "It was his last resign" in Lomax and "'Twas his last layout in fine" in Bear's post and in Lingenfelter and Dwyer.
Lomax provides no notes; pp. 9-11.

In Lomax and Lomax, 1938, pp. 378-381, "Cowboy Songs and Other Frontier Ballads," a new rendering, "from Florence N. Gleason of Bakersfield. CA," is printed (no other notes).
"North Carolina Jess" becomes "Old Lame Jess."
"Wylie Bill" is discarded and replaced with "Poker Bill," a different verse.

There's Poker Bill, one of the boys,
Who was always in for a game,
Whether he lost or whether he won,
To him it was always the same.
He would ante you a slug, or rush the buck,
He'd go you a hatful blind--
In the game of death Bill lost his breath
In the days of Forty-Nine.
In the game of death Bill lost his breath
In the days of Forty-Nine.

The music given in the 1938 Gleason rendition is somewhat different from the Bensell-Zimmer sheet music in Lingenfelter and Dwyer. No music was provided in the 1910 edition.

Subject: RE: Origins: The Days of Forty Nine
From: Amos
Date: 11 Dec 03 - 09:43 PM

Joe:

How innerestin' that these very differing tunes would evolve for the one song. I, of course, swear by Warner, approximately -- I learned it from the Elektra release mentioned above -- but over the years I have softened the edges of that tune a bit. Love that description of Joaquin.

A

Subject: RE: Lyr Add: The Days of Forty Nine
From: Q (Frank Staplin)
Date: 11 Dec 03 - 09:41 PM

I agree with Claire Bear that the last two lines of each verse are repeated as a 'chorus'. The way it is printed in Lingenfelter and Dwyer would seem to make the last lines of the first verse repeatable as a chorus, but this doesn't work.
The song as printed in Lingenfelter and Dwyer is taken from the 1876 printing by Sherman and Hyde, San Francisco. It has not been expressly stated, but was the 1874 printing in The Great Emerson New Popular Songster the same?

The lyricist's name perhaps should be cited as Charles Bensell ('Ch. Rhoades'), his real name- but was sheet music published in the 1876 printing? The "Arr. Zimmer" would seem to indicate so. If the tune is original, Zimmer probably was the composer. Was Zimmer with the Emerson Minstrels? Details and Trivia, but answers would be nice to have.

"The Chinese Question" was the subject of much newsprint, oratory and heat from the Gold Rush days of 'Forty-Nine to as late as 1930, especially in the West. The section of songs about 'John Chinaman' could not have been deleted from Lingenfelter and Dwyer without leaving a large hole in the fabric of "Songs of the American West."

Subject: Tune ADD: The Days of Forty Nine
From: Joe Offer
Date: 11 Dec 03 - 08:48 PM

We ain't done yet, Charley! I think it's time to talk tunes. I guess the tune I'm most familiar with is the one in the Digital Tradition (click). With all due respect to Debby McClatchy and others who use this tune, it sounds a lot like "Gilligan's Island" to me. I think it's supposed to be a transcription of the Warner tune:

Click to play Warner

---

In Songs of the American West Lingenfelter & Dwyer have a very different tune, apparently by Charles Rhoades:

Click to play Chas. Rhoades

---

I have a book from the Sacramento Bee newspaper called Singing Gold: Songs and Verses from Early California. It has lyrics by Joaquin Miller (click) that appear to be earlier than the others, and a 19th-Century tune by Leila France.

Click to play Leila France

---

It appears from information posted above that the original version of this song may have been a poem by Joaquin Miller (1837-1913). I've wondered about Miller, since there's a school in Sacramento named after him. Here's what Singing Gold says about him:

Like many celebrities today, Joaquin Miller (born Cincinnatus Hiner Miller) was unconventional and used his manner of dress and actions to seek attention. He was a celebrity because he was not only extremely talented, but wrote of what he knew best — the Indians and the West. As romantic looking as a poet should be, he had clear blue eyes and shoulder-length blonde hair. Though one time an attorney and a judge, he was somewhat of a rebel — even changing his name to Joaquin after the bandit, Joaquin Murietta.

By the way, "Joaquin" is pronounced Wah-KEEN in this area. -Joe Offer-

---

there's another song called Days of 49 at Levy. As a resident of the Sacramento area, I'm almost embarrassed to post a link to it. Sure is corny.

Subject: RE: Lyr Add: The Days of Forty Nine
From: Charley Noble
Date: 11 Dec 03 - 08:13 PM

Looks like you've done a good job of nailing this one.

Thanks!
Charley Noble

Subject: RE: Lyr Add: The Days of Forty Nine
From: Joe Offer
Date: 11 Dec 03 - 05:30 PM

I think the version in the Digital Tradition is almost an exact transcript of the version in Traditional American Folk Songs from the Anne and Frank Warner Collection, except that the Warner book has one word different in the refrain:

In the days of old, in the days of gold
How oft-times I repine
For the days of old when we dug up the gold
In the days of '49.

The Warner version is a transcription from their 1941 recording of "Yankee" John Galusha. You can hear Galusha sing the song on the Appleseed CD, Her Bright Smile Haunts Me Still: The Warner Collection, Volume 1 - but there are only two verses on the CD.

Here are the notes from the Warner book:

According to Professor William L. Alderson of Reed College [ Days of '49, Reprise," Northwest Folklore I (1965): 5—101, the first appearance of this song in print was in The Great New Popular Songster (San Francisco, 1872) where it was described as "sung with great success by [Billy] Emerson's Minstrels at the Alhambra Theatre in San Francisco."
Professor Alderson says, "In the Lomax edited anthology Folk Song U.S.A., that work employs a tune collected by Frank Warner from Yankee John Galusha, but of that text only a 'portion,' determinably rather small, came from that source" [Galusha].
Alderson (who happens to be wrong in his assumption, since Yankee John sang us five verses and the chorus)* was arguing against the song's being a folk song since he had found it only in fragmentary texts, or in printed texts similar to that printed in the book noted above. Yankee John's version, however, like all his songs, he had
learned through oral transmission. Of course he could have learned it from someone who had a printed source.
Professor Alderson says the original song probably was written by banjo artist Charles Bensell (stage name: Charley Rhoades) who died in June 1877. It is "certainly a minstrel song par excellence." It was published in many songsters of the seventies and eighties, including, we are sure, "Old Put's Golden Songster" in its later editions.
"The Days of Forty-Nine" was one of many songs that came out of the Gold Rush days when on Long Island, for instance, not a boat was left that was capable of sailing to Panama or around the Horn. Though it began as a stage song, we think it was kept alive by communities that saw their sons strike out for the West to seek their fortunes, and then saw them come home, often, broke and broken. Old Tom Moore is an example of the returning forty-niner, the disillusioned seeker of that elusive pot of gold. That we found this version of the song in upper New York State shows that the composer told a tale that was real to his hearers.
Folk Songs of the Catskills (Cazden II) has a similar and longer version of the song given to the editors by George Edwards. Cazden's notes further explore the song's history and transmission.

See: Cazden II, 341; Laws, NAB, Appendix 3, Z77; Lingenfelter, 196;
Lomax, Cowboy Songs, 378; Lomax, FSUSA, i8o; Randolph, Vol. 1, 221

*could it be that Alderson heard the same abbreviated Warner recording that ended up on the CD?

Subject: RE: Lyr Add: The Days of Forty Nine
From: GUEST,ClaireBear
Date: 11 Dec 03 - 04:58 PM

Combining the "PBS version" thread with the previous one was, in general, a good thing, but could someone PM InObu and tell him his lyrics have arrived? I don't know if he'd think to search for this other thread name, and I told him to "watch this space" on the other thread.

Thanks! (I will join up and take care of this type of thing myself, just as soon as I have home Internet access! Honest!)

Claire

---

PM sent to InObu.
-Joe Offer-

Subject: RE: Lyr Add: The Days of Forty Nine
From: GUEST,ClaireBear
Date: 11 Dec 03 - 04:23 PM

Hmm. Interesting question. In the written-out lyrics no chorus is mentioned. In the music, a "chorus" is indeed present and it is the lyrics you cite, but then that IS the last two lines of the first verse, which is of course the verse written in under the music. The tune for this "chorus" is identical to the last two lines of the verse as well.

I'd think it would be safe to infer from what's there that you repeat the last two lines of each verse, even though it doesn't exactly *say* that.

Yes, here I sit in sunny San Jose, envying my brother in his bucolic Placerville diggins. And you in Colfax, for that matter! Oh, for some trees...

(Actually I live in an extremely rural part of Scotts Valley, where there are LOTS of trees. It just seems as though I never see them during the daylight hours.)


Claire

Subject: RE: Lyr Add: The Days of Forty Nine
From: Joe Offer
Date: 11 Dec 03 - 04:08 PM

Hi, Claire - I hope nobody minds that I combined the two threads on this song so all the versions would be together.
I can't find my copy of The Songs of the Gold Rush to double-check. I rarely use it, since most of the songs are also in Lingenfelter-Dwyer's Songs of the American West. The Lingenfelter-Dwyer book has the last part of the first verse listed as a chorus, like this:

Here you see old Tom Moore
A relic of bygone days.
A bummer too they call me now
But what care I for praise
For my heart is filled with woe
And I often grieve and pine,
For the days of old, the days of gold,
The days of '49.
CHORUS: For the days of old, the days of gold,
The days of '49.

Is that how it's shown in Songs of the Gold Rush? Seems to me it would be better to just repeat the last two lines of each verse.

Are you in California, too?
-Joe Offer in Colfax (in the Gold Country)-

[e-mail]

Subject: RE: Lyr Req: PBS version of Days of 49
From: GUEST,ClaireBear
Date: 11 Dec 03 - 03:29 PM

Yes, I started with a copy-paste of that version. Does it strike you that the one Warner collected had been deliberately rusticated (de-grammaticized and de-metered) to make it sound more authentic? That's how it struck me.

The horrid last verse in the version I posted above doesn't really strike me as being in the same voice as the others, now that I think about it. The folk porcess is a fascinatin' thing.

Subject: RE: Lyr Req: PBS version of Days of 49
From: Amos
Date: 11 Dec 03 - 03:16 PM

Interesting variation. When Frank Warner collected the song it had many of the bits in the above, but not the segment concerning other races. It did have that last quatrain as a choris between verses.

Elektra EKLP 3 1952, right after an early Jean Ritchie release!

A

Subject: Lyr Add: The Days of 49
From: GUEST,ClaireBear
Date: 11 Dec 03 - 02:47 PM

Hello again!

Rather unbelievably, a co-worker just gave me the book it's ACTUALLY from, which is not the above. It's Dwyer, Richard (editor), The Songs of the Gold Rush. Berkeley: University of California Press, 1964.

Here are the lyrics.

NOTE: I'm including the version's last, extremely racist verse with my teeth gritted. I have an obligation to quote the source book accurately, I suppose, even if I hate it! I'm pretty sure Alan didn't sing that verse -- in fact, it may well be why he didn't produce the source for me.

Claire

THE DAYS OF '49

C. Rhoades (Bensell)
[Rhoades is listed as Charley Rhodes (no A) elsewhere in the book; I have no idea who Bensell is.]

Here you see old Tom Moore
A relic of bygone days.
A bummer too they call me now
But what care I for praise
For my heart is filled with woe
And I often grieve and pine,
For the days of old, the days of gold,
The days of '49.

I had comrades then a saucy set
They were rough I must confess.
But staunch and brave, as true as steel,
Like hunters from the West;
But they like many another fish
Have now run out their line
But like good old bricks they stood the kicks
Of the days of '49.

There was Monte Pete, I'll ne'er forget
The luck that he always had,
He'd deal for you both night and day,
Or as long as you had a scad.
One night a pistol laid him out,
'Twas his last lay out in fine,
It caught Pete sure, right bang in the door,
In the days of '49.

There was another chap from New Orleans
Big Reuben was his name,
On the plaza there with a sardine box
He opened a faro game,
He dealt so fair that a millionaire
He became in course of time,
Till death stept in and called the turn
In the days of '49.

There was Kentuck Bill, one of the boys,
Who was always in for a game;
No matter whether he lost or won
To him 'twas all the same.
He'd ante a slug; he'd pass the buck;
He'd go a hat full blind
In the game of death, Bill lost his breath
In the days of '49.

There was New York Jake, the butcher boy
So fond of getting tight.
Whenever Jake got full of gin
He was looking for a fight.
One night he ran against a knife
In the hands of old Bob Kline
And over Jake we had a wake
In the days of '49.

There was North Carolina Jess, a hard old case,
Who never would repent.
Jess never was known to miss a meal
Or ever pay a cent.
But poor old Jess like all the rest
To death did at last resign,
And in his bloom he went up the flume
In the days of '49.

There was Hackensack Jim who could out roar
A buffalo bull you bet.
He roared all night; he roared all day
He may be roaring yet.
One night he fell in a prospect hole
'Twas a roaring bad design,
And in that hole roared out his soul
In the days of '49.

Of all the comrades I had then
There's none left now but me,
And the only thing I'm fitting for
Is a Senator to be;
The people cry as I pass by,
"There goes a traveling sign;
That's old Tom Moore, a bummer sure,
of the days of '49."

Since that time how things have changed
In this land of liberty;
Darkies didn't vote nor plead in court
Nor rule this country,
But the Chinese question, the worst of all
In those days did not shine,
For the country was right and the boys all white
In the days of '49.

Text and music: "The Days of '49," arr. by E. Zimmer (San Francisco: Sherman and Hyde, 1876).

P.S. I think Alan added this last bit, listed as the chorus in the version currently in the DT, as a postscript after the last verse, but it's not in the book:

In the days of old, in the days of gold
How often I repine
For the days of old when we dug up the gold
In the days of '49.