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Songs of the Sailor and Lumberman

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In Mudcat MIDIs:
The Alabama
The Anchor's A-Weigh (doerflinger)
Beware of Larry Gorman
The Boys of the Island
Burns's Log Camp
Byrontown
Call John the Boatman
Charles Gustavus Anderson
Come Down You Bunch of Roses
Corbitt's Barkentine
The Dark Eyed Sailor
The Donzella and the Ceylon
Duffy's Hotel
The Famous Light Brigade
The Female Warrior
The Flat River Girl
The Gale of August,'27
Gimme de Banjo
The Gull Decoy
Hanging Johnny
Harry Dunne
Hello, Somebody
I'm a Decent Boy from Ireland
Jack Haggerty
Jack Tar
The Jealous Lover
John Dameray
Let Go the Reef Tackle
A Long Time Ago (4)
A Long Time Ago (6)
The Maids of Simcoe
McCollam Camp
McKinley Brook
The Millman Song
Paddy, Get Back
The Red Light Saloon
Reuben Ranzo (1)
Reuben Ranzo (2)
Roll the Cotton Down (1)
Roll the Cotton Down (2)
Rufus' Mare
The Schooner Blizzard
The Schooner Kandahar
The Scow on Cowden Shore (version one and two use the same tune.)
The Scow on Cowden Shore (3)
Shallo Brown
The Silk Merchant's Daughter
So Handy
The Spring trip of the Schooner Ambition
Susiana
Tomah Stream
A Trip to the Grand Banks
Were you ever in Dumbarton
The Wife of Kelso
The Wily auld Carle
The Winter of '73
Young Forbest


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Subject: Lyr Add: THE BOYS OF THE ISLAND
From: MMario
Date: 02 Jan 03 - 10:54 AM

THE BOYS OF THE ISLAND
(from the singing of Jared MacLean)
(Doerflinger - Songs of the Sailor and Lumberman' - pp 218-219)

Come all ye young fel-lows of Prince Ed-ward Is-land,
come list to my song and I'll tell you the truth:
It's true I'm a na-tive of Prince Ed-ward Is-land,
I'll ad-vise ev-'ry young and sen-si-ble youth.

Now, the boys on the Island, they say they're not happy
to work on the farm; they say it's no good.
They talk foolish nonsense, they're rambunctious crazy,
To go off to Bangor and work in the woods.

Now, a new suit of clothes is prepared for the journey,
a long pair of boots made by Sherwood and Clark,
And a fine Kennebecker filled up with good homespun
and then the young Islander takes his embark.

When he reaches Bangor, gits off at the station,
Old woodsmen gaze on him all with a keen eye,
for they know by the clothes that the youngster is wearing,
It is easily seen that he came from P.I.

Now a lumberjack's life is of short duration,
Made up of tobacco, hard work and bad rum,
But according to Scripture, there are a hereafter,
And the worst of your days, boys, has yet got to come.

The boys of the Island is oft times in trouble,
God, man and the Devil to them's all the same.
Such up-river tearing, blaspheming and swearing,
Drinking and fighting 'tis their down-river game.

Brade Kelley will poison a man with bad whiskey,
For pastime they will banish their lager and ale;
Then on the corner when he does get frisky,
They will call for Tim Carey to take him to jail.

Now, if this be the law, by the mother of Moses,
They have better laws 'mong the heathen Chinees.
They go out and git drunk and come in and git sober,
Thwy go out when they like and come in when they please.


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Subject: Tune Add: THE BOYS OF THE ISLAND
From: MMario
Date: 02 Jan 03 - 11:51 AM

N-The Boys of the Island
C-from the singing of Jared MacLean
A-
T-
S-120
K-Eb
B-6/8
F-
H-
M-5R-2 R-8 G-8 E-8 G-8 F-8 E-0 G-9 b-8 c-8 b-8 c-8 b-8 G-8 F-8 E-8 G-8 b-8 e-8 d&8 c-8 b-8 a-8 G-8 F-8 R-8 G-8
L-Come all ye young fel-lows of Prince Ed-ward Is-land, come list to my song and I'll tell you the truth; It's
H-
M-4E-9 E-0 E-8 E-8 G-8 b-8 c-8 b-8 c-8 b-8 G-8 b-0 b-0 e-8 d-8 c-8 b-8 R-8 G-8 F-8 C-9 D-0 E-8 R-4
L-true I'm a na-tive of Prince Ed-ward Is-land, I'll ad-vise ev-'ry young and sen-si-ble youth.


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Subject: Lyr Add: HARRY DUNNE
From: MMario
Date: 02 Jan 03 - 12:07 PM

HARRY DUNNE
(from the singing of Archie Lant)
(Doerflinger - 'Songs of the Sailor and Lumberman' - p222)

there's man-y a young Ca-na-di-an boy leaves home and friends so dear,
And long-ing for ex-pee-ri-ment, to Mich-i-gan to steer.
In less than three months af-ter, a tele-e-gram does come,
Say-ing, Your son was killed in the lum-ber-ing woods, His bod-y we'll send home,

I once did know a charming youth by the name of Harry Dunne
His father was a farmer in the county of Odun.
He had everything he wanted, and a farm of good land,
But he only wanted to have a time in the woods of Michigan.

see Dt songfile:HarryDun


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Subject: Tune Add: HARRY DUNNE
From: MMario
Date: 02 Jan 03 - 03:24 PM

N-Harry Dunne
C-
A-
T-
S-100
K-G
B-3/4
F-
H-
M-5D-3 E-4 D-4 E-4 c-3_c-4 a-4 b-4 a-4 b-4 G-4_
L-There's man-y a young Ca-na-di-an boy
H-
M-5G-2 E-4 D-2 E-4 G-2 G-4 G-5 R-8 R-4 R-2 b-4
L-leaves home and friends so dear And
H-
M-5c-2 d-4 e-2 e-4 d-8 b-2_b-8 G-2 d-4 b-2 a-4
L-long-ing for ex-pee-ri-ment, to Mich-i
H-
M-5a-8_G-5 E-4 D-2 R-4 R-2 b-4 c-2 d-4 e-5 e-5
L-gan to steer. In less then three months
H-
M-5d-2_b-4 G-5 R-8 d-4 b-2 a-4 a-8_G-5 E-4 D-5 R-5
L-af-ter, a tel-e-gram does come
H-
M-5R-2 T34aD-8 D-8 D-8 E-2 E-4 c-2 a-8 a-8 b-4 a-4 b-4 G-4 R-2
L-say say-ing your son was killed in the lum-ber-ing woods
H-
M-1E-4 D-2 E-4 G-2 G-4 G-2
L-his bod-y we'll send home.


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Subject: Lyr Add: YOUNG FORBEST
From: MMario
Date: 02 Jan 03 - 04:01 PM

YOUNG FORBEST
(from the singing of Pat Lumson)
(Doerflinger - 'Songs of the Sailor and Lumberman')

Come all you young men from the Nash-wask,
It's of a young man I'm going' to talk,
Young El-mer For-best wasa this man's name,
Of Christ-ian par-ents this young man came.

He worked five years for John MacBean*
He worked five years for John MacBean.
he worked five years in his employ,
And they called him their own serving boy.

The marched them up John Sullivan's hill,
the marched them to the forest gree
It was there to behold it was there to be seen,
With axes keen the cut them down**
And on the wagon their lumber bound.

The choppers stopped, they heard a groan,
The wagon partee, but never broke,
the wagon parted but never broke;
Young Forbest fel, and he never spoke.

His comrades washed his hands and face all o'er;
And for this young man they could do no more.
His parents bore him down, and on his grave you can sit and*** weep
While he lies under, fast asleep

These lines were written by a blind man,
and every verse it is complete
And every line it is the truth,
Here ends the days of a faithful youth

*pronounced McBane
** repeat notes for line three for line four
*** the quarter note that would normally follow the eight note for "grave" becomes 4 16ths regular melody resumes on dotted quarter for "weeps"


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Subject: Tune Add: YOUNG FORBEST
From: MMario
Date: 02 Jan 03 - 04:24 PM

N-Young Forbest
C-
A-
T-
S-100
K-F
B-6/8
F-
H-
M-5C-5 F-4 G-8 a-4_a-8 F-4 a-8 b-8 b-4 G-5 R-4 C-8 F-4 G-8 a-4_a-8 F-4 a-8
L-Come all you young men from the Nash-waak.It's of a young man I'm
H-
M-5b-8 c-0_b-0 a-8_a-5 R-4 C-8 F-8_F-8 G-8 a-4_a-8 F-4 a-8 b-8 b-4 G-5 R-4 C-8 F-4 G-8
L-goin' to talk, YOung El-mer For-best was this man's name; Of Christ-ian
H-
M-2a-5 F-4 G-8 F-8 E-4 F-5
L-par-ents this young man came.


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Subject: Lyr Add: THE SCOW ON COWDEN SHORE
From: MMario
Date: 06 Jan 03 - 09:39 AM

THE SCOW ON COWDEN SHORE (1)
(from the singing of Willie Norrad)
(Doerflinger - 'Songs of the Sailor and Lumberman' pp234)

My name is Lar-ry Gor-man, to you I mean no har-rm.
You need-n't be a-lar-rmed, you've heard of me before
I can make a song and sing it, and into me-tre bring it,
and the ti-tle that I give it is 'The Scow on Cow-den Shore'


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Subject: Lyr Add: THE SCOW ON COWDEN SHORE (2)
From: MMario
Date: 06 Jan 03 - 09:59 AM

THE SCOW ON COWDEN SHORE (2)
(from the singing of Herbert Hinchey)
(Doerflinger - 'Songs of the Sailor and Lumberman' -pp234-235)

Oh, my name is Larry Gorman, to you I mean no har-rm;
And don't you be offended, for of me you'e hear before.
I can make a song and sing it, and in good metre bring it,
and the title that I'll give it is 'The Scow at Cowden Shore'

We've go men of every nation, with dark and swarthy faces
to gain and occupation I'll wtry and name them o'er/
Island men and Restigouchers, Nashwaakers and Pugmooshers,
All assembled here together round the scow at Cowden Shore.

We got men from oromocto, and more from Riichibucto,
From Frederiction and Bathurst and Macdonals from Baras d'Or.
Night ramps and gallivanters, swift runner and fast canters,
All assemplbe her together round the scow at Cowden Shore.

Oh, there the two young Joyces, with their unhuman voices,
Making all kinds o' noises ontil their throat is sor
A bear-wolf or Indian Devil, he would be far more civil
Than this oncultivated rubbish round the scow at Cowden Shore.

Now, Dan Brown and Billy buggy on night got very gorggy,
the night was dark and foffy, they put up a heduous roar.
Being somewhat agaitated and very much excited,
All hands they did upright it round the scow at Cowden Shore.

Now, there;s the widow Whinney, it's she sells cokeaninny,
and to catch the poor fools' pennies she sells apples by the score.
she sells run and gin and cider, whiskey, ale and fly-beer
that makes them whoop ans stagger round the scow at Cowden Shore

Now, Dan Brown's a splendind singer, and in quadrilles he'll swing her,
good tidin's he will bering her of a new bank kill and more,
She'll laugh and she'll be funny for she knows he's got the money,
And she'll call him her darling honey from the scow at Cowden shore.

Now the dudes they spend their dollars in white shirts and paper collars,
and in good whiskey waller; they'll fight and git them tore.
they'll curse and they will wrangle, each other they will mangle,
They're called hard men to handle on the scow at Cowden shore.


NOTE:
This uses the same tune as the example from Willie Norrad.


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Subject: Tune Add: THE SCOW ON COWDEN SHORE
From: MMario
Date: 06 Jan 03 - 10:59 AM

N-The Scow on Cowden Shore
C-from the singing of Willie Norrad
A-
T-
S-108
K-G
B-6/8
F-
H-
M-5R-2 R-8 c-8 d-4 d-8 d-4 b-8 b-8 a-4_a-4 b-8 c-4 a-8 a-4 G-8 F-8_D-4_D-4 F-8
L-My name is Lar-ry Gor-man to you I mean no har'rm You
H-
M-3G-4 G-8 G-4 b-8 d-8 d-4_d-4 d-8 e-8 d-4 c-4 a-8
L-need-n't be a-lar-rmed, you've heard of me be
B-9/8
H-
M-1d-5 R-5 b-4 c-8
L-fore, I can
B-6/8
H-
M-1d-4 d-8 e-4 c-8 c-8 a-4_a-4 b-8 c-4 a-8 b-8 a-4 F-8 D-8 R-8 E-4 F-8 G-8 G-4 D-4 D-8
L-make a song and sing it, and in-to me-tre bring it, and the ti-tle that I
H-
M-1d-8 d-4 d-4 c-8 a-4 G-8 E-4 a-8 G-5 R-5
L-give it is the Scow on Cow-den Shore.


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Subject: Lyr Add: THE SCOW ON COWDEN SHORE (3)
From: MMario
Date: 06 Jan 03 - 03:37 PM

THE SCOW ON COWDEN SHORE (3)
(from the singing of Charlie Chamberlin)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp235-236)

Mi-chael Hayd'n and Pat-rick Bug-gy on night got ver-y drug-gy,
Oh, the night was sark and fog-gy, you could hear the dead-ly roar;
There were men from Ri-chi-buc-to and more brom O-ro-moc-to,
Res-ti-gouch-ers and Pug-moosh-ers and Mac-Don-alds by the score

He could make a song and sing it, and into rhyme he'd bring it,
And the ti-tle I will give the tune is 'Fair-bank Bul-la-more'
There were men of dif-ferent ra-ces with their pale and swarth-y fa-ces,
and they were hard men to con-quer on the scow on Cow-en shore.


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Subject: Tune Add: THE SCOW ON COWDEN SHORE
From: MMario
Date: 07 Jan 03 - 01:52 PM

N-The Scow on Cowden Shore (3)
C-from the singing of Charlie Chamberlin
A-
T-
S-108
K-G
B-6/8
F-
H-
M-5R-5 b-4 c-8 d-4 d-8 d-4 b-8 c-8 b-4_b-4 G-8 a-4 a-8 a-4 G-8 F-8 D-4 E-4 F-8
L-Mi-chael Hayd'n and Pat-rick Bug-gy one night got ver-y drug-gy, Oh, the
H-
M-3G-4 G-8 G-4 a-8 G-4 a-8 b-4 c-8 d-4 d-8 b-4 G-8
L-night was dark and fog-gy, you could hear the dead-ly
B-9/8
H-
M-1c-2_c-8 R-8 b-4 c-8
L-roar; there were
B-6/8
H-
M-5d-4 d-8 d-4 a-8 b-8 b-4_b-4 G-8 a-4 b-8 a-4 G-8 F-4 D-8 E-4 F-8 G-4 F-8 G-4 a-8
L-men from Ri-chi-buc-to and more from O-ro-moc-to, Res-ti-gouch-ers and Pug-
H-
M-5b-4 c-8 d-4 b-8 a-8 a-4 G-4 F-8 G-5 R-5 R-5 b-4 c-8 d-4 d-8 d-4 d-8
L-moosh-ers and Mac-Don-alds by the score He could make a song and
H-
M-5c-8 b-4_b-4 G-8 a-4 b-8 a-4 E-8 F-4 D-8 E-4 F-8 G-4 G-8 G-4 G-8 G-4 a-8 b-4 c-8
L-sing it, and in-to rhyme he'd bring it, And the ti-tle I will give the tune is
H-
M-5d-4 d-8 b-8 G-4 c-2_c-8 R-8 R-5 b-4 c-8 d-4 d-8 d-4 b-8 c-4 b-8 a-4 G-8
L-'Fair-bank Bul-la-more' There were men of dif-ferent ra-ces with their
H-
M-5a-4 b-8 a-4 E-8 F-4 D-8 E-4 F-8 G-4 F-8 G-4 a-8 b-4 d-8 d-4 G-8 F-4 a-8 G-4 F-8
L-pale and swarth-y fa-ces, and they were hard men to con-quer on the scow on Cow-en
H-
M-1G-5 R-5
L-shore.


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Subject: Lyr Add: THE MAIDS OF SIMCOE
From: MMario
Date: 07 Jan 03 - 02:08 PM

THE MAIDS OF SIMCOE
(from the singing of Archie Lant)
(Doerflinger - Songs of the Sailor and Lumberman - pp241-242)

Come all ye maids of Sim-coe, give ear to what I write,
In cross-ing Lake On-ta-ri-o where rafts-men take de-light.
In cross-ing Lake On-ta-ri-o as jol-ly rafts-men do,
While your low-land, loaf-ing farm-ers can stay at home with you.

The lowland loafing farmers they thell their girls fine tales
All of the dangers they go through in crossing over their fields,
In cutting off their grass so green that's all what they can do,
Whilst us poor jolly raftsmen runs they St. Lawrence through.

And when the sun it does do down, away they'll swing their ploughs,
And when it does grow darker, it's homeward they march on,
And when the clock strikes eight or nine off to their beds they'll crawl,
Whilst us poor jolly raftsmen stand many's the bitter squall.

The wind blows from the mountains, which toss up upside down,
And sets us in confusion for fear we'd all be drowned.
The wind blows from the west, my boys, which drives our raft along,
Cheer up, Cheer up, my lively lads, your balsom oars spring on!

It's lee bore down and lee bore round, and set your sails to right!
It's we'll sail out immediately and leave those lakes behind.
It's we'll sail out immediately and bid those lakes adieu.
We'll steer our course all for Quebec, all sorrows to subdue.

All sorrows to subdue, my boys, since joy has come to town;
We'll call into a tev-er-en and there we'll all sit down.
We'll call for eggs and brandy, boys, and merrilye pass it round;
We'll drownd all sorrow in a glass since joy has come to town!

Since joy has come to town, my boys, it's homeward we'll march on,
To see our wives and sweethearts that we've left behind to mourn.
We'll dance and sing and merrilye be as we oft-time done before,
And when our money is all spent, we'll hunt the woods for more.

Doerflinger notes the last two words were spoken.


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Subject: Tune Add: THE MAIDS OF SIMCOE
From: MMario
Date: 09 Jan 03 - 09:18 AM

N-The Maids of Simcoe
C-From the singing of Archie Lant
A-
T-
S-100
K-E
B-6/8
F-
H-
M-5R-2 R-8 B-8 E-4 F-8 G-4 b-8 a-5 G-4 E-8 F-4 D-8 E-4 E-8 E-5 R-4 a-8
L-come all ye maids of Sim-coe, give ear to what I write, In
H-
M-5e-4 e-8 d-4 c-8 c-8_b-8 b-8 b-8_a-8 G-8 a-4 b-8 c-8_b-8 a-8 b-8 R-4 R-4 a-8 e-4 e-8 d-4 c-8
L-Cross-ing Lake On-ta-ri-o where rafts-men take de-light, In cross-ing Lake On
H-
M-5c-8_b-8 b-8 b-8_a-8 G-8 a-4 b-8 c-8_d-8 e-8 b-4 R-8 B-4 B-8 E-4 F-8 G-4 b-8 a-5 G-4 E-8
L-ta-ri-o as jol-ly rafts-men do, While your low-land, loaf-ing farm-ers can
H-
M-2F-4 D-8 E-4 E-8 E-4 R-8 R-5
L-stay at home with you.


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Subject: Lyr Add: JACK HAGGERTY / THE FLAT RIVER GIRL
From: MMario
Date: 09 Jan 03 - 09:47 AM

There are already three examples of this in the DT (Flat River Girl, Jack Haggerty, Jack Haggerty (2)) but from the text this appears to be different enough to at least mention:

JACK HAGGERTY /THE FLAT RIVER GIRL
(from the singing of Willis Norrad)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp245-246)

My occupation is river man, as you may well know,
My name is engraved on the rocks down below,
Over hills and rocky mountains I'm very well known.
they call me Jack Jaggerty, I'm the pride of the town.

I worked on the river by night and by day,
Till a blacksmith's pretty daughter my heart stole away,
She was neat, tall and handsome by a bright pearly stream,
And my thought were with Annie; She haunted my dreams.

So I worked on the river till I earned a large stake,
I was steadfast and loyal, I ne'er played a rake,
For my thoughts were of Annie by the Flat River side,
and I always intended to make her my bride.

But one day on the river a letter I received,
Telling me from her promises she herself would relieve.
She would wed with another a long time delayed,
And the next time I'd see her she would not be a maid.

On her mother, Jane Tucker, I lay all the blame.
she's the cause of my ruin and all my ill fame.
She cut loose the rigging that god would soon tie
and left me to wander till the day that I die.

Note: Doerflinger gives the fifth verse set to the tune, no variations listed.


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Subject: Tune Add: JACK HAGGERTY / THE FLAT RIVER GIRL
From: MMario
Date: 09 Jan 03 - 10:45 AM

N-Jack Haggerty / The Flat River Girl
C-From the singing of Willis Norrad
A-
T-
S-100
K-D
B-3/4
F-
H-
M-5R-2 a-8 a-8 D-4 F-4 a-4 a-8 G-8 R-4 C-4 E-4 D-5 C-8 D-5 R-8 F-9 F-0
L-On her moth-er, Jane Tuck-er I lay all the blame. She's the
H-
M-5F-5 E-4 F-8 G-8 F-5_F-8 G-8 a-4 c-4 b-4 a-5 R-8 a-4 a-4 d-4 e-4
L-cause of my ru-in and all my ill fame. She cut loose the
H-
M-5d-8 a-5 R-4 F-4 E-4 D#4 E-4 b-5 R-8 a-4 D-4 F-4 a-4 D-4 F-8 R-8
L-rig-ging that God would soon tie, And left me to wan-der til the
H-
M-2D-8 D-8 E-4 D-4 C-4 D-5 R-8
L-day that I die


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Subject: Lyr Add: THE RED LIGHT SALOON
From: MMario
Date: 09 Jan 03 - 11:27 AM

THE RED LIGHT SALOON
(From the Singing of Willis Norrad)
(Doerflinger - 'Songs of the Sailor and Lumberman' pp249-250)

A trip down to Bang-or, the Forth of Ju-ly:
To make my con-nect-tion with a train I did try.
The train it being late, as you all will know soon,
I was forced to take a trip to the Red Light Sa-loon.

I boldly walked in and stepped up to the bar,
When a saucy young damsel says, "Have a cigar"
A cigar I did take, in a chair I sat down,
When a saucy young damsel came tripping around.

She boldly came over, sit down on my knee,
Saying Jack you're a woodsman, that I plainly see.
Saying, Jack you're a woodsman, and that we all know.
Your muscle is hard from your head to your toe.


Per Doerflinger - "a song that will never be printed in full"


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Subject: Tune Add: THE RED LIGHT SALOON
From: MMario
Date: 09 Jan 03 - 11:48 AM

N-The Red Light Saloon
C-from the singing of Willis Norrad
A-
T-
S-207
K-E
B-3/4
F-
H-
M-5R-2 b-4 E-4 G-4 b-4 E-4 G-4 G-4 F-4 D-4 D-4 E-4 R-4 b-4
L-A trip down to Bang-or, The Fourth of Ju-ly: To
H-
M-5d-4 e-4 e-4 E-4 G-4 b-8 b-8 c-8 c-8 c-8 b-8 R-8 b-8 e-4 e-4 e-4 E-4 G-4 b-4
L-make my con-nec-tion with a train I did try. The train it being
H-
M-5c-4 c-4 c-4 b-4 R-4 b-8 b-8 E-4 G-4 b-8 b-8 E-4 G-4 G-4 F-4 E-4 D-4
L-late, as you all will know soon, I was forced to take a trip to the Red light Sa-
H-
M-1E-4 R-2
L-"loon


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Subject: Lyr Add: THE RED LIGHT SALOON (Oscar Brand)
From: Charley Noble
Date: 09 Jan 03 - 11:49 AM

Couldn't resist adding some more verses for the above, courtesy of Oscar Brand:

Anon
From Singing of Oscar Brand
Tune: Sweet Betsey from Pike

The Red Light Saloon


D-----------------------A----------D
It was early one morning I walked into town.
------------------------A--------D
In sweet recreation I was strolling a-round,
-------G----------------------------D
When I spied this hotel in the fore after-noon,
------------------------------A-----------D
It was sporting a sign said "The Red Light Sa-loon."


I boldly walked in and stepped up to the bar,
Where a pretty young lady said, "Have a cigar."
Well, I took that cigar saying, "Thanks for the boon."
But she said, "That's our way in the Red Light Saloon."

She mussed up my hair and sat down on my knee,
Saying, "You are a logger, that's easy to see."
Saying, "You are a lumberjack, that we all know,
For your muscles are hard from your head to your toe."

She proceeded to test if my muscles were right,
Till I smoked that cigar without striking a light;
My head it was rising just like a balloon,
From the treatment I got at the Red Light Saloon.

It was early next morning I bade her good bye,
She waved from the window, a tear in her eye,
And I did not find out till the middle of June,
I was carrying a keepsake from the Red Light Saloon.

I cursed that young lady till the heavens turned blue,
And with whiskey and women I swore I was through,
But with all of my swearing I'd give my fortune,
Just to be back in bed at the Red Light Saloon.

Cheerily,
Charley Noble


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Subject: RE: Songs of the Sailor and Lumberman
From: MMario
Date: 09 Jan 03 - 12:28 PM

Tom Dixon


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Subject: Lyr Add: THE GULL DECOY
From: MMario
Date: 10 Jan 03 - 10:03 AM

THE GULL DECOY
(Larry Gorman)
(From the singing of Herbert Hinchey)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp255-256)

I take no books, nor I read no pa-pers,
I have no mon-ey to spend or lose,
But ev-'ry Sun-day a-mong my neigh-bors,
I run a-round to hear the news!

'Twas all for spite and satisfaction
I set my dog on an orphan boy,
And all those other dirty actions
That adds more grief to the Gull Decoy,

When I stand up and begin to whistle,
the gulls they all begin to fly,
And for this occupation
they call me the Gull Decoy.


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Subject: Tune Add: THE GULL DECOY
From: MMario
Date: 10 Jan 03 - 11:54 AM

N-The Gull Decoy
C-Larry Gorman
A-
T-
S-92
K-F
B-3/4
F-
H-
M-2R-2 R-8 F-8 G-8 a-0_b-0 c-4 R-8 b-0 c-0
L-I take no books, Nor I
B-4/4
H-
M-1d-8 d-8 c-8 a-8 R-5 c-8
L-read no pa-pers, I
B-3/4
H-
M-1d-8 d-8 c-0 c-9 R-8 c-8
L-Have no mon-ey to
H-
M-2c-9 b-0 G-8 R-4 G-8 b-8 c-0_d-0 d-4 T34ad-8 R-8 c-8
L-spend or lose, But ev-'ry Sun x day a
H-
M-4d-8 a-8 F-4 G-8 R-8 a-8 b-8 c-8 b-4 R-8 a-8 G-8 G-8 F-4 R-8 R-3
L-mong my neigh-bors, I run a-round to hear the news!


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Subject: Lyr Add: BEWARE OF LARRY GORMAN
From: MMario
Date: 10 Jan 03 - 12:04 PM

BEWARE OF LARRY GORMAN
(Larry Gorman)
(from the singing of Herbert Hinchey)
(Doerflinger - 'Songs of the Sailor and Lumberman' p 258)

And when they see me com-ing,
their eyes sticks out like prongs,
Say-in' Be-ware of Lar-ry Gorman;
He's the man that makes the songs!

I told here that her bread was good,
Likewise her teas was strong;
But little she knew I was Gorman,
The make who made the songs!


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Subject: Tune Add: BEWARE OF LARRY GORMAN
From: MMario
Date: 10 Jan 03 - 12:14 PM

N-Beware of Larry Gorman
C-Larry Gorman - from singing H.Hinchey
A-
T-
S-114
K-G
B-6/8
F-
H-
M-5R-2 R-8 E-8 G-4 a-8 b-4 c-8 d-5 d-8 R-8 d-8 c-4 c-8 G-8_a-8 b-8 c-4 R-8 b-8 b-8 c-8
L-And when they see me com-ing, Their eyes sticks out like prongs, Say-in', Be-
H-
M-4d-4 d-8 G-4 F%8 F%8 D-8 R-8 D-4 C-8 D-8_E-8 F-8 G-4 F-8 G-5 R-5
L-ware of Lar-ry Gor-man; He's the man that makes the songs!


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Subject: Lyr Add: DUFFY'S HOTEL
From: MMario
Date: 10 Jan 03 - 12:34 PM

DUFFY'S HOTEL
(from the singing of Williis Norrad)

If you're long-ing for fun or en-joy-ment,
If you want to go out on a spree,
Come a-long with me o-ver to Boies-town
On the banks of the Mi-ra-mi-chi.
You'll meet with a roya-al re-cep-tion,
the truth un-to you I'll re-late.
On the eight-eenth of May I ar-rived here,
from Fred-'ric-ton came by the freight.

I'm employed by a man named E. kenney,
A gentleman you all know well,
J.P. for the parish of Stanley
And he puts up at Duffey's hotel.
...
...
...
...

The other night I was out on a racket,
I tell you 'twas something immense
We collared a Shanghai rooster,
And he just cost us seventeen cents.
He was sick with the croup and the measles,
They said he was too poor to sell,
But I guess he'll make hash for the boarders
That hang out at Duffy's Hotel.

One night I was out to a party;
'Twas held in the Mansion below,
A row was kicked up in the kitchen
I tell you it wasn't too slow.
They upset the chairs and the tables
cause the Pleasant Ridge pigs for to yell
the row was kicked up by Delaney,
A sucker from Duffy's hotel.

Kind friends, I must bid you good evening,
Or else you will fear I'm a turk,
If I loiter 'round here any longer
some fellow might give me a jerk!
I'll go back to the place of my childhoord,
In peace and contentment to dwell,
Bid adieu to the kind friends and boarders
That hang 'round at Duffy's Hotel!


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Subject: Tune Add: DUFFY'S HOTEL
From: MMario
Date: 10 Jan 03 - 02:48 PM

N-Duffy's Hotel
C-from the singing of Willis Norrad
A-
T-
S-189
K-E
B-3/4
F-
H-
M-5R-2 G-8 F-8 E-4 G-4 F-4 E-4 F-4 G-4 a-4 c-2_c-4 R-4 c-8 c-8
L-If your're long-ing for fun or en-joy-ment, If you
H-
M-5c-4 b-4 G-4 b-4 a-4 G-4 F-3_F-4 R-4 G-8 F-8 E-4 G-4 F-4
L-want to go out on a spree, Come a-long with me
H-
M-5E-4 F-4 G-4 a-4 c-2_c-2 c-8 c-8 c-4 b-4 G-4 b-4 a-4 F-4
L-o-ver to Boies-town On the banks of the Mi-ra-mi-
H-
M-5E-5 R-5 R-2 c-4 b-4 G-4 b-4 e-4 d-4 c-4 c-4 b-2_
L-chi. You'll meet with a roy-al re-cep-tion,
H-
M-5b-2 b-4 b-4 G-4 b-4 c-4 b-4 G-4 F-3 R-2 G-8 F-8
L-The truth un-to you I'll re-late. On the
H-
M-5E-4 G-4 F-4 E-4 F-4 G-4 a-4 c-2_c-2 c-4 c-4 b-4 G-4
L-eight-eenth of May I ar-rived here, From Fred-'ric-ton
H-
M-2b-4 a-4 F-4 E-3
L-came by the freight.


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Subject: Lyr Add: THE WIFE OF KELSO /THE WILY AULD CARLE
From: MMario
Date: 10 Jan 03 - 03:45 PM

THE WIFE OF KELSO /THE WILY AULD CARLE
(from the singing of 'Duke' Neilson)
(Doerflinger - 'Songs of the Sailor and Lumberman' - p281)

There was an old woman in Ire-land, in Ire-land she did dwell;
She dear-ly loved her hus-band, and an-other man twice as well!
[Sing fa-lad-dle-ee doo-dle ad-dy, fa-lad-dle doo-dle day;
Sing fa-lad-dle-ee doo-dle ad-dy, fa-lad-dle doo-dle day]

She went unto a doctor to see if she could find,
To see if she could find anything to make the old man blind

Now, the doctor give three marrowbone, for him to suck them all,
And after he had sucked them, he couldn't see any at all.

Now the doctor met the old man, and to him explained the scheme.
Be jappers, says the old man, I'll act upon the scene!

She gave to him the marrowbones for him to suck them all,
And after he had sucked them he couldn't see any at all.

Oh, wifie, dearest wifie, on land I cannot stay.
I'd gladly go and drown myself if I only could find the way.

Oh husband, dearest husband, you shall not go astray,
For I will go along with you and gladly show you the way.

They toddled on and on and on, until the came to the brim
Oh, wifie, dearest wifie, you'll have to push me in.

the old womand got back a step or two and suddenly made a spring.
The old man side-stepped and she went tumbling in!

She swam around and round and round and then in front of him
the old man grabbed a long pole and shoved her head within.

The old man grabbed a long pole and shoved her head within
Now , wasn't she a darned old fool, to think that I was blin'.


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Subject: Tune Add: THE WIFE OF KELSO / THE WILY AULD CARLE
From: MMario
Date: 10 Jan 03 - 04:18 PM

N-The Wife of Kelso /the Wily auld carle
C-
A-
T-
S-189
K-C
B-6/8
F-
H-
M-5R-2 R-8 c-8 e-8 d-8 c-8 d-8 d-8 b-8 c-5 a-4 G-8 e-4 c-8 d-4 b-8 c-4 R-8 R-4 G-8
L-There was an old wo-man in Ire-land, in Ire-land she did dwell; She
H-
M-5e-4 e-8 d-4 d-8 c-5 b-8 b-8 b-8 a-8 b-8 d-8 c-4 a-8 G-4 R-8 E-4 F-8 G-8 E-8 G-8 a-4 b-8
L-dear-ly loved her hus-band, and an-oth-er man twice as well! Sing fa-lad-dle-ee doo-dle
H-
M-5G-8 E-8 R-8 R-4 G-8 G-8 G-8 c-8 b-4 d-8 c-5 E-4 F-8 G-8 E-8 G-8 a-4 b-8 G-8 E-8 R-8 R-4 G-8
L-ad-dy fa-lad-dle-ee doo-dle-day; Sing Fa-lad-dle-ee doo-dle ad-dy fa-
H-
M-2G-8 G-8 c-8 b-4 d-8 c-5 R-5
L-lad-dle-ee doo-dle day!


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Subject: RE: Songs of the Sailor and Lumberman
From: GUEST
Date: 11 Jan 03 - 04:27 PM

Joe,

How could you forget "I'm a Lumberjack?"

wdyat24


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Subject: RE: Songs of the Sailor and Lumberman
From: Susanne (skw)
Date: 11 Jan 03 - 05:27 PM

MMario, you're a treasure!


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Subject: Lyr Add: WERE YOU EVER IN DUMBARTON
From: MMario
Date: 13 Jan 03 - 11:22 AM

Were you ever in Dumbarton, where they wear the tartan,
where they wear the tartan, little above the knee?
Were you ever in Dumbarton, where they wear the tartan,
Where they wear the tartan, little above the knee?

My love she is so neat and small, she won't have me at all
But try to get her full and then she'll marry me.
Oh if I had her, if I had her,
Oh if I had her, happy I would be.
Oh if I had her, if I had her,
Oh if I had her, happy I would be.

Were you ever in Dumbarton, where they wear the tartan,
where they wear the tartan, little above the knee?
Were you ever in Dumbarton, where they wear the tartan,
Where they wear the tartan, little above the knee?


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Subject: Tune Add: WERE YOU EVER IN DUMBARTON
From: MMario
Date: 13 Jan 03 - 12:22 PM

N-Were You Ever in Dumbarton?
C-from the singing of Archie Lant
A-
T-
S-120
K-E
B-3/4
F-
H-
M-1R-2 A-8 C-8 E-9 E-0 E-9 E-0 G-8 E-8 b-9 b-0 b-9 b-0 G-8 b-8 c-9 c-0 c-9 b-0 a-8 E-8
L-Were you ev-er in Dum-bar-ton, where they wear the tar-tan, Where they wear the tar-tan,
B-4/4
H-
M-1F-7 F-7 F-7 F-9 E-0 C-4 B-9 B-0
L-lit-tle a-bove the knee? Were you
B-3/4
H-
M-4E-9 E-0 E-9 F-0 G-8 E-8 b-9 b-0 b-9 b-0 G-8 b-8 c-8 c-8 c-8 c-8 b-8 G-8 E-7 E-7 E-7 E-9 F-0 D-4
L-ev-er in Dum-bar-ton, where they wear the tar-tan, Where they wear the tar-tan lit-tle a-bove the knee?
B-2/4
H-
M-5R-4 b-4 b-9 d-0 e-9 d-0 c-8 b-8 G-9 b-0 b-9 e-0 d-9 e-0 c-5 d-8
L-My love she is so neat and small, she won't have me at all. But
B-3/4
H-
M-5e-8 f-8 e-0 c-9 b-8 G-8 a-8 F-8 G-0 E-9 C-9_B-0 E-4 E-8 E-8 G-0 E-9 b-5 b-8 G-0 b-9 c-4 c-8 c-8 b-0 G-9
L-try to get her full and then she'll mar-ry me. Oh, if I had her, if I had her, Oh, if I had her,
H-
M-4F-8 G-8 F-8 E-8 D-4 E-4 E-8 E-8 G-0 E-9 b-5 b-8 G-0 b-9 c-4 c-8 c-8 b-8 G-8
L-hap-py would I be. Oh, if I had her, if I had her, Oh, if I had her,
B-4/4
H-
M-1F-8 G-8 F-8 G-8 E-4 B-9 C-0
L-hap-py would I be! Were you
B-3/4
H-
M-3E-8 E-8 E-9 E-0 G-8 E-8 b-8 b-8 b-9 b-0 G-8 b-8 c-9 c-0 c-9 c-0 b-8 G-8
L-ev-er in Dum-bar-ton, where they wear the tar-tan, Where they wear the tar-tan,
B-4/4
H-
M-1F-7 F-7 F-7 F-9 E-0 C-4 B-9 C-0
L-lit-tle a-bove the knee? Were you
B-3/4
H-
M-5E-8 E-8 E-9 E-0 G-8 E-8 E-9 b-0 b-9 a-0 G-8 b-8 c-8 c-8 c-9 c-0 b-8 G-8 F-7 F-7 F-7 F-9 G-0 E-4_E-3
L-ev-er in dum-bar-ton, where they wear the tart-tan, Where they wear the tar-tan, lit-tle a-bove the knee?


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Subject: Lyr Add: SALLY MONROE
From: MMario
Date: 13 Jan 03 - 02:59 PM

see DT salmunro (Sally Munro)

SALLY MONROE
(from the Singing of Mrs. Mary Grieve)
(collected by Samuel P. Bayard)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp303-304)

Come all ye young fe-males, I pray you'll at-tend
To these twa or thress let-ters that I've new-ly penned,
To let you un-der-stand the hard-ships I un-der-go,
When first I fell in love wi' young Sal-ly Mon-roe.

I wrote her a letter, a letter I did send;
I sent it with a comrade I thought to be a friend.
Instead of bein' a friend to me, he proved to be a foe,
and he never gave that letter to young Sally Monroe.

It was on a Sunday morning about six o'clock,
'Twas all in a sudden our ship did strike a rock,
Three hundred and fifty were all sank below,
And out among that number I lost Sally Monroe.

'Twas from her aged parents I stole her away,
And that will grieve my conscience till my dying day,
It was not for to injure her that I did do so,
And all my life I'll mou-rn for young Sally Monroe!


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Subject: Tune Add: SALLY MONROE
From: MMario
Date: 13 Jan 03 - 03:32 PM

N-Sally Monroe
C-from the singing of Mary Grieve
A-
T-
S-100
K-G
B-2/2
F-
H-
M-1R-3 B-4 E-2 E-4 F-4 G-2 G-4 a-4 b-2 b-4 c#4
L-Come all ye young fe-males. I pray you'll at-
H-
M-4b-3 R-8 B-8 E-5 E-8 E-4 F-4 G-2 G-4 R-8 a-8 b-5_c#8 d-4 c-4
L-tend To these twa or three let-ters that I've new-ly
H-
M-4b-2 R-4 a-4 b-5 a-8 b-4 c#4 d-2 d-4 b-4 a-4 R-8 a-8 b-8_c#8 d-4
L-penned, To let you un-der-stand the hard-ships I un-der
H-
M-4e-2 R-4 e-4 d-4 c#4 d-4 e-4 b-8_a-5 G-4 E-4 F-2 E-4 E-4
L-go, When first I fell in love wi' young Sal-ly Mon-
H-
M-1E-2 R-2
L-roe.


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Subject: Lyr Add: THE DARK EYED SAILOR
From: MMario
Date: 13 Jan 03 - 04:11 PM

see also DT songfiles darkeyed; darkeye2

THE DARK EYED SAILOR
(tune from singing of J. E. Shepard)
(verses compiled from multiple sources)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp300-301)

'Twas of a maid-en both young and fair,
Whilst walk-ing out for to take the air.
She met a sail-or all on her way,
And I paid at-ten-tion,
And I paid at-ten-tion
to hear what they might say.

He says, Fair maid, why roam alone?
For the day's far spent and the night's coming on.
While crystal tears from her eyes did flow
It's for my dark-eyed sailor,
Oh, me dark-eyed sailor
That proved my overthrow!

Then three long years since he left this land;
A new gold ring he took off his hand,
He broke a token, gave one half to me,
While the other half's lying
While the other half's lying
At the bottom of the sea.

Oh, he says, fair maid, drive him from off your mind
For as good a sailor as him you'll find!
Love turns aside and cold does grow
Like a winter's morning
Like a winter's morning
When the hills are covered with snow

His coal-black eyes and curly hair,
His flattering tongue did my heart ensnare
Genteel he was, no rake like you,
to advise a maiden
to advise a maiden
to slight the jacket blue!

A tarry sailor I'll ne'er disdain,
But keep always true till he comes again.
So drink his health, here's a piece of coin,
But my dark-eyed sailor
But my dark-eyed sailor
Still claims this heart of min.

When William did the ring enfold
She seemed distracted idst joe and woe
You're welcome, William; I have lands and gold
for my dark-eyed sailor
For my dark-eyed sailor
So manly ture and bold!

Down in a cottage by a river side
In peace and harmony they now reside,
So girls, prove true whilst your lover's away
Oft a cloudy morning
Oft a cloudy morning
Brings forth a pleasant day.


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Subject: Tune Add: THE DARK EYED SAILOR
From: MMario
Date: 13 Jan 03 - 04:34 PM

N-The Dark Eyed Sailor (3)
C-
A-
T-
S-120
K-F
B-3/4
F-
H-
M-5R-5 D-8 a-8 a-8 a-4 G-8 G-8 F-8 G-8 D-5 D-8 D-8 D-8 c-4 a-8 a-8 c-8 d-8 a-5 c-8 c-8 F-8
L-'Twas of a maid-en both young and fair, Whilst walk-ing out for to take the air. She met a
H-
M-5E-8 D-4 D-8 F-8 G-8 a-5 a-0 a-0 a-8 C-8 D-8 C-4 D-0 D-0 a-8 c-8 d-8 c-4 d-8 G-4 a-4 F-4 E-4
L-Sail-or all on her way, And I paid at-ten-tion, And I paid at-ten-tion to hear what they might
H-
M-1F-4 R-2
L-say.


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Subject: Lyr Add: THE SILK MERCHANTS DAUGHTER
From: MMario
Date: 14 Jan 03 - 10:13 AM

See also - slkmrcht - DT The Silk Merchant's Daughter

THE SILK MERCHANTS DAUGHTER
(from the singing of Archie Lant)
(Doerflinger - 'Songs of the Sailor and Lumberman' -pp296-297)

Oh hold your hand, butcher! the fair one she cried.
Indeed and I'm only an innocent main.
I'm a rich merchant's daughter, from London I be,
And you see what I've come to by the loving of thee.**

Oh, it's then the hot blood to his head it did pour,
Saying Since you are the loved on that I do adore,
Since you are the loved one that I do love best,
With my sweet, happy life, love, it's I wid I die first.

They lots were got ready and in a bog put,
and each one of us our own lot we drew,
The innocent fair one, the short lot she drew;
She was to be killed for to feed the whole crew.

They lots were got ready and in a bag put,
And each one of us our own lot we drew,
Be quick in lyou motion; let the bus'ness be done.
But before the blow was struck, oh we all heard a gun.

Oh, hold your hand, butcher, our captain he cried,
Some port or some harbor we are drawing nigh.
And while we were a-sailing with a sweet, pleasant tide,
We came to a city close by the sea side.

This couple got married, as I've heard the people say,
There was great rejoicing on their wedding day.
The bells of the village did echo and ring,
The boys they did dance, and the girls they did sing.


** last two lines of each verse repeat


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Subject: Tune Add: THE SILK MERCHANTS DAUGHTER
From: MMario
Date: 14 Jan 03 - 10:49 AM

N-The Silk Merchant's Daughter
C-from the singing of Archie Lant
A-
T-
S-120
K-G
B-3/4
F-
H-
M-5R-2 D-9_G-0 G-4 G-4 a-8_G-8 F%4 F-4 G-8_a-8 c-4 c-4 d-8_c-8 a-5 R-8 c-4
L-They lots were got read-y and in a bag put, And
H-
M-5b-4_a-4 G-4 F-4 D-4 F-4 G-4 E-4 C-4 D-5 R-8 D-8_c-8 c-4 c-4 c-0_e-9
L-Each one of us our own lot we drew; This in-no-cent
H-
M-5d-0_b-9 b-2 a-8_G-8 G-4 G-4 a-0_b-9 D-5 R-8 D-9_G-0 G-2 F%9 G-0 a-4 d-4
L-fair one, the short lot she drew; She was to be killed for
H-
M-5b-4 c-4 a-0_G-9 F-4 G-5 R-8 a-8_b-8 c-4 c-4 c-0_e-9 d-8_b-8 b-4_b-4 a-8_G-8 G-4
L-to feed the whole crew. This in-no-cent fair one, the short
H-
M-5G-4 a-0_b-9 D-4_D-8 R-8 D-9_G-0 G-4_G-4 F%9 G-0 a-4 d-4 b-4 c-4 a-0_G-9 F-4 G-4_
L-lot she drew, She was to be killed for to feed the whole
H-
M-1G-4 R-2
L-crew


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Subject: Lyr Add: CHARLES GUSTAVUS ANDERSON
From: MMario
Date: 14 Jan 03 - 11:08 AM

see DT - Saladin Mutiny; The Saladin Mutiny (sldnmtny & sldnmty2)

CHARLES GUSTAVUS ANDERSON
(from the singing of Herbert Hinchey)
(Doerflinger - 'Songs of the Sailor and Lumberman' -pp291-292)

Now, Charles Gus-ta-vus An-der-son is my right and proper name.
Although I lie in cus-to-dy, I'll ne'er deny the same.
I was raised by hodn-est par-ents, although I die in scorn.
Oh, Bud-lieve me, now I much lament the hour that I was born!

Now my father was a shipwright; I might have been the same.
He taught me good examples, on him I lay no blame.
And for my poor old mother, for me she has wept sore.
Whedn she hears of my misfortune she cadn but grieve the more.

Note: per Doerflinger the added consonants in words were typical of many older singers.


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Subject: Tune Add: CHARLES GUSTAVUS ANDERSON
From: MMario
Date: 14 Jan 03 - 11:34 AM

N-Charles Gustavus Anderson
C-from the singing of Herbert Hinchey
A-
T-
S-198
K-E
B-3/4
F-
H-
M-5R-2 C-4 E-2 F-4 G-2 a#4 b-2 a#4 G-4 E-4 F-4
L-Now, Charles Gus-ta-vus An-der-son is my
H-
M-5E-8_C-5 D-4 E-2 D-4 E-5 R-5 R-2 G-4 b-2 b-4
L-right and prop-er name. Al-though I
H-
M-5c-4_d-4 e-4 e-2 d-4 e-4 R-4 d-4 c-2 F-4 F-4_G-4 a-4
L-lie in cus-to-dy, I'll ne'er de-ny the
H-
M-5b-5 R-5 R-2 G-8 G-8 b-2 G-4 b-2 c-8_d-8 e-3
L-same. I was raised by hadn-est par-
H-
M-5d-2 e-4 e-2 e-4 G-2 b-4 c-5 R-5 e-2 d-4
L-ents, al-though I die in scorn. Oh, bud-
H-
M-5b-2 b-4 G-8_F-8 R-4 G-4 E-8_D-5 E-4 F-2 G-4 G-8_E-5 F-4
L-lieve me, now I much la-ment the hour that
H-
M-2E-2 E-4 E-4 R-2
L-I was born!


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Subject: Lyr Add: THE JEALOUS LOVER
From: MMario
Date: 14 Jan 03 - 01:30 PM

see DT for additional versions:

THE JEALOUS LOVER
(from the singing of Charlie Chamberlin)
(Doerflinger - 'Songs of the Sailor and Lumberman' -pp287-288)

It was down in a lone green val-ley
Where the ro-ses bloom and fade,
there lies a jeal-ous lov-er
In love with a bea-ti-ful maid.
One night the moon shoe bright-ly
The stars were shin-ing too,
And to the maid-en's cot-tage
This jeal-ous lov-er drew.


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Subject: Lyr Add: THE JEALOUS LOVER
From: MMario
Date: 14 Jan 03 - 01:38 PM

oops!

see DT for additional versions:

THE JEALOUS LOVER
(from the singing of Charlie Chamberlin)
(Doerflinger - 'Songs of the Sailor and Lumberman' -pp287-288)

It was down in a lone green val-ley
Where the ro-ses bloom and fade,
there lies a jeal-ous lov-er
In love with a bea-ti-ful maid.
One night the moon shoe bright-ly
The stars were shin-ing too,
And to the maid-en's cot-tage
This jeal-ous lov-er drew.

Come love and we will wander
Down where those woods are gay.
While wandering we will ponder
And plan our wedding day.
So arm in arm they wandered,
The night birds sang above.
This jealous lover grew angry
With the beautiful girl he loved.

The night was dark and dreary.
She said I'm afraid to stay.
I've grown so tired and weary,
I must retrace my way.
Retrace your steps? No, never,
For you have met your doom!
So bid farewell forever
To Parents, friends and home.

Down on her knees before him
She pleaded for her life,
But deep within her bosom
He plunged a dreadful knife.
Oh Willie, my poor Willie,
Why have you taken my life?
You know I've always loved you
And wanted to be your wife.

I have never deceived you*
Was her last and dying cry.
I will forgive you Willie
then she closed her eyes and died.


* use second half of melody for last verse.


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Subject: Tune Add: THE JEALOUS LOVER
From: MMario
Date: 14 Jan 03 - 02:10 PM

N-The Jealous Lover
C-from the singing of Charlie Chamberlin
A-
T-
S-88
K-G
B-3/4
F-
H-
M-5R-2 F-9 F-0 G-2 F-9 a-0 b-2 D-4 F-4 E-2_E-5 R-8 E-9 E-0
L-It was down in a lone green val-ley Where the
H-
M-5D-2 D-4 F-4_E-4 F-4 G-3_G-4 R-5 G-8 G-2_G-9 a-0
L-ro-ses bloom and fade, There lies a
H-
M-5b-2 D#4 F-4 E-2_E-4 R-4 E-4 D-2 D-9 E-0 F-4 E-4 F-4
L-jeal-ous lov-er In love with a beau-ti-ful
H-
M-5G-3_G-4 R-5 G-8 a-2 R-8 a#8 d-2 c-4 b-4 G-2_
L-maid. One night the moon shone bright-ly
H-
M-5G-4 R-5 b-8 c-2 E-4 G-2 E-4 D-3_D-4 R-4 G-4
L-The stars were shin-ing too, and
H-
M-5G-2 a-4 b-2 D#4 F-4 E-2_E-4 R-4 E-4 D-2 D-4
L-to the maid-en's cot-tage This jeal-ous
H-
M-2F-8_E-5 F-4 G-3
L-lov-er drew.


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Subject: Lyr Add: THE MILLMAN SONG (John Calhoun?)
From: MMario
Date: 15 Jan 03 - 12:49 PM

THE MILLMAN SONG
(John Calhoun?)
(from the singing of Herbert Hinchey)
(Doerflinger - 'Songs of the Sailor and Lumberman' - -pp285-286)

You tender hearted Christians, I pray you lend an ear
To a sad and mournful story you air about to hear.
'Twas of a love-lye country girl, young, innocent and fair
Content and free she seemed to be, without one thought or care.

Just blooming into womanhood, that pure and holy state,
And God ordained should be sustained in purity complete;
But alas, how often do we find, as down life's streams we glide,
Some gentle maid that's been betrayed away from virtue's side.

This was the sin that turned the tide of Mary Cuplon's life,
And truthfully she was to be a mother, not a wife.
And him that she has trusted to protect her through the strife,
To hide his shame and save his name took this poor creature's life.

As evening shadows gently fell o'er streamlets and o'er hill,
Young Mary went with purpose bent a meeting to fulfill.
Young Millman on that evening was waiting for her near,
With a murderous heart to do his part and end this girl's career.

They talked a while on matters; 'twas formless to their view,
This trusting maid seemed not afraid to walk some distance, too,
Until they came to a lonely spot well suited to the deed.
His murderous heart then did act its part; his victim there did bleed.

He clasped her then within his arms and hast unto the shore,
And soon afloat within a boat prepared by him before,
A rope he tied around her waist, and after tied a stone,
One gentle splash, and like a flash the murderer was alone.

Alone? Oh, no. All-seeing eyes was watching from on high
And God is just; the murderer must from His great vengeance fly.
The brand of Cain upon his brow, no rest again he'll find
Until upon the gallows high he'll expiate his crime.

Now, the river's searched, the body found; Now, Millman, hold your own,
For the best-laid plans of mice and men are oft-times overthrown.
The very means that you've employed to ward suspicion off,
And her sad end will surely tend to cut your young life short.

The rope, the rock, the pistol shot, the meeting at the gate,
Will help to hang the guilty man and end this sad estate,
Now. an inquest and a verdict next in quick succession came,
And to this awful tragedy they coupled Millman's name.

Now when the judge he read the sentence, a tear bedimmed his eye.
On the twenty-second day of June, Young Millman you must die.
...
...

Now, parents, here a warning take: no matter what in rue
You know you must discard the trust that God hath given you,
Until upon that rising day you're called before the throne
To answer for your children's sins as well as for your own.


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Subject: Tune Add: THE MILLMAN SONG
From: MMario
Date: 15 Jan 03 - 01:46 PM

N-The Millman Song
C-from the singing of Herbert Hinchey
A-John Calhoun?
T-
S-180
K-Eb
B-6/4
F-
H-
M-2R-1 R-4 @-4 C-4 R-4 C-4 D-4_E-4 F-4
L-You ten-der heart-ed
H-
M-2G-2_F-4 E-8_C-4 R-8 D-4 C-8_@-5 B-4 C-2 B%4
L-Chris-tians, I pray you lend an
H-
M-2C-2 R-2 F-4 F-4 G-2 a%8_b%8 c-2 c-4
L-ear To a sad and mourn-ful
H-
M-2c-2_b%4 G-2 G-4 E-8_C-5 D-4 C-2 C-4
L-sto-ry you air a-bout to
H-
M-2C-2 R-2 R-4 F-4 G-2 G-4 c-2 d-4
L-hear. 'Twas of a love-lye
H-
M-2e-2 e-4 d-5 R-8 d-4 c-2 C-4 E-2 F-4
L-coun-try girl, young, in-no-cent and
H-
M-2F-3 R-2 G-8_a%8 b-4 b-2 F-4 R-4 G-4
L-fair. Con-tent and free she
H-
M-3F-4_C-4 D-4 B-2 D-4 F-2 E-4 C-2 C-4 C-4 R-2 R-2 R3
L-seemed to be, with-out one thought or care.


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Subject: Lyr Add: I'M A DECENT BOY FROM IRELAND
From: MMario
Date: 15 Jan 03 - 02:15 PM

I'M A DECENT BOY FROM IRELAND
(from the singing of Charlie Chamberlin)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp278-279)

I'm a de-cent boy from Ire-land, I've claimed it as my home.
Quite sor-ry for to tell you, boys, I was forced fro it to roam.
Brought up by hon-est par-ents, who loved their Pad-dy dear,
And of-ten by the fire-side they would whis-per in my ear:

Be kind to your old par-ents when their locks are turn-ing gray.
Re-mem-ber boys, in child-hood they have nursed you man-y's the day.
they have treat-ed you with kind-ness, with man-y* and man-y's* the smile.
You'll nev-er know their val-ue till they lay be-neath the soil.

At first I did not notice that I had led a desperate life,
And a couple of years after, I got myself a wife.
But Fortune proved unknow-m; Death came to my cabin door
And stole away my bonny bride I was forced to roam once more.

Kind friends, don't be offended; I would like to please you all.
If ever I pass this dear old town I will make another call.
We will sing the same songs over as we did in days of yore.
Be kind to your old parents, although they're old and poor


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Subject: Lyr Add: THE FAMOUS LIGHT BRIGADE
From: MMario
Date: 15 Jan 03 - 02:57 PM

THE FAMOUS LIGHT BRIGADE
(from the singing of Patrick Tayluer)
(Doerflinger - 'Songs of the Sailor and Lumberman' - pp276-277)

It was a fa-mous sto-ry, pro-claim it far and wide,
And let your child-ren's chidl-ren re-ech-o it with pride;
When old Car-di-gan, the fear-less, his name im-mor-tal made,
When he charged through the Rooosh-ian val-ley,
with his fa-mous Light Brig-ade.

Brave Nolan brought the order, Good God, can it be true?
For me to charge those massive gunds with this brigade so few!
It is the order given, sir, and you must obey.
So take my tip and ride away, and go to hell with them all.

Then is was a famous story, proclaim it far and wide
And let your children's children re-echo it with pride;
When old Cardigan, the fearless, his name immortal made,
When he charged through the Rooosh-ian valley,
with his famous Light Brigade.


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Subject: Lyr Add: RUFUS'S MARE
From: MMario
Date: 15 Jan 03 - 04:02 PM

RUFUS'S MARE
(George Calhoun)
(from the singing of David Alexander Smith)
(Doerflinger - 'Songs of the Sailor and Lumberman' -pp264-265)

Now, poor Ru-fus he has come to town.
No won-der that he is cast down.
It's the first time in man-y's the day
that he has walked here all the way.

Come listen to his tale of woe
And then the truth you soon shall know.
The reason why he walks today
Old Tozer stole his mare away.

When Tozer gave that mare to me
A useless brute she seemed to be
Upon three legs she had to go
The fourth one dangling to and fro.

Her hoofs then I did oil and pare.
I tended her with watchful care.
Before the year was at an end,
My little mare begin to men.

When she was well and free from pain
And fit to take the road again.
I lent her to that damned old clown
To go as far as Frederictown.

He drove to Estey's that same day
And there he traded my mare away.
A Central note that would not pass
He gave to bind the bargain fast.

It's when I heard what he had done,
I soon resolved to stop his fun.
I quickly followed on his track;
My little mare I soon brought back.

As I was in my field at work
It's there I saw this useless Turk
coming toward me through the field
His son-in-law was at his heels.

They never stopped to shake my hand;
My little mare they did demand.
Being two to one, I was forced to yield
And so they led her from the field.

Now I am cast down and sore oppressed
For the want of her I cannot rest.
I have no team to go to mill
Or haul my wood from off the hill.

Her empty stall, I view it now;
She used to stand besdie the cow.
No stall between them did divide;
To kick the cow she never tried.

Her harness hangs up by the wall.
I have no use for it at all.
The pung in which I took delight
It now seems hateful to my sight.

At length I heard this villian preach,
His words my heart could never reach.
Of going to Heaven I've heard him boast,
But down in Hell he'll surely roast!


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Subject: Tune Add: RUFUS'S MARE
From: MMario
Date: 16 Jan 03 - 10:54 AM

N-Rufus's Mare
C-George Calhoun
A-
T-
S-120
K-F
B-3/4
F-
H-
M-5R-2 F-8 G-8 a-8 c-8 a-4 G-8_F-8 D-8 D-8 D-4 F-8_D-8 C-8 C-8 c-4 b%8_G-8 a-8 c-8 d-8 R-4 a-8_d-8
L- Now, poor Ru-fus he has come to town. No won-der that he is cast down. It's
H-
M-1d-8 e-8 d-4 d-4
L-"the first time in
B-5/8
H-
M-3d-0 c-0 a-8 F-4 G-8 a-8 c-8 a-8 G-8_F-8 D-8 D-8 D-5
L-man-y's the day that he has walked here all the way.


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Subject: Tune Add: I'M A DECENT BOY FROM IRELAND
From: MMario
Date: 16 Jan 03 - 12:20 PM

N-I'm a Decent Boy from Ireland
C-from singing of Charlie Chamberlin
A-
T-
S-92
K-C
B-3/4
F-Doerflinger - Songs of the Sailor and Lumberman
H-
M-5R-2 E-8 F-8 G-2 G-4 F-2 E-4 D-4 C-2_C-2 C-8_D-8
L-I'm a de-cent boy from Ire-land, I've
H-
M-5E-2 C-4 A-2 C-4 @-3_@-2 C-4 C-2 D-4
L-claimed it as my home Quite sor-ry
H-
M-5C-2 A-4 @-4 C-2 C-2 E-8 F-8 G-2 G-4 G-8_F-5 E-4
L-for to tell you, boys, I was forced from it to
H-
M-5D-3_D-2 E-8_F-8 G-2 G-4 F-2 E-4 D-4 C-2_
L-roam. Brought up by hon-est par-ents
H-
M-5C-2 D-4 E-8_E-5 C-4 A-4_C-4 C-4 @-3_@-2 C-4
L-_ who loved their Pad-dy dear, And
H-
M-5C-2 D-4 C-2 A-4 @-4_C-2 C-2 E-8 F-8 G-2 F-4
L-of-ten by the fire-side they would whis-per
H-
M-3A-2 B-4 C-3_C-2 R-4
L-"in my ear:


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Subject: Tune Add: THE FAMOUS LIGHT BRIGADE
From: MMario
Date: 16 Jan 03 - 01:12 PM

N-The Famous Light Brigade
C-from the singing of Patrick Tayluer
A-
T-
S-69
K-C
B-2/4
F-
H-
M-8R-5 G-8 G-8 G-8 F-8 E-8 D-0 C-9 R-8 G-8 c-0 c-9 b-9 a-0 C-4 R-8 G-8 a-8 b-8 c-8 b-8 a-0 G-9 R-8 E-8 E-0 G-9 F-8 E-8
L-It was a fa-mous sto-ry, pro-claim it far and wide, And let you child-ren's child-ren re-ech-o it with
H-
M-4D-4 R-0 E-0 E-8 E-8 G-0 G-0_G-8 E-8 D-8 C-8 R-8 E-8 E-8 G-8 G-8 a-8
L-pride; When old Car-di-gan, the fear-less, his nam im-mor-tal
B-3/4
H-
M-1G-4_G-8 G-0 G-0 G-4
L-made, when he charged
B-2/4
H-
M-4c-8 c-8 b-8 a-8 G-0 E-9_E-8 D-0 C-0 E-0 D-9 C-8 B-8 C-2
L-through that Roosh-ian val-ley, with his fam-ous Light Brig-ade.


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