Subject: Lyr Add: WHY DO YOU CRY LITTLE DARLING From: Richie Date: 14 Dec 08 - 09:37 AM Why Do You Cry Little Darling was recorded at teh Carters last session in Oct. 1941 and is a song (according to their biographers) written by Maybelle Carter. The song references upcoming World War II.
WHY DO YOU CRY LITTLE DARLING- Carter Family 1941 |
Subject: RE: Origins: The authors of the 'Carter Family son From: Artful Codger Date: 14 Dec 08 - 09:32 AM Cowboy's Wild Song to His Herd: The poems in Rhymes from the Rangeland are Beggs's own (see the introduction/"explanation"), so he may be considered the original author of the text of this song. Lacking any indications that it was turned into a song prior to the Carters, we must assume they supplied the music. Per Charles Wolfe, sources differ on whether A.P. or Maybelle wrote the song, but considering that Maybelle was by far the more musical of the two, I strongly suspect the tune at least was hers. Richie, thank you for hunting up the original poem! I'd thought of doing my own rework, but the Carter attribution put me off. And "Down by the Garden Wall" (Darling Daisies) was a great find as well. Darling Nellie Across the Sea: Per Charles Wolfe, Sara wrote much of the song herself (implying an antecedent). Funny When You Feel That Way: Per Wolfe, 19th c. versions credit G.W. Hunt. The Girl on the Greenbrier Shore: Per Wolfe, it's based on an incident which occurred in 1896. He Never Came Back: Wolfe gives the original date as 1891, not 1892. The sheet music at the Levy may not be from the first publication run. Jealous Hearted Me: The Carters learned it from Lesley Riddle. My Dixie Darling: Per Wolfe, the original song was titled "Dixie Darlings" (plural) and it was written in 1907, not 1909. My Native Home: Per Wolfe, by John Rogers Thomas, c.1865. Learned from a woman in Russell County, VA. The Levy site has "My Dear, My Native Home", music by John Rogers Thomas, words by Charles Hart, 1855. Same song? I haven't really checked. My Old Cottage Home: Per Wolfe, written by R.A. Glenn (with two n's). One Little Word: See thread 111888; sadly it didn't show up when I ran a search on the title just now. The thread contains some source links and a transcription of the original lyrics (supposedly). Note: Frank Howard's "One Little Word", available at the American Memory site, is an unrelated piece. Over the Garden Wall: See thread 6020, where I've provided the original lyrics and an ABC of the original melody. The Spirit of Love Watches over Me: Per the sheet music linked above, the original title was "Thou Art Gone from My Gaze". Two Sweethearts: Per Wolfe, "Moran and Helf" were E.P. Morgan (words) and J. Fred Helf (music). When the Roses Bloom in Dixieland: Wolfe gives 1913, not 1915, as the date for Evans' original. George "Honeyboy" Evans was a minstrel showman. He also wrote "In the Good Old Summertime". I'm skeptical when people talk about a song as having been written by A.P. Almost all the Carter songs were copyrighted in A.P.'s name only, regardless of which of the Carters were actually involved in writing/reworking them. A.P. doesn't appear to have been musically accomplished--his bass lines are glaringly dull and often at odds harmonically, and he needed Riddle to accompany him on the song collecting trips to capture the tunes they heard. I can't recall reading that he ever played an instrument. So I suspect that Sara, Maybelle and Lesley Riddle did nearly all of the music writing and arranging, and much more of the lyric work than they're generally credited with. |
Subject: Lyr Add: WHO'S THAT KNOCKING ON MY WINDOW From: Richie Date: 14 Dec 08 - 09:19 AM Who's That Knocking on My Window is the Carters' version of the traditional English ballad the Drowsy Sleeper also know as "Awake Awake" and "Silver Dagger." The song dates bacK to 1817: Bodleian Ballad index features this version of "Drowsy Sleeper:" Awake awake ye drowsy sleeper, Awake awake, 'tis almost day! How can you sleep, ye darling creature Since you have stole my heart away? In the US it's known also as O Molly dear/O Katie Dear and has been collected by Sharp as "Awake Awake" in 1916-1917. WHO'S THAT KNOCKING ON MY WINDOW Carter Family Who's that knockin' at my window, Knocks so loud and won't come in? 'Tis your own true-hearted lover Rise you up and let him in Go 'way, go 'way, don't wake my mother For love's a thing she can't endure She's been the ruin of many a lover She'll be the ruin of many more I've come to whisper in your ear, love Do you think it any harm? I've come to wean you of your mother Pray trust yourself in your darling's arms! Go 'way go 'way, don't wake my father For he is on his bed of rest And on his breast he carries a *weapon To kill the one that I love best I wish I was some little sparrow I'd circle like a turtle dove I'd fly away to a lonely valley And settle down in the land of love * pronounced "wee-pon. |
Subject: Lyr Add: WHERE WE'LL NEVER GROW OLD From: Richie Date: 14 Dec 08 - 09:04 AM Where We'll Never Grow Old is a gospel song by James C. Moore from the early 1920s. Frequently called "Land Where We'll Never Grow Old" it was first recorded by the Jenkins Family in 1926; the Carters made the 14th country recording of it in 1932. WHERE WE'LL NEVER GROW OLD- Carter Family 1932 I have heard of a land on the far away strand 'Tis a beautiful home of the soul Built by Jesus on high, there we never shall die 'Tis a land where we never grow old Never grow old, never grow old In the land where we'll never grow old Never grow old, never grow old In the land where we'll never grow old In that beautiful home where we'll nevermore roam We shall be in the sweet by and by Happy praise to the king through eternity sing 'Tis the land where we never shall die When our work here is done and the life crown is won And out troubles and trials are o'er All our sorrows will end and our voices will blend With the loved ones who've gone on before |
Subject: Lyr Add: WHERE THE SILVERY COLORADO WENDS ITS WAY From: Richie Date: 14 Dec 08 - 08:58 AM Where the Silvery Colorado Wends Its Way is a song by C.H. Scroggins and Charles Avril in 1901. Recordings date back to 1902. The Carters 1932 version was probably based on an earlier country recording by Emry Auther or Frank Luther. WHERE THE SILVERY COLORADO WENDS ITS WAY- Carter Family 1936 The twilight softly gathered 'Round my home among the hills And all nature soon will settle down to rest While I sit and sadly ponder And my heart with longing fills As I often think of one that I love best We were wedded in the springtime And our hearts they knew no pain Fair nature seemed to smile on us that day Now she sleeps beneath the lilacs And she'll ne'er come back again Where the silver Colorado wends its way There's a sob on every breeze And a sigh comes from the trees And the mocking birds they sing a sadder way For the flowers creep no more 'Round my cheerless cabin door Where the silver Colorado wends its way The silver snow is gleaming On your distant mountainside Where often used to wander Nell and I And the birds are singing gaily In the valley far below Where I long some day to lay me down and die Then our lives were gay and happy In the shadow of the hills My heart beats fonder for her day by day And I feel her presence near me As I sit alone tonight Where the silver Colorado wends its way. There's a sob on every breeze And a sigh comes from the trees And the mocking birds they sing a sadder way For the flowers creep no more 'Round my cheerless cabin door Where the silver Colorado wends its way |
Subject: Lyr Add: WHERE SHALL I BE From: Richie Date: 14 Dec 08 - 01:07 AM Where Shall I Be? is an African-American spiritual. It was recorded in 1927 by Blind Lemon Jefferson (as Deacon Bates) and also by the Norfolk Jubilee Quartet. It's also a Pentecostal hymn which the version the Carters learned. Here's the traditional hymn arranged by R.E. Winsett in a 1908 "Songs of Pentecostal Power:" http://books.google.com/books?id=AQMca_ptzbMC&pg=PA38&dq=%22Where+Shall+I+Be%3F%22++spiritual&ie=ISO-8859-1&output=html WHERE SHALL I BE- Carter Family 1930 The judgement day is drawing nigh Where shall I be When God the work of men shall try Where shall I be When east and west the fire will roll Where shall I be How will it be with my poor soul Where shall I be Oh, where shall I be When the first trumpet sounds Oh, where shall I be When it sounds so loud When it sounds so loud as to wake up the dead Oh, where shall I be when it sounds When wicked men his wrath shall see Where shall I be And to the rocks and mountains flee Where shall I be When hills and mountains flee away Where shall I be And all the work of men decay Where shall I be Oh, where shall I be When the first trumpet sounds Oh, where shall I be When it sounds so loud When it sounds so loud as to wake up the dead Oh, where shall I be when it sounds [INSTRUMENTAL BREAK] When the savior reigns from shore to shore Where shall I be From God's angry presence thrown Where shall I be Well, I'll be sleeping in my grave When the first trumpet sounds I'll be sleeping in my grave When it sounds so loud When it sounds so loud as to wake up the dead I'll be sleeping in my grave when it sounds [INSTRUMENTAL BREAK] [REPEAT LAST CHORUS] |
Subject: Lyr Add: WHEN THE WORLD'S ON FIRE From: Richie Date: 14 Dec 08 - 12:53 AM When the World's on Fire is a spiritual from the African-American tradition. The Carter's use the same melody in "Little Darling Pal of Mine." "When the World's on Fire," which had been recorded as "Rock of Ages" by Blind Willie Davis, a black singer-guitarist from McComb, Mississippi in May 1928. Probably they learned his version from Leslie Riddle, who showed Maybelle alide guitar which she plays on this selection. WHEN THE WORLD'S ON FIRE- Carter family 1930 [INSTRUMENTAL BREAK] Oh, my loving mother, when the world's on fire Don't you want God's bosom to be your pillow Tide me over in the Rock of Ages Rock of Ages cleft for me I'm going to heaven when the world's on fire And I want God's bosom to be my pillow Tide me over in the Rock of Ages Rock of Ages cleft for me [INSTRUMENTAL BREAK] Oh, my loving brother, when the world's on fire Don't you want God's bosom to be your pillow Tide me over in the Rock of Ages Rock of Ages cleft for me Oh, my loving sinner, when the world's on fire Don't you want God's bosom to be your pillow Tide me over in the Rock of Ages Rock of Ages cleft for me [INSTRUMENTAL BREAK] Don't you want to go to heaven when the world's on fire Don't you want God's bosom to be your pillow Tide me over in the Rock of Ages Rock of Ages cleft for me |
Subject: Lyr Add: WHEN THE SPRINGTIME COMES AGAIN From: Richie Date: 14 Dec 08 - 12:26 AM Away Out on Saint Sabbath seems like floating verses with a slight rewrite of "Bury Me Not." If it was a ballet (printed sheet of lyrics or broadside) maybe we can track it down. WE should be able to track this verse down: My mother she lies sleeping beneath the church yard sod, her body lies there mouldering and her spirit has gone to God. When the Springtime Comes Again is based on Stephen Foster's Gentle Annie in 1856. There is also a different song by C.W. Baker with that title. The Carter Family recorded the song under the title of 'When the Springtime Comes Again' on 24 May 1930 - Victor V-40293. Sara was the lead singer and Charles Wolfe notes: '... the song was one she [Sara] knew as "Little Annie". She learned it from a neighbour of A.P.'s who gave them the ballet for it (ie the written and printed lyrics)'. WHEN THE SPRINGTIME COMES AGAIN- Carter Family 1930 Once more Little Annie I must leave you We shall part at the end of the lane But promise me Little Annie You will wait for me til springtime comes again When the sun shines down on the mountain And the wild sheep are wandering all alone When the birds and the bees are a humming Makes me think that springtime wont be very long When springtime comes on the mountain And the wild flowers are scattered o'er the plain I shall watch for the bees to return to their trees And I'll be waiting when the springtime comes again Now springtime is here Little Annie I am on my way back to the lane For you promised me Little Annie You'd be waiting when springtime comes again |
Subject: Lyr Add: WHEN THE ROSES COME AGAIN From: Richie Date: 14 Dec 08 - 12:06 AM When the Roses Come Again is by Arthur W. French and George W. Persley in 1874. Here's the sheet music: http://memory.loc.gov/cgi-bin/ampage?collId=mussm&fileName=sm/sm1874/13000/13099/mussm13099.db&recNum=0&itemLink=D?mussm:3:./tem WHEN THE ROSES COME AGAIN Carter Family 1933 'Neath the shadow, down the meadow, leaves lying on each side By the river, flowers shiver, fading, dying in their pride Someone straying, long delaying, stands a-parting down the lane I must leave you, someone's saying, till the roses come again When the roses come again When the roses come again I will meet you, I will greet you When the roses come again Oh-la-lay-ee, Ah-le-hee, Ah-le-hee [INSTRUMENTAL BREAK] As I wander, I will ponder on a happy by and by On a summer over yonder with joy to you and I Do not borrow grief or sorrow in the hours that yet remain We shall know a glad tomorrow when the roses come again When the roses come again When the roses come again I will meet you, I will greet you When the roses come again Oh-la-lay-ee, Ah-le-hee, Ah-le-hee [INSTRUMENTAL BREAK] Sunshine over clover blossom on the meadow wide Summer's fingers sweetly linger everywhere on every side Someone's roaming in the gloaming, happy hearts that feel no pain All their sadness turned to gladness, now the roses come again When the roses come again When the roses come again I will meet you, I will greet you When the roses come again Oh-la-lay-ee, Ah-le-hee, Ah-le-hee |
Subject: RE: Origins: The authors of the 'Carter Family son From: Artful Codger Date: 14 Dec 08 - 12:02 AM Away Out on Saint Sabbath: Per Charles K. Wolfe, In the Shadow of Clinch Mountain, "Sara thinks someone gave them a ballet of this. She had no idea of what the title means." So while it may be a rewrite of "Bury Me Not", much of the rewriting occurred at other hands. |
Subject: Lyr Add: WHEN THE ROSES BLOOM IN DIXIELAND From: Richie Date: 13 Dec 08 - 11:57 PM When the Roses Bloom in Dixieland is by George Evans in 1915. WHEN THE ROSES BLOOM IN DIXIELAND- Carter family 1929 When the roses bloom in Dixieland I am coming back to you When the birds are singing music grand To the sweetest girl I ever knew I am saving up my money To buy a little cabin home for two When the roses bloom in Dixieland I am coming back to you I just got a letter from the sunny south From my girl in Tennessee She said she loved me like she used to do And was waiting there for me I answered back her letter Though I am far away When the roses bloom in Dixieland I am coming home to stay [INSTRUMENTAL BREAK] When the roses bloom in Dixieland I am coming back to you When the birds are singing music grand To the sweetest girl I ever knew I am saving up my money To buy a little cabin home for two When the roses bloom in Dixieland I am coming back to you [INSTRUMENTAL BREAK] When I left my honey at the railroad train I said, honey, wait for me I'm going to make a lot of money up north Then it's me for old Tennessee When the roses bloom in Dixieland I am coming back to you When the birds are singing music grand To the sweetest girl I ever knew I am saving up my money To buy a little cabin home for two When the roses bloom in Dixieland I am coming back to you |
Subject: Lyr Add: WHEN THIS EVENING SUN GOES DOWN From: Richie Date: 13 Dec 08 - 09:33 PM When This Evening Sun Goes Down is the 1937 gospel song by the Carters which might be based on a song by Cliff Carlisle "When the Evening Sun Goes Down." Anyone have more info? It also appears the Carlisle's "You're Gonna Miss Me When I'm Gone" which may relate to the Carters "You'll Miss Me When I'm Gone." We know the Carters took Carlisle's version of Black Jack David and recorded it. WHEN THIS EVENING SUN GOES DOWN- Carter Family 1937 When this evening sun goes down Then in heaven I will be found I will end life's other side When I cross the great divide [INSTRUMENTAL BREAK] When this evening sun goes down When I wear my starry crown When I'll see a smiling face And rest in amazing grace [INSTRUMENTAL BREAK] He will wipe away my tears He will blind me to all my fears Then in joy I'll ever be bound When this evening sun goes down [INSTRUMENTAL BREAK] When this evening sun goes down When they lay me 'neath the ground When we'll meet, weep, and mourn Then I'll be in my heavenly home |
Subject: Lyr Add: WHEN SILVER THREADS ARE GOLD AGAIN From: Richie Date: 13 Dec 08 - 09:04 PM When Silver Threads Are Gold Again is by Eben Rexford and Hart Danks in 1875. Here's the sheet music: http://memory.loc.gov/cgi-bin/ampage?collId=mussm&fileName=sm/sm1875/05900/05919/mussm05919.db&recNum=0&itemLink=D?mussm:4:./tem WHEN SILVER THREADS ARE GOLD AGAIN- Carter Family 1936 Darling, we are growing old And show the silver in our hair Sands of time have stolen all the gold That made your youthful tresses fair But years can never steal away A love that never can grow old What care we for tresses gray Since love will always keep its gold Love, I'll tell you with a kiss If heaven gives back the youth we miss Your face will be no fairer then When silver threads are gold again Darling, I can read today The question in your thoughtful eyes You wonder if I wish for May Beneath this frosty Autumn sky Love of mine, be sure of this For me, no face could be so fair Than this one that I stoop to kiss Beneath its crown of silver hair |
Subject: Lyr Add: WHEN I'M GONE From: Richie Date: 13 Dec 08 - 08:58 PM When I'm Gone is "You'll Miss Me When I'm Gone" by Delehanty and Hengler 1874. I can't find the original lyrics. Anyone? This was first recorded by Blind Alfred Reed in 1928. The Carters may have based their version on his as they did with another song. Anyone have Reed's lyrics? WHEN I'M GONE- Carter Family 1929 [INSTRUMENTAL BREAK] You're gonna miss me when I'm gone You're gonna miss me when I'm gone Oh, I know you will miss me when I'm gone You're gonna miss me by my walk You're gonna miss me by my talk Oh, I know you will miss me when I'm gone When I'm gone (When I'm gone) When I'm gone (When I'm gone) Oh, I know you will miss me when I'm gone When I'm gone (When I'm gone) When I'm gone (When I'm gone) Oh, I know you will miss me when I'm gone [INSTRUMENTAL BREAK] You're gonna miss me by my prayers You're gonna miss me everywhere Oh, I know you will miss me when I'm gone You're gonna miss me by my song You're gonna miss me all day long Oh, I know you will miss me when I'm gone When I'm gone (When I'm gone) When I'm gone (When I'm gone) Oh, I know you will miss me when I'm gone When I'm gone (When I'm gone) When I'm gone (When I'm gone) Oh, I know you will miss me when I'm gone [INSTRUMENTAL BREAK] You're gonna miss me by my ways You're gonna miss me everyday Oh, I know you will miss me when I'm gone You're gonna miss me by my song You're gonna miss me all day long Oh, I know you will miss me when I'm gone When I'm gone (When I'm gone) When I'm gone (When I'm gone) Oh, I know you will miss me when I'm gone When I'm gone (When I'm gone) When I'm gone (When I'm gone) Oh, I know you will miss me when I'm gone |
Subject: RE: Origins: The authors of the 'Carter Family songs' From: Richie Date: 13 Dec 08 - 08:22 PM Here's the last original Carter Family titles: When I'm Gone; When Silver Threads Are Gold Again; When This Evening Sun Goes Down; When the Roses Bloom in Dixieland; When the Roses Come Again; When the Springtime Comes Again; When the World's on Fire; Where Shall I Be?; Where the Silvery Colorado Winds Its Way; Where We'll Never Grow Old; Who's That Knocking on My Window; Why Do You Cry, Little Darling; Why There's a Tear in My Eye; Wildwood Flower; Will My Mother Know Me There?; Will the Roses Bloom in Heaven; Will You Miss Me When I'm Gone?; Winding Stream; Wonderful City; Worried Man Blues; You Are My Flower; You Better Let That Liar Alone; You Denied Your Love; You Tied a Love Knot in My Heart; You're Nothing More to Me; You've Been a Friend to Me; You've Been Fooling Me, Baby; Your Mother Still Prays (For You, Jack); You're Gonna Be Sorry You Let Me Down; You've Got to Righten That Wrong; Young Freda Bolt What's interesting to me is that some of the Carter's most famous songs like the Circle Be Unbroken; Wildwood Flower, Worried Man Blues are freely used even though the arrangements by the Carters are unique and what we sing-publish etc are based directly on them. Yes they are based on other songs but you could say that about 90% of their songs. Yet their arrangements are basically standard use for the songs and no one questions copyright infringement. On their lesser known arrangements to quote the Artful Codger above: "However, a caveat: Unless you enjoy litigation, bear in mind that the Carters altered many of the songs they sang not only to fit their particular style, but expressly to make their arrangements copyrightable--they were urged to do this by Ralph Peer, their agent/manager. Granted, A.P.'s copyrights often infringed on the copyrights of others, whether intentionally or not; that is now immaterial. In preparing a song, the Carters frequently changed melody lines, chord progressions and lyrics; these changes are identifiable enough that a court might easily detect the Carters' still-copyrighted contributions in your arrangements, unless you derived directly from original or p.d. materials." This to me is the confusing part, where did the verses for "Circle Be Unbroken" come from: The Carter Family. Did they write them? We don't know. Is their copyright valid?----NO |
Subject: Lyr Add: WESTERN HOBO From: Richie Date: 13 Dec 08 - 08:01 PM Western Hobo is a traditional song better known as "Wild and Reckless Hobo" or "The Railroad Bum." The Carters 1929 title is surely to avoid copyright issues. George Reneau's 1925 recording "Wild and Reckless Hobo" is the first. Meade lumps the song into the vast "Ten Thousand Miles from Home" group whic is Laws H2. The famous Jimmie Rodgers song "Waiting For the Train" is one of the best known versions. Rodgers like the Carters used traditional verses to craft his songs. The song is also related to Danville Girl. WESTERN HOBO- Carter Family 1929 [INSTRUMENTAL BREAK] The wild, western hobo Who left his happy home Started upon a western trip All by himself alone Upon this western trip Going to have lots of fun But upon this western trip This is the song he sung Ay-oh-lay-ee-oh, oh-lay-ee-ay Oh-lay-ee, oh-lay-ee, oh-lay-ee [INSTRUMENTAL BREAK] I stepped up on a platform Smoking a cheap cigar Waiting to catch a freight train To catch an empty car I buttoned my coat up closely Walked on down the track I caught the steps of a sleeper car I never did look back Ay-oh-lay-ee-oh, oh-lay-ee-ay Oh-lay-ee, oh-lay-ee, oh-lay-ee [INSTRUMENTAL BREAK] My pocketbook is empty My heart is filled with pain 10,000 miles away from home Hoboing an old freight train Ay-oh-lay-ee Ay-oh-lay-ee Oh-ah-lay-ee |
Subject: Lyr Add: WEARY PRODIGAL SON From: Richie Date: 13 Dec 08 - 07:38 PM Weary Prodigal Son is the gospel song "Calling the Prodigal" by Charles H. Gabriel in 1889. Here's a link to the original sheet music: http://books.google.com/books?id=HP5DRe4og7AC&pg=PA68&dq=Calling+the+Prodigal&ie=ISO-8859-1&output=html WEARY PRODIGAL SON- Carter Family 1931 God is calling the prodigal, come without delay Hear, o hear him calling, calling now for thee Patient, loving, and tender life still the father pleas Hear his loving voice calling still (oh, calling still) Calling now for thee (Calling now for thee) Oh, where.........is the prodigal son (Is the prodigal son, where is the prodigal son) Calling now for thee (Calling now for thee) Oh, where.........is the prodigal son (Is the prodigal son, where is the prodigal son) Come there's bread in the house of the father and to spare Hear, o hear him calling, calling now for thee Lo, the table is spread and the feast is waiting there Hear his loving voice calling still (oh, calling still) Calling now for thee (Calling now for thee) Oh, where.........is the prodigal son (Is the prodigal son, where is the prodigal son) Calling now for thee (Calling now for thee) Oh, where.........is the prodigal son (Is the prodigal son, where is the prodigal son) [INSTRUMENTAL BREAK] Calling now for thee (Calling now for thee) Oh, where.........is the prodigal son (Is the prodigal son, where is the prodigal son) Calling now for thee (Calling now for thee) Oh, where.........is the prodigal son (Is the prodigal son, where is the prodigal son) |
Subject: Lyr Add: WE SHALL RISE From: Richie Date: 13 Dec 08 - 07:30 PM We Shall Rise is "Hallelujah We Shall Rise" by J.E. Thomas in 1904. Below the Carters lyrics are the original lyrics for comparison. WE SHALL RISE- Carter Family 1940 In that resurrection morning When the trump of god shall sound We shall rise.............we shall rise (Hallelujah, we shall rise) Then the saints will come rejoicing And no tears will e'er be found We shall rise.............we shall rise (Hallelujah, we shall rise) We shall rise (Hallelujah) We shall rise (Amen) We shall rise (Hallelujah) In that resurrection morning When these prison bars are broken We shall rise.............we shall rise (Hallelujah, we shall rise) [INSTRUMENTAL BREAK] I shall see that blessed savior Who so freely died for me We shall rise.............we shall rise (Hallelujah, we shall rise) And our fathers and our mothers And our loved ones we shall see We shall rise.............we shall rise (Hallelujah, we shall rise) We shall rise (Hallelujah) We shall rise (Amen) We shall rise (Hallelujah) In that resurrection morning When these prison bars are broken We shall rise.............we shall rise (Hallelujah, we shall rise) We shall rise (Hallelujah) We shall rise (Amen) We shall rise (Hallelujah) In that resurrection morning When these prison bars are broken We shall rise.............we shall rise (Hallelujah, we shall rise) WE SHALL RISE- John E. Thomas 1904 In the resurrection morning, When the trump of God shall sound, We shall rise, Hallelujah! we shall rise! Then the saints will come rejoicing And no tears will e'er be found, We shall rise, Hallelujah! we shall rise. Refrain; We shall rise, Hallelujah! we shall rise! Amen! We shall rise! Hallelujah! In the resurrection morning, When death's prison bars are broken, We shall rise, Hallelujah! We shall rise. In the resurrection morning, What a meeting it will be, We shall rise, Hallelujah! we shall rise! When our fathers and our mothers, And our loved ones we shall see, We shall rise, Hallelujah! we shall rise! Refrain In the resurrection morning, Blessèd thought it is to me, We shall rise, Hallelujah! we shall rise! I shall see my blessèd Savior, Who so freely died for me, We shall rise, Hallelujah! we shall rise! Refrain In the resurrection morning, We shall meet Him in the air, We shall rise, Hallelujah! we shall rise! And be carried up to glory, To our home so bright and fair, We shall rise, Hallelujah! we shall rise! Refrain |
Subject: Lyr Add: WE WILL MARCH THROUGH THE STREETS OF... From: Richie Date: 13 Dec 08 - 07:11 PM We Will March Through the Streets of the City is a gospel song recorded by the Carters in 1932. The verses come from revival hymns and shape-note hymns from the 1800s, the first verse is also well known in the African-American church. WE WILL MARCH THROUGH THE STREETS OF THE CITY- Carter Family 1932 We will march through the streets of the city With our loved ones gone before We will sit on the banks of the river Where we'll meet to part no more Jesus sought me when a stranger Wandering from the fold of God He to rescue me from danger And transported by his blood Come, thy fount of every blessing Do now hark to sing God's praise Streams of mercy never ceasing Calls for songs of loudest praise We will march through the streets of the city With our loved ones gone before We will sit on the banks of the river Where we'll meet to part no more [INSTRUMENTAL BREAK] Hark the voice of Jesus calling Who will go and work today Fields are white and harvest is waiting Who will bear the sheaves away Yes, we'll march through the streets of the city With our loved ones gone before We will sit on the banks of the river Where we'll meet to part no more |
Subject: Lyr Add: DELIVERANCE WILL COME / WAYWORN TRAVELER From: Richie Date: 13 Dec 08 - 06:51 PM Wayworn Traveler is from "Deliverance will come" by John B. Matthias in 1836. It was first recorded by Uncle Dave Macon in 1926. Here's some info: DELIVERANCE WILL COME (AKA "THE WAYWORN TRAVELER") HEDY WEST: ... a once popular religious song which tells in compression the same story as Bunyan's "Pilgrim's Progress" and which was often printed in pre-Civil War songsters and hymnals in both German and English. It was sometimes attributed to the Methodist circuit-riding preacher John B. Matthias (1767-1848). WAYWORN TRAVELER was several times recorded on hillbilly discs in the 1920s and 1930s. My grandmother heard it and sang it in church when she was a child. It may also have been one of the hymns she heard sung by the community of Germans who had immigrated to Gilmer County, Georgia, around 1900. In church they sang in German while everyone else sang simultaneously in English.... The tune of this hymn was used by Bob Dylan for his own Paths of Victory. In the 1880s, the tune was also used by the "People's PLISTEN for a song depicting the plight of the American Farmer, "Pans of Biscuits." DELIVERANCE WILL COME Uncle Dave Macon, 1926 I saw a wayworn traveler in tattered garments clad, And struggling up the mountain, it seemed that he was sad. His back was laden heavy, his strength was almost gone, Yet he shouted as he journeyed ''Deliverance will come!" CHORUS: Then palms of victory, crowns of glory, Palms of victory I shall wear. The songstress in the arbor, that stood beside the way, Attracted his attention, inviting his delay. His watchword being "Onward!" he stopped his ears and ran, Still shouting as he journeyed, ''Deliverance will come!" I saw him in the evening, the sun was bending low, He'd over-topped the mountain and reached the vale below. He saw the golden city, his everlasting home, And shouted loud, ''Hosanna, deliverance has come!" I heard the song of triumph they sang upon that shore, Saying, ''Jesus has redeemed us to suffer nevermore.'' Then casting his eyes back-ward on the race that he had run, He shouted loud, ''Hosanna, deliverance has come!" VERSION #2 Lyrics as recorded by The Original Carter Family, New York, NY, Jun 8, 1936 (Decca De 5240); transcribed by Manfred Helfert. I saw a wayworn traveler in tattered garments clad, And struggling up the mountain, it seemed that he was sad. His back was laden heavy, his strength was almost gone, It [sic] shouted as he journeyed, ''Deliverance will come!" CHORUS: Then palms of victory, crowns of glory, Palms of victory I shall wear. The summer sun was shining, the sweat was on his brow, His garments worn and dusty, his step seemed very slow. But he kept pressing onward, for he was wending home, Still shouting as he journeyed, "Deliverance will come!" The songstress in the arbor, that stood beside the way, Attracted his attention, inviting his delay. His watchword being "Onward!" he stopped his ears and ran, Still shouting as he journeyed, ''Deliverance will come!" While gazing on that city, just o'er that narrow flood (?), A band of holy angels came from the throne of God. They bore him on their pinions, they bore the dashing foam, And joined him in his triumph, "Deliverance has come!" THE WAYWORN TRAVELER- Carter Family 1936 I saw a wayworn traveler, in tattered garments clad And struggling up the mountain, it seemed that he was sad His back was laden heavy, his strength was almost gone Yet shouted as he journeyed, Deliverance will come Then palms of victory, crowns of Glory Palms of victory I shall wear The summer sun was shining, the sweat was on his brow His garments worn and dusty, his steps seemed very slow But he kept pressing onward for he was wending home Still shouting as he journeyed, Deliverance will come Then palms of victory, crowns of Glory Palms of victory I shall wear [INSTRUMENTAL BREAK] The songsters in the arbor that stood beside the way Attracted his attention, inviting his delay His watchword being onward, he stopped his ears and ran Still shouting as he journeyed, Deliverance will come Then palms of victory, crowns of Glory Palms of victory I shall wear While gazing on that city just o'er that narrow flood A band of holy angels came from the throne of God They bore him on their pinions before the dashing foam And joined him in his triumph, Deliverance has come Then palms of victory, crowns of Glory Palms of victory I shall wear DELIVERANCE WILL COME- Matthais (from a web-site on-line) I saw a way-worn traveler In tattered garments clad, And struggling up the mountain, It seemed that he was sad; His back was laden heavy, His strength was almost gone, Yet he shouted as he journeyed, Deliverance will come. The summer sun was shining, The sweat was on his brow, His garments worn and dusty, His steps seemed very slow: But he kept on pressing onward, For he was wending home; Still shouting as he journeyed, Deliverance will come. The tempter in the arbor, That stood beside the way, Attracted his attention, Inviting his delay: His watchword being "Onward!" He stopped his ears and ran, Still shouting as he journeyed, Deliverance will come. I saw him in the evening, The sun was bending low, He'd overtopped the mountain, And reached the vale below: He saw the golden city, His everlasting home, And shouted loud, Hosanna, Deliverance will come! While gazing on that city, Just o'er the narrow flood, A band of holy angels Came from the throne of God: They bore him to the Savior, Safe o'er the dashing foam; And joined him in his triumph, Deliverance has come! I heard the song of triumph They sang upon that shore, Saying, Jesus has redeemed us To suffer nevermore: Then, casting his eyes backward On the race which he had run, He shouted loud, Hosanna, Deliverance has come! |
Subject: Lyr Add: WAVE ON THE SEA From: Richie Date: 13 Dec 08 - 06:21 PM "Wave (sic) on the Sea" is a tradional English ballad based on The Mermaid (Child 289). The Carters version of the ballad is not a good one. The song has been traced back to 1765 and different titles are: "The Mermaid," "The Wrecked Ship" "Black Friday" "Waves on the Sea" "Three Sailor Boys" "The Sinking Ship" RECORDINGS: Emma Dusenberry, "The Mermaid" (AFS, 1936; on LC58) {Bronson's #40} William Howell, "The Mermaid" (on FSBBAL2) Bascom Lamar Lunsford, "The Mermaid Song" (on BLLunsford01) {cf. Bronson's #32} New Lost City Ramblers, "Raging Sea" (on NLCR02) Ernest Stoneman & His Blue Ridge Corn Shuckers, "The Raging Sea, How It Roars" (Victor Vi 21648, 1928) WAVE ON THE SEA- Carter Family 1941 Oh, the waves on the sea, how they roll And the chilly winds, how they do blow; My own true love got drowned in the deep And the ship never got to the shore. Oh the first on the deck was the porter of the ship And a rough-looking fellow was he; Says, "I care no more for my wife and my child Than I do for the fish in the sea." Well, I left my dear darling a-grieving Well, I left my dear darling a-grieving Well, I left my dear darling a-grieving after me For I never expect to see her any more. |
Subject: Lyr Add: THE WANDERING BOY (Carter Family) From: Richie Date: 13 Dec 08 - 06:02 PM Wandering Boy is "Somebody's Boy is Homeless Tonight" by R.S. Hanna in 1984. THE WANDERING BOY- Carter Family Out in the cold world and far away from home Somebody's boy is wandering alone No one to guide him and keep his footsteps right Somebody's boy is homeless tonight Out in the hallway there stands a vacant chair Yonder's the shoes my darling used to wear Empty the cradle, the one that's loved so well How I miss him, there's no tongue can tell Bring back my boy, my wandering boy Far, far away, wherever he may be Tell him his mother, with faded cheeks and hair At their old home is waiting him there Oh, could I see him and fold him to my breast Gladly I'd close my eyes and be at rest There is no other that's left to give me joy Bring back my boy, my wandering boy Well I remember the parting words he said We'll meet again where no sad tears are shed There'll be no good-byes in that bright land so fair When, done with life, I'll meet you up there Bring back my boy, my wandering boy Far, far away, wherever he may be Tell him his mother, with faded cheeks and hair At their old home is waiting him there |
Subject: Lyr Add: WALKING THE KING'S HIGHWAY From: Richie Date: 13 Dec 08 - 05:45 PM Walking in the King's Highway is a gospel song by A.J, Showalter in 1901.The Carter's 1938 ercording followed the 1930 recording by the Gordon County Quartet. Tommy Dorsey recorded a version in 1940. WALKING THE KING'S HIGHWAY-Carter Family We shall see the desert as the rose Walking in the king's highway There'll be singing where salvation goes Walking in the king's highway CHORUS: There's a highway there and a way Where sorrow shall flee away And the light shines bright as the day Walking in the king's highway We shall see the glory of the lord Walking in the king's highway And behold the glory of his word Walking in the king's highway There the rain shall fall upon the ground Walking in the king's highway And the springs of water shall be found Walking in the king's highway No unclean things shall pass o'er here Walking in the king's highway Just the ransomed ones without a fear Walking in the king's highway |
Subject: RE: Origins: The authors of the 'Carter Family songs' From: Q (Frank Staplin) Date: 13 Dec 08 - 05:30 PM Across the eastern countries? Yep, that's what they sang. |
Subject: Lyr Add: WABASH CANNONBALL From: Richie Date: 13 Dec 08 - 05:18 PM Wabash Cannonball is originally from "The Great Rock Island Route" credited to J. A. Roff in 1882. It rewritten in 1904 as "Wabash Cannon Ball," perhaps by William Kindt, who copyrighted it. Cohen suspects the rewrite preceded Kindt's 1904 publication, and common tune is not the same as either Roff's or Kindt's. The Carters 1929 recording was very popular until Roy Acuff adopted the song when he played it on the Grande Ole Opry circa 1939. I never like the way the Carters and others rhymed "shore" with "shore" in the opening verse. WABASH CANNONBALL- Carter Family 1929 Out from the wide Pacific to the broad Atlantic shore She climbs flowery mountains over hills and by the shore Although she's tall and handsome and known quite well by all She's a regular combination of the Wabash Cannonball Oh, the eastern states are dandy, so the western people say Chicago, Rock Island, St. Louis by the way To the lakes of Minnesota where the rippling waters fall No changes can be taken on the Wabash Cannonball Oh, listen to the jingle The rumble and the roar As she glides along the woodlands Over hills and by the shore She climbs the flowery mountains Hear the lonesome hobo squall She glides along the woodlands The Wabash Cannonball [INSTRUMENTAL BREAK] Oh, here's to Daddy Claxton, let his name forever be And long be remembered in the ports of Tennessee For he is a good old rounder till the curtain round him fall He'll be carried back to victory on the Wabash Cannonball I have rode the I.C. Limited, also the Royal Blue Across the eastern countries on mail car number two I have rode those highball trains from coast to coast that's all But I have found no equal to the Wabash Cannonball Oh, Listen to the jingle The rumble and the roar As she glides along the woodlands Over hills and by the shore She climbs the flowery mountains Hear the merry hobo squall She glides along the woodlands The Wabash Cannonball [INSTRUMENTAL BREAK |
Subject: Lyr Add: TWO SWEETHEARTS From: Richie Date: 13 Dec 08 - 04:40 PM Two Sweethearts is a popular parlor song from Moran and Helf in 1897. The Carters made the 8th country recording in 1932. TWO SWEETHEARTS- Carter Family 1932 A crowd of young fellows one night at a ball Were telling of sweethearts they had All seemed jolly except one lad Who seemed downhearted and sad Come join us, Ned, his comrades then said Surely some girl has loved you Then raising his head, proudly he said I'm in love with two One has hair of silver-gray The other one is just like gold One is young and youthful, too The other one is aged and old But dearer than life are they both to me From neither would I part One is my mother, God bless her, I love her The other one is my sweetheart [INSTRUMENTAL BREAK] My sweetheart is a poor working girl I'm determined to wed Father said no, 'twill never be so You must marry an heiress instead Mother was young, she knows how it is When father met her she was poor Ned, don't fret, she'll be your wife yet For he will consent, I am sure One has hair of silver-gray The other one is just like gold One is young and youthful, too The other one is aged and old But dearer than life are they both to me From neither would I part One is my mother, God bless her, I love her The other one is my sweetheart |
Subject: Lyr Add: THIS IS LIKE HEAVEN TO ME From: Richie Date: 13 Dec 08 - 04:18 PM This Is Like Heaven to Me is taken from J.E. French's gospel song with the same title in 1903. Here's the sheet music: http://books.google.com/books?id=AQMca_ptzbMC&pg=PA58&dq=%22This+Is+Like+Heaven+to+Me%22&lr=&as_brr=0&as_pt=ALLTYPES&ie=ISO-8859 THIS IS LIKE HEAVEN TO ME- Carter Family 1933 I find many people who can't understand Why I'm so happy and free I've crossed over Jordan to Canaan's fair land And this is like heaven to me Oh, this is like heaven to me Yes, this is like heaven to me I've crossed over Jordan to Canaan's fair land And this is like heaven to me [INSTRUMENTAL BREAK] I've heard the sweet music, the heavenly chords From gloryland over the sea The soul-thrilling message from Jesus, my Lord And this is like heaven to me Oh, this is like heaven to me Yes, this is like heaven to me The soul-thrilling message from Jesus, my Lord And this is like heaven to me [INSTRUMENTAL BREAK] I'm looking for Jesus in glory to come From glory land over the sea A cloud of bright angels to carry me home And that will be heaven to me Oh, that will be heaven to me Yes, that will be heaven to me A cloud of bright angels to carry me home And that will be heaven to me |
Subject: Lyr Add: THEY CALL HER MOTHER From: Richie Date: 13 Dec 08 - 04:11 PM They Call Her Mother is 1938 song by The Carters that probably is written by A.P. Carter. The lyrics and style are similar to something he would write. THEY CALL HER MOTHER- Carter Family 1938 There's a store by the road in the country Among the hills where the evergreens grow In that store by the road there's a woman Who is different from others I know Now her irony-gray hair's turned to silver And her kind eyes are ever soft and blue Always she has a kind word for others And a smile ever waiting for you [INSTRUMENTAL BREAK] She's adored for her sunny disposition By the women, the children and men In all the neighboring hills they call her Mother For she's really a mother dear to them She is cheerful like the birds in the cedars She is modest like the songs that they sing In the hills nearby they call her Mother For she's really a mother true to them [INSTRUMENTAL BREAK] When the clouds hang low on the mountain And the pines are bent low by the snow Neighbors go to that store by the roadside It's a place that they all love to go Some go there to play cards at the table Some just sit by the warm, cheering fire And dear Mother with kind disposition Finds a way to make all happy there She's adored for her sunny disposition By the women, the children and the men In all the neighboring hills they call her Mother For she's really a mother dear to them |
Subject: RE: Origins: The authors of the 'Carter Family songs' From: Richie Date: 13 Dec 08 - 09:39 AM Thanks artful Codger, Many of the copyrights on early country music songs are not invalid, just because someone copyrighted a song that was not theirs doesn't mean they own the song. They don't own the arrangement if they took the arrangement from someone else. The fact that a few words or the title were changed to avoid copyright infringement doesn't make it valid. Now the copyright date is frozen at 1923 because of the Sony Bono law. Copyright lawyers and huge corporations are intimidating us and preventing the fair use of many songs. Peresonally I think it's wrong. Richie |
Subject: RE: Origins: The authors of the 'Carter Family son From: Artful Codger Date: 13 Dec 08 - 07:47 AM Richie: SJLibrary.org (the San Jose Library catalog) has an entry for "There's No One Like Mother To Me!" (no date listed), with "Davies, Charles" given as both composer and lyricist. And you can find a couple pieces of music by Charles A. Davies at the Levy site, dated 1885 and 1886, though not the piece in question. But Gussie Lord Davis is clearly credited with writing both words and music for the 1885 "There's No One Like Mother To Me", and he was famous for writing tear-jerkers like this. The similarity of his words to the Carters' version is undeniable; I haven't checked the tunes. It's improbable he first wrote and published the song as "Davies" in 1877, when he would only have been 13 or 14. And note that Davis's song title lacks an exclamation mark, while Davies' has one. So it appears there might be two songs with the same title, written by composers with similar surnames. It would be interesting for someone in San Jose to compare the library copy against the scan of Davis's song. |
Subject: RE: Origins: The authors of the 'Carter Family son From: Artful Codger Date: 13 Dec 08 - 06:00 AM This is very welcome information! However, a caveat: Unless you enjoy litigation, bear in mind that the Carters altered many of the songs they sang not only to fit their particular style, but expressly to make their arrangements copyrightable--they were urged to do this by Ralph Peer, their agent/manager. Granted, A.P.'s copyrights often infringed on the copyrights of others, whether intentionally or not; that is now immaterial. In preparing a song, the Carters frequently changed melody lines, chord progressions and lyrics; these changes are identifiable enough that a court might easily detect the Carters' still-copyrighted contributions in your arrangements, unless you derived directly from original or p.d. materials. In short, in most cases, you'll still need to credit the Carters as well as the original authors, and respect their copyrights, however questionable. |
Subject: Lyr Add: THERE'S SOMEONE WAITING FOR ME From: Richie Date: 13 Dec 08 - 12:29 AM There's Someone A-Waiting for Me (There's Somebody Waiting For Me) is from an unknown parlor song that Meade says is pre-1861. It was collected by Randolph from back in the 1890s: http://books.google.com/books?id=g3JtLNe3nroC&pg=PA216&lpg=PA217&dq=THERE%27S+SOMEbody+WAITING+FOR+ME&ie=ISO-8859-1&output=html This should not be confused with the Von Tilzer song by the same title from 1902. I'll look at this again. THERE'S SOMEONE WAITING FOR ME- Carter family All the people of today, they are going far away To the mountains, the lakes, or the sea There's a little spot out west that I always loved the best And there's someone a-waiting for me She'll be happy (She'll be happy) She'll be free (She'll be free When she wanders alone with me It'll be getting quite late When I meet her at the gate And there's someone a-waiting for me Yodel-ay-ee, oh-ah-lee-oh-lay-ee Ah-lee-oh-lay-ee, oh-ah-lay [INSTRUMENTAL BREAK] There's birds in every tree and they sing among the breeze But there's none so happy as me I am going out west and there I'll do my best To build a little home for you and me She'll be happy (She'll be happy) She'll be free (She'll be free When she wanders alone with me It'll be getting quite late When I meet her at the gate And there's someone a-waiting for me Yodel-ay-ee, oh-ah-lee-oh-lay-ee Ah-lee-oh-lay-ee, oh-ah-lay [INSTRUMENTAL BREAK] Oh, the birds that fly above singing dear songs of love O'er the meadows, the valleys so deep Their voices so sweet that they sing me to sleep For I know my darling will not weep She'll be happy (She'll be happy) She'll be free (She'll be free When she wanders alone with me It'll be getting quite late When I meet her at the gate And there's someone a-waiting for me Yodel-ay-ee, oh-ah-lee-oh-lay-ee Ah-lee-oh-lay-ee, oh-ah-lay [INSTRUMENTAL BREAK] |
Subject: RE: Origins: The authors of the 'Carter Family songs' From: Richie Date: 13 Dec 08 - 12:00 AM Curiously Gussie Davies published the song in 1885: http://memory.loc.gov/cgi-bin/ampage?collId=mussm&fileName=sm/sm1885/25900/25967/mussm25967.db&recNum=1&itemLink=D?mussm:1:./tem Obviously the songs are the same. Looks like Charles L. Davies was Gussie L. Davies? Interesting! |
Subject: Lyr Add: THERE'S NO ONE LIKE MOTHER TO ME From: Richie Date: 12 Dec 08 - 11:26 PM According to the Carters biographers "There's No One Like Mother to Me" is word for word as poem Maybelle cut out of a magazine. The poem was actually a "pretty home song" by Charles A. Davies published in 1877 by JC GROENE & Co., 24 and 42 Arcade, Cincinnati, O. THERE'S NO ONE LIKE MOTHER TO ME- Carter Family 1936 Sadly I'm thinking tonight Thinking of the sweet by and by Memories of childhood so bright Come back like a dream with a sigh I've been thinking of friends and of home In that cottage far over the sea No matter wherever I roam There's no one like mother to me There's no one like mother to me No matter how poor she may be I'll go back to that home o'er the sea There's no one like mother to me [INSTRUMENTAL BREAK] When I left that old home o'er the sea I kissed them goodbye at the gate Somebody whispered to me A loving voice asked me to wait Her blessing she gave with a smile And tears on her cheeks I could see How often that sweet face I've missed There's no one like mother to me There's no one like mother to me No matter how poor she may be I'll go back to that home o'er the sea There's no one like mother to me [INSTRUMENTAL BREAK] There's no one like mother to me No matter how poor she may be I'll go back to that home o'er the sea There's no one like mother to me |
Subject: Lyr Add: THERE'S NO HIDING PLACE DOWN HERE From: Richie Date: 12 Dec 08 - 11:17 PM There's No Hiding Place Down Here (No Hiding Place) is another spiritual first recorded by the Famous Jubilee Singers in 1927. The probable source is the Carter's African-American contacts Leslie Riddle and Pauline Gray. For comparison below the Carters is a 1928 printed version: THERE'S NO HIDING PLACE DOWN HERE- Carter Family 1934 [INSTRUMENTAL BREAK] Sister Mary she wears a golden chain Sister Mary she wears a golden chain Sister Mary wears the golden chain There's every link in Jesus' name There's no hiding place down here There's no hiding place down here There's no hiding place down here Well, I run to the rock just to hide my face And the rocks cried out, no hiding place There's no hiding place down here [INSTRUMENTAL BREAK] I'll pitch my tent on the old campground I'll pitch my tent on the old campground I'll pitch my tent on the old campground I'll give Satan one more round There's no hiding place down here There's no hiding place down here There's no hiding place down here Well, I run to the rock just to hide my face And the rocks cried out, no hiding place There's no hiding place down here [INSTRUMENTAL BREAK] Oh, the Devil wears a hypocrite's shoe The Devil wears a hypocrite's shoe The Devil wears a hypocrite's shoe And if you don't watch out he'll slip it on you There's no hiding place down here There's no hiding place down here There's no hiding place down here Well, I run to the rock just to hide my face And the rocks cried out, no hiding place There's no hiding place down here NO HIDING-PLACE DOWN THERE N. I. White, 1928 (1965) American Negro Folk-Songs, p. 121-122, no music. Went down to the rocks to hide my face, (3 times) The rocks cried out no hiding-place, No hiding-place down there. Pharoah's daughter lookin' for roses, (3 times) Stumpted her toe and fell over Moses, No hiding-place down there. Sister Mary wears a golden chain, (3 times) And every link's in Jesus name, No hiding-place down there. Sinnaman sitting on the gates of hell, (3 times) The gates flew open and in he fell, No hiding-place down there. Sinnaman row your boat one side, (3 times) Cause you can't get to heaven on the ebbing tide, No hiding-place down there. Cause hell is deep and hell is wide, (3 times) You can't touch the bottom and you can't touch the side, No hiding-place down there. |
Subject: Lyr Add: THERE'LL BE NO DISTINCTION THERE From: Richie Date: 12 Dec 08 - 10:59 PM There'll Be No Distinction There comes from Blind Alfred Reed in 1929. The Carters recorded their version in 1940. Here's some info and Blind Alfred Reed's lyrics: THERE'LL BE NO DISTINCTION THERE (Blind Alfred Reed) (1929) There'll be no sorrow on that heavenly shore, There'll be no woes at the cabin door. We'll all be wealthy and the poor will all be there, We'll be rich and happy in that land bright and fair, There'll be no distinction there. There'll be no distinction there, There'll be no distinction there, For the Lord is just and the Lord is right, And we'll all be white in that heavenly light, There'll be no distinction there. In the same kind of raiment and the same kind of shoes, We'll all sit together in the same kind of pews, The whites and the colored folks, the gentiles and the Jews, We'll praise the Lord together and there'll be no drinking booze, There'll be no distinction there. Oh when we get to heaven, we will know and understand; No woman will be flirting with another woman's man. There'll be no trouble in that holy happy land; We'll play on golden instruments and shout to beat the band, There'll be no distinction there. We're never blue in heaven, nothing there to wreck the mind; Everybody is our neighbor, all the folks are good and kind. No aggravating women there to boss the men around; When we enter into heaven, we will wear a golden crown, There'll be no distinction there.
THERE'LL BE NO DISTINCTION (Carter Family 1940) There will be no more sorrow on that heavenly shore There'll be no wolfs a howlin' near the old cabin door We will all be quite wealthy and there'll be no more poor When we all get together on that heavenly shore CHORUS: There'll be no distinction there (over there) There'll be no distinction there For the lord am just and the lord am right And we'll all be white in the heavenly light There'll be no distinction there In the same kind of raiment in the same kind of shoes We will all sit together in the same kind of pews The white folks and the colored the gentile and the Jews They will all be so happy that they doesn't refuse They tell me up in heaven we will all be as one And we'll all sing together when the life's crown is won Our fathers and our mothers and sisters will be there For they tell me up in heaven no distinction there |
Subject: Lyr Add: THERE'LL BE JOY, JOY, JOY From: Richie Date: 12 Dec 08 - 10:46 PM There'll Be Joy, Joy, Joy is a spiritual usually known as "In My Father's House." It was recorded first by the Four Wanderers in 1929. A version (In My Father's House) is printed in Carl Sandburg's American Songbag, Harcourt, Sof (1955/1928), p483. A version titled "There'll Be No Liars There" was recorded in 1927 by the Hickory Nuts. If anyone has any versions please post one for comparison. THERE'LL BE JOY, JOY, JOY- Carter Family 1934 There'll be joy, joy, joy Up in my father's house Up in my father's house Up in my father's house There'll be joy, joy, joy Up in my father's house Where there's peace, sweet peace We will all be happy there Up in my father's house Up in my father's house Up in my father's house We will all be happy there Up in my father's house Where there's peace, sweet peace [INSTRUMENTAL BREAK] There'll be no drunkards there Up in my father's house Up in my father's house Up in my father's house There'll be no drunkards there Up in my father's house Where there's peace, sweet peace Don't you want to go up there Up to my father's house Up to my father's house Up to my father's house Don't you want to go up there Up to my father's house Where there's peace, sweet peace We will all be as one Up in my father's house Up in my father's house We will all be as one Up in my father's house Where there's peace, sweet peace There'll be joy, joy, joy Up in my father's house Up in my father's house There'll be joy, joy, joy Up in my father's house Where there's peace, wonderful peace |
Subject: Lyr Add: TELL ME THAT YOU LOVE ME From: Richie Date: 12 Dec 08 - 10:01 PM Tell Me That You Loved Me is a song by Will S. Hayes written in 1866 that's titled "We Parted By The Riverside." The sheet music is at the Levy Collection which can't be linked. The Carters title was probably to prevent copyright/royalty problems as the song had already been recorded by Stoneman and then Kincaid as "We Parted By The Riverside." TELL ME THAT YOU LOVE ME- Carter Family 1932 We parted by the riverside The moon looked down on you and me The stars put on a look of pride The river murmured to the sea The dew drops kissed the blushing rose The mournful winds did sigh One word broke nature's sweet repose That sad word was goodbye Oh, tell me that you love me yet For, oh, this parting gives me pain Please tell me that you'll not forget For we may never meet again [INSTRUMENTAL BREAK] We parted by the riverside Though I have roamed in distant climes My heart has not forgot its pride For I have loved you all the time And I am faithful to you still As long as you are true Let fate bring to me what it will For I love you, only you Oh, tell me that you love me yet For, oh, this parting gives me pain Please tell me that you'll not forget For we may never meet again [INSTRUMENTAL BREAK] Oh, tell me that you love me yet For, oh, this parting gives me pain Please tell me that you'll not forget For we may never meet again |
Subject: RE: Origins: The authors of the 'Carter Family songs' From: Richie Date: 12 Dec 08 - 09:50 PM We need other versions of "Heaven in my View" for now we'll move on to the T-We title songs: Tell Me That You Loved Me; There'll Be Joy, Joy, Joy; There'll Be No Distinction There; There's No Hiding Place Down Here; There's No One Like Mother to Me; There's Someone Awaiting for Me; They Call Her Mother; This Is Like Heaven to Me; Two Sweethearts; Wabash Cannonball; Walking in the King's Highway; Wandering Boy; Wave on the Sea; Wayworn Traveler; We Will March Through the Streets of the City; We Shall Rise; Weary Prodigal Son; Western Hobo; Anyone? |
Subject: Lyr Add: SWEET HEAVEN IN MY VIEW From: Richie Date: 12 Dec 08 - 09:26 PM Sweet Heaven in My View is a spiritual from both the African-American and white tradition usually known as "Heaven in my View" and "Got Heaven in my View." "Heaven in my View" was first recorded in 1926 by Sam Butler and later the same year by the Biddleville Quintette. The song was recorded 7 times before the Carters 1936 recording. According to the Carters biography the song was an old hymn sung at holiness revivals years before that Maybelle remembered. The "Sweet" prefix was probably added the title and chorus to prevent copyright issues and make the song more their own. SWEET HEAVEN IN MY VIEW- Carter Family 1936 Got sweet heaven in my view, hallelujah On my journey I press on, praise the Lord For I'm bound for that holy city Got sweet heaven in my view Oh, my mother, she died and left me I'm alone in this world, I'm alone And my father, he won't own me Got to find me another home Got sweet heaven in my view, hallelujah On my journey I press on, praise the Lord For I'm bound for that holy city Got sweet heaven in my view Oh, you need not talk about me Just because I am crippled and blind For I've got my ticket purchased I've reach heaven just on time Got sweet heaven in my view, hallelujah On my journey I press on, praise the Lord For I'm bound for that holy city Got sweet heaven in my view [INSTRUMENTAL BREAK] And when I get to heaven Take a seat and set right down Looking up to my heavenly father Looking for a robe and a crown Got sweet heaven in my view, hallelujah On my journey I press on, praise the Lord For I'm bound for that holy city Got sweet heaven in my view |
Subject: Lyr Add: SWEET FERN (Carter Family) From: Richie Date: 12 Dec 08 - 09:03 PM According to Charles Wolfe "Sweet Fern was a song AP found in his collecting trips into the east Tennessee hills; more commonly known as Sweet Bird, it was written and copyrighted in 1876 by Thomas Westendorf and George Persley. It shows up in a number of southern folksong collections and had even been recorded the year before (1928) by West Virginia singers Orville Reed and Richard Harold. According to the Meade, Spottswood and Meade discography 'Country Music Sources', Fred Pendleton and Arville Reed recorded 'Sweet Bird' as a vocal duet under their own names in December 1927 and as The Virginia Night Owls in March 1928. Sid Harkreader and Grady Moore also recorded it in March 1928. Richard Harold recorded it in October 1928 with guitar and fiddle backing, but musicians names were not listed. The Carters issued recordings under the 'Sweet Fern' title in 1929 (twice), 1935 and 1936. Fields Ward and His Grayson County Railsplitters also recorded a version in 1929 under the title 'The Birds Are Returning'. There were several recordings in the 1930s under a variety of titles by Bob Cranford and A.P. Thompson (1931), Sweet Violet Boys (Prairie Ramblers) (1936), Aunt Idy Harper and the Coon Creek Girls (1938) and (Charlie) Monroe's Boys (1939). The Carter's biographers Mark Zwonitzer and Chas. Hirshberg report in "Will You Miss Me when I'm Gone": "meanwhile Gladys (AP and Sara's daughter) always insisted her father authored the song. "I can tell you where Daddy wrote a song one time." she said in 1990. "Right over behind the house here. The blackberries were ripe. . . and there's a little old bird up in the tree a-singin' and Daddy was a-throwin berries,and he come back-- Sweet Fern. He got the tune to it from that bird a-singin' to him and (the berries a-hittin' the bucket. And he come back and said "Sary,I thought up a song, and he wrote it and they made that record." 'the historian and the daughter are probably both right, in a way. Like as not, AP did get some lyrics for Sweet Bird. . . and like as not, he did get the idea for the call-and-response arrangement from his blackberry expedition. And like as not, Sara and Maybelle took AP's notion and remade the melody and instrumentals into something barely suggested by the old sheet music." SWEET FERN- Carter Family 1929 Springtime is coming sweet lonesome bird, Your echo in the woodland I hear; Down in the meadow so lonesome you're singing, While the moonlight is shining so clear. Chorus: But I know he's away in a far distant land, A land that's far over the sea; Go fly to him singing your sweet little song, And tell him to come back to me. Sweet Fern, Sweet Fern, Oh, tell me is my darling still true; Sweet Fern, Sweet Fern, I'll be just as happy as you. Yodel: O-dell-eeho-eeho-layhee, edell-leo-leo-layhee, Ay-leo-lay-dee-hee-oh-leolayhee. 2. Oh tell me sweet fern is he thinking of me and the promise we made long ago; He said he'd return from far over the sea oh why do the years go so slow. Chorus/Yodel 3. And upon my finger he placed a small ring on the day he was leaving his home; I said I would be his own dear little girl and would love him wherever he'd roam. Chorus/Yodel |
Subject: Lyr Add: SWEET AS THE FLOWERS IN MAY TIME From: Richie Date: 12 Dec 08 - 08:31 PM Sweet as the Flowers in May Time is a traditional song usually known as "My Mother/Mama Scolds Me For Flirting." It was first recorded by the Carolina Tar Heels in 1927. Randolph collected a version learned prior to 1900. The Carters extra verse is taken from the chorus of the 1867 song "Where There's A Will There's A Way." SWEET AS THE FLOWERS IN MAY TIME- Carter Family 1932 Sweet as the flowers in May time Sweet as the dew on the rose I would rather be somebody's darling As a poor girl who nobody knows Oh, mama scolds me for flirting What is as a poor girl to do Oh, this world would be sad without a lover And this world would be sad without you [INSTRUMENTAL BREAK] Oh, I wish I had someone to love me Someone just to call me their own Be the rule over somebody's kitchen Or the queen over somebody's home Sweet as the flowers in May time Sweet as the dew on the rose I would rather be somebody's darling As a poor girl who nobody knows [INSTRUMENTAL BREAK] Oh, what is the use of us parting Wherever there's a will, there's a way Tomorrow the sun may be shining Although it is cloudy today Sweet as the flowers in May time Sweet as the dew on the rose I would rather be somebody's darling As a poor girl who nobody knows |
Subject: Lyr Add: SUNSHINE IN THE SHADOWS From: Richie Date: 12 Dec 08 - 07:04 PM Sunshine in the Shadows is the song "Heavenly Sunshine" by Lucy Eddie Campbell from Duck Hill Mississippi, who taught at Booker T. Washington High School in Memphis. http://www.memphishistory.org/TheChurch/TheBaptistChurch/LucieCampbell/tabid/151/Default.aspx It was first recorded by Laura Henton I presume in the 1920s. The Carters probably got this African-American gospel song from Leslie Riddle or Pauline Gray. SUNSHINE IN THE SHADOWS Carter family- Original When our hearts are bowed in sorrow And it seems all help is gone Jesus whispers do not falter I will leave you not alone Then somehow amidst my trials How it is I cannot see Then I hear a voice from heaven Gently saying follow me There is sunshine in the shadows There is sunshine in the rain There is sunshine in our sorrows Though our hearts are filled with pain There is sunshine when we're burdened There is sunshine when we pray There is sunshine, heavenly sunshine Blessed sunshine all the way Sometimes my friends forsake me And I'm tempted to despair Then I think of my dear savior Who lay his head, his head nowhere Oh, it pays to follow Jesus Just to learn of him each day And I'll guarantee you, my brother You'll have sunshine all the way There is sunshine in the shadows There is sunshine in the rain There is sunshine in our sorrows Though our hearts are filled with pain There is sunshine when we're burdened There is sunshine when we pray There is sunshine, heavenly sunshine Blessed sunshine all the way |
Subject: Lyr Add: THE SUN OF THE SOUL From: Richie Date: 12 Dec 08 - 06:31 PM Sun of the Soul is from a 1917 Southern gospel song by Curtis Williams titled "When the Lights Have gone Out In Your Soul." It was first recorded in 1927 by Ernest Phipps and his Congregation for Victor "If the Lights Gone Out of Your Soul." Peer probably knew about the Phipps recording and let the Carters record the song with a different title, a common practice to avoid copyright and royalty issues. teh Carters made their version in 1932. THE SUN OF THE SOUL- Carter Family 1932 When the sun of your life has gone down And the clouds in the west turn to gold Endless death will to you then have come If the light has gone out in your soul Oh, just think how in death you would feel With the light growing dim in your soul Oh, how lonely it will be, oh, how still If the light has gone out in your soul [INSTRUMENTAL BREAK] When you come to the end of the way And life's story for you has been told Oh, how sad all to you will appear If the light has gone out in your soul Oh, just think how in death you would feel With the light growing dim in your soul Oh, how lonely it will be, oh, how still If the light has gone out in your soul [INSTRUMENTAL BREAK] When the chilly winds of death around you steal And the sweat upon your brow is damp and cold What a dread in your life you would feel If the light has gone out in your soul When before the judgement bier you shall stand And your deeds of you have been trolled Good and evil appears, oh, what then If the light has gone out in your soul Oh, just think how in death you would feel With the light growing dim in your soul Oh, how lonely it will be, oh, how still If the light has gone out in your soul |
Subject: Lyr Add: THE STORMS ARE ON THE OCEAN From: Richie Date: 12 Dec 08 - 06:08 PM Storms Are on the Ocean is the Carters beautiful rendition of a variant of the large True Lover's Farewell folk song family originating in British Isles. The songs are often called: "Fare You Well, My Own True Love" and the "Ten Thousand Miles" songs. The first collected version in the US is 1906 (Belden). Other sets of lyrics were collected in 1916 and 1917 by Cecil Sharp; he titled the songs "True Lover's Farewell." The Carters first verse, the "if I go ten thousand miles" is found in Sharp No. 114 A. The second and third verses also in Sharp 114 A are from English "The Lass of Roch Royal" or "Lord Gregory" (Child #76): Oh, who will dress your pretty little feet Oh, who will glove your hand Who will kiss your rosy red cheeks When I'm in the far off land In fact the whole song except for the chorus is found in Sharp 114 A. Only the chorus is distinct.Here are some recordings: The Carter Family, "The Storms Are On the Ocean" (Victor 20937, 1927); (Okeh 03160, 1936) A. P. Carter Family, "Storms are on the Ocean" (Acme 993, c. 1949) Delmore Brothers, "The Storms Are On the Ocean" (Bluebird B-8613, 1941) Aunt Molly Jackson, "Ten Thousand Miles" (AFS, 1939; on LC02) Bascom Lamar Lunsford, "Little Turtle Dove" (Brunswick 229, 1928; on BLLunsford01; a composite of all sorts of floating verses, a few of which may be from this song) Lewis McDaniel & Gid Smith, "It's Hard to Leave You, Sweet Love" (Victor 40287, c. 1929) Neil Morris, "The Lass of Loch Royale" (on LomaxCD1701) New Lost City Ramblers, "It's Hard to Leave You, Sweet Love" (on NLCR16) Jean Ritchie & Doc Watson, "Storms Are On the Ocean" (on RitchieWatson1, RitchiteWatsonCD1) [Leonard] Rutherford & [John] Foster, "Storms May Rule the Ocean" (Gennett, rec. 1929; on KMM) Ruby Vass "10,000 Miles" (on Persis1) THE STORMS ARE ON THE OCEAN- Carter Family 1927 and 1935 I'm going away to leave you, love I'm going away for a while But I'll return to you some time If I go 10,000 miles The storms are on the ocean The heavens may cease to be This world may lose its motion, love If I prove false to thee Oh, who will dress your pretty little feet Oh, who will glove your hand Who will kiss your rosy red cheeks When I'm in the far off land The storms are on the ocean The heavens may cease to be This world may lose its motion, love If I prove false to thee [INSTRUMENTAL BREAK] Oh, papa will dress my pretty little feet And mama will glove my hand You can kiss my rosy red cheeks When you return again The storms are on the ocean The heavens may cease to be This world may lose its motion, love If I prove false to thee [INSTRUMENTAL BREAK] Oh, have you seen those lonesome doves Flying from pine to pine A-mourning for their own true loves Just like I mourn for mine The storms are on the ocean The heavens may cease to be This world may lose its motion, love If I prove false to thee [INSTRUMENTAL BREAK] I'll never go back on the ocean, love I'll never go back on the sea I'll never go back on the blue-eyed girl Till she goes back on me [CHORUS] |
Subject: Lyr Add: STERN OLD BACHELOR From: Richie Date: 12 Dec 08 - 05:27 PM Stern Old Bachelor is a traditional song related to the 1860 song, "I'm a Jolly Bachelor." The Carters 1938 version is possibly based on Chubby Parker's versions titled "I'm A Stern Old Bachelor;" he recorded the song three times, first in 1927. Stern Old Bachelor first referenced in print in the 1887 newspaper "Dighton Republic" in Kansas. STERN OLD BACHELOR- Carter Family 1938 I am a stern old bachelor, my age is 44 I do declare I'll never live with women anymore I have a stove that's worth 10 cents, a table worth 15 I cook my gruel in oyster cans and keep my things so clean Oh, little sod shanty Little sod shanty give to me For I'm a stern old bachelor From matrimony free [INSTRUMENTAL BREAK] When I come home at night, I smile and walk right in I never hear a voice shout out, I say, where have you been On a cold and stormy night, in my cozy little shack I sing my songs and think my thoughts with no one to talk back Oh, little sod shanty Little sod shanty give to me For I'm a stern old bachelor From matrimony free [INSTRUMENTAL BREAK] I go to bed whene'er I please and get up just the same I change my socks three times a year with no one to complain At night when I'm in peaceful sleep my snores can do no harm I never have to walk the floor with a baby in my arms Oh, little sod shanty Little sod shanty give to me For I'm a stern old bachelor From matrimony free [INSTRUMENTAL BREAK] And when I die and go heaven as all good bachelors do I will not have to grieve for fear my wife will get there, too Oh, little sod shanty Little sod shanty give to me For I'm a stern old bachelor From matrimony free |
Subject: Lyr Add: ST REGIOUS GIRL From: Richie Date: 12 Dec 08 - 02:33 PM Hi Q, Brumley wasn't above copyrighting other people's songs, not sure how he pretended it fit his "Christian" morals. I personally have questioned his authorship of "I'll Fly Away" the chorus of which I traced to an African-American song predating his copyright. It's probably been changed enough so that the copyright is valid... still I wonder. St. Regious Girl (sic) is usally "St. Regis Girl" and it refers to an indian maiden. The Carters recorded the song in 1938. Saint Regis Maiden as I recall is basically a version of "Red River Valley." I'm sure this was a known version of the song but can't find the info on-line. I think Fowke referenced it. If anyone has more info or a link to the recording it would help. ST REGIOUS GIRL-Carter Family 1938 In a pine shaded grave by the river Where the nightingale sings sad and low All alone lies a St Regis maiden Who did sing this sad song years ago Never more will my heart fill with gladness As I stroll through the forest again For to prison they've taken my lover That's why my poor heart's full of pain When in prison your dying from sorrow I hope you'll recall those last days That together we spent in this valley And the vows that we've shared on its quay Oh if I could but burn down that prison To steal you away for awhile They could carry me off to the gallows And I'd go to my doom with a smile When the moon is high in the heaven And the mountains do gleam in its light How often I'll dream of you sweetheart As I mourn there alone in the night There will be a green grave in the forest And people when passing that way Will think of that St Regis maiden As she lies there alone in the clay A shadow has crossed o'er the valley Where once only sunshine did reign But where ever life's pathway may lead me I shall ever remember our dream In the future someday I will meet you On the bright shore so far from this world And there before God I will greet you That's the dream of the St Regis girl |
Subject: RE: Origins: The authors of the 'Carter Family songs' From: Q (Frank Staplin) Date: 12 Dec 08 - 01:33 PM Albert E. Brumley, the evangelist, took copyright on a large number of arrangements, including some of those also "arranged" and copyrighted by the Carters. One of these is "The Picture on the Wall;" Brumley's copyright of 1938 is handled Stamps-Baxter (or whomever controls that company now). "Two Little Orphans," and several descendants, subject of a Mudcat thread, was copyright by him and M. Lynwood Smith in 1966. Arrangements of "Home on the Range," "Listen to the Mocking Bird" and "Grandfather's Clock" were copyright in 1966 by Smith for arrangements in "Lamplightin' Songs," published by a Brumley company. "Cowboy's Dream" (Last night as I lay on the prairie) is another with a Brumley arrangement copyright. Not posted yet, but "When the roses bloom in Dixieland" resembles "When it's springtime in the Rockies." |
Subject: Lyr Add: SOW 'EM ON THE MOUNTAIN From: Richie Date: 12 Dec 08 - 12:54 PM Sow 'Em on the Mountain is a traditional spiritual recorded by the Carters in 1930. It was leter recorded by the Coon Creek Girls and Woody Guthrie as "Sowing on the Mountain." "Sow 'em is a mishearing of "Sowing" so clearly this is a song they learned from another source. According to one author "Sowing On the Mountain" is a traditional gospel song in which the biblical warning of "fire next time" takes on additional meaning in the nuclear age. In my opinion the song is based on the verse of the 1874 hymn "Bringing in the Sheaves:" Sowing in the morning, sowing seeds of kindness, Sowing in the noontide and the dewy eve. There is also a relationship in form and content to "This Train is Bound for Glory. SOW 'EM ON THE MOUNTAIN-Carter Family 1930 Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley You gonna reap just what you sow If you've been a gambler, better quit your gamblin' If you've been a gambler, better quit your gamblin' If you've been a gambler, better quit your gamblin' 'Cause you gonna reap just what you sow Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley You gonna reap just what you sow If you been a tattler, you better quit your tattling If you been a tattler, you better quit your tattling If you been a tattler, you better quit your tattling 'Cause you gonna reap just what you sow Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley You gonna reap just what you sow If you been a liar, you better you quit your lying If you been a liar, you better you quit your lying If you been a liar, you better you quit your lying 'Cause you gonna reap just what you sow Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley Sow 'em on the mountain, reap 'em in the valley You gonna reap just what you sow |
Subject: Lyr Add: THE SPIRIT OF LOVE WATCHES OVER ME From: Richie Date: 12 Dec 08 - 12:23 PM Spirit of Love Watches Over Me is a 1932 gospel song by the Carters based on a song byy George Lindley circa 1840. George Linley (1798-September 10, 1865), was a verse-writer and musical composer. The son of a tradesman, he was born at Leeds in 1798, and partly educated at Eastbury's Quaker school. Linley contributed verses to the local newspapers, and published some pamphlets before leaving Leeds in early life. After a residence in Doncaster (see Modern Hudibras, p. 66 ) and Edinburgh, he finally settled in London, where he made some reputation as the writer and composer of songs and ballads. Linley wrote and composed several hundred songs between 1830 and 1865. Among his most fashionable and popular ballads, composed between 1830 and 1847,were, Thou art gone from my gaze, Song of the roving gipsey, and Constance. Here's a link to the sheet music: http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.100007358/enlarge.html?page=2§ion=&size=640 THE SPIRIT OF LOVE WATCHES OVER ME-Carter Family 1932 [INSTRUMENTAL BREAK] Thou art gone from my gaze like a beautiful dream And I seek there in vain by the meadow and stream Oft I breathe out your name to the winds floating by But the sweet voice is mute to my cry [INSTRUMENTAL BREAK] In the stillness of night when the stars mightily shine My heart fondly holds a communion with thine For I feel thou art near and where e'er I may be That the spirit of love watches me [INSTRUMENTAL BREAK] Oft the birds in the bower now companion I make Every simple wildflower I prize for the sake Deep woods and dark clouds can now pleasure impart For the solitude suits my poor heart [INSTRUMENTAL BREAK] Thou art gone from my gaze, yet I will not repine E'er long we shall meet in a home that is thine For I feel thou art near and where e'er I may be That the spirit of love watches me |
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